1. GOOD EVENING, AND WELCOME
TO THE MONEY PROGRAMME.Copy !req
2. TONIGHT ON THE MONEY PROGRAMME,
WE'RE GOING TO LOOK AT MONEY...Copy !req
3. LOTS OF IT,
ON FILM AND IN THE STUDIOCopy !req
4. SOME OF IT IN NICE PILESCopy !req
5. OTHERS IN LOVELY CLANKY BITS
OF LOOSE CHANGECopy !req
6. SOME OF IT NEATLY COUNTED
INTO FAT LITTLE HUNDREDSCopy !req
7. DELICATE FIVERS STUFFED
INTO BULGING WALLETSCopy !req
8. NICE, CRISP, CLEAN CHECKSCopy !req
9. PERT PIECES OF COPPER COINAGE
THRUST DEEP INTO TROUSER POCKETSCopy !req
10. ROMANTIC FOREIGN MONEY
ROLLING AGAINST THE THIGHCopy !req
11. WITH ROUGH FAMILIARITYCopy !req
12. BEAUTIFUL WAYWARD
CURLICUED BANK NOTESCopy !req
13. FILIGREE COPPER-PLATING
CHEEK BY JOWLCopy !req
14. WITH TUMBLING
HEXAGONAL-MILLED EDGESCopy !req
15. RUBBING GENTLY
AGAINST THE TERSE LEATHERCopy !req
16. OF BEAUTIFULLY BALANCED
BANK BOOKS!Copy !req
17. I'M SORRY.Copy !req
18. BUT I LOVE MONEY...Copy !req
19. ALL MONEY.Copy !req
20. I'VE ALWAYS WANTED MONEY
TO HANDLE, TO TOUCHCopy !req
21. THE SMELL
OF THE RAIN-WASHED FLORINCopy !req
22. THE LURE OF THE LIRACopy !req
23. THE GLITTER AND THE GLORY
OF THE GUINEACopy !req
24. THE ROMANCE OF THE RUBLE,
THE FEEL OF THE FRANCCopy !req
25. THE HEEL OF THE DEUTSCHE MARKCopy !req
26. THE COLD ANTISEPTIC STING
OF THE SWISS FRANCCopy !req
27. AND THE SUNBURNED SPLENDOR
OF THE AUSTRALIAN DOLLAR.Copy !req
28. NOW...Copy !req
29. IT'S...Copy !req
30. MONTY PYTHON'S FLYING CIRCUS.Copy !req
31. I BLING A DISPATCH
FLOM PRYMOUTH.Copy !req
32. "FLOM PRYMOUTH"?Copy !req
33. FLOM SIL FLANCIS DLAKE.Copy !req
34. ENTEL AND APPLOACH
THE THLONE.Copy !req
35. WHAT NEWS
FLOM PRYMOUTH?Copy !req
36. DLAKE HAS SIGHTED
THE SPANISH FREET, YOUL MAJESTY.Copy !req
37. SO! PHIRIP'S GARREONS ALE HELE.Copy !req
38. HOW MANY?Copy !req
39. ONE HUNDLED AND THILTY-SIX
MEN OF WALCopy !req
40. BROODY HERR.Copy !req
41. IS DLAKE PLEPALED?Copy !req
42. HE HAS OLDELED THE WHORE FREET
INTO THE BLITISH CHANNER.Copy !req
43. SO, WE MUST TO TIRBULY.Copy !req
44. REICESTEL!Copy !req
45. SIL WARTEL LAREIGH!Copy !req
46. GROUCESTER!
WE SHARR LIDE TO...Copy !req
47. GROUCESTEL!
GROUCESTEL!Copy !req
48. NOT "GROUCESTER!"Copy !req
49. COME ON.
RET'S GET ONE LIGHT.Copy !req
50. REICESTEL!Copy !req
51. THAT WAS TELLIBER.Copy !req
52. WHAT?Copy !req
53. TELLIBER.Copy !req
54. WHEN YOU HAVE THE RINECopy !req
55. LING YOUR BERR.Copy !req
56. LING MY BERR?Copy !req
57. LING, LING.
RIKE THIS.Copy !req
58. AND CUT THE
BROODY HERR.Copy !req
59. ERIZABETH!Copy !req
60. YES?Copy !req
61. YOU SHOULD BE
ON A BICYCER.Copy !req
62. WHY?Copy !req
63. YOU ROOK ODD RIKE THAT.Copy !req
64. I DO NOT LOOK ODD LIKE THIS.Copy !req
65. IT'S THAT LOT
THAT LOOKS ODD.Copy !req
66. IT'S BLEEDING WEIRD HAVING
HALF THE TUDOR NOBILITYCopy !req
67. LIGGING AROUND ON
MOTORIZED BICYCLES!Copy !req
68. IT'S VELY SULLEARIST.Copy !req
69. HORSE FEATHERS!Copy !req
70. LISTEN, MATE, I'M BEGINNINGCopy !req
71. TO HAVE MY DOUBTS ABOUT YOU.Copy !req
72. WHAT YOU MEAN?Copy !req
73. I'M TELLING YOU
STRAIGHT, MATE.Copy !req
74. I DON'T THINK YOU'RE
LUCHINO VISCONTI AT ALL.Copy !req
