1. Monty Python's Flying Circus
tonight comes to you live
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2. from the Grillomat Snack Bar, Paignton.
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3. Hello to you, live from the Grillomat.
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4. Snack Bar, Paignton.
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5. And so, uh, without any more
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6. ado, let's have the titles.
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7. It's...
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8. Monty Python's Flying Circus.
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9. Well, those were the titles.
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10. And now for the first item
this evening on the menu
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11. the team has chosen
as a little hors d'oeuvre
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12. an item, and I think we
can be sure it won't be
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13. an ordinary item.
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14. In fact, the team told
me just before the show
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15. that anything could
happen and probably would.
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16. So let's have the item.
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17. Hello, good evening,
and welcome to Blackmail.
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18. And to start tonight's
program, we go north to Preston
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19. in Lancashire and Mrs. Betty Teal.
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20. Hello, Mrs. Teal.
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21. Now this is for £15, and
it's to stop us revealing
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22. the name of your lover in Bolton.
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23. So, Mrs. Teal, send us
£15 by return of post, please,
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24. and your husband Trevor,
and your lovely children,
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25. Diane, Janice and Juliet,
need never know the name
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26. of your lover in Bolton.
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27. And now a letter a hotel registration book
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28. and a series of photographs,
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29. which could add up to
divorce, premature retirement
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30. and possible criminal proceedings
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31. for a company director in Bromsgrove.
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32. He's a Freemason and
a prospective Tory MP.
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33. That's Mr. S. Of Bromsgrove.
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34. Three thousand pounds,
please, to stop us revealing
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35. your name, the name of the
three other people involved,
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36. the youth organization
to which they belong,
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37. and the shop where you
bought the equipment.
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38. We'll be showing you more
of that photograph
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39. later in the program unless we hear
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40. from Charles or Michael.
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41. And now it's time for
our "Stop the Film" spot.
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42. The rules are very simple.
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43. We have taken a film which
contains compromising scenes
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44. and unpleasant details, which
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45. could wreck a man's career.
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46. But the victim may phone me at
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47. any point and stop the film.
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48. But remember, the money
increases as the film goes on.
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49. So the longer you leave it,
the more you have to pay.
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50. So now, with the clock at £300,
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51. this week, "Stop the Film"
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52. visited Thames Ditton.
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53. He's really brave here.
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54. Hello, sir. Hello, yes.
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55. No sir, no, I'm sure you didn't. Heh.
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56. No, it's all right, sir, we
don't morally censure,
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57. we just want the money.
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58. Yes, and here's the address to send it to:
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59. Not at all, sir. Thank you.
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60. Ah. Sorr... Sorry
chaps, it was my mother.
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61. Ah.
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62. Ah, gentlemen, pray
silence, for the President
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63. of the Royal Society for Putting Things
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64. on Top of Other Things.
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65. I thank you, gentlemen.
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66. The year has been a
good one for the society.
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67. This year, our members
have put more things on top
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68. of other things than ever before.
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69. But I should warn you this
is no time for complacency.
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70. No. There are still many
things, and I cannot emphasize
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71. this too strongly not
on top of other things.
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72. I, myself, on my way here
this evening, saw a thing
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73. that was not on top of
another thing in any way.
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74. Shame! Shame!
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75. Shame indeed.
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76. But we must not allow ourselves
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77. to become too despondent.
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78. For we must never
forget that if there was not
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79. one thing that was not
on top of another thing,
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80. our society would be nothing
more than a meaningless
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81. body of men that gathered together
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82. for no good purpose.
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83. Bravo, bravo.
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84. But we flourish.
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85. This year, our Australasian members
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86. and the various organizations affiliated
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87. to our Australasian branches,
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88. put no fewer than 22
things on top of other things.
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89. Well done. All of you.
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90. But there is one cloud on the horizon.
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91. In this last year, our Staffordshire branch
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92. has not succeeded in putting
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93. one thing on top of another.
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94. Shame! Shame!
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95. Therefore... Therefore, I call upon
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96. our Staffordshire delegate to explain this
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97. weird behavior.
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98. Indeed. Indeed.
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99. Cutler, Staffordshire.
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100. Um... well, Mr. Chairman,
it's just that most of
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101. the members in Staffordshire
feel... whole thing's
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102. a bit silly.
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103. Silly?
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104. Silly?!
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105. I suppose it is a bit.
