Monty Python's Flying Circus 2x3

1. MY, ISN'T IT HOT IN HERE!

2. COMPLETELY DIFFERENT.

3. MORE COMPLETELY DIFFERENT.

4. IT'S...

5. MONTY PYTHON'S FLYING CIRCUS.

6. [Captioning sponsored by THE U.S. DEPARTMENT OF EDUCATION

7. and A&E TELEVISION NETWORKS]

8. "OH, MR. BELPIT, YOUR LEGS ARE SO SWOL... SWOLLEN."

9. "OH, MR. BELPIT?"

10. "OH, MR. BELPIT, YOUR LEGS ARE SO SWOLLEN."

11. "OH, MR. BELPIT..."

12. EXCUSE ME, EXCUSE ME.

13. AND I'D LIKE TO MAKE AN APPLICATION.

14. NOTHING TO DO WITH ME.

15. I'M NOT IN THIS SHOW.

16. OH, I SEE.

17. "OH, MR. BELPIT..."

18. DO YOU... DO YOU...

19. ABOUT THEM...

20. THE FLYING LESSONS?

21. NO, NOTHING TO DO WITH ME.

22. I'M NOT IN THIS SHOW.

23. THIS IS SHOW FIVE.

24. I'M NOT IN UNTIL SHOW EIGHT.

25. OH, I SEE.

26. I'M JUST LEARNING MY LINES, YOU KNOW.

27. "OH, MR...

28. OH, MR. BELPIT, YOUR LEGS..."

29. A BIT AWKWARD, EH?

30. YES.

31. I'M A BIT STUCK.

32. WELL, TRY OVER THERE.

33. "OH, MR. BELPIT..." OH, YES, THANKS.

34. NOT AT ALL. THANKS A LOT.

35. "OH, MR. BELPIT, THEY'RE SO SWOL... SWOLLEN."

36. "OH! M... MR. BELPIT, YOUR LEGS..."

