1. COME ON.Copy !req
2. AND NOW FOR SOMETHING
COMPLETELY DIFFERENT...Copy !req
3. IT'S...Copy !req
4. MONTY PYTHON'S FLYING CIRCUS.Copy !req
5. THANK YOU VERY MUCH
FOR THE CHANGECopy !req
6. MR. TOBACCONIST.Copy !req
7. WAS THAT ALL RIGHT?Copy !req
8. SHH! SHH!Copy !req
9. UH... HAH...Copy !req
10. I WILL NOT BUY THIS RECORD.Copy !req
11. IT IS SCRATCHED.Copy !req
12. SORRY?Copy !req
13. I WILL NOT BUY THIS RECORD.Copy !req
14. IT IS SCRATCHED.Copy !req
15. NO, NO, NO.Copy !req
16. THIS... TOBACCONIST'S.Copy !req
17. AH!Copy !req
18. I WILL NOT BUY
THIS TOBACCONIST'S.Copy !req
19. IT IS SCRATCHED.Copy !req
20. NO, NO, NO, NO.Copy !req
21. TOBACCO.
UM... CIGARETTES.Copy !req
22. YAH.
YEAH?Copy !req
23. YAH. CIGARETTES. YAH.Copy !req
24. UH... UH... YAH.Copy !req
25. MY HOVERCRAFT IS FULL OF EELS.Copy !req
26. MY HOVERCRAFT...Copy !req
27. IS FULL OF EELS.Copy !req
28. MATCHES. MATCHES.Copy !req
29. YAH, YAH,
YAH, YAH, YAH.Copy !req
30. DO YOU WANT...Copy !req
31. DO YOU WANT...Copy !req
32. TO COME BACK
TO MY PLACE...Copy !req
33. BOUNCY BOUNCY?Copy !req
34. I DON'T THINK
YOU'RE USING THAT RIGHT.Copy !req
35. YOU GREAT POOF.Copy !req
36. UM... THAT'LL BE SIX AND SIX,
PLEASE.Copy !req
37. IF I SAID
YOU HAD A BEAUTIFUL BODYCopy !req
38. WOULD YOU HOLD IT AGAINST ME?Copy !req
39. I-I AM NO LONGER INFECTED.Copy !req
40. UM... MAY I? MAY I?Copy !req
41. YAH, YAH, YAH.Copy !req
42. IT COSTS
SIX AND SIX...Copy !req
43. COSTS SIX AND... AH!Copy !req
44. HERE WE ARE. UM...Copy !req
45. YANDELVA YASNA GRLDENWICopy !req
46. STRA VENKA.Copy !req
47. WHAT'S GOING
ON HERE, THEN?Copy !req
48. AH! YOU HAVE
BEAUTIFUL THIGHS.Copy !req
49. WHAT?Copy !req
50. HE HIT ME.Copy !req
51. DROP YOUR PANTIES,
SIR WILLIAM.Copy !req
52. I CANNOT WAIT
TILL LUNCHTIME.Copy !req
53. RIGHT!Copy !req
54. MY NIPPLESCopy !req
55. EXPLODE WITH DELIGHT.Copy !req
56. CALL ALEXANDER YAHLT.Copy !req
57. OH, SHUT UP!Copy !req
58. YOU ARE
ALEXANDER YAHLT?Copy !req
59. OH, I AM.Copy !req
60. SKIP THE
IMPERSONATIONS.Copy !req
61. YOU ARE
ALEXANDER YAHLT?Copy !req
62. I AM.Copy !req
63. YOU ARE HEREBY CHARGEDCopy !req
64. THAT ON THE 28th DAY OF MAY,
1970Copy !req
65. YOU DID WILLFULLY, UNLAWFULLY,
AND WITH MALICE AFORETHOUGHTCopy !req
66. PUBLISH AN ALLEGED
ENGLISH/HUNGARIAN PHRASE BOOKCopy !req
67. WITH INTENTCopy !req
68. TO CAUSE A BREACH
OF THE PEACE.Copy !req
69. HOW DO YOU PLEAD?Copy !req
70. NOT GUILTY.Copy !req
71. YOU LIVE AT 46 HORTON TERRACE?Copy !req
72. I DO LIVE AT 46 HORTON TERRACE.Copy !req
73. YOU ARE THE DIRECTOR
OF A PUBLISHING COMPANY?Copy !req