75. OH, OF COULSE, I AM.Copy !req
76. ME VELY IMPOLTANT
ITARIAN FIRM DILECTOL.Copy !req
77. YOU ARE A NIP.Copy !req
78. LUBBISH!Copy !req
79. ME GENUINE WOP!Copy !req
80. HE'S BLUFFING.Copy !req
81. OH, IS THAT
THE TIME?Copy !req
82. I MUST FRY.Copy !req
83. NOT SO FAST, YAKOMOTO.Copy !req
84. SHUT UP!Copy !req
85. ALLOW ME
TO INTRODUCE MYSELF.Copy !req
86. I AM INSPECTOR LEOPARD
OF SCOTLAND YARDCopy !req
87. SPECIAL FRAUD
FILM DIRECTOR SQUAD.Copy !req
88. LEOPARD OF THE YARD?Copy !req
89. THE SAME,
ONLY MORE VIOLENT.Copy !req
90. RIGHT, SLIT-EYES YAKOMOTO,
I'M ARRESTING YOUCopy !req
91. FOR THE IMPERSONATION
OF SIGNOR LUCHINO VISCONTICopy !req
92. FAMOUS ITALIAN DIRECTOR
OF SUCH MOVIE CLASSICSCopy !req
93. AS OBSESSIONE, 1942Copy !req
94. LA TERRA TREMA, 1948Copy !req
95. AND BELLISSIMA, 1951...Copy !req
96. A SATISFYINGLY IRONIC
SLICE-OF-LIFE DRAMA.Copy !req
97. 1957 BROUGHT
TO THE SILVER SCREENCopy !req
98. HIS I BIANCHE NOTTE,
ADAPTED BY DOSTOYEVSKYCopy !req
99. A MANNERED AND ROMANTIC
MELANCHOLY OF SNOW AND MISTSCopy !req
100. AND MOONLIT ENCOUNTERS
ON CANAL BRIDGES.Copy !req
101. BOCCACCIO 7O FOLLOWED
FIVE YEARS LATERCopy !req
102. AND THE FOLLOWING YEAR SAW...Copy !req
103. THE LEOPARD!Copy !req
104. SO IMPRESSED WAS ICopy !req
105. WITH THIS MOTION PICTURE
TREATMENT OF THE RISORGIMENTOCopy !req
106. THAT I WENT ALONG
TO SOMERSET HOUSECopy !req
107. AND CHANGED ME OWN NAME
TO "LEOPARD"Copy !req
108. PREFERRING IT TO ME
ORIGINAL HANDLE, "PANTHER."Copy !req
109. I DIGRESS.Copy !req
110. 1969 SAW THE DAMNED,
A GOTTERDAMMERUNG EPICCopy !req
111. OF POLITICAL
AND INDUSTRIAL SHENANIGANSCopy !req
112. IN GOOD OLD NAZI GERMANYCopy !req
113. STARRING HELMUT BERGER
AS A STINKING TRANSVESTITECopy !req
114. WHAT SHOULD HAVE
HIS FACE SAWN OFFCopy !req
115. THE CURVACEOUS CHARLOTTE
RAMPLING AS A BIT OF TAILCopy !req
116. AND THE IMPECCABLE
DIRK BOGARDE AS VON ESSEN.Copy !req
117. THE ASSOCIATION OF THE LATTER
WITH SIGNOR VISCONTICopy !req
118. FRUCTIFIED WITH DIRK'S
MAGNIFICENT PORTRAYALCopy !req
119. OF THE ELDERLY POUF
WHAT EXPIRES IN VENICE.Copy !req
120. AND SO, YAKOMOTO...Copy !req
121. BLIMEY! HE GONE!Copy !req
122. NEVER MIND.Copy !req
123. I'LL HAVE YOU INSTEAD.Copy !req
124. I HAVEN'T TIME TO GO
CHASING AFTER HIM.Copy !req
125. THERE'S VIOLENCE
TO BE DONE.Copy !req
126. OH, YES.Copy !req
127. ALL RIGHT, BUSTER.Copy !req
128. HANDS UP!Copy !req
129. I would like to ask the teamCopy !req
130. what they would do
if they were Hitler.Copy !req
131. Gerald?Copy !req
132. Well, I'd, uh...
annex the SudetenlandCopy !req
133. and sign a nonaggression pact
with Russia.Copy !req
134. Norman?Copy !req
135. Well, I'd do the Reichstag
bathroom in purples and goldsCopy !req
136. and ban abortion on demand.Copy !req
137. LIBERAL RUBBISH!Copy !req
138. KLAUS, WHAT YOU WANT
WITH YOUR JUGGED FISH?Copy !req
139. HALIBUT.Copy !req
140. THE JUGGED FISH IS HALIBUT.Copy !req
141. WELL, WHAT FISH YOU GOT
THAT ISN'T JUGGED THEN?Copy !req
142. RABBIT.Copy !req
143. WHAT? RABBIT FISH?Copy !req
144. YES. IT'S GOT FINS.Copy !req
145. IS IT DEAD?Copy !req
146. WELL, IT WAS COUGHING UP BLOOD