37. EXCUSE ME, I SAW

38. AND I'D LIKE TO MAKE AN APPLICATION.

39. APPOINTMENT?

40. YES, YES.

41. CERTAINLY.

42. THIS WAY, PLEASE?

43. MORNING, MR. JONES, MR. BARNES.

44. MORNING.

45. MORNING, MRS. WILLS.

46. MORNING, LOVE.

47. MARKETING, WOULD YOU?

48. JUST FOLLOW ME.

49. OH, BE CAREFUL.

50. YES, NEARLY TRIPPED.

51. WE'LL BE THERE SOON.

52. GOOD. IT'S A LONG WAY, ISN'T IT?

53. OH, GET HOLD OF THAT.

54. WATCH IT.

55. MORNING.

56. MORNING.

57. UP THE STAIRS.

58. YES.

59. BE CAREFUL, VERY STEEP.

60. ALMOST THERE.

61. MORNING.

62. MORNING.

63. THIS WAY, PLEASE?

64. IN HERE, PLEASE.

65. THANK YOU.

66. HELLO, I SAW YOUR

67. AND I'D LIKE TO MAKE AN APPOINTMENT.

68. WELL, MR. ANEMONE'S

69. BUT I'M SURE HE WON'T MIND IF YOU GO ON IN.

70. THROUGH HERE.

71. AH, WON'T BE A MOMENT.

72. MAKE YOURSELF AT HOME.

73. NO, NO, WELL, LOOK, YOU CAN ASK MR. MAUDLING

74. BUT I'M SURE HE'LL NEVER AGREE.

75. NOT FOR 50 SHILLINGS, NO.

76. NO. BYE-BYE, GORDON.

77. BYE-BYE.

78. OH, DEAR.

79. BYE-BYE.

80. MISSED. NOW, MR. UH...

81. CHIGGER.

82. MR. CHIGGER, SO YOU WANT TO LEARN TO FLY.

83. YES.

84. RIGHT, WELL, UP ON THE TABLE

85. ARMS OUT, FINGERS TOGETHER, KNEES BENT!

86. NO, NO, NO.

87. UP ON THE TABLE!

88. ARMS OUT, FINGERS TOGETHER, KNEES BENT.

89. NOW, HEAD WELL FORWARD.

90. NOW, FLAP YOUR ARMS.

91. GO ON, FLAP FASTER.

92. FASTER, FASTER, FASTER, FASTER, FASTER, FASTER.

93. NOW JUMP!

94. ROTTEN, ROTTEN.

95. YOU'RE NO BLOODY USE AT ALL.

96. YOU'RE AN UTTER BLOODY WASH-OUT.

97. YOU MAKE ME SICK, YOU WEED!

98. NOW, LOOK HERE!

99. ALL RIGHT, ALL RIGHT.

100. I'LL GIVE YOU ONE MORE CHANCE.

101. GET ON THE TABLE.

102. LOOK, I CAME HERE TO LEARN

103. HOW TO FLY AN AEROPLANE.

104. A WHAT?

105. HOW TO FLY AN AEROPLANE.

106. OH, AN AEROPLANE.

107. OH, I SAY, WE ARE GRAND, AREN'T WE?

108. OH, OH, NO MORE BUTTERED SCONES FOR ME, MATER.

109. I'M OFF TO PLAY THE GRAND PIANO.

110. WHILE I FLY MY AEROPLANE.

111. NOW, GET ON THE TABLE!

112. LOOK, NO ONE IN THE

113. TO FLY LIKE THAT.

114. OH, I SUPPOSE

115. OUT RIDING.

116. WELL, IF PEOPLE CAN'T FLY

117. WHAT AM I DOING UP HERE?

118. YOU'RE ON A WIRE.

119. OH, A WIRE?

120. I'M ON A WIRE, AM I?

121. OF COURSE YOU'RE ON A BLOODY WIRE.

122. I AM NOT ON A WIRE; I AM FLYING.

123. YOU'RE ON A WIRE.

124. I AM FLYING!

125. YOU'RE ON A WIRE!

126. I'LL SHOW YOU WHETHER I'M ON A WIRE OR NOT.

127. GIVE ME THE "OOP."

128. WHAT?

129. OH, I DON'T SUPPOSE

130. WE KNOW WHAT AN OOP IS.

131. CROQUET LAWN.

132. OH, A "HOOP."

133. "OH! AN HOOP."

