1. ANNOUNCER:
The Kon-Tiki!
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2. Ra 1!
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3. Ra 2!
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4. And now...
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5. Mr. and Mrs. Brian Norris'
Ford Popular!
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6. NARRATOR:
Who, a year ago, had heard
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7. of 37 Gledhill Gardens,
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8. Parsons Green?
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9. And yet their epic journey
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10. in EBW 343
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11. has set them alongside
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12. Thor Heyerdahl
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13. and Sir Edmund Hillary.
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14. Starting only with a theory,
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15. Mr. Norris set out to prove
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16. that the inhabitants
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17. of Hounslow
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18. could have been descendants
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19. of the people of Surbiton,
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20. who had made
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21. the great trek north.
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22. No newcomer to this field,
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23. Mr. Norris'
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24. A Short History of Motor
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25. Traffic Between Purley
and Esher
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26. had become a bestselling
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27. minor classic
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28. in the car-swapping belt.
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29. But why would the people
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30. of Surbiton go to Hounslow?
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31. Mr. Norris had noticed
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32. three things.
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33. Firstly, the similarity
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34. of houses.
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35. Secondly, the similarity
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36. of costume
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37. between Hounslow and Surbiton.
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38. And thirdly,
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39. the similarity of speech.
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40. Are you still running
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41. the GDBDMDB?
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42. Uh, yes, but I've had
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43. the excess nipples woppled
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44. to remove tamping.
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45. Jolly good.
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46. Were these just coincidences,
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47. or were they,
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48. as Mr. Norris believed,
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49. part of an identical
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50. cultural background?
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51. One further discovery
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52. convinced him:
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53. the lawn mower.
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54. Surely, such a sophisticated
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55. household gadget
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56. could not have been
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57. generated independently
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58. in two separate areas.
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59. Mr. Norris was convinced.
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60. MR. NORRIS:
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61. I'm convinced.
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62. NARRATOR:
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63. But how to prove it?
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64. MR. NORRIS:
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65. But how to prove it?
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66. NARRATOR:
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67. There was only one way
to see
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68. if the journey between
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69. Surbiton and Hounslow
was possible.
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70. And that was
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71. to try and make it.
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72. Months of preparation followed
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73. while Mr. Norris
continued his research
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74. in the Putney Public Library
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75. and Mrs. Norris
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76. made sandwiches.
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77. Finally, by April,
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78. they were ready.
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79. [♪]
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80. On the 23rd,
Mr. and Mrs. Norris set out
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81. to motor the 15 miles
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82. to Surbiton
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83. watched by a crowd
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84. of local well-wishers.
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85. That evening,
they dined at Tooting.
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86. This would be the last
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87. they'd see of civilization.
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88. Mr. Norris' diary for the 23rd
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89. reveals the extraordinary
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90. calmness
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91. and deep inner peacefulness
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92. of his mind.
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93. MR. NORRIS:
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94. Seven-thirty, fed cat.
Eight o'clock, breakfast.
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95. Eight-thirty, yes,
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96. successfully.
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97. Nine o'clock,
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98. set out on historic journey.
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99. NARRATOR:
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100. On the morning of the 24th,
early, to avoid the traffic,
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101. Mr. Norris' historic
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102. expedition set out
from Surbiton.
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103. Destination: Hounslow.
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104. Early on, they began
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105. to perceive
encouraging signs.
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106. The writing on the sign
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107. was almost exactly the same
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108. as the writing in the AA book.
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109. They were on the right route.
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110. During the long hours
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111. of the voyage
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112. Mr. Norris' wife, Betty,
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113. kept a complete
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114. photographic record
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115. and made sandwiches.
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116. This is some
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117. of the unique footage
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118. which Mrs. Norris got back
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119. from the chemist's.
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120. Mile succeeded mile
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121. and the terrific strain
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122. was beginning to tell,
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123. when suddenly...
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124. by an amazing stroke of luck
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125. Mr. Norris had come across
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126. the Kingston bypass.
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127. This was something
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128. to tell the roundtable.
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129. At this stage,
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130. Mr. Norris was faced
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131. with two major
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132. divergent theories
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133. concerning his
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134. Surbiton ancestors.
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135. Did they take
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136. the Kingston bypass,
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137. turning left at Barnes
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138. or did they strike west
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139. up the A308
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140. via Norbiton to Hampton Wick?
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141. Both these theories ran up
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142. against one big obstacle:
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143. The Thames,
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144. lying like a silver turd
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145. between Richmond
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146. and Isleworth.
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147. This was a major setback.
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148. How could they possibly
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149. cross the river?
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150. Several hours of thought
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151. produced nothing.
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152. There was only one
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153. flask of coffee left
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154. when suddenly, Mr. Norris
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155. spotted something.
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156. Could this have been
the method used?
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157. Hardly daring to believe,
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158. Mr. Norris led his expedition
onto the 3:47.