LAST NIGHT.Copy !req
147. ALL RIGHT, I'LL HAVE THE DEAD
UN JUGGED RABBIT FISH.Copy !req
148. WELL, THAT WAS
REALLY HORRIBLE.Copy !req
149. OH, YOU'RE ALWAYS
COMPLAINING.Copy !req
150. WHAT'S FOR AFTERS?Copy !req
151. WELL, THERE'S RAT CAKE,
RAT SORBETCopy !req
152. RAT PUDDING OR STRAWBERRY TART.Copy !req
153. STRAWBERRY TART?Copy !req
154. WELL, IT'S GOT SOME RAT IN IT.Copy !req
155. HOW MUCH?Copy !req
156. THREE.Copy !req
157. IT'S RATHER A LOT, REALLY.Copy !req
158. WELL, I'LL HAVE A SLICE
WITHOUT SO MUCH RAT IN IT.Copy !req
159. APPALLING.Copy !req
160. MOAN, MOAN, MOAN.Copy !req
161. HELLO, MUM.
HELLO, DAD.Copy !req
162. HELLO, SON.Copy !req
163. THERE'S A DEAD BISHOP
ON THE LANDING.Copy !req
164. WHERE DID THAT COME FROM?Copy !req
165. WHAT DO YOU MEAN?Copy !req
166. WHAT'S ITS DIOCESE?Copy !req
167. WELL, IT LOOKED A BIT BATH
AND WELLSISH TO ME.Copy !req
168. I'LL GO
AND HAVE A LOOK.Copy !req
169. I DON'T KNOW WHO KEEPS
BRINGING THEM IN HERE.Copy !req
170. WELL, IT'S NOT ME.Copy !req
171. I PUT THREE
OUT BY THE BINCopy !req
172. AND THE DUSTMEN
WON'T TOUCH 'EM.Copy !req
173. LEICESTER.
HOW'D YOU KNOW?Copy !req
174. TATTOOED ON THE BACK
OF HIS NECK.Copy !req
175. I'M GOING TO CALL
THE POLICE.Copy !req
176. SHOULDN'T YOU CALL
THE CHURCH?Copy !req
177. CALL THE CHURCH
POLICE.Copy !req
178. ALL RIGHT.
THE CHURCH POLICE!Copy !req
179. YES?Copy !req
180. THERE'S ANOTHER...
THERE'S A DEAD BISHOP...Copy !req
181. SUFFRAGAN?Copy !req
182. THERE'S ANOTHER DEAD
BISHOP ON THE LANDING.Copy !req
183. SUFFRAGAN
OR DIOCESAN?Copy !req
184. HOW SHOULD I KNOW?Copy !req
185. ITS TATTOOED ON THE
BACK OF THEIR NECKS.Copy !req
186. ERE!Copy !req
187. IS THAT RAT TART?Copy !req
188. YES.Copy !req
189. DISGUSTING.Copy !req
190. RIGHT!Copy !req
191. THE HUNT IS ON.Copy !req
192. OH, LORD, WE
BESEECH THEE...Copy !req
193. TELL US WHO CROAKED
LEICESTER.Copy !req
194. ALL RIGHT, IT'S A FAIR COPCopy !req
195. BUT SOCIETY IS TO BLAME.Copy !req
196. AGREED.Copy !req
197. I WOULD LIKE THE THREE
BY THE BINCopy !req
198. TO BE TAKEN
INTO CONSIDERATION.Copy !req
199. RIGHT. AND NOW, I'D LIKE
TO CONCLUDE THIS ARRESTCopy !req
200. WITH A HYMN.Copy !req
201. OH, SHUT UP!Copy !req
202. THANK YOU.Copy !req
203. WHAT?Copy !req
204. ERE. OH, OOH.Copy !req
205. OW! OH. AH, OH...Copy !req
206. OH!Copy !req
207. OH, OH, WHOA! OH.Copy !req
208. OH! WHOA!Copy !req
209. OH. OH-OH.Copy !req
210. OH, OH, OH!Copy !req
211. OH! OOH! OH!Copy !req
212. WHEE-HEE-HEE!
WHOA!Copy !req
213. YAHOO!Copy !req
214. YAY!Copy !req
215. WHEE!Copy !req
216. MEANWHILE, IN THE JUNGLE
NEXT DOOR...Copy !req
217. WHAT A SIMPLY SUPER
LITTLE PLACE.Copy !req
218. YES. THEY'VE DONE
WONDERS WITH IT.Copy !req
219. YOU KNOW, THIS
USED TO BE ONECopy !req
220. OF THE MOST SWAMPY, DISEASE-INFESTED
AREAS OF THE WHOLE JUNGLECopy !req
221. AND THEY'VE TURNED IT INTO THIS
SMASHING LITTLE RESTAURANT.Copy !req
222. HERE YOU ARE, OMKAMI.
THANK YOU.Copy !req
223. WELL, HELLO, MR. AKWEKWE.Copy !req
224. HELLO THERE, MR. SPARE-BUTTONS-
SUPPLIED-WITH-THE-SHIRT.Copy !req
225. NICE TO SEE YOU AGAIN.Copy !req
226. THESE ARE SOME