134. THANK YOU, YOUR BLEEDING HIGHNESS.

135. NOW... LOOK.

136. GO ON!

137. RIGHT THE WAY ALONG.

138. ALL RIGHT, ALL RIGHT, ALL RIGHT.

139. THERE, NOW, WHERE'S THE BLEEDING WIRE?

140. THAT HOOP'S GOT A HOLE IN.

141. OH, ETON AND MAGDALENE, THE HOOP HAS AN HOLE IN.

142. OF COURSE IT'S GOT A HOLE IN!

143. IT WOULDN'T BE A HOOP OTHERWISE, WOULD IT, MUSH?

144. NO, THERE'S A GAP IN THE MIDDLE, THERE.

145. OH, A GAP, A GAP IN ONE'S HOOP.

146. PARDON ME, BUT I'M OFF TO PLAY THE GRAND PIANO.

147. LOOK, I CAN SEE YOU'RE ON A WIRE.

148. LOOK, THERE IT IS.

149. LOOK, I TOLD YOU, YOU BASTARD...

150. I'M NOT ON A WIRE.

151. YOU ARE. THERE IS.

152. THERE ISN'T.

153. IS.

154. ISN'T! IS!

155. ISN'T! IS!

156. ISN'T! IS! ISN'T! IS!

157. ANYWAY, THIS RATHER

158. WENT ON FOR SOME TIME UNTIL...

159. GOSH, I AM GLAD

160. I'M A FULLY QUALIFIED AIRLINE PILOT.

161. AIRLINE PILOT, AND NOT TWO.

162. THANK YOU.

163. I DIDN'T WANT TO SEEM

164. JUST NOW, YOU KNOW

165. BUT IT'S JUST AS EASY

166. IN THE BALPA HANDBOOK.

167. OH, ONE OTHER THING...

168. TO TAKE ADVANTAGE OF IT.

169. FOR ME, I'M AFRAID.

170. YES, AH, YES, YES.

171. ABOUT "FLY ME TO THE STARS"

172. WHEN, OF COURSE, THERE ARE NO

173. OR EVEN CHARTERED,

174. AT THE PRESENT MOMENT.

175. ALTHOUGH, OF COURSE,

176. BALPA WILL BE IN THE VANGUARD...

177. OR THE TRIDENT.

178. UP AT BALPA HOUSE.

179. UH, ONE OTHER SMALL POINT.

180. ONLY A COUPLE OF EVENINGS' FUN?

181. THE OLD CANVAS ONES, I SAY.

182. IT IS INCREDIBLE, ISN'T IT

183. THESE TERRIBLE HEADACHES.

184. ALL RIGHT, I SEEM

185. BUT STILL, NO HARM DONE.

186. JOLLY GOOD LUCK.

187. BE IN THERE ALL DAY?

188. WANT TO GO, YOU KNOW!

189. THE DOOR'S JAMMED, IF YOU ASK ME.

190. AH! THAT'S BETTER.

191. OH, MY GOD.

192. AH, I'M TERRIBLY SORRY.

193. WAS THE BALLY TOILET.

194. THE CONTROL CABIN.

195. OH, I KNOW THAT.

196. I'M A FLYING MAN, YOU KNOW, YES.

197. BALLY STUPID MISTAKE.

198. CLOUD'S HEAVY.

199. WHAT'S THE READING?

200. UH, 4.8... STEADY.

201. THERE WOULDN'T BE ROOM

202. FOR ANYTHING ELSE, WOULD THERE?

203. HELLO, GENEVA, THIS IS ROGER FIVE-O.

204. WHAT IS YOUR CLOUD READING? HELLO, GENEVA.

205. I WOULDN'T FANCY

206. SITTING ON THE TOILET.

207. I MEAN, IT'D

208. OUT OF BEING A PILOT, WOULDN'T IT?

209. SITTING ON A TOILET.

210. Geneva here.

211. 4.9... heavy. Over.

212. SERIOUS?

213. NO, NOT IF IT KEEPS AT THAT LEVEL, NO.

214. MIND, MIND YOU

215. IF YOU DID FLY IT

216. IT'D LEAVE

217. WOULDN'T IT?

218. WELL, I'D BETTER GET BACK TO THE CABIN, THEN.

219. UH, SORRY ABOUT THE SILLY INTRUSION.

220. BALLY STUPID.

221. THE DOOR'S JAMMED.

222. BALLY PIECE OF LUCK.

223. OH, HELLO.

224. RIGHT AT THE BACK?

225. YES, THEY'RE QUIET AS DORMICE.

226. DORMICE?

227. ALL RIGHT, DON'T ANYBODY MOVE.

228. UH... EXCEPT TO CONTROL THE AIRPLANE...

229. TO DO THAT.

230. CAN I MOVE?

231. UH, YES, YES, YES.

232. A LITTLE BIT, YES.

233. SORRY, I DIDN'T

234. WHEN I CAME IN.

235. OBVIOUSLY, YOU CAN ALL MOVE A LITTLE, WITHIN REASON.

236. OF SELF-CONTROL CAN PREVENT.

237. AND OBVIOUSLY, ANY ASSERTION OF AUTHORITY ON MY PART...

238. I'VE GOT TO TAKE THAT INTO ACCOUNT.

239. RIGHT, I MEAN, ONE COULDN'T, FOR EXAMPLE

240. STOP ONE'S INSIDES FROM MOVING.

241. NO, NO... GOOD POINT, GOOD POINT.

242. MEANS WE'RE ALL MOVING TO A CERTAIN EXTENT.

243. AND WE'RE ALL

244. AREN'T WE?

245. YES, YES. YES, YES

246. ABSOLUTELY.

247. NO, THE GIST

248. THAT SUDDEN, UH...

249. MOVEMENTS!

250. EXAGGERATED, VIOLENT MOVEMENTS ARE... ARE OUT.

251. WELL, THAT'S

252. MODERN AIRLINERS.

253. I MEAN, I CAN KEEP

254. AND PANCHO HERE DOESN'T HAVE TO MOVE AT ALL.

255. OH, THAT'S MARVELOUS.

256. OOH, AND I DON'T REALLY

257. ITCH OR SOMETHING.

258. WELL, THAT'S WONDERFUL.

259. 60% SUCCESS, EH?

260. 60%, YEAH.