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106. What have we been
doing wasting our lives
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107. with all this nonsense?
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108. Right. Okay.
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109. Meeting adjourned forever.
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110. Here, here.
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111. Good Lord.
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112. I'm on film.
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113. How did that happen?
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114. It's film again.
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115. What's going on?
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116. Gentlemen, I have bad news.
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117. This room is surrounded by film.
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118. What? What?
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119. We're... We're trapped!
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120. Don't panic.
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121. We'll get out of this. How?
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122. We'll tunnel our way out.
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123. Good thinking, sir.
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124. I'll get the horse.
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125. Okay, Captain. You detail
three men, start digging,
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126. and load them up with cutlery.
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127. Sir.
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128. And then we'll have a rota.
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129. We'll have two hours digging,
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130. two hours vaulting and then
two hours sleeping, okay?
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131. All right, Medwin, let's
see you get over that horse.
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132. Pick your feet up, Medwin.
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133. Come on, boy!
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134. Stupid English.
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135. They are prisoners, and
all they do is the sport.
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136. One thing worries me, Fritz.
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137. Yeah?
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138. Where's the traditional cheeky
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139. and lovable Cockney sergeant?
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140. Cheer up, Fritz, it may never happen.
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141. ♪ Maybe it's because I'm a Londoner ♪
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142. Good. Everything seems to be in order.
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143. ♪ That I love London so ♪
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144. Colonel. I've just found another exit, sir.
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145. Okay. Quickly, run this way.
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146. If we could run that way... Sorry.
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147. Oh, I'm... I'm terribly sorry.
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148. Excuse me.
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149. Ah.
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150. Hello. Um, well, they certainly
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151. seem to be in a tight spot,
and I spot our next item.
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152. So let's get straight on
with the fun and go over to
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153. the next item, or dish.
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154. Hello. How are you?
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155. I'm fine. Welcome to a
new half-hour chat show
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156. in which me, viz the man
what's talking to you now,
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157. and Brooky, to wit, my
flatmate and nothing else
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158. I'd like to emphasize
that discuss current affairs
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159. issues of burning import.
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160. Have you heard the one
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161. about the three nuns
in the nudist colony?
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162. Shut up. Tonight, the
population explosion.
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163. There were these three nuns... Shut up.
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164. Come the year 1991, given
the present rate of increase
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165. in the world's population,
the Chinese will be
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166. three deep.
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167. Another thing... Sorry, love, sorry.
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168. The show is too long this week,
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169. and this scene's been cut.
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170. Lord Hill's at the bottom of this.
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171. But if you can find a piano stool,
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172. you can appear later
on on the show in film.
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173. How much?
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174. Oh, about ten bob each?
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175. I wouldn't wipe me nose on it.
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176. Have you heard the one
about these three nuns? Shh.
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177. I can hear something.
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178. Hang about. We may still
get in this show as a link.
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179. That's clever.
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180. How do they do that?
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181. Color separation, you cotton head.
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182. What's all this?
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183. Some sort of lever.
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184. Lever? Well, pull it.
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185. Pull the lever.
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186. Come on, pull it.
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187. No, that's not right.
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188. That's got it.
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189. Oh. What's this?
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190. So, British pig, we meet again.
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191. What?
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192. That bitch!
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193. He spilled the entire
bottle of Chateau Latour.
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194. Everything.
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195. It's a disaster!
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196. Yeah.
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197. Shut up, the lot of you!
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198. Over here, Sir William.
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199. Sir William, over here.
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200. Over here.
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201. Now stay there.
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202. What are we gonna do now?
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203. I don't know.
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204. How are we going to
get out of this? No idea.
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205. Well, what shall we do?
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206. Don't jump! Don't jump!
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207. What?
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208. Please don't jump!
Think of the little ones!
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209. We weren't going to jump.
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210. Don't jump!
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211. The fire brigade's coming!
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212. What?
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213. Don't jump! Don't jump!
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214. My God, he's coming back!
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215. Well, they seem to be
in another tight spot.
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216. Um... Could you...?
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217. Could you...?
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218. Could you keep it down a little, please.
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219. Thank you so much. And...
Could you keep it down...
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220. Down, please?
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221. Thank you.
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222. Well, and now we move
on to our to our main course:
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223. uh, prawn salad.
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224. Prawn salad?
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225. Well, if you'll just wait in here, sir,
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226. I'm sure Mr. Thompson
won't keep you waiting long.
