1. I, ERIC, UM...Copy !req
2. AND NOW...Copy !req
3. IT'S...Copy !req
4. MONTY PYTHON'S FLYING CIRCUS.Copy !req
5. MICHAEL NORMAN RANDALLCopy !req
6. YOU HAVE BEEN FOUND GUILTYCopy !req
7. OF THE MURDER
OF ARTHUR REGINALD WEBSTERCopy !req
8. CHARLES PATRICK TRUMPINGTONCopy !req
9. MARCEL AGNES BERNSTEIN,
LEWIS ANONA RUDDCopy !req
10. JOHN MALCOLM KERRCopy !req
11. NIGEL SINCLAIR ROBINSON,
NORMAN ARTHUR POTTERCopy !req
12. FELICITY JAYNE STONECopy !req
13. JEAN-PAUL REYNARD,
RACHEL SHIRLEY DONALDSONCopy !req
14. STEPHEN JAY GREENBLATTCopy !req
15. KARL-HEINZ MULLERCopy !req
16. BELINDA ANNE VENTHAMCopy !req
17. JUAN-CARLOS FERNANDEZCopy !req
18. THOR OLAF STENSGAARDCopy !req
19. LORD KIMBERLEY OF PRETORIACopy !req
20. LADY KIMBERLEY OF PRETORIACopy !req
21. THE RIGHT HONOURABLE
NIGEL WARMSLEY KIMBERLEYCopy !req
22. ROBERT HENRY NOONAN
AND FELIX JAMES BENNETTCopy !req
23. ON OR ABOUT THE MORNING
OF THE 19th OF DECEMBER, 1972.Copy !req
24. HAVE YOU ANYTHING TO SAY
BEFORE I PASS SENTENCE?Copy !req
25. YES, SIR. I'M VERY SORRY.Copy !req
26. "VERY SORRY"?Copy !req
27. YES, SIR. IT WAS A VERY,
VERY BAD THING TO HAVE DONECopy !req
28. AND I'M REALLY VERY ASHAMED
OF MYSELF.Copy !req
29. I CAN ONLY SAY
IT WON'T HAPPEN AGAIN.Copy !req
30. TO HAVE MURDERED SO MANY PEOPLE
IN SUCH A SHORT SPACE OF TIMECopy !req
31. IS REALLY AWFULCopy !req
32. AND I REALLY AM VERY,
VERY, VERY SORRY THAT I DID ITCopy !req
33. AND ALSO THAT I'VE
TAKEN UP SO MUCHCopy !req
34. OF THE COURT'S
VALUABLE TIMECopy !req
35. LISTENING TO THE SORDID DETAILSCopy !req
36. OF THESE SENSELESS
KILLINGS OF MINE.Copy !req
37. I'D PARTICULARLY LIKE TO SAYCopy !req
38. A VERY PERSONAL AND SINCERE
SORRY TO YOU, M'LORDCopy !req
39. FOR MY APPALLING BEHAVIOR
THROUGHOUT THIS TRIAL.Copy !req
40. I'D ALSO LIKE TO SAY
SORRY, TOO, FOR THE POLICECopy !req
41. FOR PUTTING THEM
TO SO MUCH TROUBLE...Copy !req
42. FOR THE LITERALLY HOURS OF
WORK THEY'VE HAD TO PUT INCopy !req
43. COLLECTING EVIDENCECopy !req
44. AND IDENTIFYING CORPSES
AND SO FORTH.Copy !req
45. YOU KNOW, I THINK SOMETIMES
WE OUGHT TO REALIZECopy !req
46. THE DIFFICULT
AND OFTEN DANGEROUS WORKCopy !req
47. INVOLVED IN TRACKING DOWN
VIOLENT CRIMINALS LIKE MYSELFCopy !req
48. AND I'D JUST LIKE THEM TO KNOWCopy !req
49. THAT THEIR FINE WORK IS AT
LEAST APPRECIATED BY ME.Copy !req
50. OH, NO, NO.Copy !req
51. WE WERE ONLY
DOING OUR JOB.Copy !req
52. NO, NO, REALLY.Copy !req
53. THAT'S VERY GOOD
OF YOU TO SAY THATCopy !req
54. BUT I KNOW WHAT
YOU'VE BEEN THROUGH.Copy !req
55. OH, NO, NO.
WE'VE HAD WORSE.Copy !req
56. IT WAS PLAIN SAILING,
APART FROM THE ARREST.Copy !req
57. I KNOW AND
I'M GRATEFUL.Copy !req
58. I'D LIKE TO APOLOGIZE, TOO,
TO THE PROSECUTING COUNSELCopy !req
59. FOR DRAGGING HIM IN HERE
MORNING AFTER MORNINGCopy !req
60. IN SUCH LOVELY WEATHER.Copy !req
61. WELL, I WOULD HAVE HAD
TO COME IN ANYWAY.Copy !req
62. AH, GOOD. BUT WHAT
A PRESENTATION OF A CASE.Copy !req
63. OH. THANK YOU.Copy !req
64. OH, NO. IT'S A PRIVILEGE
TO WATCH YOU IN ACTION.Copy !req
65. I NEVER HAD A CHANCE.Copy !req
66. OH, YES, YOU DID.Copy !req
67. OH, NOT AFTER THAT
SUMMING UP. GREAT.Copy !req
68. OH. THANK YOU.Copy !req
69. AND NOW I MUST COME
TO THE JURY.Copy !req
70. WHAT CAN I SAY?Copy !req
71. I'VE DRAGGED YOU IN HERE
DAY AFTER DAYCopy !req
72. KEEPING YOU AWAY
FROM YOUR HOMESCopy !req
73. YOUR JOBS,
YOUR LOVED ONESCopy !req
74. JUST TO HEAR
THE PRIVATE DETAILSCopy !req
75. OF MY PETTY ATROCITIES.Copy !req
76. NO, NO.Copy !req
77. IT WAS VERY
INTERESTING.Copy !req
78. BUT YOU COULD HAVE HAD
A MUCH NICER CASE.Copy !req
79. OH, NO, NO, NO.
MURDER'S MUCH MORE FUN.Copy !req
80. YES. AND SO MANY OF THEM.Copy !req
81. EXCELLENT.Copy !req
82. WE'VE HAD A TERRIFIC TIME.Copy !req
83. I'M SORRY. I'M VERY MOVED.Copy !req