261. OH, DEAR.

262. ANYWAY, BEARING

263. TO LUTON, PLEASE?

264. WELL, THIS IS

265. FLIGHT TO CUBA.

266. I KNOW, I KNOW.

267. THAT'S RATHER

268. ABOUT NOBODY MOVING.

269. OH, I SEE. WITHIN REASON.

270. WITHIN REASON.

271. WITHIN REASON, RIGHT.

272. YES, UM, YOU KNOW...

273. TO LUTON!

274. PLEASE.

275. RIGHT, WELL, I'D BETTER TURN

276. ROUND THEN.

277. UH, STAND BY... EMERGENCY SYSTEMS.

278. LOOK, I DON'T WANT TO CAUSE ANY TROUBLE.

279. NO, NO, WE'LL MANAGE, WE'LL MANAGE.

280. I MEAN, NEAR LUTON WILL DO, YOU KNOW.

281. HARPENDEN, DO YOU GO NEAR HARPENDEN?

282. IT'S ON THE FLIGHT PATH.

283. OKAY, WELL, DROP ME OFF THERE.

284. I'LL GET A BUS TO LUTON.

285. IT'S ONLY 25 MINUTES.

286. BY LUNCHTIME.

287. WELL, THAT'S SMASHING.

288. THERE'S NO AIRPORT AT HARPENDEN.

289. OH, WELL, LOOK, FORGET IT, FORGET IT.

290. I'LL COME TO CUBA

291. TO LUTON FROM THERE.

292. WELL, WE COULD LEND YOU A PARACHUTE.

293. NO, NO, NO, NO, NO, I WOULDN'T DREAM OF IT.

294. I WOULDN'T DREAM OF IT...

295. DIRTYING A NICE, CLEAN PARACHUTE.

296. I KNOW, I KNOW.

297. THERE'S

298. OUTSIDE BASINGSTOKE.

299. THROW YOU OUT.

300. WELL, IF IT'S ALL RIGHT.

301. SURE, YEAH. YEAH!

302. NOT ANY TROUBLE?

303. NO, NONE AT ALL.

304. THAT'S MARVELOUS.

305. VERY MUCH.

306. BARGING IN.

307. BYE-BYE.

308. THANK YOU.

309. BYE.

310. THANK... YOU!

311. TAKE THIS BUS TO CUBA.

312. THE MOORHEN IS SELDOM ABSENT.

313. OVER THESE ROCKS AND CRAGS.

314. THE RUSH OF THE MOUNTAIN STREAM,

315. AND THE BROAD, CLEAR HIGHLAND

316. McTEAGLE

317. AS "LEND US A QUID TILL THE END OF THE WEEK."

318. BUT IT WAS WITH MORE SIMPLE,

319. McTEAGLE'S UNIQUE STYLE FIRST FLOWERED.

320. "IF YOU COULD SEE

321. "I COULD AT LEAST BUY A NEWSPAPER.

322. THAT'S NOT MUCH TO ASK ANYONE."

323. McTEAGLE AS A YOUNG FRIEND...

324. LASSIE O'SHEA.

325. OH... MR. McTEAGLE

326. OF JANUARY AND APRIL, 1969.

327. COULD YOU READ US ONE?

328. OCH, I DINNA LIKE TO, THOUGH.

329. THEY WERE KIND OF PERSONAL...

330. BUT I WILL.

331. "TO MY OWN BELOVED LASSIE.

332. "A POEM ON HER 17th BIRTHDAY.

333. "LEND US A COUPLE OF BOB TILL THURSDAY.

334. "I'M ABSOLUTELY SKINT.

335. "BUT I'M EXPECTING

336. "AND I CAN PAY YOU BACK AS SOON AS IT COMES.

337. LOVE, EWAN."

338. BEAUTIFUL.

339. SINCE THEN, McTEAGLE

340. HIS LITERARY SCOPE.

341. QUICK BITS OF READY CASH... SIXPENCES, SHILLINGS.

342. TO MUCH LARGER SUMS... 15 SHILLINGS, £4.12.6d...

343. EVEN NINE GUINEAS.

344. "CAN I HAVE £50 TO MEND THE SHED?"

345. CAN I HAVE £50 TO MEND THE SHED?

346. I'M RIGHT ON MY UPPERS.

347. FROM AUSTRALIA.

348. HONESTLY.

349. HOPE THE BLADDER TROUBLE'S GETTING BETTER.

350. LOVE... EWAN.

351. TO McTEAGLE'S POETIC INVENTION.

352. "MY NEW CHECKBOOK HASN'T ARRIVED" WAS FOLLOWED UP

353. "WHAT'S 20 QUID TO THE BLOODY MIDLAND BANK?"

354. "CAN YOU LEND ME 1,000 QUID?"