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227. Fine. Thanks very much.
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228. Uh... The, uh, mirror fell off the wall.
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229. Sir?
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230. Uh, the mirror fell off...
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231. Off... Off the wall. It fell.
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232. I see.
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233. You'd better wait here.
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234. I'll get a cloth.
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235. Uh, i-it came off the wall. Yes, sir?
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236. It just came right off the wall.
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237. Really, sir?
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238. Yes. I I didn't touch it.
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239. Of course not.
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240. It just fell off the wall.
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241. Yes, i-it just fell off the wall.
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242. Don't move.
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243. I'll get help.
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244. Yes. Uh... Fell off the wall.
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245. Oh, my God! What a mess!
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246. Here, did you do this?
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247. Uh, no. No, I didn't do all this.
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248. Uh, it-it did it all.
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249. Oh. Well... Here. Hold this.
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250. I'll get started.
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251. Oh. It's jolly nice.
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252. What is it?
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253. Hmm? Oh, it's a Brazilian dagger.
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254. Oops! Oh!
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255. Oh. Oh.
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256. Uh, sh... She just, uh,
fell, uh, on... onto the
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257. the dagger.
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258. Yes, of course she did, sir.
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259. Yeah, s-she just g-gave
me the dagger and tripped,
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260. and went, "Oops."
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261. Oh, yes, sir. I understand.
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262. You know, I mean, I didn't...
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263. Oh, no, of course not, sir.
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264. I... I understand.
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265. I mean, she... She
just, uh... She just fell?
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266. Fell.
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267. Terribly sorry.
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268. That's him.
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269. Right, sir.
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270. Oh, hello, Officer.
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271. Um, there seems to
have been an accident.
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272. Well, uh, s-several accidents actually.
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273. That's right, sir. Would
you come this way, please?
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274. It's me... me heart, sir.
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275. You swine! I'll get you for that.
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276. Uh... I won't wait.
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277. I'll phone.
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278. Sorry.
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279. Did we get out?
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280. Well, I think we're really out this time.
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281. Yeah?
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282. Oh, jolly good.
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283. Now, where's the school hall?
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284. I think it's over there.
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285. Come on.
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286. Right. Come on.
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287. Fine.
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288. Very good.
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289. ♪ Oh, Mr. Belpit ♪
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290. ♪ Your legs are so swollen ♪
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291. Excuse me.
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292. Is... Is that the school hall?
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293. Um, I'm sorry, I don't know.
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294. I'm not in this one.
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295. I... I'm in next week's, I think.
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296. Oh. Come on.
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297. Oh, Mr. Belpit!
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298. Oh, here we are.
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299. Ah, well, they seem to have
linked that themselves.
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300. So there's no need
for me to interrupt at all.
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301. So, uh, back to the school hall.
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302. Seven Brides for Seven Brothers.
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303. 'Tis time the seven
Smith brothers had brides.
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304. Fetch me Smith, Major.
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305. Sir.
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306. 'Tis time you and your
six brothers were married.
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307. Thank you, headmaster.
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308. Fetch me your six brothers,
that the seven brothers
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309. may be together.
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310. Behold, the seven brothers.
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311. Right, I'll see Watson, Wilkins and Spratt
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312. in my study afterwards.
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313. But...
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314. But where shall we find seven brides
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315. for seven brothers?
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316. The Sabine School for Girls.
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317. Yes, and it's the Annual Dance.
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318. Fetch hither the seven
brides for seven brothers.
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319. Behold the seven brides.
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320. Fetch hither the padre,
that the seven brides
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321. may marry the seven brothers.
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322. Fetch hither the master on
duty, that the seven brides
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323. may marry the seven brothers.
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324. Sorry I'm late, headmaster.
I've been wrestling with Plato.
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325. What you do in your own time, padre,
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326. is written on the wall in the vestry.
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327. Right. Ahem.
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328. Do you four boys take
these two girls to be
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329. your seven brides?
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330. Yes, sir.
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331. Right. Go and do your prep.
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332. Yes, sir.
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333. I say, Teddy. You said something, Neddy?
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334. That's right, I did, Teddy.
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335. Well, what is it, Neddy?
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336. Piggy banks, Teddy.
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337. Piggy banks, Neddy?
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338. Yes, I want to hunt piggy banks, Teddy.
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339. You want to hunt piggy banks, Neddy?
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340. That's right, Teddy.