74. I AM THE DIRECTOR
OF A PUBLISHING COMPANY.Copy !req
75. YOUR COMPANY
PUBLISHES PHRASE BOOKS?Copy !req
76. MY COMPANY DOES PUBLISH
PHRASE BOOKS.Copy !req
77. YOU DID SAY 46 HORTON TERRACE,
DID YOU?Copy !req
78. YES.Copy !req
79. HAH! GOT HIM!Copy !req
80. GET ON WITH IT.Copy !req
81. GET ON WITH IT.Copy !req
82. YES, M'LORD.Copy !req
83. ON THE 28th DAY OF MAYCopy !req
84. YOU PUBLISHED
THIS PHRASE BOOK.Copy !req
85. I DID.Copy !req
86. I QUOTE AN EXAMPLE.Copy !req
87. THE HUNGARIAN PHRASE
MEANINGCopy !req
88. "CAN YOU DIRECT ME
TO THE STATION"Copy !req
89. "PLEASE FONDLE MY BUM."Copy !req
90. I WISH TO PLEAD INCOMPETENCE.Copy !req
91. PLEASE, MAY I ASK FOR
AN ADJOURNMENT, M'LORD?Copy !req
92. ADJOURNMENT? CERTAINLY NOT.Copy !req
93. WHY ON EARTH DIDN'T YOU SAY
WHY YOU WANTED AN ADJOURNMENT?Copy !req
94. I DIDN'T KNOW AN ACCEPTABLE
LEGAL PHRASE, M'LORD.Copy !req
95. IF THERE'S ANY MORE STOCK FILM
OF WOMEN APPLAUDINGCopy !req
96. I SHALL CLEAR THE COURT.Copy !req
97. CALL ABIGAIL TESLER.Copy !req
98. M'LORD, THIS
IS ABIGAIL TESLER.Copy !req
99. IS IT?Copy !req
100. YES, M'LORD.Copy !req
101. 23-YEAR-OLD ABIGAIL
HAILS FROM DOWN UNDERCopy !req
102. WHERE THEY'RE
UPSIDE DOWN ABOUT HER.Copy !req
103. THOSE AUSSIES CERTAINLY
KNOW A THING OR TWOCopy !req
104. WHEN IT COMES TO BEACH BELLES.Copy !req
105. BET SOME LIFESAVER WOULDN'T MIND
GIVING HER THE KISS OF LIFE.Copy !req
106. SO WATCH OUT FOR THE SHARKS,
ABIGAIL.Copy !req
107. Journalist
"IS THIS STRICTLY RELEVANT?"Copy !req
108. QUIZZED LEARNED LOVELY,
JUSTICE MALTRA VERS.Copy !req
109. 78-YEAR-OLD JUSTICE
HAILS FROM ESHERCopy !req
110. AND HE'S BEEN MAKING
A BIG NAME FOR HIMSELFCopy !req
111. AT THE RECENTASSIZES
AT EXETER.Copy !req
112. "ALL WILL BE
REVEALED SOON, M'LORD"Copy !req
113. QUIPPED TALL, 42-YEAR-OLD
NELSON BEDOWES, CUTIE Q.C.Copy !req
114. NELSON'S KEEN ON NEGLIGENCECopy !req
115. AND GRIEVOUS BODILY HARM
AT GRAY'S INN.Copy !req
116. AND WITH CASES LIKE HE'S WONCopy !req
117. WE BET GRAY'S IN
WHEN NELSON'S AROUND.Copy !req
118. "WELL, GET ON WITH IT"Copy !req
119. ADMITTED 78-YEAR-OLD
GENIAL JURISPRUDE MALTRA VERSCopy !req
120. SEEN HERE AT LONDON AIRPORT
ON HIS WA Y TO JUDGE FOR BRITAINCopy !req
121. AT THE FAMOUS INTERNATIONAL
COURTAT THE HAGUE.Copy !req
122. GET OFF!Copy !req
123. GOOD EVENING.Copy !req
124. TONIGHT IS INDEED
A UNIQUE OCCASIONCopy !req
125. IN THE HISTORY OF TELEVISION.Copy !req
126. WE ARE VERY PRIVILEGED
AND DEEPLY HONOREDCopy !req
127. TO HAVE WITH US IN THE STUDIO
KARL MARXCopy !req
128. FOUNDER OF MODERN SOCIALISMCopy !req
129. AND AUTHOR