355. I THINK WHAT McTEAGLE'S POTTERY... POETRY IS DOING

356. CLICHES OF MODERN POTTERY.

357. WITH KEATS'S "SEASONS OF MISTS AND MELLOW FRUITFULNESS"

358. WORDSWORTH'S "I WANDERED LONELY AS A CLOUD"

359. AND MILTON'S "CAN YOU LEND US TWO BOB TILL TUESDAY?"

360. "OH, GIE TO ME A SHILLIN' FOR SOME FAGS

361. "AND I'LL PAY YER BACK

362. "BUT IF YOU CAN WAIT

363. I'M EXPECTING A DIVVY FROM THE HARPENDEN BUILDING SOCIETY."

364. OH, SOD 'EM.

365. WORKING MY FINGERS TO THE BONE...

366. AS A HIGHLANDER,

367. McTEAGLE.

368. McTEAGLE

369. THE CAMERON TARTAN.

370. A CAPTAIN'S HAT

371. HAD LIEUTENANT'S STRIPES

372. ON THE SLEEVES OF HIS JACKET.

373. ALSO, IN THE INVERNESS

374. WITH A PLATE IN HER LIP...

375. OF HIS THROAT SCRAPED.

376. LOOK, WOULD YOU MIND GOING AWAY?

377. I'M TRYING TO EXAMINE THIS MAN.

378. IT'S, UH... IT'S ALL RIGHT.

379. I... I AM A DOCTOR.

380. ACTUALLY, I'M A GYNECOLOGIST, BUT THIS IS MY LUNCH HOUR.

381. I AM SOMEBODY'S LUNCH HOUR.

382. ACTUALLY, I FIND VIOLENCE EXTREMELY DISTASTEFUL...

383. OFFERED, AND I NEED THE WORK.

384. PAT-A-CAKE, PAT-A-CAKE, BAKER'S MAN.

385. GOOD MORNING, MADAM, I'M A PSYCHIATRIST.

386. A MILKMAN TO ME.

387. GOOD. I AM IN FACT DRESSED AS A MILKMAN.

388. YOU SPOTTED THAT... WELL DONE.

389. GO AWAY.

390. I'M GOING TO SHOW

391. BETWEEN THEM.

392. THEY'RE ALL NUMBER THREE.

393. NO. TRY AGAIN.

394. THEY'RE ALL NUMBER THREE?

395. NO. THEY'RE ALL NUMBER THREE.

396. RIGHT, NOW, I'M

397. THAT COMES INTO YOUR HEAD.

398. DO YOU WANT?

399. UH... THREE?

400. YOGURT? NO.

401. CREAM? NO.

402. EGGS? NO.

403. YOU'RE QUITE

404. OF THE LIBIDO COMPLEX.

405. YOU ARE A BLOODY MILKMAN!

406. DON'T YOU SHOUT AT ME, MADAM.

407. DON'T COME THAT TONE.

408. NOW THEN, I MUST ASK YOU

409. AND DO SOME APTITUDE TESTS.

410. I'VE GOT BETTER THINGS TO DO THAN COME DOWN TO THE DAIRY.

411. MRS. RATBAG, IF YOU DON'T MIND ME SAYING SO

412. OF PSYCHIATRIC TREATMENT.

413. NOW, I'M NOT GOING TO SAY

414. A GOOD LAUGH.

415. ALL RIGHT, BUT HOW AM I GOING TO GET HOME?

416. I'LL RUN YOU

417. ON MY PSYCHIATRIST'S FLOAT.

418. ALL RIGHT.

419. WHAT ARE ALL THOSE?

420. THEY'RE CASE HISTORIES.

421. PSYCHIATRISTS!

422. PSYCHIATRISTS! PSYCHIATRISTS!

423. YES, SIR?

424. GOOD MORNING.

425. HASN'T COME ROUND

426. AND I'VE GOT

427. STATE OF DEPRESSIVE NEUROSIS.

428. I SEE, SIR, WHO'S YOUR REGULAR?

429. JERSEY CREAM PSYCHIATRISTS.

430. OH, YES, I KNOW THEM.

431. RIGHT, WELL, UH... WHAT'S YOUR JOB, THEN?

432. I'M A DOCTOR.

433. DIDN'T I SEE YOU JUST NOW UNDER A SCOTSMAN?

434. YES, BUT I AM A DOCTOR.

435. ACTUALLY, I'M A GYNECOLOGIST BUT THAT WAS MY LUNCH HOUR.

436. REMIND YOU OF?

437. TWO PINTS OF CREAM?

438. RIGHT. I SHOULD

439. YOU'RE SUFFERING