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159. Forty minutes later,
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160. via Clapham, Fulham,
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161. Chiswick and Brentford,
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162. they approached their goal:
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163. Hounslow.
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164. Was this, then,
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165. the final proof?
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166. Something aroused
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167. the accountant's instinct
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168. buried deep
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169. in Mr. Norris' makeup.
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170. The journey was possible,
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171. and yet...
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172. "Wrong-way" Norris
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173. had accidentally stumbled
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174. on a piece
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175. of anthropological history.
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176. It was the inhabitants
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177. of Hounslow
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178. who had made
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179. the great trek south
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180. to the sunnier pastures
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181. of Surbiton
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182. and not vice versa,
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183. as he had originally surmised.
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184. This was the secret
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185. of Surbiton.
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186. Happy and contented,
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187. Mr. Norris returned
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188. to the calmer waters
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189. of chartered accountancy
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190. for, in his way,
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191. "Wrong-way" Norris was right.
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192. [♪]
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193. And now--
It's...
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194. [♪]
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195. MAN:
Monty Python's Flying Circus.
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196. Knock, enter and approach.
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197. [KNOCK ON DOOR]
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198. Right. It's come to my notice
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199. that certain boys have been
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200. running a unit-trust-linked
assurance scheme
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201. with fringe benefits
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202. and full cash-in
endowment facilities.
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203. Apparently, small investors
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204. were attracted
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205. by the wide-ranging portfolio
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206. and that in the first week,
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207. the limited offer
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208. was oversubscribed
eight times.
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209. It was Tidwell's idea, sir.
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210. Shut up, I haven't finished.
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211. Oh, by the way,
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212. congratulations on winning
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213. the Italian Grand Prix
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214. at Monza.
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215. Thank you, sir.
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216. Shut up.
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217. Now, then, this sort
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218. of extracurricular
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219. capitalist expansion
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220. has got to stop.
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221. I made it quite clear,
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222. when Potter tried
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223. to go public last term
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224. that these massive
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225. stock-exchange deals
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226. must not happen
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227. in Big School.
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228. Is that clear, Balderston?
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229. Yes, sir.
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230. Oh, and, Balderston,
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231. next time you do a Panorama
report on the black ghettos
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232. you must get an exeat form
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233. from Mr. Dibley.
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234. Sorry, sir.
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235. Shut up.
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236. And stop slouching.
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237. Now, the reason I called you
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238. in here today
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239. is that my wife is having
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240. a little trouble
with her, um...
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241. with her waterworks.
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242. And I think she needs
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243. a bit of attention.
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244. Now, which one of you
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245. is the surgeon?
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246. Come on, I know one of you is.
Now, which one is it?
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247. Ah. Tidwell. Good.
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248. I want you to come along
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249. and have a look at the wife.
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250. Sir, why don't you ask
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251. Stebbins? He's a gynecologist.
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252. Oh, you rotten
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253. stinker, Tidwell.
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254. Tch!
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255. Is this true, Stebbins?
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256. Are you a gynecologist?
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257. Yes, sir.
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258. Right, just the man.
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259. How much you charge?
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260. Thirty guineas, sir.
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261. Excellent. Right.
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262. I want you to go along,
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263. see the wife.
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264. Give her a full examination.
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265. Let me know the results
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266. by the end of break.
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267. And don't pick your nose.
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268. [♪]
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269. Hello.
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270. Well, last week we showed you
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271. how to become a gynecologist.
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272. And this week
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273. on How To Do It
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274. we're going to show you
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275. how to play the flute,
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276. how to split an atom,
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277. how to construct
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278. a box-girder bridge,
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279. how to irrigate
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280. the Sahara desert
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281. and make vast new areas
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282. of land cultivatable.
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283. But first, here's Jackie
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284. to tell you all
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285. how to rid the world
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286. of all known diseases.
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287. Hello, Alan.
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288. Hello, Jackie.
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289. Well, first of all,
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290. become a doctor
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291. and discover a marvelous cure
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292. for something.
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293. When the medical profession
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294. starts to take notice of you
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295. you can tell them what to do,
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296. make sure they get
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297. everything right
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298. so there'll never be
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299. any diseases ever again.
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300. Thanks, Jackie.
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301. Great idea.
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302. And now,
how to play the flute.
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303. Well, here we are.
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304. You blow there and you move
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305. your fingers up and down here.
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306. Great. Great. Great, Alan.
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307. Well, next week
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308. we'll be showing you
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309. how black and white people
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310. can live together
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311. in peace and harmony.
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312. And Alan will be over in
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313. Moscow
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314. showing us how to reconcile
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315. the Russians and the Chinese.
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316. So, until next week, cheerio.
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317. Bye.
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318. Bye-bye.
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319. [♪]
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320. [CHATTING INDISTINCTLY]
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321. Oh, yes, he's such a clever
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322. little boy.
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323. Just like his father.
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324. Oh, do you think so,
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325. Mrs. Nigger-Baiter?
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326. Oh, yes. Spitting image.