84. SO, M'LORD IT ONLY REMAINSCopy !req
85. FOR YOU TO PASS THE MOST SAVAGE
SENTENCE ON MECopy !req
86. THAT THE LAW CAN PROVIDE.Copy !req
87. WELL, UH, NOT NECESSARILY.Copy !req
88. UH, NO, M'LORD. THE FULL PENALTY
OF THE LAW IS HARDLY SUFFICIENT.Copy !req
89. I INSIST I MUST BE MADE
AN EXAMPLE OF.Copy !req
90. WELL, YES AND NO.Copy !req
91. I MEAN, SOCIETY AT LARGE...Copy !req
92. OH, NO, M'LORD!Copy !req
93. NOT WITH MASS MURDER.Copy !req
94. OH, BUT IN THIS CASE,
DON'T YOU THINK?Copy !req
95. YES, YES.Copy !req
96. OH, COME ON, M'LORD!Copy !req
97. YOU'VE GOT TO GIVE ME LIFE.Copy !req
98. NO!
NO. NO.Copy !req
99. WELL, TEN YEARS AT LEAST.
COME ON.Copy !req
100. TEN YEARS?Copy !req
101. SHAME, SHAME.Copy !req
102. WELL, FIVE THEN.
BE FAIR.Copy !req
103. NO, NO,
NO, NO.Copy !req
104. I'M GIVING YOU THREE MONTHS.Copy !req
105. OH, MY GOD, THAT'S
SO EMBARRASSING.Copy !req
106. I WON'T HEAR OF IT.Copy !req
107. GIVE ME SIX. PLEASE.Copy !req
108. WELL... ALL RIGHT.Copy !req
109. SIX MONTHS.Copy !req
110. THANK YOU, M'LORD.Copy !req
111. BUT SUSPENDED.Copy !req
112. OH!Copy !req
113. THREE CHEERS
FOR THE DEFENDANT!Copy !req
114. HIP-HIP...Copy !req
115. HOORAY!Copy !req
116. HIP-HIP...Copy !req
117. HOORAY!Copy !req
118. HIP-HIP...Copy !req
119. HOORAY!Copy !req
120. IT'S NO GOOD, SPIDER.Copy !req
121. YOU CAN'T ESCAPE
THAT EASILY.Copy !req
122. WE'RE COMING IN
AFTER YOU.Copy !req
123. THIS WAY, DAVIS.Copy !req
124. HMM. WE'D BEST SEPARATE.Copy !req
125. I'M GOING DOWN THERE.Copy !req
126. YOU CHECK THE
RIGHT VENTRICLE.Copy !req
127. ANY SIGN OF HIM, DAVIS?Copy !req
128. WHY, NO. NOTHING HERE.Copy !req
129. ALL RIGHT.Copy !req
130. WE'LL CHECK THE SPLEEN.Copy !req
131. WAIT!Copy !req
132. OH, MY GOD! HE'S DOWN
THE BACK OF US!Copy !req
133. QUICK! WE'VE GOT
TO CATCH HIMCopy !req
134. BEFORE HE
REACHES THE NECK.Copy !req
135. OH, NO.
TOO LATE, DAVIS!Copy !req
136. HE'S GOT OUT!Copy !req
137. OH! HE'S EATING!Copy !req
138. RUN FOR IT!Copy !req
139. AH!Copy !req
140. OH, MY GOD!Copy !req
141. WE'RE HERE
IN THE STOMACH!Copy !req
142. OH...Copy !req
143. THIS LITTLE-KNOWN
ICELANDIC SAGACopy !req
144. WRITTEN BY AN UNKNOWN HAND
IN THE LATE 13th CENTURYCopy !req
145. HAS REMAINED UNDISCOVERED
UNTIL TODAY.Copy !req
146. NOW IT COMES TO YOUR SCREENS
FOR THE FIRST TIMECopy !req
147. FRESH FROM THE LEAVES
OF ICELAND'S HISTORY.Copy !req
148. THE TERRIBLE NJORL'S SAGA...Copy !req
149. IT'S NOT THAT TERRIBLE.Copy !req
150. NO, I MEANT
TERRIBLY VIOLENT.Copy !req
151. OH, YEAH.Copy !req
152. YEAH.Copy !req
153. ERIK NJORL, SON OF FROTHGARCopy !req
154. LEAVES HIS HOME TO SEEK
HANGAR THE ELDERCopy !req
155. AT THE HOUSE
OF THORVALD NLODVISSONCopy !req
156. THE SON OF GUDLEIFCopy !req
157. HALF-BROTHER OF THORGIER,
THE PRIEST OF LJOSA WATERCopy !req
158. WHO TOOK TO WIFE THURUNN,
THE MOTHER OF THORKEL BRAGGARTCopy !req
159. THE SLAYER OF GUDMUND
THE POWERFULCopy !req
160. WHO KNEW HOWAL, SON OF GEERNON,
SON OF ERIK FROM VADALESCCopy !req
161. SON ARVAL GRISTLEBEARD,
SON OF HARKENCopy !req
162. WHO KILLED BJORTGUAARD
IN SOCHNADALE IN NORWA YCopy !req
163. OVER GUDREED, DAUGHTER
OF THORKEL LONGCopy !req
164. THE SON OF KETTLE-TROUTCopy !req
165. THE HALF-SON
OF HARVIYOUN HALF-TROLLCopy !req
166. FATHER OF INGBARE THE BRAVECopy !req
167. WHO WED ISENBERT
OF GOTTENBERGCopy !req
168. THE DAUGHTER OF HANGBARD
THE FIERCE...Copy !req
169. WE APOLOGIZE
FOR AN ERROR IN THE SAGA.Copy !req
170. EVIDENTLY THORGIER,
THE PRIEST OF LJOSA WATERCopy !req
171. WHO TOOK TO WIFE THURUNN,
THE MOTHER OF THORKEL BRAGGARTCopy !req
172. THE SLAYER
OF GUDMUND THE POWERFULCopy !req
173. WHO KNEW HOWAL, SON OF GEERNON,
SON OF ERIK FROM VADALESC...Copy !req
174. WELL, I'M AFRAID
WE'RE HAVING A LITTLE TROUBLECopy !req