OF MY FELLOW EXPLORERS.Copy !req
227. SIR CHARLES FARQUARSON,
BRIAN BAILEY, BETTY BAILEYCopy !req
228. AND THIS IS MR. AKWEKWE
WHO STARTED THE WHOLE PLACE.Copy !req
229. IT REALLY
IS SUPER.Copy !req
230. OH, TERRIFIC IDEA.Copy !req
231. THANK YOU ALL.Copy !req
232. MAY I RECOMMEND
THE ALLIGATOR PUREES?Copy !req
233. NOW THEN, HAVE YOU DECIDED?Copy !req
234. UH, YES. WELL, THERE'S TWO
AVOCADO VINAIGRETTE HERECopy !req
235. AND WHAT ARE YOU
GOING TO HAVE, BRIAN?Copy !req
236. UH, QUICHE LORRAINE
FOR ME, PLEASE.Copy !req
237. RIGHT. SO THAT'S TWO
AVOCADO, ONE QUICHE.Copy !req
238. SO, THAT'S TWO AVOCADO,
ONE QUICHE.Copy !req
239. AND A SOUP
OF THE DAY.Copy !req
240. RIGHT.Copy !req
241. AND TO FOLLOW?Copy !req
242. UH, TWO CHICKEN
A LA REINE, PLEASE.Copy !req
243. UH, WITH SAUCE PROVENCAL,
PLEASE.Copy !req
244. AND ONE SCAMPI DESIREE.Copy !req
245. AND A BOEUF BOURGUIGNON
WITH A GREEN SALAD.Copy !req
246. RIGHT ON.Copy !req
247. TWO CHICKEN, ONE SCAMPICopy !req
248. ONE BOEUF
WITH THE GREEN SALAD.Copy !req
249. THERE MAY BE...Copy !req
250. A LITTLE DELAY.Copy !req
251. THAT'S FINE,
BUT WE HAVE TO BE OUT BY 3:00.Copy !req
252. YES, SIR. YES.
WE'LL TRY.Copy !req
253. WE'LL TRY.Copy !req
254. THE BBC WOULD LIKE TO ANNOUNCECopy !req
255. THAT THE NEXT SCENE
IS NOT CONSIDERED SUITABLECopy !req
256. FOR FAMILY VIEWING.Copy !req
257. IT CONTAINS SCENES OF VIOLENCECopy !req
258. INVOLVING PEOPLE'S HEADS
AND ARMS GETTING CHOPPED OFFCopy !req
259. THEIR EARS NAILED TO TREESCopy !req
260. AND THEIR TOENAILS PULLED OUT
IN SLOWMOTION.Copy !req
261. THERE ARE ALSO SCENES OF NAKED
WOMEN WITH FLOPPY BREASTS.Copy !req
262. AND ALSO AT ONE POINT,
YOU CAN SEE A PAIR OF BUTTOCKSCopy !req
263. AND THERE'S ANOTHER BIT WHERE
I SWEAR YOU CAN SEE EVERYTHINGCopy !req
264. BUT MY FRIEND SAYS IT'S JUST
THE WA Y HE'S HOLDING THE SPEAR.Copy !req
265. BECAUSE OF THE UNSUITABILITY
OF THE SCENECopy !req
266. THE BBC WILL BE REPLACING ITCopy !req
267. WITH A SCENE FROM A REPEAT
OF GARDENING CLUB FOR 1958.Copy !req
268. AND NOW, BACK TO THE STORY.Copy !req
269. THAT WAS A NASTY BUSINESS
BACK AT THE RESTAURANT.Copy !req
270. YES. I THOUGHT MOST PLACES TOOK
BARCLAYCARD NOWADAYS.Copy !req
271. WHERE DO YOU THINK
THEY'RE TAKING US, BRIAN?Copy !req
272. GOD KNOWS.Copy !req
273. LOOK!Copy !req
274. THE SACRED
VOLCANO ANDU!Copy !req
275. WHICH NO MAN
HAS SEEN BEFORE.Copy !req
276. NO, NO, NO.
NEXT TO THAT.Copy !req
277. NO, NO, NO, NO.
NEXT TO THAT.Copy !req
278. THE FORBIDDEN PLATEAU
OF ROIURAMA.Copy !req
279. THE LOST WORLD.Copy !req
280. THROWN UP
BY MIGHTY EARTH MOVEMENTSCopy !req
281. THOUSANDS OF MILLIONS
OF YEARS AGO.Copy !req
282. WHERE STRANGE PRIMEVAL CREATURES
DEFYING EVOLUTIONCopy !req
283. LURK IN THE DARK,
IMPENETRABLE FORESTSCopy !req
284. CUT OFF FOREVER
FROM THE OUTSIDE WORLD.Copy !req
285. I STILL CAN'T SEE IT.Copy !req
286. YOU DON'T THINK THAT'S
WHERE THEY'RE TAKING US.Copy !req
287. YES. AND GOD KNOWS
WHAT WE'LL FIND THERE.Copy !req
288. WHAT PAGE, PLEASE?Copy !req
289. WHAT?Copy !req
290. WHAT PAGE
IN THE SCRIPT?Copy !req
291. PAGE SEVEN.Copy !req
292. "COME ON, YOU DOGS.