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327. Mmm.
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328. Good afternoon, Mother.
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329. Afternoon, Mrs. Nigger-Baiter.
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330. Oh, he's walking already.
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331. Yes, he's such
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332. a clever little boy.
Aren't you, hoochie-coo?
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333. Hello, hoochie-coo.
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334. Look at him laughing, eh?
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335. Yeah.
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336. He's a chirpy little fellow,
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337. isn't he?
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338. Isn't he a chirpy
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339. little fellow, eh?
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340. Does he talk?
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341. Does he talk, eh?
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342. Of course I can talk.
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343. I'm Minister
for Overseas Development.
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344. Oooh!
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345. Clever little boy.
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346. He's a clever little boy.
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347. Do you like
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348. your rattle, eh?
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349. Do you like your rattle?
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350. Look at his little eyes
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351. following it, eh?
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352. Look at his iggy-tiggy-biggy
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353. little eyeballs.
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354. Oh, he's got
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355. a tubby tum-tum.
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356. Oh, he's got a tubby
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357. tum-tum.
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358. Mother, could I have
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359. a quick cup of tea, please?
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360. I have an important statement
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361. on Rhodesia to make
in the Commons at six.
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362. [CRASH]
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363. [MOAN]
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364. Mrs. Nigger-Baiter's
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365. exploded.
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366. Good thing too.
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367. She was my best friend.
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368. Oh, Mother, don't be
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369. so sentimental.
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370. Things explode every day.
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371. Yes, I suppose so.
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372. Anyway, I didn't really
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373. like her that much.
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374. [DOORBELL RINGS]
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375. Ooh.
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376. Hello, I'm your new vicar.
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377. Can I interest you
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378. in any encyclopedias?
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379. No, thank you.
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380. We're not church people,
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381. thank you.
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382. How about brushes?
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383. Nylon or bristle?
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384. Strong-tufted,
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385. attractive colors.
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386. No, really,
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387. thank you, vicar.
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388. Oh, dear. Turkey?
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389. Cup Final tickets?
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390. No. No, really.
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391. We're just not religious.
Thank you.
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392. Oh, well. Bye-bye.
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393. Bye-bye, vicar.
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394. If you do want anything,
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395. jewellery,
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396. Ascot water heaters...
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397. Thank you, vicar.
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398. It's funny, isn't it, how--
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399. How your best friend
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400. can just blow up like that.
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401. I mean, you wouldn't think
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402. it was medically possible,
would you?
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403. This is where Mrs. Shazam
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404. was so wrong.
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405. Exploding is a perfectly
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406. normal medical phenomenon.
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407. In many fields
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408. of medicine nowadays,
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409. a dose of dynamite
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410. can do a world of good.
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411. For instance, athlete's foot,
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412. an irritating condition,
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413. can be cured
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414. by applying a small charge
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415. of TNT between each toe.
[DOORBELL RINGS]
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416. Excuse me.
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417. Hello, I'm your new vicar.
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418. Can I interest you in any of
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419. these watches, pens or biros?
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420. No, I'm not religious,
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421. I'm afraid.
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422. Oh, souvenirs, badges,
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423. little noddy dog
for the back of the car?
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424. No, thank you, vicar.
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425. Good morning.
Morning.
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426. Now, many of
the medical profession
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427. are skeptical
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428. about my work.
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429. They point to my record
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430. of treatment
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431. of athlete's foot sufferers:
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432. Eighty-four dead,
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433. 65 severely wounded
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434. and 12 missing,
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435. believed cured.
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436. But then, people laughed
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437. at Bob Hope.
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438. They laughed at my wife
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439. when she wrapped herself up
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440. in greaseproof paper
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441. and hopped into
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442. the Social Security office.
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443. But that doesn't mean
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444. that Pasteur was wrong.
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445. Look, I'll show you
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446. what I mean.
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447. Watch it, mate.
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448. I'm not gonna stay
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449. around here getting poked
and prodded all day.
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450. I'm off.
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451. I've got a decent body.
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452. I get poked and prodded
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453. in the chest.
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454. I'm gonna get another
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455. line of work.
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456. MAN 1:
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457. Watch it!
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458. Turn back. Stop.
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459. MAN 2:
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460. Please! Oh, stop!
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461. [SCREAMS]
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462. MAN 1:
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463. Oh, my God, he's fallen off
the edge of the cartoon.
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464. MAN 2:
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465. Well, so much for that link.
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466. John Cobbley is the musical
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467. and artistic director
of Covent Garden.
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468. He is himself
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469. a talented musician,
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470. he's a world-famous authority
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471. on 19th-century Russian music,
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472. and he's come
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473. into the studio tonight
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474. to talk about Tchaikovsky.
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475. Which is a bit of a pity,
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476. as this is Farming Club.
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477. And on Farming Club tonight
we'll take a look
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478. at the Ministry's
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479. latest preventative proposals
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480. to deal with possible
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481. outbreaks of foot-and-mouth.