175. GETTING THIS VERY EXCITING
ICELANDIC SAGA STARTED.Copy !req
176. IF ANY OF YOU AT HOME
HAVE ANY IDEASCopy !req
177. ABOUT HOW TO GET THIS
EXCITING SAGA STARTED AGAINCopy !req
178. HELP THE EXCITING
ICELANDIC SAGACopy !req
179. 18-B MacNORTEN BUILDINGS, OBAN.Copy !req
180. HELLO, UM, WELLCopy !req
181. I WAS THE THIRD VOICE
YOU HEARD JUST NOW.Copy !req
182. UH, I'M SORRY
ABOUT THAT TERRIBLE MESS.Copy !req
183. IT WASN'T ALL THAT TERRIBLE.Copy !req
184. NO, NO, I MEANT TERRIBLE
IN THE SENSE OF UNFORTUNATE.Copy !req
185. OH.Copy !req
186. ANYWAY, UM, OUR PLEACopy !req
187. FOR ASSISTANCE HAS BEEN ANSWEREDCopy !req
188. BY THE NORTH MALDEN
ICELANDIC SAGA SOCIETYCopy !req
189. WHO'VE GIVEN US SOME VERY USEFUL
INFORMATION ABOUT THE SAGACopy !req
190. AND SO WE CARRY ON NOW
WITH "N JORL'S SAGA"Copy !req
191. WITH OUR THANKS GOING ONCE AGAINCopy !req
192. TO THE NORTH MALDEN
ICELANDIC SAGA SOCIETY.Copy !req
193. ERIK NJORL, SON OF FROTHGARCopy !req
194. RODE OFF
INTO THE DESOLATE PLAIN.Copy !req
195. DAY AND NIGHT HE RODECopy !req
196. LOOKING NEITHER
TO RIGHT NOR LEFTCopy !req
197. STOPPING NEITHER
FOR FOOD NOR REST.Copy !req
198. 12 DAYS AND NIGHTS HE RODE,
THROUGH RAIN AND STORMCopy !req
199. THROUGH WIND AND SNOWCopy !req
200. BEYOND THE ENCHANTED WATERFALLCopy !req
201. THROUGH THE ELFIN GLADESCopy !req
202. UNTIL HE REACHED HIS GOAL.Copy !req
203. HE HAD FOUND
THE RICH AND PLEASANT LANDCopy !req
204. BEYOND THE MOUNTAINS...Copy !req
205. THE LAND WHERE GOLDEN STREAMSCopy !req
206. SANG THEIR WA Y
THROUGH FRESH, GREEN MEADOWSCopy !req
207. WHERE THERE WERE
HALLS AND PALACESCopy !req
208. AN EXCELLENT SWIMMING POOLCopy !req
209. AND ONE OF THE MOST ATTRACTIVECopy !req
210. BONUS INCENTIVE SCHEMESCopy !req
211. FOR INDUSTRIAL DEVELOPMENT
IN THE CITY.Copy !req
212. ONLY 15 MILES FROM EXCELLENTCopy !req
213. THAMES-SIDE DOCKING FACILITIESCopy !req
214. AND WITHIN EASY REACH
OF THE PROPOSED M25.Copy !req
215. HERE IT WAS THAT ERIC NJORL,
SON OF FROTHGARCopy !req
216. MET THE MAYORCopy !req
217. MR. ARTHUR HUDDINUT,
A LOCAL SOLICITOR.Copy !req
218. WELCOME TO NORTH MALDEN.Copy !req
219. YES, EVERYONE IS WELCOME
TO NORTH MALDENCopy !req
220. BUT NONE MORE SO THAN THE
BUSINESSMEN AND INVESTORSCopy !req
221. WHO SHAPE OUR SOCIETY
OF THE FUTURE.Copy !req
222. HERE AT NORTH MALDEN...Copy !req
223. AND WE APOLOGIZE
TO VIEWERS OF NJORL'S SAGACopy !req
224. WHO MAY BE CONFUSEDCopy !req
225. BY SO MANY REFERENCES
TO NORTH MALDEN.Copy !req
226. AND AFTER A FRANK EXCHANGE
OF VIEWS, WE HAVE AGREEDCopy !req
227. TO CARRY ON SHOWING
THIS VERSION SUPPLIED TO USCopy !req
228. BY THE NORTH MALDEN
ICELANDIC SAGA SOCIETYCopy !req
229. ON THE UNDERTAKING
THAT FUTURE SCENESCopy !req
230. WILL ADHERE MORE CLOSELYCopy !req
231. TO THE SPIRIT
OF 12th CENTURY ICELAND.Copy !req
232. WITH MOIST EYES,
ERIC LEAVES THIS HAPPY LANDCopy !req
233. TO RETURN TO THE HARSH
UNECONOMIC REALITIESCopy !req
234. OF LIFE IN THE LAND
OF LJOSA WATERS.Copy !req
235. ON HIS WAY,
ERIC RESTED A WHILECopy !req
236. IN THE LAND OF BJORNSSTRAND...
THE LAND OF DARK FORCESCopy !req
237. WHERE GILDOR WAS KING.Copy !req
238. THESE WERE THE DUKES
OF THE LAND OF BJORNSSTRAND.Copy !req
239. PROUD WARRIORS
WHO BORE ON THEIR CHESTSCopy !req
240. THE LETTERS
OF THEIR DREAD NAME.Copy !req
241. Uh, hello?Copy !req
242. Is that the North Malden
Icelandic Society?Copy !req
243. Yes, that's right.Copy !req
244. It's about this saga.Copy !req
245. Oh, yes, the
Icelandic saga.Copy !req
246. Yes.
Good, isn't it?Copy !req
247. Well, uh,
well, I don't knowCopy !req
248. but, I mean, you promised us
that you would stickCopy !req
249. to the spirit
of the original text.Copy !req
250. Yes, that's right.Copy !req
251. Well, I mean, a lot of these
things that are happening...Copy !req