WE HAVE FAR TO GO.Copy !req
293. WE MUST LOSE NO TIME."Copy !req
294. COME ON, YOU DOGS.
WE HAVE FAR TO GO.Copy !req
295. WE MUST LOSE NO TIME.Copy !req
296. COME ON, YOU...Copy !req
297. COME ON, YOU DOGS.Copy !req
298. WE HAVE TIME TO LOSE.Copy !req
299. THIS HAS GONE TOO FAR.Copy !req
300. MEANWHILE, BACK IN LONDONCopy !req
301. AT THE BRITISH EXPLORERS CLUB
IN THE MALL...Copy !req
302. ANY NEWS OF BETTY BAILEY'S
EXPEDITION, HARGREAVES?Copy !req
303. UH...Copy !req
304. UH...Copy !req
305. PAGE... PAGE NINE.Copy !req
306. OH, THANK YOU.Copy !req
307. UH... THE LOST WORLD
OF ROIURAMA.Copy !req
308. THAT'S...
THAT'S MY LINE.Copy !req
309. OH. SORRY.Copy !req
310. WHERE WERE THEY
GOING, SIR?Copy !req
311. THE LOST WORLD OF ROIURAMA.Copy !req
312. YES, SIR.
WE'VE GOT A TELEGRAM.Copy !req
313. OH.Copy !req
314. "READS IT."Copy !req
315. "EXPEDITION SUPERB,
WEATHER EXCELLENT.Copy !req
316. EVERYTHING WONDERFUL."Copy !req
317. I WONDER
WHAT'S GONE WRONG.Copy !req
318. FOR GOD'S SAKE,
BE CAREFUL...Copy !req
319. WAIT A MINUTE.Copy !req
320. I'M GOING TO GO AFTER THEM.Copy !req
321. OH! FOR GOD'S SAKE,
BE CAREFUL.Copy !req
322. MY GOD, BETTY,
WE'RE DONE FOR.Copy !req
323. WE'LL NEVER
GET OUT OF HERE.Copy !req
324. WE'RE COMPLETELY
LOST. LOST!Copy !req
325. EVEN THE NATIVES
HAVE GONE.Copy !req
326. GOOD-BYE, BETTY.Copy !req
327. GOOD-BYE, FARQUARSON.Copy !req
328. GOOD-BYE, BRIAN.Copy !req
329. IT'S BEEN
A GREAT EXPEDITION.Copy !req
330. GREAT EXPEDITION.Copy !req
331. ALL THAT'LL BE LEFT OF
US IS A MAP, A COMPASSCopy !req
332. AND A FEW FEET OF FILM
RECORDING OUR LAST MOMENTS.Copy !req
333. WAIT A MINUTE!Copy !req
334. WHAT IS IT?Copy !req
335. IF WE'RE ON FILM...Copy !req
336. THERE MUST BE SOMEONE
FILMING US.Copy !req
337. MY GOD, BETTY!Copy !req
338. YOU'RE RIGHT!Copy !req
339. LOOK!
HELLO!Copy !req
340. GREAT TO SEE YOU!Copy !req
341. SUPER TO SEE YOU.Copy !req
342. SUPER!Copy !req
343. HOW ARE YOU, MATES?Copy !req
344. JOLLY GOOD!Copy !req
345. WAIT A MINUTE!Copy !req
346. WHAT IS IT AGAIN?Copy !req
347. IF THIS IS THE CREW
WHO WERE FILMING US...Copy !req
348. WHO'S FILMING US NOW?Copy !req
349. LOOK!Copy !req
350. CUT THERE, MAN.Copy !req
351. CUT THERE.Copy !req
352. NO... NO GOOD.Copy !req
353. HOW WE GOING TO GET
THAT FEELINGCopy !req
354. OF PERSONAL ALIENATION
OF SELF FROM SOCIETYCopy !req
355. WITH THIS LOAD
OF BULLDOG DRUMMOND CRAP?Copy !req
356. WHEN I WAS DOING LA NOTTE
WITH THAT MONICA VITTI GALCopy !req
357. SHE DIDN'T GIVE MECopy !req
358. NONE OF THIS
EMPIRE-BUILDING SHIT, MAN.Copy !req
359. NOT SO FAST, AKARUMBA.Copy !req
360. ALLOW ME TO
INTRODUCE MYSELF.Copy !req
361. I'M INSPECTOR BABOONCopy !req
362. OF SCOTLAND YARD'S SPECIAL
FRAUD FILM DIRECTOR'S SQUAD.Copy !req
363. JUNGLE DIVISION.Copy !req
364. BABOON OF THE YARD!Copy !req
365. SHUT UP!Copy !req
366. RIGHT, AKARUMBA.Copy !req
367. I'M ARRESTING YOU FOR IMPERSONATING
SIGNOR MICHELANGELO ANTONIONICopy !req
368. AN ITALIAN FILM DIRECTORCopy !req
369. WHO CO-SCRIPTS
ALL HIS OWN FILMSCopy !req
370. LARGELY JETTISONING NARRATIVE
IN FAVOR OF VAGUE INCIDENTCopy !req
371. AND RELENTLESS CHARACTER STUDY.Copy !req
372. IN HIS FIRST FILM