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482. We'll be talking
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483. later on to the man
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484. who believes that milk yields
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485. can be increased dramatically.
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486. But first,
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487. a Farming Club special:
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488. The Life of Tchaikovsky.
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489. [♪]
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490. Tchaikovsky.
Was he the tortured soul
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491. who poured out
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492. his immortal longings
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493. into dignified passages
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494. of stately music?
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495. Or was he just an old poof
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496. who wrote tunes?
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497. Tonight on Farming Club
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498. we're going to take
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499. an intimate look
at Tchaikovsky
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500. and an intimate look
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501. at his friends.
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502. Incidentally, BBC publications
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503. have prepared a special
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504. pamphlet to go
with this program
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505. called Hello Pianist.
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506. And it contains material
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507. which some people
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508. might find offensive
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509. but which is really smashing.
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510. Peter Ilyich Tchaikovsky was
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511. born in 1840 in
a Ken Russell film
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512. just outside Saint Petersburg.
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513. His father, Leo McKern,
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514. a freelance bishop,
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515. was married to Vera Plachenka,
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516. Julie Christie,
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517. but secretly deeply in love
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518. with Margo Farenka,
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519. Shirley Abicair,
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520. and the strangely flatulent
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521. Madame Ranevsky,
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522. Norris McWhirter.
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523. Soon, however, the family,
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524. Eldridge Cleaver, Moira Lister
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525. and Stan the Bat,
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526. moved to the neighboring
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527. industrial village of Omsk,
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528. Eddie Waring, where they soon
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529. found themselves, sadly,
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530. quite unable to cope,
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531. Anthony Barber.
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532. In 1863, however,
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533. Tchaikovsky was sent to Moscow
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534. to study the piano.
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535. And when he'd finished that,
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536. the living room.
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537. Maurice takes up the story.
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538. Well, guess what?
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539. The very next thing he did was
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540. to go to this extraordinary,
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541. but extraordinary
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542. duckety-poos,
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543. semi-Mondrian house
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544. in Robin Russia.
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545. Harry here,
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546. Tammy Tchaikovsky wrote
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547. the most Sammy
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548. super symphonies
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549. you've Henry heard
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550. in the whole of your
Lily life.
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551. She was such a good composer
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552. that everybody but everybody
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553. wanted to know.
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554. And quite right too because
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555. she wrote some lovely bits
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556. such as Sally
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557. Sleeping Beauty,
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558. Patsy "Pathétique,"
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559. Adrian "1812,"
Copy !req
560. and lots of Conny concerti
Copy !req
561. for Vera "Violin"
Copy !req
562. and Peter "Piano" Fanny forte.
Copy !req
563. But what do we really know
Copy !req
564. of this tortured ponce?
Copy !req
565. Well, if you can imagine
Copy !req
566. the size of Nelson's Column,
Copy !req
567. roughly three times the size
Copy !req
568. of a London bus,
Copy !req
569. then Tchaikovsky
Copy !req
570. was much smaller.
Copy !req
571. His head was about
Copy !req
572. the same size
Copy !req
573. as that of an extremely
Copy !req
574. large dog.
Copy !req
575. That is, say,
Copy !req
576. two very small dogs
Copy !req
577. or four very large hamsters.
Copy !req
578. Or one medium-size rabbit
Copy !req
579. if you count the whole body,
Copy !req
580. not just the head.
Copy !req
581. Robin?
Copy !req
582. Thank you. Here's your
Copy !req
583. three-stage model of
Tchaikovsky.
Copy !req
584. Um, here you see the legs,
Copy !req
585. used for walking around
Copy !req
586. which can be jettisoned
Copy !req
587. at night.
Copy !req
588. And, uh, this is
Copy !req
589. the main trunk,
Copy !req
590. the powerhouse
Copy !req
591. of the whole thing,
Copy !req
592. incorporating, of course,
Copy !req
593. the naughty bits
Copy !req
594. which were extremely naughty
Copy !req
595. for his time.
Copy !req
596. And the whole thing
Copy !req
597. is subservient
Copy !req
598. to this small command module
Copy !req
599. the, as it were, head of
Copy !req
600. the whole, as it were, body.
Copy !req
601. Robin.
Copy !req
602. Peter.
Copy !req
603. Simon.
Copy !req
604. Maurice.
Copy !req
605. Me. Well, poor pet,
Copy !req
606. she was like
Copy !req
607. a lost lamb in an abattoir.
Copy !req
608. Eventually, she Dickie died
Copy !req
609. of Colin cholera
Copy !req
610. in Saint Patsy Petersburg
Copy !req
611. in Gertie great Percy pain.
Copy !req
612. MAN: Here to play Tchaikovsky's
Copy !req
613. "First Piano Concerto
in B-flat minor"
Copy !req
614. is the world-famous soloist
Copy !req
615. Sviatoslav Richter.
Copy !req
616. [APPLAUSE]
Copy !req
617. During the performance,
Copy !req
618. he will escape from a sack,
Copy !req
619. three padlocks
Copy !req
620. and a pair of handcuffs.