252. I mean, well, they just
don't quite ring true.Copy !req
253. Well, it's a new
interpretation, really.Copy !req
254. Well, we didn't want
a new int...Copy !req
255. I mean, we wanted
the proper thing.Copy !req
256. I mean, just look
what's happening now.Copy !req
257. Banners were a
very important partCopy !req
258. of Icelandic
lore, Mr. Mills.Copy !req
259. Well, then, I mean,
no, no, I'm sorry.Copy !req
260. I just can't accept that.
It's gone too far.Copy !req
261. I'm very sorry, but we'll have
to terminate the agreement.Copy !req
262. Oh!Copy !req
263. Well, you're just trying
to cash inCopy !req
264. on the BBC's
exciting Icelandic saga.Copy !req
265. That's business,
Mr. Mills.Copy !req
266. Well, that's as may beCopy !req
267. but it's not the way
the BBC works.Copy !req
268. Well, I'm very sorry
you feel that wayCopy !req
269. but, uh, you know,
if you ever wantCopy !req
270. to come to Malden...Copy !req
271. 8:00 IS A PEAK VIEWING HOURCopy !req
272. SO NATURALLY, WE TEND TO STICK
TO OUR COMEDY OUTPUT.Copy !req
273. UNLESS, OF COURSE,
THERE'S SPORTCopy !req
274. BECAUSE, OF COURSE,
WE KNOW THIS IS POPULARCopy !req
275. AND POPULARITY
IS WHAT TELEVISION IS ABOUT.Copy !req
276. QUITE FRANKLY,
I'M SICK AND TIREDCopy !req
277. OF PEOPLE ACCUSING US
OF BEING RATINGS CONSCIOUS.Copy !req
278. "RATINGS CONSCIOUS"?Copy !req
279. TRANSMITTING BLAND GARBAGE,
M'LORD.Copy !req
280. MMM. THANK YOU.Copy !req
281. NOW I'M REALLY CHEESED OFF!Copy !req
282. I MEAN, IT'S NOT
YOUR HIGHBROW, BLEEDING PLAYSCopy !req
283. THAT PULL IN THE VIEWERS,
YOU KNOW.Copy !req
284. THANK YOU.Copy !req
285. I MEAN, JOE PUBLICCopy !req
286. DOESN'T WANT TO SIT DOWN
AND WATCH THREE HOURSCopy !req
287. OF DOCUMENTARIES EVERY EVENING.Copy !req
288. THANK YOU.
HE WANTS TO SIT DOWNCopy !req
289. AND HE WANTS TO BE ENTERTAINED!Copy !req
290. HE DOESN'T WANT A LOAD OF...Copy !req
291. NO, REALLY!
I'M ABSOLUTELY FED UP WITH IT!Copy !req
292. I REALLY AM!
CASE DISMISSED.Copy !req
293. "CASE DISMISSED," M'LORD?Copy !req
294. ALL RIGHT... FIVE YEARS.Copy !req
295. THANK YOU, M'LORD.Copy !req
296. CALL THE NEXT
CASE, PLEASE.Copy !req
297. CALL ERIK NJORLCopy !req
298. SON OF FROTHGAR,
BROTHER OF HANGNOR...Copy !req
299. CALL ERIK NJORLCopy !req
300. SON OF FROTHGAR,
BROTHER OF HANGNOR...Copy !req
301. CALL ERIK NJORLCopy !req
302. SON OF FROTHGAR,
BROTHER OF HANGNOR...Copy !req
303. THE SLAYER
OF GUDMUND'S SON...Copy !req
304. YOU ARE ERIK NJORL,
SON OF FROTHGAR...Copy !req
305. GET ON WITH IT.Copy !req
306. WOULD YOU RAISE
YOUR RIGHT HAND?Copy !req
307. HE OBVIOUSLY CAN'T
RAISE HIS RIGHT HANDCopy !req
308. YOU SILLY USHER PERSON.Copy !req
309. CAN YOU RAISE YOUR RIGHT LEG,
MR. NJORL?Copy !req
310. CAN YOU RAISE ANY PART
OF YOUR BODY, MR. NJORL?Copy !req
311. I SEE. WELL,
WE'LL SKIP THAT.Copy !req
312. WELL, JUST
TAKE THE BOOKCopy !req
313. IN YOUR RIGHT
HAND, MR. NJORLCopy !req
314. WITHOUT RAISING ANY
PART OF YOUR BODY.Copy !req
315. OH.Copy !req
316. WHAT IS IT NOWCopy !req
317. YOU PERSISTENTLY SILLY USHER?Copy !req
318. HE CAN'T HOLD THE BIBLE, M'LORD.Copy !req
319. OH, SCREW THE BIBLE!Copy !req
320. LET'S GET ON
WITH THIS BLEEDING TRIAL!Copy !req
321. I'VE GOT A GAY LIB MEETING
AT 6:00.Copy !req
322. SUPERINTENDENT LUFTHANSA,
WILL YOU PLEASE READ THE CHARGE?Copy !req
323. IS A CHARGE STRICTLY NECESSARY,
M'LORD?Copy !req
324. THE PRESS IS HERE.Copy !req
325. OH! OH, SORRY.Copy !req
326. UM...Copy !req
327. RIGHT! HERE WE GO.Copy !req
328. ONE, THAT YOU DID,
ON OR ABOUT 1126Copy !req
329. CONSPIRE TO PUBLICIZE
A LONDON BOROUGHCopy !req
330. IN THE COURSE
OF A BBC SAGA;Copy !req
331. TWO, THAT YOU WERECopy !req
332. WILLFULLY AND
PERSISTENTLY A FOREIGNER;Copy !req
333. THREE, THAT YOU
CONSPIRED TO DO THINGSCopy !req