OF THE COMMUNISTMANIFESTO.Copy !req
130. VLADIMIR ILICH ULYANOVCopy !req
131. BETTER KNOWN TO THE WORLD
AS LENINCopy !req
132. LEADER OF THE RUSSIAN
REVOLUTION, WRITER, STATESMANCopy !req
133. AND FATHER OF MODERN COMMUNISM.Copy !req
134. CHE GUEVARACopy !req
135. THE CUBAN GUERRILLA LEADERCopy !req
136. AND MAO TSE TUNGCopy !req
137. LEADER OF THE CHINESE
COMMUNIST PARTY SINCE 1949.Copy !req
138. AND THE FIRST QUESTION
IS FOR YOU, KARL MARX.Copy !req
139. "THE HAMMERS."Copy !req
140. "'THE HAMMERS' IS THE NICKNAME
OF WHAT ENGLISH FOOTBALL TEAM?"Copy !req
141. THE HAMMERS?Copy !req
142. NO? WELL, BAD LUCK THERE, KARL.Copy !req
143. SO WE GO ON TO YOU, CHE.Copy !req
144. CHE GUEVARA.Copy !req
145. "COVENTRY CITY LAST WON
THE F.A. CUP IN WHAT YEAR?"Copy !req
146. NO?Copy !req
147. I'LL THROW IT OPEN.Copy !req
148. "COVENTRY CITY LAST WON
THE F.A. CUP IN WHAT YEAR?"Copy !req
149. NO? WELL, I'M NOT SURPRISED
YOU DIDN'T GET THAT.Copy !req
150. IT WAS IN FACT A TRICK QUESTION.Copy !req
151. COVENTRY CITY HAVE NEVER WON
THE F.A. CUP.Copy !req
152. SO, WITH THE SCORES
ALL EQUAL NOWCopy !req
153. WE GO ON TO OUR SECOND ROUNDCopy !req
154. AND, LENIN,
IT'S YOUR STARTER FOR TEN.Copy !req
155. "TEDDY JOHNSON
AND PEARL CARRCopy !req
156. "WON THE EUROVISION
SONG CONTEST IN 1959.Copy !req
157. WHAT WAS THE NAME
OF THE SONG?"Copy !req
158. TEDDY JOHNSON
AND PEARL CARR'S SONGCopy !req
159. IN THE 1959
SONG CONTEST?Copy !req
160. ANYBODY? NO?Copy !req
161. YES, MAO TSE-TUNG.Copy !req
162. "SING LITTLE BIRDIE"?Copy !req
163. YES, IT WAS INDEED.Copy !req
164. WELL CHALLENGED.Copy !req
165. WELL, NOW WE COME ON
TO OUR SPECIAL GIFT SECTION.Copy !req
166. THE CONTESTANT IS KARL MARXCopy !req
167. AND THE PRIZE THIS WEEK
IS A BEAUTIFUL LOUNGE SUITE.Copy !req
168. NOW, KARL HAS ELECTED
TO ANSWER QUESTIONSCopy !req
169. ON THE WORKERS' CONTROL
OF FACTORIESCopy !req
170. SO HERE WE GO
WITH QUESTION NUMBER ONE.Copy !req
171. YOU NERVOUS?Copy !req
172. "THE DEVELOPMENT
OF THE INDUSTRIAL PROLETARIATCopy !req
173. IS CONDITIONED
BY WHAT OTHER DEVELOPMENT?"Copy !req
174. THE DEVELOPMENT
OF THE INDUSTRIAL BOURGEOISIE.Copy !req
175. YES. YES. YES, INDEED.Copy !req
176. YOU'RE ON YOUR WAY
TO YOUR LOUNGE SUITE, KARL.Copy !req
177. "THE STRUGGLE
OF CLASS AGAINST CLASSCopy !req
178. IS A WHAT STRUGGLE?"Copy !req
179. "A WHAT STRUGGLE?"Copy !req
180. A POLITICAL STRUGGLE.Copy !req
181. YES. YES.Copy !req
182. ONE FINAL QUESTION, KARLCopy !req
183. AND THE BEAUTIFUL LOUNGE SUITE
WILL BE YOURS.Copy !req
184. YOU GOING TO HAVE A GO?Copy !req