CRONACA DI UN AMORE, 1915Copy !req
373. THE COUPLE ARE BROUGHT TOGETHER
BY A SHARED IRRATIONAL GUILT.Copy !req
374. LE AMICHE FOLLOWED IN 1955Copy !req
375. AND 1959 SAW THE FIRST OF
ANTONIONI'S WORLD-FAMOUS TRILOGYCopy !req
376. L'A VVENTURA, AN ACUTE STUDY
OF BOREDOM, RESTLESSNESSCopy !req
377. AND THE FUTILITIES AND AGONIES
OF PURPOSELESS LIVING.Copy !req
378. IN L'ECLISSE THREE YEARS LATERCopy !req
379. THIS ANALYSIS OF THE SENTIMENTS
WAS TAKEN UP ONCE AGAIN.Copy !req
380. "WE DO NOT HAVE TO KNOW EACH
OTHER TO LOVE," SAYS THE HEROINECopy !req
381. "AND PERHAPS,
WE DO NOT HAVE TO LOVE."Copy !req
382. THE ECLIPSE OF THE EMOTIONS
FINALLY CASTS ITS SHADOWCopy !req
383. WHEN DARKNESS DESCENDS...Copy !req
384. SIGNOR ANTONIONI FIRST MAKES USE
OF COLOR TO UNDERLINE...Copy !req
385. AND NOW ON BBC 1Copy !req
386. ANOTHER SIX MINUTES OF
MONTY PYTHON'S FLYING CIRCUS.Copy !req
387. YES, SIR.Copy !req
388. I'D LIKE TO HAVE
AN ARGUMENT, PLEASE.Copy !req
389. CERTAINLY, SIR.Copy !req
390. HAVE YOU BEEN HERE BEFORE?Copy !req
391. NO. THIS IS
MY FIRST TIME.Copy !req
392. I SEE. DO YOU WANT TO HAVE
THE FULL ARGUMENTCopy !req
393. OR WERE YOU THINKING
OF TAKING A COURSE?Copy !req
394. WELL, WHAT WOULD
BE THE COST?Copy !req
395. WELL, YES, IT'S FIVE...Copy !req
396. IT'S ONE POUND
FOR A FIVE-MINUTE ARGUMENTCopy !req
397. BUT ONLY EIGHT POUNDS
FOR A COURSE OF TEN.Copy !req
398. MMM... WELL, I THINK
IT'S PROBABLY BESTCopy !req
399. IF I START WITH THE ONECopy !req
400. AND SEE HOW IT GOES
FROM THERE, OKAY?Copy !req
401. FINE. I'LL SEE WHO'S FREE
AT THE MOMENT.Copy !req
402. UH... MR. DU-BAKEY'S FREECopy !req
403. BUT HE'S A LITTLE BIT
CONCILIATORY.Copy !req
404. MMM.Copy !req
405. YES, UH, TRY
MR. BARNARD... ROOM 12.Copy !req
406. THANK YOU.Copy !req
407. WHAT DO YOU WANT?Copy !req
408. WELL, I WAS TOLD OUTSIDE...Copy !req
409. DON'T GIVE ME THATCopy !req
410. YOU SNOTTY-FACED HEAP
OF PARROT DROPPINGS!Copy !req
411. WHAT?Copy !req
412. SHUT YOUR FESTERING GOB,
YOU TIT!Copy !req
413. YOUR TYPE MAKES ME PUKE!Copy !req
414. YOU VACUOUS, TOFFEE-NOSED,
MALODOROUS PERVERT!Copy !req
415. WHAT?Copy !req
416. I CAME IN HERE
FOR AN ARGUMENT!Copy !req
417. OH! OH, I'M SORRY.Copy !req
418. THIS IS ABUSE.Copy !req
419. OH. OH, I SEE.Copy !req
420. THAT EXPLAINS IT.Copy !req
421. NO. YOU WANT 12A NEXT DOOR.Copy !req
422. I SEE.Copy !req
423. SORRY.Copy !req
424. NOT AT ALL.Copy !req
425. YEAH, THAT'S ALL RIGHT.Copy !req
426. STUPID GIT.Copy !req
427. COME IN.Copy !req
428. IS THIS THE RIGHT ROOM
FOR AN ARGUMENT?Copy !req
429. I'VE TOLD YOU ONCE.Copy !req
430. NO, YOU HAVEN'T.Copy !req
431. YES, I HAVE.Copy !req
432. WHEN?Copy !req
433. JUST NOW.Copy !req
434. NO, YOU DIDN'T.Copy !req
435. YES, I DID.
DIDN'T.Copy !req
436. DID.
DIDN'T.Copy !req
437. I'M TELLING YOU I DID.Copy !req
438. YOU DID NOT.Copy !req
439. I'M SORRY, IS THISCopy !req
440. A FIVE-MINUTE ARGUMENTCopy !req
441. OR THE FULL HALF HOUR?Copy !req
442. OH! OH. JUST
THE FIVE-MINUTE ONE.Copy !req
443. FINE.Copy !req
444. THANK YOU.Copy !req
445. ANYWAY, I DID.Copy !req
446. YOU MOST CERTAINLY
DID NOT.Copy !req
447. NOW, LET'S GET ONE
THING QUITE CLEAR.Copy !req