334. NOT NORMALLY
CONSIDERED ILLEGAL;Copy !req
335. FOUR, THAT YOU WERE
CAUGHT IN POSSESSIONCopy !req
336. OF AN OFFENSIVE WEAPONCopy !req
337. VIZ, THE BIG, BROWN TABLE
DOWN AT THE POLICE STATION.Copy !req
338. THE BIG, BROWN TABLE
DOWN AT THE POLICE STATION?Copy !req
339. IT'S THE BEST WE
COULD FIND, M'LORD.Copy !req
340. ALL
TOGETHER NOW!Copy !req
341. ASSAULTING A POLICE OFFICER!Copy !req
342. THANK YOU!Copy !req
343. CALL POLICE CONSTABLE PAN-AM.Copy !req
344. INTO THE
WITNESS BOXCopy !req
345. CONSTABLE!Copy !req
346. THERE'LL BE PLENTY OF
TIME FOR THAT LATER ON.Copy !req
347. NOW...Copy !req
348. YOU ARE POLICE
CONSTABLE PAN-AM?Copy !req
349. NO! I DENY THAT
TO THE LAST BREATH IN MY BODY!Copy !req
350. OH! SORRY. YES.Copy !req
351. POLICE CONSTABLE, DO YOU
RECOGNIZE THE DEFENDANT?Copy !req
352. NO! NEVER SEEN HIM
BEFORE IN MY LIFE!Copy !req
353. OH! YES! YES!Copy !req
354. HE'S THE ONE!Copy !req
355. HE DONE IT!Copy !req
356. I'D RECOGNIZE
HIM ANYWHERE.Copy !req
357. SORRY, SUPER.Copy !req
358. CONSTABLE, WILL YOU
PLEASE TELL THE COURTCopy !req
359. IN YOUR OWN WORDS
WHAT HAPPENED.Copy !req
360. OH, YES!Copy !req
361. I WAS PROCEEDING
IN A NORTHERLY DIRECTIONCopy !req
362. UP ALITALIA STREET...Copy !req
363. WHEN I SAW THE DECEASED...Copy !req
364. STANDING AT AN
UPSTAIRS WINDOWCopy !req
365. BARING HER BOSOM
AT THE GENERAL PUBLIC.Copy !req
366. SHE THEN TOOK OFF HER...Copy !req
367. WAIT A TICK!Copy !req
368. WRONG STORY.Copy !req
369. OH, YES!Copy !req
370. THERE WERE THREE NUNS
IN A RAILWAY COMPARTMENTCopy !req
371. AND THE TICKET IN...Copy !req
372. NO? ANYWAY, I CLEARLY
SAW THE DECEASED...Copy !req
373. THE DEFENDANT!Copy !req
374. DEFENDANT! SORRY.Copy !req
375. SORRY, SUPER.Copy !req
376. I CLEARLY SAW
THE DEFENDANTCopy !req
377. DOING WHATEVER
HE'S ACCUSED OFCopy !req
378. UH, RED-HANDED.Copy !req
379. WHEN KICKED, UH,
CAUTIONED, HE SAID...Copy !req
380. "IT'S A FAIR...
COP, I DONE IT ALL.Copy !req
381. RIGHT. NO... DOUBT
ABOUT... THAT."Copy !req
382. THEN, BOUND AS HE
WAS TO THE CHAIRCopy !req
383. HE ASSAULTED MYSELFCopy !req
384. AND THREE OTHER
CONSTABLESCopy !req
385. WHILE BOUNCING
AROUND THE CELL.Copy !req
386. THE END.Copy !req
387. THANK YOU,
THANK YOU.Copy !req
388. AND FOR MY NEXT
PIECE OF EVIDENCE...Copy !req
389. I-I THINK YOU'D BETTER
LEAVE IT THERE, CONSTABLE.Copy !req
390. EXCELLENT EVIDENCE, CONSTABLE.Copy !req
391. THANK YOU
VERY MUCH.Copy !req
392. NOW, MR. NJORL, WILL YOU
TELL THE COURT, PLEASECopy !req
393. WHERE WERE YOU ON
THE NIGHT OF 1126?Copy !req
394. MOVE ANY PART OF YOUR BODYCopy !req
395. IF YOU WERE NORTH OF A LINE
FROM THE HUMBER TO THE MERSEY.Copy !req
396. IS HE IN THERE,
DO YOU THINK?Copy !req
397. HELLO, HELLO, DEFENDANT?Copy !req
398. ARE YOU THERE?Copy !req
399. COO-EE!Copy !req
400. I THINK WE BETTER GO
AND HAVE A LOOK, MAURICE.Copy !req
401. DON'T CALL ME MAURICE
IN COURT!Copy !req
402. ARE YOU IN THERE?Copy !req
403. MR. NJORL?Copy !req
404. THIS WAY, DAVIS.Copy !req
405. HE'S NOT GETTING AWAY
THIS TIME.Copy !req
406. WE'LL GO DOWN THERE AND
THROUGH THE LEFT LUNG.Copy !req
407. IT WAS AROUND
THE LEFT LUNG THAT...Copy !req
408. ONCE AGAIN,
I'VE PROVED TOO CLEVER FOR...Copy !req
409. AND NOW, THE
STOCK MARKET REPORTCopy !req
410. BY EXCHANGE TELEGRAPH.Copy !req
411. TRADING WAS CRISP
AT THE START OF THE DAYCopy !req
412. WITH SOME BRISK BUSINESS
ON THE FLOOR.Copy !req
413. RUBBER HARDENED,
AND STRING REMAINED CONFIDENT.Copy !req
414. LITTLE BITS OF TIN CONSOLIDATEDCopy !req
415. ALTHOUGH BISCUITS SANK
AFTER AN EARLY GAINCopy !req
416. AND STOOLS REMAINED ANONYMOUS.Copy !req
417. ARMPITS RALLIED WELL
AFTER A POOR START.Copy !req
418. NIPPLES ROSE DRAMATICALLY
DURING THE MORNINGCopy !req
419. BUT HAD DECLINED
BY MID-AFTERNOONCopy !req