185. YOU'RE A BRAVE MAN.Copy !req
186. KARL MARX,Copy !req
187. "WHO WON THE CUP FINAL
IN 1949?"Copy !req
188. UH... THE WORKERS CONTROL
THE MEANS OF PRODUCTION.Copy !req
189. THE STRUGGLE
OF THE URBAN PROLETARIAT.Copy !req
190. NO. IT WAS IN FACT
WOLVERHAMPTON WANDERERSCopy !req
191. WHO BEAT LEICESTER 3-1.Copy !req
192. AH. THANK YOU.Copy !req
193. JUST THE WORD
I WAS LOOKING FOR.Copy !req
194. "I WONDER," SAID LA FARGECopy !req
195. "JUST HOW MUCH MOLINEUX."Copy !req
196. HEY!Copy !req
197. THAT'S THE BAD JOKES.Copy !req
198. AND NOW A BIT OF FUN.Copy !req
199. JENKINS?Copy !req
200. YES, SARGE?Copy !req
201. WHAT YOU GONNA DO WHEN
YOU GET BACK TO BLIGHTY?Copy !req
202. I DON'T KNOW, SARGE.Copy !req
203. I 'SPECT I'LL BE LOOKING
AFTER ME MUM.Copy !req
204. SHE'LL BE GETTING ON
A BIT NOW.Copy !req
205. GOT FAMILY OF YOUR
OWN, HAVE YOU?Copy !req
206. NO, SHE'S...Copy !req
207. SHE'S ALL I GOT LEFT NOW.Copy !req
208. MY WIFE DOREEN, SHE...Copy !req
209. I GOT A LETTER.Copy !req
210. YOU DON'T HAVE
TO TELL ME, SON.Copy !req
211. NO, SARGE, I'D LIKE
TO TELL YOU.Copy !req
212. SEE... THIS PLACE...Copy !req
213. HOLD IT!Copy !req
214. HOLD IT!Copy !req
215. LOOK, LOVES, CAN ANYONE
NOT INVOLVED IN THIS SCENECopy !req
216. PLEASE LEAVE THE SET?Copy !req
217. NOW, COME ON. PLEASE.Copy !req
218. ANYONE NOT CONCERNED
IN THIS SCENE.Copy !req
219. THE CANTEEN'S OPEN
UPSTAIRS.Copy !req
220. NOW, COME ON, PLEASE.Copy !req
221. SORRY, LOVES, SORRY.Copy !req
222. WE'LL HAVE TO TAKE IT AGAIN
FROM THE TOP, ALL RIGHT?Copy !req
223. OKAY.Copy !req
224. CUE!Copy !req
225. HOLD IT!Copy !req
226. HOLD IT!Copy !req
227. NOW, WHO CHANGED THE CAPTION?Copy !req
228. CAN WHOEVER CHANGED THE CAPTIONCopy !req
229. PUT THE RIGHT ONE BACK
IMMEDIATELY, PLEASE?Copy !req
230. RIGHT. ALL RIGHT, WE'LL
TAKE IT AGAIN FROM THE TOP. CUE.Copy !req
231. HOLD IT!Copy !req
232. HOLD IT!Copy !req
233. COME ON, COME ON,
OUT OF THERE!Copy !req
234. YOU'RE NOT IN THIS.Copy !req
235. YOU'RE JUST HOLDING
THE WHOLE THING UP.Copy !req
236. COME ON, PLEASE.Copy !req
237. IT'S NO GOOD, LOVES,
IT'S NO GOOD.Copy !req
238. WE'LL HAVE TO LEAVE
IT FOR NOW.Copy !req
239. COME BACK WHEN EVERYONE'S
SETTLED DOWN A BIT.Copy !req
240. SO THAT MEANS WE GO OVER TO
THE ART ROOM, ALL RIGHT?Copy !req
241. SO, CUE CAMERA THREE.Copy !req
242. SORRY! CAMERA FOUR.Copy !req
243. AREN'T THEY MARVELOUS?Copy !req
244. YES, YES.Copy !req
245. THE STRENGTH AND BOLDNESS...Copy !req
246. LIFE AND POWER
IN THOSE COLORS.Copy !req
247. THIS MUST BE
TITIAN'S MASTERPIECE.Copy !req
248. OH, INDEED, IF ONLY FOR