448. I MOST DEFINITELY
TOLD YOU.Copy !req
449. YOU DID NOT.
YES, I DID.Copy !req
450. YOU DID NOT.
YES, I DID.Copy !req
451. DIDN'T.
YES, I DID.Copy !req
452. DIDN'T.
YES, I DID.Copy !req
453. LOOK, THIS ISN'T AN ARGUMENT.Copy !req
454. YES, IT IS.
NO, IT ISN'T.Copy !req
455. IT'S JUST CONTRADICTION.
NO, IT ISN'T.Copy !req
456. YES, IT IS.
IT IS NOT.Copy !req
457. IT IS!
YOU JUST CONTRADICTED ME.Copy !req
458. NO, I DIDN'T.Copy !req
459. OH, YOU DID.Copy !req
460. NO, NO, NO, NO.Copy !req
461. YOU DID JUST THEN.Copy !req
462. NO, NO, NONSENSE.Copy !req
463. OH, WELL, THIS IS FUTILE.Copy !req
464. NO, IT ISN'T.Copy !req
465. I CAME HERE FOR A GOOD ARGUMENT.Copy !req
466. NO, YOU DIDN'T.
YOU CAME HERE FOR AN ARGUMENT.Copy !req
467. WELL, ARGUE IS NOT THE SAME
AS CONTRADICTION.Copy !req
468. IT CAN BE.Copy !req
469. NO, IT CAN'T.Copy !req
470. AN ARGUMENT'S A COLLECTED SERIES
OF STATEMENTSCopy !req
471. TO ESTABLISH
A DEFINITE PROPOSITION.Copy !req
472. NO, IT ISN'T.
YES, IT IS.Copy !req
473. IT ISN'T JUST CONTRADICTION.Copy !req
474. LOOK, IF I
ARGUE WITH YOUCopy !req
475. I MUST TAKE UP
A CONTRARY POSITION.Copy !req
476. BUT IT ISN'T JUST SAYING,
"NO, IT ISN'T."Copy !req
477. YES, IT IS.Copy !req
478. NO, IT ISN'T.Copy !req
479. ARGUMENT'S
AN INTELLECTUAL PROCESS.Copy !req
480. CONTRADICTION IS JUST
THE AUTOMATIC GAINSAYINGCopy !req
481. OF ANYTHING
THE OTHER PERSON SAYS.Copy !req
482. NO, IT ISN'T.
YES, IT IS.Copy !req
483. NOT AT ALL.
NOW, LOOK...Copy !req
484. THANK YOU.Copy !req
485. GOOD MORNING.Copy !req
486. WHAT?Copy !req
487. THAT'S IT.Copy !req
488. GOOD MORNING.Copy !req
489. BUT I WAS JUST GETTING
INTERESTED.Copy !req
490. SORRY. THE FIVE
MINUTES IS UP.Copy !req
491. THAT WAS NEVER FIVE
MINUTES JUST NOW.Copy !req
492. AFRAID IT WAS.Copy !req
493. NO, IT WASN'T.Copy !req
494. SORRY, I'M NOT ALLOWED
TO ARGUE ANYMORE.Copy !req
495. WHAT?Copy !req
496. IF YOU WANT ME
TO GO ON ARGUINGCopy !req
497. YOU'LL HAVE TO PAY FOR
ANOTHER FIVE MINUTES.Copy !req
498. BUT THAT WAS NEVER FIVE
MINUTES JUST NOW.Copy !req
499. OH, COME ON!Copy !req
500. THIS IS RIDICULOUS.Copy !req
501. I'M VERY SORRY,
BUT I TOLD YOUCopy !req
502. I'M NOT ALLOWED TO
ARGUE UNLESS YOU PAY.Copy !req
503. OH, ALL RIGHT.Copy !req
504. THERE YOU ARE.Copy !req
505. THANK YOU.Copy !req
506. WELL?Copy !req
507. WELL WHAT?Copy !req
508. THAT WAS NEVER FIVE MINUTES
JUST NOW.Copy !req
509. I TOLD YOU, I'M NOT ALLOWED
TO ARGUE UNLESS YOU PAY.Copy !req
510. I JUST PAID.
NO, YOU DIDN'T.Copy !req
511. I DID. I DID! I DID!Copy !req
512. LOOK, I DON'T WANT
TO ARGUE ABOUT THAT.Copy !req
513. WELL, I'M VERY SORRY,
BUT YOU DIDN'T PAY.Copy !req
514. AHA! WELL, IF I DIDN'T PAY,
WHY ARE YOU ARGUING?Copy !req
515. GOT YOU.Copy !req
516. NO, YOU HAVEN'T.Copy !req
517. YES, I HAVE.Copy !req
518. IF YOU'RE ARGUING,
I MUST'VE PAID.Copy !req
519. NOT NECESSARILY.Copy !req
520. I COULD BE ARGUINGCopy !req
521. IN MY SPARE TIME.Copy !req
522. I'VE HAD ENOUGH OF THIS.Copy !req
523. NO, YOU HAVEN'T.
OH, SHUT UP.Copy !req
524. I WANT TO COMPLAIN.Copy !req
525. YOU WANT TO COMPLAIN?
LOOK AT THESE SHOES.Copy !req
526. I'VE ONLY HAD THEM THREE WEEKSCopy !req