420. WHILE TEETH CLENCHED,
AND BUTTOCKS REMAINED FIRM.Copy !req
421. SMALL, DARK, FURRY THINGS
INCREASED SEVERELY ON THE FLOORCopy !req
422. WHILST RUDE JELLIES
WOBBLED UP AND DOWNCopy !req
423. AND BOUNCED
AGAINST RISING THIGHSCopy !req
424. WHICH HAD SPREAD TO ALL PARTS
OF THE COUNTRY BY MID-AFTERNOON.Copy !req
425. AFTER LUNCH,
NAUGHTY THINGS DIPPED SHARPLYCopy !req
426. FORCING GIBLETS UPWARDS
WITH THE NICKY NACKY NOO.Copy !req
427. TING TANG TONG RANKLED DITHELY,
LITTLE TIPPLES POOPEDCopy !req
428. AND POPPY THINGS WENT PONG!Copy !req
429. GIBBLE GABBLE GOBBLECopy !req
430. WENT THE RICKETY RACKETY ROO,
AS THE...Copy !req
431. EH, THAT'LL TEACH YOU
TO BE NORMAL.Copy !req
432. HMM?Copy !req
433. HMM.Copy !req
434. HELLO, MRS. PREMISE.Copy !req
435. HELLO, MRS. CONCLUSION.Copy !req
436. BUSY DAY?Copy !req
437. BUSY? I JUST SPENT
FOUR HOURSCopy !req
438. BURYING THE CAT.Copy !req
439. FOUR HOURS TO
BURY A CAT?Copy !req
440. YES. HE WOULDN'T
KEEP STILL.Copy !req
441. WRIGGLING ABOUT,
HOWLING ITS HEAD OFF.Copy !req
442. OH, IT WASN'T
DEAD THEN?Copy !req
443. WELL, NO, NO.Copy !req
444. BUT IT'S NOT AT ALL
A WELL CAT.Copy !req
445. SO AS WE WERE GOING AWAY
FOR A FORTNIGHT'S HOLIDAYCopy !req
446. I THOUGHT I BETTER BURY IT
JUST TO BE ON THE SAFE SIDE.Copy !req
447. QUITE RIGHT.Copy !req
448. YOU DON'T WANT TO COME BACK
FROM SORRENTO TO A DEAD CAT.Copy !req
449. IT WOULD BE SO ANTICLIMACTIC.Copy !req
450. YES, KILL IT NOW.Copy !req
451. THAT'S WHAT I SAY.Copy !req
452. YES.Copy !req
453. WE'RE GOING TO HAVECopy !req
454. TO HAVE OUR BUDGIE PUT DOWN.Copy !req
455. REALLY? IS HE VERY OLD?Copy !req
456. NO. WE JUST DON'T LIKE IT.Copy !req
457. WE'RE GOING
TO TAKE ITCopy !req
458. TO THE VET TOMORROW.Copy !req
459. TELL ME, HOW DO THEY
PUT BUDGIES DOWN THEN?Copy !req
460. WELL, IT'S FUNNY
YOU SHOULD ASK THATCopy !req
461. BUT I'VE JUST BEEN
READING A GREAT BIG BOOKCopy !req
462. ABOUT HOW TO PUT
YOUR BUDGIE DOWNCopy !req
463. AND APPARENTLY, YOU CAN
EITHER HIT THEM WITH A BOOKCopy !req
464. OR YOU CAN SHOOT
THEM JUST THERECopy !req
465. JUST ABOVE THE BEAK.Copy !req
466. JUST THERE?
YES.Copy !req
467. WELL, WELL, WELL.Copy !req
468. OF COURSE, MRS. ESSENCE
FLUSHED HERSCopy !req
469. DOWN THE LOO.Copy !req
470. OH, NO, YOU
SHOULDN'T DO THAT.Copy !req
471. NO, THAT'S DANGEROUS.Copy !req
472. YES, THEY BREED
IN THE SEWERSCopy !req
473. AND EVENTUALLY YOU GET
EVIL-SMELLING FLOCKSCopy !req
474. OF HUGE,
SOILED BUDGIESCopy !req
475. FLYING OUT OF
PEOPLE'S LAVATORIESCopy !req
476. INFRINGING THEIR
PERSONAL FREEDOM.Copy !req
477. GOOD MORNING,
MRS. CUT-OUT.Copy !req
478. MORNING, MRS. CUT-OUT.Copy !req
479. IT'S A FUNNY THING,
FREEDOM.Copy !req
480. I MEANCopy !req
481. HOW CAN ANY OF US
BE REALLY FREECopy !req
482. WHEN WE STILL HAVE
PERSONAL POSSESSIONS?Copy !req
483. YOU CAN'T. YOU CAN'T.Copy !req
484. I MEAN, HOW CAN I GO OFF
AND JOIN FRELIMOCopy !req
485. WHEN I'VE GOT NINE
MORE INSTALLMENTSCopy !req
486. TO PAY ON THE FRIDGE?Copy !req
487. NO, YOU CAN'T. YOU CAN'T.Copy !req
488. WELL, THIS, OF COURSE,
IS THE WHOLE CRUXCopy !req
489. OF JEAN-PAUL SARTRE'S
ROADS TO FREEDOM.Copy !req
490. NO, IT BLOODY ISN'T.Copy !req
491. THE NUB OF THAT IS
HIS CHARACTERS STANDCopy !req
492. FOR ALL OF US IN THEIR
DESIRE TO AVOID ACTION.Copy !req
493. MIND YOU, THE MAN
AT THE OFF-LICENSECopy !req
494. SAYS IT'S AN
EVERYDAY STORYCopy !req
495. OF FRENCH
COUNTRY FOLK.Copy !req
496. WHAT DO THEY KNOW?
NOTHING.Copy !req
497. 60 NEW PENCE
FOR A BOTTLE OF MALTESE CLARET.Copy !req
498. I PERSONALLY THINK THAT...
OH, BEG YOUR PARDON...Copy !req
499. I PERSONALLY THINK THAT
JEAN-PAUL'S MASTERWORKCopy !req
500. IS AN ALLEGORY OF MAN'S
SEARCH FOR COMMITMENT.Copy !req
501. NO, IT ISN'T.
YES, IT IS.Copy !req
502. 'TISN'T!