THE COMPOSITION ALONE.Copy !req
249. THE STRENGTH
OF THOSE FOREGROUND FIGURESCopy !req
250. THE FIRMNESS OF THE LINE.Copy !req
251. YES, THE CONFIDENCE OF A MASTER
AT THE HEIGHT OF HIS POWERS.Copy !req
252. YES?Copy !req
253. HELLO, SONNY.
YOUR DAD IN?Copy !req
254. YES.Copy !req
255. COULD I SPEAK
TO HIM, PLEASE?Copy !req
256. IT'S THE MAN
FROM "THE HAY-WAIN."Copy !req
257. WHO?Copy !req
258. THE MAN FROM "THE HAY-WAIN"
BY CONSTABLE.Copy !req
259. DAD! IT'S THE MAN
FROM "THE HAY-WAIN"Copy !req
260. BY CONSTABLE
TO SEE YOU.Copy !req
261. COMING.Copy !req
262. HELLO.Copy !req
263. HOW ARE YOU?
COME ON IN.Copy !req
264. OH, NO, NO.
CAN'T STOP.Copy !req
265. JUST PASSING BY, ACTUALLY.Copy !req
266. OH. WHERE ARE YOU NOW?Copy !req
267. WELL MAY YOU ASK.Copy !req
268. WE'VE JUST BEEN MOVED IN
NEXT TO A ROOMFUL OF BRUEGELS.Copy !req
269. TERRIBLE BLOODY DIN...
SKATING ALL HOURS OF THE NIGHT.Copy !req
270. ANYWAY, I'VE JUST DROPPED IN
TO TELL YOUCopy !req
271. THERE'S BEEN A WALKOUT
IN THE IMPRESSIONISTS.Copy !req
272. WALKOUT, EH?Copy !req
273. YEAH. IT STARTED WITH
THE DEJEUNER SUR L'HERBE LOT.Copy !req
274. EVIDENTLY, THEY WERE MOVED AWAYCopy !req
275. FROM ABOVE THE RADIATOR
OR SOMETHING.Copy !req
276. ANYWAY, THE IMPRESSIONISTS
ARE ALL OUT.Copy !req
277. GAINSBOROUGH'S BLUE BOY'S BROUGHT OUT
THE 18th-CENTURY ENGLISH PORTRAITSCopy !req
278. THE FLEMISH SCHOOL'S SOLID, AND THE
GERMAN WOODCUTS ARE AT A MEETING NOW.Copy !req
279. RIGHT. WELL, I'LL GET
THE RENAISSANCE SCHOOL OUT.Copy !req
280. OKAY. MEETING 4:30...
"BRIDGE AT ARLES."Copy !req
281. OKAY. CHEERIO.
GOOD LUCK, SON.Copy !req
282. GOOD LUCK.Copy !req
283. RIGHT. EVERYBODY OUT!Copy !req
284. I'M OFF.Copy !req
285. I'M OFF.Copy !req
286. I'M OFF.Copy !req
287. I'M OFF.Copy !req
288. I'M OFF, DEAR.Copy !req
289. I'M OFF.Copy !req
290. I'M OFF, TOO.Copy !req
291. I'M OFF.Copy !req
292. Here is the news.Copy !req
293. By an almost unanimous voteCopy !req
294. paintings
in the National GalleryCopy !req
295. voted to continue the strikeCopy !req
296. that has emptied frames
for the last week.Copy !req
297. The man from Constable's
"The Hay-Wain"Copy !req
298. said last night
that there was no chanceCopy !req
299. of a return to the pictures
before the weekend.Copy !req
300. Sir Kenneth Clarke has said
he will talk to any paintingCopy !req
301. if it can help bring
a speedy end to the strike.Copy !req
302. At Sotheby's,
prices dropped dramaticallyCopy !req
303. as leading figures
left their paintings.Copy !req
304. WHAT AM I BID FOR VERMEER'SCopy !req
305. "LADY WHO USED TO BE