Copy !req
621. [♪]
Copy !req
622. [PLAYING PIANO]
Copy !req
623. [♪]
Copy !req
624. Good evening. This new series
of Trim-Jeans Theatre Presents
Copy !req
625. will enable you to enjoy
Copy !req
626. the poetry of T.S. Eliot
Copy !req
627. whilst losing
Copy !req
628. unsightly tummy bulge. Jean.
Copy !req
629. Well, yes, um,
Copy !req
630. the inches stay off. Mark?
Copy !req
631. Terrific. Thrill
Copy !req
632. to Thomas à Becket's
Copy !req
633. Kierkegaardian
Copy !req
634. moment of choice
Copy !req
635. whilst making your physique
Copy !req
636. tighter, firmer, neater.
Copy !req
637. I am here.
Copy !req
638. No traitor to the king.
Copy !req
639. Absolve all those
Copy !req
640. you have excommunicated.
Copy !req
641. Resign those powers
Copy !req
642. you have abrogated.
Copy !req
643. Renew the obedience
Copy !req
644. you have violated.
Copy !req
645. Lose inches off your hips,
Copy !req
646. thighs, buttocks and abdomen.
Copy !req
647. A terrific product.
Copy !req
648. BOTH:
Copy !req
649. Terrific.
Copy !req
650. And this comes complete
Copy !req
651. with the most
revolutionary guarantee
Copy !req
652. in slenderizing history.
Copy !req
653. This was Kevin Francis
Copy !req
654. before last season's
Copy !req
655. Trim-Jean's Play of the Month
Copy !req
656. production of The Seagull
Copy !req
657. by Anton Chekhov and the Sauna
Copy !req
658. Belt Trim-Jean
Company Limited.
Copy !req
659. See? Kevin has slipped into
Copy !req
660. his slenderizing garment
Copy !req
661. and is inflating it with
Copy !req
662. the handy little pump
provided.
Copy !req
663. Three acts and a few special
Copy !req
664. torso exercises later,
Copy !req
665. Kevin, as Trigorin, the failed
Copy !req
666. writer of sentimental romances
Copy !req
667. has lost over 33 inches.
Copy !req
668. Wow, what a difference.
Copy !req
669. That Anton Chekhov
Copy !req
670. can certainly write.
Copy !req
671. Terrific.
Copy !req
672. Yes, why not join us
Copy !req
673. for a season of classic plays
Copy !req
674. and rapid slenderizing?
Copy !req
675. Enjoy Sir John Gielgud
Copy !req
676. and Sir Ralph Richardson
Copy !req
677. losing a total of 15 inches
Copy !req
678. in David Storey's Home.
Copy !req
679. Enjoy The Trim Gentlemen
Copy !req
680. of Verona
Copy !req
681. and Long Day's Journey
Copy !req
682. Into Night
Copy !req
683. while inches melt away.
Copy !req
684. Enjoy Glenda Jackson
Copy !req
685. with a constant snug fit
Copy !req
686. and solid support
Copy !req
687. in all four areas.
Copy !req
688. Other productions
Copy !req
689. will include:
Copy !req
690. Treasure Island,
Copy !req
691. Swan Lake,
Copy !req
692. The Life and Loves
Copy !req
693. of Toulouse-Lautrec,
Copy !req
694. and the Trim-Jeans version
Copy !req
695. of The Great Escape
Copy !req
696. with a cast of thousands
Copy !req
697. losing well over 1500 inches.
Copy !req
698. [♪]
Copy !req
699. [SHOUTING IN GERMAN]
Copy !req
700. Halt! Halt!
Copy !req
701. [GUNSHOTS]
Copy !req
702. Halt!
Copy !req
703. Wasn't that terrific,
ladies and gentlemen?
Copy !req
704. Now, the next item
Copy !req
705. on the program--
Copy !req
706. I can't stand it, man.
Copy !req
707. Really, now.
Copy !req
708. I've had it with this idiot.
Copy !req
709. Every night, making me
say the most--
Copy !req
710. really terrific act.
Copy !req
711. The next item on the--
Copy !req
712. Hey, man, I'm off, gone,
Copy !req
713. split, through, eh?
Copy !req
714. Gonna find a gig elsewhere.
Copy !req
715. Somewhere that's
Copy !req
716. a bit cooler, man.
Copy !req
717. I mean, it's terrible,
Copy !req
718. the way I hide.
Copy !req
719. I think this Christmas
Copy !req
720. I'm gonna cool down.
Copy !req
721. I'm gonna get with a guy
Copy !req
722. who really, you know,
Copy !req
723. digs me, you know?
Copy !req
724. A man who feels--
Copy !req
725. Really feels the same way
Copy !req
726. I do, man--
Copy !req
727. [GURGLE, CLANKING]
Copy !req
728. [MUFFLED VOICE]
Copy !req
729. [♪]
Copy !req
730. GERMAN MAN:
Welcome aboard, Britisher pig.