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341. I've got him, Teddy.
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342. Time to bring home the bacon, Neddy.
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343. That's not bacon.
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344. That's sirloin, Teddy.
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345. Can't be sirloin.
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346. Not from a piggy, Neddy.
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347. But that's sirloin, Teddy.
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348. No, it isn't, Neddy.
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349. Is, Teddy.
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350. Isn't, Neddy.
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351. Is, Teddy.
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352. Isn't, Neddy.
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353. Is, Teddy.
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354. Mm. Looks like I've been
playing the fool, Neddy.
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355. Mm. That's all right, Teddy.
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356. Thanks awfully, Neddy.
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357. Thanks a lot.
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358. No, no, no.
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359. Doesn't matter at all.
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360. Jolly civil.
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361. No. Perfectly all right.
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362. I'd do the same for you.
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363. Good morning. I'd care to
purchase a chicken, please.
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364. Don't come here with
that posh talk, you nasty,
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365. stuck-up twit.
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366. I beg your pardon?
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367. A chicken, sir? Certainly.
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368. Thank you.
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369. And how much does that
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370. work out to per pound, my good fellow?
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371. Per pound, you slimy trollop?
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372. What kind of a ponce are you?
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373. I'm sorry?
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374. Four and six a pound, sir.
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375. Nice and ready for roasting.
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376. I see. And I'd care to
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377. purchase some stuffing
in addition, please.
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378. Use your own, you
great poofy poonagger.
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379. What?
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380. Ah, certainly, sir.
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381. Some stuffing.
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382. Oh. Thank you.
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383. "Oh, thank you,"
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384. says the queen, like a la-di-da poofter.
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385. I beg your pardon?
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386. That's all right, sir.
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387. Call again.
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388. Excuse me.
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389. What is it now, you great pillock?
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390. Well, I can't help
noticing that you insult me,
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391. and then you're polite to me alternately.
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392. I'm terribly sorry to hear that, sir.
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393. Its all right.
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394. Doesn't really matter.
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395. Tough titty if it did, you
nasty, spotted prancer.
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396. Ah.
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397. Oh. Uh, so sorry, I asked for tea.
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398. Would you...?
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399. Thank you very much.
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400. Well, uh, we've had the dessert.
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401. And then... And so the
first item... The last item on
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402. our menu of fun is the coffee.
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403. No, I did ask for tea.
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404. But you just said, "Coffee."
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405. No, no. That was just my announcement.
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406. It's just a metaphor.
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407. We come... He just said he
wants tea... Would you mind
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408. keeping it down, please?
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409. We come as as I said
just now to the coffee.
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410. There, he said it again!
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411. Shut up!
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412. This is Ken Clean-Air
System, the great white hope
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413. of the British boxing world.
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414. After three fights and
only two convictions,
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415. his manager believes
that Ken is now ready
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416. to face the giant American, Satellite Five.
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417. The great thing about
Ken is, is that he's almost
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418. totally stupid.
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419. Every morning, he jogs the 47 miles
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420. from his two-bedroom, eight-bathroom,
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421. six-up, two-down,
three-to-go house in Reigate
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422. to the Government's Pesticide.
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423. Research Centre at Shoreham.
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424. Nobody knows why.
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425. Basically, Ken is a very
gentle, home-loving person.
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426. I remember when one of his
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427. stick insects had a knee infection.
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428. He stayed up all night,
rubbing it with Germolene
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429. then banging its head on the table.
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430. Oh, such a pretty baby,
always so kind and gentle,
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431. and really considerate to his mother,
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432. and not at all the kind
of person you'd expect
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433. to pulverize their opponent
into a bloody mass of flesh
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434. and raw bone, spitting
teeth and fragments of gum
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435. into a ring which had
become one man's hell
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436. and Ken's glory.
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437. Every morning at his
little three-room semi
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438. near Reading, Ken gets up at 3:00.
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439. And goes back to bed again
because it's far too early.
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440. At 7:00 Ken gets up, he has
a quick shower, a rubdown,
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441. gets into his tracksuit and
goes back to bed again.
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442. At 7:50 every morning,
Ken's trainer runs
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443. the 13,000 miles from
his two-room lean-to
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444. in Bangkok and gets him up.
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445. I used to wake Ken up with a crowbar
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446. on the back of the head.
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447. But I recently found that this
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448. was too far from his brain,
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449. and I wasn't getting
through to him anymore.