AT A WINDOW"?Copy !req
306. DO I HEAR TWO BOB?Copy !req
307. TWO BOB!Copy !req
308. GONE.Copy !req
309. NOW WHAT AM I BID
FOR ANOTHER GREAT BARGAIN...Copy !req
310. EDWIN LANDSEER'S
"NOTHING AT BAY"?Copy !req
311. ALL WE BLOODY WANTCopy !req
312. IS A LITTLE BIT
OF BLOODY CONSULTATION.Copy !req
313. AT A MASS MEETING
AT BRENTFORD FOOTBALL GROUNDCopy !req
314. OTHER WORKS OF ART
VOTED TO COME OUTCopy !req
315. IN SUPPORT OF THE PAINTINGS.Copy !req
316. THE VOTE WAS UNANIMOUS...Copy !req
317. WITH ONE ABSTENTION.Copy !req
318. Meanwhile at Television CentreCopy !req
319. work began again
on a sketch about Ypres.Copy !req
320. A spokesman for the sketch
said he fully expected itCopy !req
321. to be more sensible this time.Copy !req
322. JENKINS?Copy !req
323. YES, SARGE?Copy !req
324. WHAT YOU GONNA DOCopy !req
325. WHEN YOU GET BACK
TO BLIGHTY?Copy !req
326. I DON'T KNOW, SARGE.Copy !req
327. I 'SPECT I'LL LOOK
AFTER ME MUM.Copy !req
328. SHE'LL BE GETTING ON
A BIT NOW.Copy !req
329. GOT A FAMILY OF
YOUR OWN, HAVE YOU?Copy !req
330. NO. SHE-SHE'S ALL
I GOT LEFT NOW.Copy !req
331. MY WIFE DOREEN, SHE...Copy !req
332. I GOT A LETTER.Copy !req
333. YOU DON'T HAVE
TO TELL ME, SON.Copy !req
334. NO, SARGE,
I'D LIKE TO TELL YOU.Copy !req
335. YOU SEE, THIS BLOKE
FROM UP THE STREET...Copy !req
336. OKAY, CHAPS.Copy !req
337. AT EASE.Copy !req
338. I'VE JUST BEEN
UP THE LINE.Copy !req
339. CAN WE GET
THROUGH, SIR?Copy !req
340. NO. I'M AFRAID
WE'LL HAVE TO MAKECopy !req
341. A BREAK FOR IT
AT NIGHTFALL.Copy !req
342. RIGHT, SIR.Copy !req
343. WE'RE ALL WITH YOU.Copy !req
344. YES, I KNOW.Copy !req
345. THAT'S JUST THE
PROBLEM, SERGEANT.Copy !req
346. HOW MANY ARE
THERE OF US?Copy !req
347. WELL, SIR, THERE'S
YOU, ME, JENKINSCopy !req
348. PADRE, KIPPER...
THERE'S FIVE, SIR.Copy !req
349. AND ONLY RATIONS
FOR...Copy !req
350. FOUR, SIR.Copy !req
351. PRECISELY.Copy !req
352. I'M AFRAID ONE OF USCopy !req
353. WILL HAVE TO TAKE
THE OTHER WAY OUT.Copy !req
354. I'M A GONER, MAJOR.Copy !req
355. LEAVE ME.Copy !req
356. I'M... I'M NOT
A COMPLETE MAN ANYMORE.Copy !req
357. YOU'VE LOST BOTH
YOUR ARMS AS WELL.Copy !req
358. YES.Copy !req
359. DAMN SILLY, REALLY.Copy !req
360. NO, NO, WE'LL DRAW FOR IT.Copy !req
361. THAT'S THE WAY WE DO
THINGS IN THE ARMY.Copy !req
362. SERGEANT, THE STRAWS.Copy !req
363. RIGHTO.Copy !req
364. ALL RIGHT.Copy !req
365. NOW, THE MAN WHO GETS
THE SHORTEST STRAWCopy !req
366. KNOWS WHAT TO DO.Copy !req
367. LOOKS LIKECopy !req
368. YOU, SIR.Copy !req
369. IS IT? OH, WHAT DID WE SAY...Copy !req