'TIS!Copy !req
503. NO, IT ISN'T!Copy !req
504. ALL RIGHT. WE CAN
SOON SETTLE THIS.Copy !req
505. WE'LL ASK HIM.Copy !req
506. DO YOU KNOW HIM?
YES.Copy !req
507. WE MET ON HOLIDAY
LAST YEAR.Copy !req
508. IN IBIZA?Copy !req
509. YES. HE WAS STAYING
THERE WITH HIS WIFECopy !req
510. AND MR. AND MRS. GENET.Copy !req
511. OH, I DID GET ON WELL
WITH MADAM S.Copy !req
512. WE WERE LIKE THAT.Copy !req
513. WHAT WAS JEAN-PAUL LIKE?Copy !req
514. WELL, YOU KNOW,
A BIT MOODY.Copy !req
515. YES.
YES.Copy !req
516. HE DIDN'T JOIN
IN THE FUN MUCH.Copy !req
517. JUST SAT THERE
THINKING.Copy !req
518. STILL, MR. ROTTER
CAUGHT HIM A FEW TIMESCopy !req
519. WITH A WHOOPEE CUSHION.Copy !req
520. LE CAPTITALISME
ET LA BOURGEOISIECopy !req
521. ILS SONT LA MEME CHOSE...Copy !req
522. OH, WE DID LAUGH.Copy !req
523. OH, DEAR.Copy !req
524. WELL, WE'LL GIVE
HIM A TINKLE THEN.Copy !req
525. YES, ALL RIGHT.Copy !req
526. SHE SAID THEY WERE
IN THE BOOK.Copy !req
527. WHERE'S THE PARIS
TELEPHONE DIRECTORY?Copy !req
528. IT'S ON THE DRYER.Copy !req
529. NO, NO.
THAT'S BUDAPEST.Copy !req
530. OH, HERE WE ARE.Copy !req
531. SARTRE, SARTRE...Copy !req
532. IT'S 621036.Copy !req
533. OH, THANK YOU, MRS. FARLEY.Copy !req
534. HELLO? PARIS 621036, PLEASE.Copy !req
535. AND MAKE IT SNAPPY, BUSTER.Copy !req
536. HELLO. HELLO, MRS. SARTRE.Copy !req
537. IT'S BEULAGH PREMISE HERE.Copy !req
538. OH, PARDON.Copy !req
539. C'EST BEULAGH PREMISE ICI.Copy !req
540. OUI, OUI, DANS IBIZA.Copy !req
541. OUI. WE MET...Copy !req
542. NOUS NOUS RECONTRONS
AU HOTEL MIRAMAR.Copy !req
543. OUI, A LA BARBEQUE,
C'EST VRAI.Copy !req
544. EST-CE QUE JEAN
EST CHEZ VOUZ?Copy !req
545. OH, MERDE.Copy !req
546. WHEN WILL HE BE FREE?Copy !req
547. OH, PARDON.Copy !req
548. QUAND SERA T'IL LIBRE?Copy !req
549. SHE SAYS HE'S SPENT
THE LAST 60 YEARSCopy !req
550. TRYING TO WORK
THAT ONE OUT.Copy !req
551. OH, TREZ AMUSANT,
MADAME S.Copy !req
552. OUI, ABSOLUMENT.Copy !req
553. A BIENTOT.Copy !req
554. WELL, HE'S OUT DISTRIBUTING
PAMPHLETS TO THE MASSESCopy !req
555. BUT HE'LL BE IN
AT 6:00.Copy !req
556. OH, WELL, I'LL
RING B.E.A. THEN.Copy !req
557. OH, LOOK! PARIS!Copy !req
558. THAT'S NOT PARIS.Copy !req
559. JEAN-PAUL WOULDN'TCopy !req
560. LIVE HERE.Copy !req
561. IT'S A RIGHT
OLD DUMP.Copy !req
562. BUT THIS IS
WHERE THEY WERE WRONG.Copy !req
563. FOR THIS WAS NO OLD DUMP,
BUT A TOWN WITH A FUTURECopy !req
564. AN URBAN ELDORADO WHERE THE
BUSINESSMAN OF TODAY CAN EN JOYCopy !req
565. THE FACILITIES OF TOMORROW
IN THE COMFORT OF YESTERDAY.Copy !req
566. PROVIDED BY A GO-GETTING,
GO-AHEAD COUNCILCopy !req
567. WHO KNOW JUST HOW LOUD
MONEY CAN TALK.Copy !req
568. INTEREST RATES...Copy !req
569. WELL, IT'S NONE
OF MY BUSINESSCopy !req
570. BUT WE HAD
THE SAME TROUBLECopy !req
571. WITH ONE
OF OUR ICELANDIC SAGAS.Copy !req
572. THESE PEOPLE ARE TERRIBLY KEENCopy !req
573. BUT THEY DO RATHER
TEND TO TAKE OVER.Copy !req
574. I THINK I'D STICK TO CARIBBEAN
ISLANDS IF I WERE YOU.Copy !req
575. FINE.Copy !req
576. AND NOW, BACK TO THE SAGA.Copy !req
577. HERE... THIS IS
NOT PARIS.Copy !req
578. THIS IS ICELAND.Copy !req
579. OH... WELL.Copy !req
580. PARIS MUST BE
OVER THERE THEN.Copy !req
581. OH.Copy !req
582. OOH, HERE WE ARE.Copy !req
583. NUMBER 25.Copy !req
584. OH, YES.
FLAT ONECopy !req
585. YVES MONTAND, FLAT THREE,
JACQUES COUSTEAUCopy !req
586. FLAT FOUR, JEAN GENET
AND FRIEND...Copy !req
587. OOH, YES.Copy !req
588. FLAT FIVE,
MAURICE LAROUX.Copy !req
589. WHO'S HE?Copy !req
590. NEVER HEARD OF HIM.Copy !req
591. FLAT SIX, MARCEL MARCEAUCopy !req
592. WALKING AGAINST THE WIND,
LIMITED.Copy !req
593. FLAT SEVEN, INDIRA GANDHI.Copy !req
594. SHE GETS ABOUT
A BIT, DOESN'T SHE?Copy !req
595. YES.
YES.Copy !req
596. FLAT EIGHT, JEAN-PAUL
AND BETTY-MURIEL SARTRE.Copy !req
597. Oui?Copy !req
598. C'EST NOUS,
BETTY-MURIEL.Copy !req
599. EXCUSEZ QUE NOUS
SOMMES EN RETARD.Copy !req
600. Entrez.Copy !req
601. OUI, MERCI.Copy !req
602. OH, RUBBISH.Copy !req
603. BONJOUR.Copy !req
604. PARLEZ VOUZ ANGLAIS?Copy !req
605. OH, YES. GOOD DAY.Copy !req