440. DISORDER, SIR

441. MUCH MONEY YOU'VE GOT.

442. YES, YES, I SEE.

443. AND A POT OF YOGURT, PLEASE.

444. OF PATIENTS' PROBLEMS

445. THEIR FULL MEDICAL HISTORY.

446. MIND YOU, THAT'S JUST

447. YOUR FULL MEDICAL HISTORY.

448. THOSE COMPLAINTS ARE JUSTIFIED.

449. ARE YOU REFERRING TO ME?

450. NOT NECESSARILY.

451. HOWEVER, I WOULD LIKE

452. DINNER DANCE CLUB CUFF LINKS.

453. YES, I NOTICED THAT, TOO.

454. ASSOCIATION DINNER DANCE CLUB CUFF LINKS.

455. SORRY.

456. THEY ARE, IN FACT

457. SOCIETY CUFF LINKS.

458. WITH US LADS HERE AT BALPA.

459. HIS OWN RASH COMPLAINT.

460. YEAH, THAT'LL TEACH HIM.

461. HOWEVER, I WOULD JUST LIKE

462. FOR THE AVERAGE VIEWER.

463. I'D LIKE TO COMPLAIN

464. ABOUT PEOPLE COMPLAINING.

465. IT'S ABOUT TIME SOMETHING WAS DONE ABOUT IT.

466. NURSE! WOULD YOU TAKE MRS. PIM

467. TO SEE DR. CREAM, PLEASE?

468. CERTAINLY, DOCTOR.

469. WALK THIS WAY, PLEASE.

470. OH, IF I COULD WALK THAT WAY, I...

471. MRS. PIM TO SEE YOU, DR. CREAM.

472. FIVE MINUTES WITH AUDREY.

473. COULD YOU SHOW MRS. PIM

474. ROOM, PLEASE?

475. YES, DOCTOR.

476. RIGHT, AUDREY, WHEN DID

477. YOU WERE A COW?

478. "JEEZ, MR. BELPIT

479. YOUR LEGS IS ALL SWOLLEN."

480. "OI! MR. BELPIT...

481. IS ALL SWOLLEN!"

482. "AH! MR. BELPIT

483. YOUR LEGS ARE ALL SWOLLEN!"

484. GOOD EVENING.

485. TONIGHT ON IT'S THE MIND

486. THE PHENOMENON OF DEJA VU...

487. THAT WE'VE LIVED

488. HAS ALREADY HAPPENED.

489. TONIGHT ON IT'S THE MIND

490. THAT WE'VE LIVED...

491. ANYWAY, TONIGHT ON IT'S THE MIND

492. THAT STRANGE...

493. GOOD EVENING.

494. TONIGHT ON IT'S THE MIND

495. WE SOMETIM...

496. MES GET...

497. THAT...

498. WE'VE LIVED THROUGH SOMETHING...

499. GOOD... GOOD EVENING.

500. TONIGHT ON IT'S THE MIND

501. THAT EXTRAORDINARY FEELING...

502. QUITE EXTRAORDINARY...

503. NO, FINE, THANKS, FINE.

504. OH, THANK YOU.

505. THAT WE'VE LIVED THROUGH SOMETHING BEFORE.

506. NO, FINE, THANK YOU. FINE.

507. THANK YOU.

508. THAT STRANGE FEELING...

509. NO. FINE, THANK YOU. FINE.

510. THANK YOU.

511. LOOK, SOMETHING'S HAPPENING TO ME.

512. I... UM... I THINK I'D BETTER GO AND SEE SOMEONE.

513. GOODNIGHT.

514. WAIT! HEY!

515. OI, HAVEN'T I SEEN YOU SOMEWHERE BEFORE?

516. NO, DOCTOR, NO.

517. SOMETHING VERY FUNNY'S HAPPENING TO ME.

518. HEY!

519. OI, HAVEN'T I SEEN YOU SOMEWHERE BEFORE?

520. NO, DOCTOR, NO.

521. SOMETHING VERY FUNNY'S HAPPENING TO ME.

522. "OH, MR. BELPIT, YOUR LEGS ARE SO SWOLLEN."

523. AH, COME IN.

524. NOW, WHAT SEEMS TO BE THE MATTER?

525. FEELING OF DEJA VU.

526. AH, COME IN.

527. NOW, WHAT SEEMS TO BE THE MATTER?

528. FEELING OF DEJA VU.

529. AH, COME IN.

530. NOW, WHAT SEEMS TO BE THE MATTER?

531. FEELING OF DEJA VU.