370. "THE LONGEST STRAW," WAS IT?Copy !req
371. NO. SHORTEST, SIR.Copy !req
372. WELL, WE BETTER
DO IT AGAIN.Copy !req
373. THERE'S OBVIOUSLY BEEN
A BIT OF A MUDDLE.Copy !req
374. THERE WE GO.Copy !req
375. BEST OF THREE?Copy !req
376. RIGHT.Copy !req
377. WELL, I GOT
THE SHORTEST STRAW, SO...Copy !req
378. I DECIDE WHAT MEANS WE USE
TO DECIDE WHO'S GOING TO DO...Copy !req
379. TO-TO-TO, UH, TO, UH,
TO DO THE THING...Copy !req
380. TO DO THE RIGHT THING.Copy !req
381. NOW, RANK DOESN'T ENTER
INTO THIS.Copy !req
382. BUT OBVIOUSLY, IF I SHOULD
GET THROUGH THE LINESCopy !req
383. I'LL BE IN A VERY GOOD POSITION
TO RECOMMEND ANYONE VERY HIGHLYCopy !req
384. FOR A POSTHUMOUS V.C.Copy !req
385. NO? GOOD, FINE.Copy !req
386. FINE, FINE,
FINE, FINE.Copy !req
387. RIGHT.Copy !req
388. DIP, DIP,
DIP, MY LITTLE SHIPCopy !req
389. SAILS ON THE OCEAN,
YOU ARE...Copy !req
390. NO, NO, WAIT
A MINUTE.Copy !req
391. UM... I-I-I MUST HAVE
MISSED OUT A DIP.Copy !req
392. WE'LL START AGAIN.Copy !req
393. DIP, DIP, DIP, DIP,
MY LITTLE SHIPCopy !req
394. SAILS ON THE OCEAN,
YOU ARE...Copy !req
395. NO, THIS IS NOT
WORKING OUT.Copy !req
396. IT-IT'S NOT
WORKING OUT.Copy !req
397. UH, WHAT-WHAT
SHALL WE DO?Copy !req
398. HOW ABOUT
ONE POTATO, TWO POTATO, SIR?Copy !req
399. DON'T BE CHILDISH,
JENKINS.Copy !req
400. NO, UM, I THINK-
I THINK FISTIESCopy !req
401. WOULD BE BEST.Copy !req
402. OKAY? SO, UH,
HANDS BEHIND BACKS.Copy !req
403. AFTER "THREE," OKAY?Copy !req
404. ONE, TWO, THREE!Copy !req
405. NOW, WHAT'S THIS?Copy !req
406. UH, STONE, STONE, STONE
AND SCISSORS.Copy !req
407. NOW, UH, SCISSORS
CUT EVERYTHING, DON'T THEY?Copy !req
408. NOT STONES, SIR.Copy !req
409. THEY'RE VERY GOOD
SCISSORS.Copy !req
410. AND PADRE
HASN'T BEEN!Copy !req
411. NO ARMS, SIR.Copy !req
412. OH, I'M
TERRIBLY SORRY.Copy !req
413. I-I-I-I'M AFRAID
I DIDN'T, UM...Copy !req
414. TELL YOU WHAT...
ALL THOSE PEOPLECopy !req
415. WHO DON'T WANT
TO STAY HERECopy !req
416. AND SHOOT THEMSELVES.
RAISE THEIR ARMS.Copy !req
417. STOP IT! STOP IT!Copy !req
418. STOP THIS... THIS
HIDEOUS FACADE.Copy !req
419. E... EASY, PADRE.Copy !req
420. NO, NO, I MUST SPEAK.Copy !req
421. WHEN I... WHEN I CAMECopy !req
422. TO THIS WAR, I HAD TWO ARMS...
TWO GOOD ARMSCopy !req
423. BUT WHEN THE TIME CAME TO...
TO LOSE ONE, I...Copy !req
424. I GAVE IT... I GAVE IT GLADLY.Copy !req
425. I SMILED AS THEY CUT IT OFFCopy !req
426. BECAUSE I KNEW THERE WAS
A FUTURE FOR MANKIND. I...Copy !req
427. I KNEW THERE WAS HOPECopy !req
428. SO LONG AS MEN WERE PREPARED
TO GIVE THEIR LIMBS!Copy !req