Copy !req
731. Quite a little surprise, ja?
Copy !req
732. [LAUGHS]
Copy !req
733. But perhaps you would be so
Copy !req
734. kind as to tell us all
you know
Copy !req
735. about certain
Copy !req
736. Allied shipping routes, ja?
Copy !req
737. Come on, talk--
Copy !req
738. BRITISH MAN:
Copy !req
739. Hello, Fritz. The tables seem
to have turned, old chap.
Copy !req
740. Let's see how you like a bit of
Copy !req
741. your own medicine, eh?
Copy !req
742. [SLAPPING SOUNDS]
Copy !req
743. Come on, Fritz. Now, tell us.
Tell us about--
Copy !req
744. CHINESE MAN:
Copy !req
745. Oh, greetings, capitalist dog.
Copy !req
746. Very sorry, but must
Copy !req
747. inform you
Copy !req
748. that you are now prisoner
Copy !req
749. of People's Republic.
Copy !req
750. I'm very sorry,
Copy !req
751. Comrade commander,
Copy !req
752. but have just picked up
Copy !req
753. a capitalist ship
Copy !req
754. on radar scanner.
Copy !req
755. [♪]
Copy !req
756. MAN:
This is your captain speaking.
Copy !req
757. There is no need for panic.
Copy !req
758. Women and children first.
Copy !req
759. I repeat that.
Copy !req
760. Women and children first.
Copy !req
761. Do not rush for the lifeboats
Copy !req
762. and remember,
Copy !req
763. women and children first.
Copy !req
764. And Red Indians.
Copy !req
765. Why did you
Copy !req
766. dress up like that?
Copy !req
767. It was the only
Copy !req
768. thing left.
Copy !req
769. All right.
Copy !req
770. Women, children
and Red Indians.
Copy !req
771. And spacemen.
Copy !req
772. Here is a revised list:
Copy !req
773. Women, children, Red Indians
Copy !req
774. and spacemen--
Copy !req
775. What's that meant to be?
Copy !req
776. It's a sort of impression
Copy !req
777. of what a Renaissance courtier
Copy !req
778. artist might look like
Copy !req
779. at the courts
Copy !req
780. of the great families,
Copy !req
781. the Medicis or the Borgias.
Copy !req
782. No, it's not. It looks
Copy !req
783. more Flemish than Italian.
Copy !req
784. Yes, that's a Flemish merchant
Copy !req
785. of the 15th or 16th centuries.
Copy !req
786. What, with these tassels?
Copy !req
787. Yes, yes.
Copy !req
788. They had those fitted doublets
Copy !req
789. going tapering down
into the full hose.
Copy !req
790. You know.
Copy !req
791. Exactly like that.
Copy !req
792. One moment, please.
Copy !req
793. Don't panic.
Copy !req
794. What's it meant to be? I've got
Copy !req
795. to tell them something.
Copy !req
796. Is it a Flemish merchant?
Copy !req
797. No, it is not
Copy !req
798. a Flemish merchant.
Copy !req
799. It's more a sort
Copy !req
800. of idealized version
Copy !req
801. of the complete
Copy !req
802. Renaissance man.
Copy !req
803. No, it's not.
Copy !req
804. All right, all right,
all right.
Copy !req
805. This is your captain speaking.
Copy !req
806. Do not rush for the lifeboats.
Copy !req
807. Women, children,
Copy !req
808. Red Indians, spacemen
Copy !req
809. and a sort of
Copy !req
810. idealized version
Copy !req
811. of the complete
Copy !req
812. Renaissance men first.
Copy !req
813. MAN:
Flemish merchants did not wear
Copy !req
814. They did not.
Copy !req
815. Yes, Gomez?
Copy !req
816. "We found them walking
on the beach, my cap--"
Copy !req
817. Gomez, why can't you say this?
Copy !req
818. What? Oh, I see.
We can't afford it.
Copy !req
819. Ah, you see, the BBC
Copy !req
820. has to pay an actor
20 guineas if he speaks
Copy !req
821. and it makes a bit
Copy !req
822. of a hole in the budget.
Copy !req
823. Twenty-eight guineas, sir.
Copy !req
824. Oh! You fool, Gomez.
Copy !req
825. Sorry. Sorry.
Copy !req
826. That's 28 guineas.
Copy !req
827. What about me, sir?
Copy !req
828. Are you supposed to speak?
Copy !req
829. No.
Copy !req
830. You've just spoken!
Copy !req
831. Sorry.
Copy !req
832. You fool, that's 56 guineas
Copy !req
833. before we've even started.
Copy !req
834. Yes?
Copy !req
835. [SCREAMS]
Copy !req
836. What did he do that for?
Copy !req
837. It's a stunt.
Copy !req
838. An extra 20 guineas.
Copy !req
839. Look, we can't afford it.
Copy !req
840. The BBC are short
Copy !req
841. of money as it is.