527. AND THE HEELS ARE WORN
RIGHT THROUGH.Copy !req
528. NO, I WANT
TO COMPLAIN ABOUT...Copy !req
529. IF YOU COMPLAIN,
NOTHING HAPPENSCopy !req
530. YOU MIGHT JUST AS
WELL NOT BOTHERCopy !req
531. AND MY BACK HURTS...Copy !req
532. I WANT TO COM... OW!Copy !req
533. NO, NO. HOLD
YOUR HEADCopy !req
534. LIKE THIS AND
THEN GO, "WAH!"Copy !req
535. TRY IT AGAIN.
WHOA!Copy !req
536. BETTER, BETTER,
BUT, "WAH! WAH!"Copy !req
537. HOLD YOUR HANDS HERE.Copy !req
538. NO.
NOW...Copy !req
539. NO, THAT'S IT,
THAT'S IT! GOOD!Copy !req
540. STOP HITTING ME!
WHAT?Copy !req
541. STOP HITTING ME.Copy !req
542. STOP HITTING YOU?
YES.Copy !req
543. WELL, UH, WHAT DID
YOU COME IN HERE FOR?Copy !req
544. I CAME HERE TO COMPLAIN.Copy !req
545. OH, I'M SORRY.
THAT'S NEXT DOOR.Copy !req
546. IT'S BEING HIT ON THE
HEAD LESSONS IN HERE.Copy !req
547. WHAT A STUPID CONCEPT.Copy !req
548. RIGHT. HOLD IT THERE.Copy !req
549. WHAT?
WHAT?Copy !req
550. ALLOW ME TO INTRODUCE MYSELF.Copy !req
551. I'M INSPECTOR FOX OF THE
LIGHT ENTERTAINMENT POLICECopy !req
552. COMEDY DIVISION,
SPECIAL FLYING SQUAD.Copy !req
553. FLYING FOX OF THE YARD?Copy !req
554. SHUT UP!
OH!Copy !req
555. NO, NO, NO, NO.
"WAH!"Copy !req
556. AND YOU!Copy !req
557. HE'S GOOD.Copy !req
558. YOU COULD LEARN
A THING OR TWO FROM HIM.Copy !req
559. RIGHT, NOW YOU TWO, ME OLD
BEAUTIES, YOU ARE NICKED.Copy !req
560. WHAT FOR?Copy !req
561. I'M CHARGING YOU UNDER SECTION
21 OF THE STRANGE SKETCH ACT.Copy !req
562. THE WHAT?Copy !req
563. YOU ARE HEREBY CHARGEDCopy !req
564. THAT YOU DID WILLFULLY TAKE PART
IN A STRANGE SKETCH.Copy !req
565. THAT IS A SKIT, SPOOF
OR HUMOROUS VIGNETTECopy !req
566. OF AN UNCONVENTIONAL NATURECopy !req
567. WITH INTENT TO CAUSE
GRIEVOUS MENTAL CONFUSIONCopy !req
568. TO THE GREAT
BRITISH PUBLIC.Copy !req
569. EVENING, ALL.Copy !req
570. IT'S A FAIR COP.Copy !req
571. AND YOU TOSH!Copy !req
572. WAH!Copy !req
573. THAT'S EXCELLENT!Copy !req
574. RIGHT, COME ON
DOWN TO THE YARD.Copy !req
575. HOLD IT, HOLD IT.Copy !req
576. ALLOW ME
TO INTRODUCE MYSELF.Copy !req
577. I'M INSPECTOR
THOMPSON'S GAZELLECopy !req
578. OF THE PROGRAMME
PLANNING POLICECopy !req
579. LIGHT ENTERTAINMENT DIVISION,
SPECIAL FLYING SQUAD.Copy !req
580. FLYING THOMPSON'S
GAZELLLE OF THE YARD?Copy !req
581. SHUT UP!Copy !req
582. AHH!Copy !req
583. HE... HE'S GOOD.Copy !req
584. SHUT UP.
WOW!Copy !req
585. ROTTEN.Copy !req
586. AHH!Copy !req
587. GOOD.Copy !req
588. RIGHT. I'M ARRESTING
THIS ENTIRE SHOWCopy !req
589. ONE, ACTS OF SELF-
CONSCIOUS BEHAVIORCopy !req
590. CONTRARY TO THE "NOT IN FRONT
OF THE CHILDREN" ACTCopy !req
591. TWO, ALWAYS SAYING,
"IT'S SO AND SO OF THE YARD"Copy !req
592. EVERY TIME
THE FUZZ ARRIVESCopy !req
593. AND THREE... AND THIS IS
THE CRUNCHER...Copy !req
594. OFFENSES AGAINST
THE "GETTING OUT OF SKETCHESCopy !req
595. WITHOUT USING
A PROPER PUNCH LINE ACT."Copy !req
596. NAMELY SIMPLY ENDING
EVERY BLEEDING SKETCHCopy !req
597. BY JUST HAVING
A POLICEMAN COME IN AND...Copy !req
598. WAIT A MINUTE.Copy !req
599. HOLD IT.Copy !req
600. IT'S A FAIR COP.Copy !req
601. AND NOW ON BBC 1Copy !req
602. ONE MORE MINUTE OF
MONTY PYTHON'S FLYING CIRCUS.Copy !req