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450. So I now wake him up with a steel peg
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451. driven into his skull with a mallet.
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452. For breakfast every day,
Ken places a plate of liver
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453. and bacon under his
chair and locks himself
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454. in the cupboard.
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455. Well, he's having
a lot of mental difficulties
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456. with his breakfasts.
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457. Uh, but it's his temperament
caused by a small particle
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458. of brain in his skull.
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459. Once we've removed that,
he'll be perfectly all right.
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460. At 8:30, the real training begins.
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461. Ken goes back to bed,
and his trainer gets him up.
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462. At 10:30 every morning,
Ken arrives at what
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463. he thinks is the gym.
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464. Sometimes it's a sweet shop.
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465. Sometimes it's a private house.
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466. Today it's a hospital.
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467. Hi. Could you please tell me
where the training is?
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468. Certainly. Um, yeah.
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469. Go straight down there.
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470. Straight down there. Down there.
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471. Straight down there.
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472. Down there. All right.
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473. For lunch Ken crouches down
beside the road
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474. and rubs gravel into his hair.
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475. But lunch doesn't take long.
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476. Ken's soon up on his
feet and back to bed.
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477. And his trainer has
to run the 49,000 miles
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478. from his two-bedroom
six-living-room tree house
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479. in Kyoto to wake him up.
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480. Hello. Eh, when Ken is in a really
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481. deep sleep like this one,
uh, the only way to wake
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482. him up is to saw his head off.
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483. What is he like in the ring,
this human dynamo,
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484. this 18-stone
bantamweight battering ram?
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485. We asked his sparring
partner and one-time childhood
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486. sweetheart, Maureen Spencer.
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487. Well, I... I think that if
Ken, uh, keeps his right up,
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488. gets in with the left jab, and, uh,
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489. takes the fight to his
man, well, uh, he should go
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490. for a cut eye in the
third and, uh, put Wilcox
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491. on the canvas by six.
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492. Ken's opponent in Tuesday's
fight is Petula Wilcox,
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493. the Birmingham girl who
was a shorthand typist
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494. before turning pro in 1968.
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495. She's keen on knitting and
likes Cliff Richard records.
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496. How does she rate her
chances against Ken?
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497. Well... I'm a southpaw.
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498. And I think this will
confuse him, particularly with
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499. his brain problem.
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500. My lords, ladies, and gedderbong.
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501. On my right from the town of Reigate,
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502. in the county of Kent, the heavyweight.
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503. Mr. Ken Clean-Air System!
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504. And on my left, Miss Petula Wilcox.
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505. I think boxing is a splendid sport.
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506. Teaches you self-defense.
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507. Obviously, boxing must have its limits.
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508. But providing they're both perfectly fit,
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509. I can see nothing wrong
with one healthy man
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510. beating the living daylights
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511. out of a little schoolgirl.
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512. It's quick, and it's fun.
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513. ♪ Raindrops keep falling On my head ♪
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514. Oh. No, he's gone.
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515. But he left a message.
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516. Jack! Where's that note that fellow left?
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517. Oh.
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518. Here you are.
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519. It says, "Sorry, had to catch the last bus.
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520. Am on the 49B to Babbacombe."
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521. Oh, uh... there you are. Hello.
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522. Um, you got the note.
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523. Jolly good.
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524. Well, um, that's all the items that
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525. we have for you this week.
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526. And, uh, what a jolly
nice lot of items too, eh?
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527. Um... Well, the same team will be
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528. back with you again next
week with another menu
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529. full of items.
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530. Um I don't know if I shall
be introducing the show
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531. next week as I understand
that my bits in this show
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532. have not been received
quite as well as they might.
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533. But, uh... never mind.
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534. The damage is done.
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535. No use crying over spilt milk.
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536. I've had my chance, and I've muffed it.
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537. Anyway, heh, there we are.
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538. I'm not really awfully good with words.
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539. You see, I'm more of a visual performer.
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540. I have a very funny...
Though I say so myself.
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541. A very funny funny walk.
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542. I wish I'd been in that show.
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543. I'd have done rather well.
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544. But anyway, there we are.
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545. Show's over.
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546. And, uh, we'll all
be... They'll all be back
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547. with you again next week.
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548. Sorry.
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549. I do beg your pardon.
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550. I don't like these blatant
displays of emotion.
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551. I wish it would say, "The end."
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