Copy !req
842. The BBC wishes to deny rumors
Copy !req
843. that it is going
Copy !req
844. into liquidation.
Copy !req
845. Mrs. Kelly, who owns the flat
Copy !req
846. where they live,
Copy !req
847. has said that they can stay on
Copy !req
848. till the end of the month.
Copy !req
849. And we've just heard that
Huw Weldon's watch
Copy !req
850. has been accepted by the
Copy !req
851. London Electricity Board
Copy !req
852. and transmissions
Copy !req
853. for this evening
Copy !req
854. can be continued as planned.
Copy !req
855. [COUGHS]
Copy !req
856. Well, that's all from me,
Copy !req
857. so good night.
Copy !req
858. [KNOCK ON DOOR]
Copy !req
859. MAN:
Copy !req
860. Are you gonna
be in there all night?
Copy !req
861. It's just a bulletin,
Copy !req
862. Mr. Kelly.
Copy !req
863. And now back to the story.
Copy !req
864. [KNOCKING ON DOOR]
Copy !req
865. Come out.
Copy !req
866. All right.
Copy !req
867. We found these men walking
on the beach, my captain.
Copy !req
868. We are British naval officers,
Copy !req
869. and entitled to be--
Copy !req
870. ALL:
Copy !req
871. It's Puss.
Copy !req
872. CHILDREN'S VOICES:
Copy !req
873. Hello, Puss.
Copy !req
874. Hello, children.
Copy !req
875. Stop! Stop this adaptation
Copy !req
876. of Puss in Boots.
Copy !req
877. This is the police department
Copy !req
878. of the state of Venezuela!
Copy !req
879. Oh, no, it isn't.
Copy !req
880. Oh, yes, it is!
Copy !req
881. ALL:
Copy !req
882. Oh, no, it isn't.
Copy !req
883. Oh, yes, it is.
Copy !req
884. ALL:
Copy !req
885. Oh, yes, it is.
Copy !req
886. Oh, no, it isn't.
Copy !req
887. Shut up!
Copy !req
888. Now, I'm going to ask you
Copy !req
889. some questions.
Copy !req
890. And remember, if you do not
Copy !req
891. give me correct answers
Copy !req
892. we have ways
Copy !req
893. of making you answer.
Copy !req
894. MAN:
Copy !req
895. Like not paying 28 guineas.
Copy !req
896. Shut up!
Copy !req
897. Now, what ship are you from?
Copy !req
898. We are from the
Copy !req
899. SS Mother Goose.
Copy !req
900. We were 12 days out
Copy !req
901. from Port of Spain, and--
Copy !req
902. I got 30 bob
Copy !req
903. for the trousers.
Copy !req
904. We are from the
Copy !req
905. SS Mother Goose.
Copy !req
906. We were 12 days out
Copy !req
907. from Port of Spain.
Copy !req
908. And one night,
Copy !req
909. I was doing my usual rounds
Copy !req
910. when I had occasion to pass
Copy !req
911. the forward storage lockers.
Copy !req
912. Go on.
Copy !req
913. Oh, um. Well, I--
Copy !req
914. I noticed
Copy !req
915. something unusual.
Copy !req
916. The main bilge hatches
Copy !req
917. had been opened.
Copy !req
918. And there,
Copy !req
919. crouching amidst the scuppers,
Copy !req
920. was the most ghastly creature
Copy !req
921. I'd ever seen in my life.
Copy !req
922. As soon as it saw me,
Copy !req
923. its horrible face split aside
Copy !req
924. in a ghastly look of terror.
Copy !req
925. Its head,
Copy !req
926. which was like a--
Copy !req
927. Could you sign
Copy !req
928. this, please?
Copy !req
929. a small rat, was ghastly
Copy !req
930. and horrible and befurred.
Copy !req
931. Its little
Copy !req
932. red eyes glinted
Copy !req
933. in the unaccustomed glare
Copy !req
934. of the midday sun.
Copy !req
935. And before I could
Copy !req
936. shut the hatch
Copy !req
937. it sprang upon me
Copy !req
938. with one almighty bound--
Copy !req
939. What's this about doing
Copy !req
940. Horse of the Year Show
in here tonight?
Copy !req
941. I'm sorry, Mrs. Kelly.
Copy !req
942. We don't know.
Copy !req
943. This is drama.
Copy !req
944. Mr. Fox told me,
Copy !req
945. before he went down
to the pub,
Copy !req
946. they're doing
Copy !req
947. Horse of the Year Show in here
tonight at 9:10.
Copy !req
948. Well, this is BBC Two.
Copy !req
949. BBC One are in the kitchen.
Copy !req
950. I'm not having Harvey Smith
Copy !req
951. jumping over my binette.
Copy !req
952. No. Come on.
Copy !req
953. Tearing at my throat,
Copy !req
954. ripping my clothes.