606. HELLO, LOVE.Copy !req
607. HOW ARE YOU?Copy !req
608. THIS IS MRS. CONCLUSION
FROM NUMBER 46.Copy !req
609. OH, NICE TO
MEET YOU, DEAR.Copy !req
610. HELLO.Copy !req
611. HOW'S THE OLD
MAN BEEN?Copy !req
612. OH, DON'T ASK.Copy !req
613. HE'S IN ONE
OF HIS BLEEDING MOODS.Copy !req
614. THE BOURGEOISIE THIS,
IT'S THE BOURGEOISIE THAT.Copy !req
615. HE'S LIKE A LITTLE CHILD
SOMETIMES.Copy !req
616. I WAS ONLY TELLING THE RANIERS
THE OTHER DAY...Copy !req
617. OF COURSE,
HE'S ALWAYS RUDE TO THEMCopy !req
618. ONLY CLASSY FRIENDS WE GOT...Copy !req
619. I WAS SAYING,
"SOLIDARITY WITH THE MASSES"Copy !req
620. I SAID, "PIE IN THE SKY."Copy !req
621. OOH, YOU'RE NOT A MARXIST,
ARE YOU, MRS. CONCLUSION?Copy !req
622. NO, I'M A REVISIONIST.Copy !req
623. OH, GOOD.Copy !req
624. I MEAN, LOOK AT THIS PLACE!Copy !req
625. I'M AT MY WITS' END...Copy !req
626. REVOLUTIONARY LEAFLETS
EVERYWHERE.Copy !req
627. ONE OF THESE DAYS,
I'LL REVOLUTIONARY LEAFLETS HIM.Copy !req
628. IF IT WASN'T FOR THE GOATCopy !req
629. YOU COULDN'T GET IN HERE
FOR PROPAGANDA.Copy !req
630. WELL, VERY WELL.Copy !req
631. CAN WE, UH, POP INCopy !req
632. AND HAVE A WORD
WITH HIM?Copy !req
633. YES, COME ALONG.Copy !req
634. THANK YOU.Copy !req
635. BUT BE CAREFUL.
HE'S HAD A FEW.Copy !req
636. OH.Copy !req
637. MIND YOU, HE'S GOOD AS
GOLD IN THE MORNING...Copy !req
638. I'VE GOT TO
HAND IT TO HIM...Copy !req
639. BUT COME LUNCHTIME, IT'S
A BOTTLE OF VIN ORDINAIRE.Copy !req
640. SIX GLASSES AND HE'S
READY TO AGITATE.Copy !req
641. UH, COO-EE!Copy !req
642. JEAN-PAUL?Copy !req
643. JEAN-PAUL?Copy !req
644. AH, IT'S ONLY US.Copy !req
645. OH, PARDON,
C'ESTMEME NOUS.Copy !req
646. OUI.Copy !req
647. JEAN-PAUL, YOUR FAMOUS
TRILOGY, RUES A LIBERTECopy !req
648. IS IT AN ALLEGORY OF MAN'S
SEARCH FOR COMMITMENT?Copy !req
649. OUI.Copy !req
650. TOLD YOU SO.Copy !req
651. OH, COITUS.Copy !req
652. TODAY, WE LOOK
AT A VANISHING RACECopy !req
653. A PROBLEM PEOPLE
WHO ARE FAST DISAPPEARINGCopy !req
654. OFF THE FACE OF THE EARTH...Copy !req
655. A RACE WHO ONE MIGHT SAY
ARE LOSING A WINNING BATTLE.Copy !req
656. THEY LIVE
IN A SUNSHINE PARADISECopy !req
657. A CARIBBEAN DREAM
WHERE ONLY REALITY IS MISSING...Copy !req
658. FOR THIS IS WHICKER ISLAND...Copy !req
659. AN ISLAND INHABITED ENTIRELY
BY EX-INTERNATIONAL INTERVIEWERSCopy !req
660. IN PURSUIT
OF THE IMPOSSIBLE DREAM.Copy !req
661. THE WHOLE PROBLEM
OF WHICKER ISLANDCopy !req
662. IS HERE IN A NUTSHELL.Copy !req
663. THERE ARE
JUST TOO MANY WHICKERS.Copy !req
664. THE LIGHT-WEIGHT SUITS...Copy !req
665. THE OLD SCHOOL TIES...Copy !req
666. THE PRACTICED VOICE
OF THE SEASONED CAMPAIGNER...Copy !req
667. CANNOT HIDE
THE BASIC TRAGEDY HERE.Copy !req
668. THERE JUST AREN'T
ENOUGH RICH PEOPLE LEFTCopy !req
669. TO INTERVIEW.Copy !req
670. YOU CAN'T TEACH
AN OLD DOG NEW TRICKSCopy !req
671. AND SO YOU FIND THEM...Copy !req
672. SITTING BESIDE
ELEGANT SWIMMING POOLS...Copy !req
673. SIPPING MARTINIS...Copy !req
674. AND WAITING
FOR THE INEVITABLE INTERVIEW.Copy !req
675. I TALKED TO THE ISLAND'S
ONLY WHITE MAN, FATHER PIERRE.Copy !req
676. FATHER PIERRE, WHY
DID YOU STAY ONCopy !req
677. IN THIS COLONIAL
CAMPARI-LANDCopy !req
678. WHERE THE CLINK
OF GLASSES MINGLESCopy !req
679. WITH THE MURMUR OF
A MILLION MOSQUITOESCopy !req
680. WHERE WATERFALLS OF WHISKY
WASH AWAY THE WORRIESCopy !req
681. OF A WORLD-WEARY WHICKERCopy !req
682. WHERE GIN AND TONICS JINGLE
IN A GYROSCOPIC JUBILEECopy !req
683. OF SOMETHING
BEGINNING WITH "J"?Copy !req
684. FATHER PIERRE, WHY
DID YOU STAY ON HERE?Copy !req
685. WELL...Copy !req
686. MAINLY FOR THE INTERVIEWS.Copy !req
687. WELL, THERE YOU HAVE IT.Copy !req
688. A CRUMBLING...Copy !req
689. EMPIRE IN THE SUN-DRENCHED...Copy !req
690. CARIBBEAN, WHERE THE CLICHES
SPARKLE ON THE WATERS...Copy !req
691. LIKE THE MUSIC OF REPEAT FEES...Copy !req
692. AND SO...Copy !req
693. FROM WHICKER ISLAND...Copy !req
694. IT'S...Copy !req
695. FARE...Copy !req
696. WELL, AND...Copy !req
697. BON...Copy !req
698. VOY...Copy !req
699. AGE.Copy !req