Copy !req
955. And turn the gas off
Copy !req
956. before you leave!
Copy !req
957. All right!
Copy !req
958. I fought it
Copy !req
959. with all my strength,
Copy !req
960. but it was
Copy !req
961. too much for me. It--
Copy !req
962. ANNOUNCER:
Copy !req
963. Another clear round for
Harvey Smith on O'Malley.
Copy !req
964. And now it's Mrs. David Barker
Copy !req
965. riding Atalanta,
Copy !req
966. number three.
Copy !req
967. [HORSE GALLOPING]
Copy !req
968. [CRASH]
Copy !req
969. [HORSE WHINNIES]
Copy !req
970. Right, that's it.
Copy !req
971. Come on, out, out,
Copy !req
972. all of you.
Copy !req
973. Get out of my kitchen.
Copy !req
974. Go on. Harvey Smith.
Copy !req
975. Get out of here,
Copy !req
976. you lunkers.
Copy !req
977. It's one of our most
Copy !req
978. popular programs.
Copy !req
979. That's what you think,
Copy !req
980. Mr. Fox.
Copy !req
981. Well, that's all
Copy !req
982. from BBC television--
Copy !req
983. Come on, get out. Out.
Copy !req
984. Get out of here.
Copy !req
985. Out. Out. Get out.
Copy !req
986. Out. Out.
Copy !req
987. [♪]
Copy !req
988. [♪]
Copy !req
989. ANNOUNCER:
Tonight, from London,
Copy !req
990. Lulu...
Copy !req
991. Ringo Starr...
Copy !req
992. and the man you've all
been waiting for,
Copy !req
993. your host for tonight.
Copy !req
994. Love the outfit, dear.
It's gorgeous.
Copy !req
995. Hello. Good evening.
Copy !req
996. Welcome.
Copy !req
997. It's...
Copy !req
998. [♪]
Copy !req
999. [FART]
0:25:59,399
and horrible and befurred.
Copy !req
931. Its little
Copy !req
932. red eyes glinted
Copy !req
933. in the unaccustomed glare
Copy !req
934. of the midday sun.
Copy !req
935. And before I could
Copy !req
936. shut the hatch
Copy !req
937. it sprang upon me
Copy !req
938. with one almighty bound--
Copy !req
939. What's this about doing
Copy !req
940. Horse of the Year Show
in here tonight?
Copy !req
941. I'm sorry, Mrs. Kelly.
Copy !req
942. We don't know.
Copy !req
943. This is drama.
Copy !req
944. Mr. Fox told me,
Copy !req
945. before he went down
to the pub,
Copy !req
946. they're doing
Copy !req
947. Horse of the Year Show in here
tonight at 9:10.
Copy !req
948. Well, this is BBC Two.
Copy !req
949. BBC One are in the kitchen.
Copy !req
950. I'm not having Harvey Smith
Copy !req
951. jumping over my binette.
Copy !req
952. No. Come on.
Copy !req
953. Tearing at my throat,
Copy !req
954. ripping my clothes.
Copy !req
955. And turn the gas off
Copy !req
956. before you leave!
Copy !req
957. All right!
Copy !req
958. I fought it
Copy !req
959. with all my strength,
Copy !req
960. but it was
Copy !req
961. too much for me. It--
Copy !req
962. ANNOUNCER:
Copy !req
963. Another clear round for
Harvey Smith on O'Malley.
Copy !req
964. And now it's Mrs. David Barker
Copy !req
965. riding Atalanta,
Copy !req
966. number three.
Copy !req
967. [HORSE GALLOPING]
Copy !req
968. [CRASH]
Copy !req
969. [HORSE WHINNIES]
Copy !req
970. Right, that's it.
Copy !req
971. Come on, out, out,
Copy !req
972. all of you.
Copy !req
973. Get out of my kitchen.
Copy !req
974. Go on. Harvey Smith.
Copy !req
975. Get out of here,
Copy !req
976. you lunkers.
Copy !req
977. It's one of our most
Copy !req
978. popular programs.
Copy !req
979. That's what you think,
Copy !req
980. Mr. Fox.
Copy !req
981. Well, that's all
Copy !req
982. from BBC television--
Copy !req
983. Come on, get out. Out.
Copy !req
984. Get out of here.
Copy !req
985. Out. Out. Get out.
Copy !req
986. Out. Out.
Copy !req
987. [♪]
Copy !req
988. [♪]
Copy !req
989. ANNOUNCER:
Tonight, from London,
your special guests are:
Copy !req
990. Lulu...
Copy !req
991. Ringo Starr...
Copy !req
992. and the man you've all
been waiting for,
Copy !req
993. your host for tonight.
Copy !req
994. Love the outfit, dear.
It's gorgeous.
Copy !req
995. Hello. Good evening.
Copy !req
996. Welcome.
Copy !req
997. It's...
Copy !req
998. [♪]
Copy !req
999. [FART]
Copy !req