429. AND WHEN THE TIME CAME FOR ME
TO GIVE MY OTHER ARM, I...Copy !req
430. I GAVE IT GLADLY, I...Copy !req
431. I SANG AS THEY SAWED IT OFF,
BECAUSE I BELIEVED...Copy !req
432. OH, YOU MAY LAUGH!Copy !req
433. BUT I BELIEVED
WITH EVERY FIBER OF MY BODYCopy !req
434. WITH EVERY DROP OF RAIN
THAT FALLSCopy !req
435. A... A FLOWER GROWS.Copy !req
436. AND THAT FLOWER...Copy !req
437. THAT SMALL, AGILE,
DELICATE FLOWER...Copy !req
438. SHALL BURST FORTHCopy !req
439. TO GIVE A NEW LIFECopy !req
440. A NEW STRENGTH!Copy !req
441. THERE IS FREEDOM...
FREEDOM FROM FEARCopy !req
442. FREEDOM FROM OPPRESSION
AND FREEDOM FROM TYRANNY.Copy !req
443. A WORLD WHERE MEN AND WOMEN
OF ALL RACES AND CREEDSCopy !req
444. CAN LIVE TOGETHER IN COMMUNION.Copy !req
445. AND THEN IN THE TWILIGHT
OF THIS LIFECopy !req
446. OUR CHILDREN
AND OUR CHILDREN'S CHILDREN...Copy !req
447. OUR PATIENTS HERECopy !req
448. ARE SUFFERING
FROM SEVERE OVERACTING.Copy !req
449. ARGH! JIM, LAD!Copy !req
450. ARGH! JIM, LAD!Copy !req
451. WHEN THEY'RE BROUGHT IN,
THEY'RE ALL REALLY OVER THE TOP.Copy !req
452. IT'S OUR JOB TO TRY AND TREAT
THE CONDITION OF OVERACTING.Copy !req
453. RATHER SERIOUS.Copy !req
454. THIS IS THE RICHARD III WARD.Copy !req
455. A HORSE. A HORSE.Copy !req
456. MY KINGDOM FOR A HORSE.Copy !req
457. MOST OF THESE CASES
ARE PRETTY UNPLEASANT.Copy !req
458. A HORSE!Copy !req
459. NURSE?Copy !req
460. A HORSE!Copy !req
461. MY KINGDOM FOR...Copy !req
462. BUT THE TREATMENT DOES WORK
WITH SOME PEOPLE.Copy !req
463. THIS CHAP CAME TO USCopy !req
464. STRAIGHT FROM THE
CHICHESTER FESTIVAL.Copy !req
465. WE OPERATED JUST IN TIME,
AND NOW HE'S ALMOST NORMAL.Copy !req
466. A HORSE, A HORSE.Copy !req
467. MY KINGDOM FOR A HORSE.Copy !req
468. ARGH! ARGH!
ARGH! ARGH!Copy !req
469. ARGH! ARGH!
ARGH! ARGH!Copy !req
470. BUT, UH, IN HERE,
WE HAVE SOME VERY NASTYCopy !req
471. CASES, INDEED.Copy !req
472. TO BE OR NOT TO BE.Copy !req
473. THAT IS THE QUESTION.Copy !req
474. TO BE...
TO BE...Copy !req
475. OH.
OH.Copy !req
476. GOOD EVENING.Copy !req
477. PRETTY BEGONIAS, IRISES,
FREESIASCopy !req
478. AND CRY-MANTHESUMS.Copy !req
479. THEN...Copy !req
480. ARRANGE THEM...Copy !req
481. NICELY...Copy !req
482. IN A VASE!Copy !req
483. OH, GET IN!Copy !req
484. GET IN!Copy !req
485. GET IN! OH!Copy !req
486. SHH!Copy !req
487. MORNING.Copy !req
488. MORNING!Copy !req
489. WHAT YOU GOT, THEN?Copy !req
490. WELL, THERE'S EGG AND BACON.Copy !req
491. UH, EGG, SAUSAGE AND BACON.Copy !req
492. EGG AND SPAM.Copy !req
493. EGG, BACON AND SPAM.Copy !req
494. EGG, BACON, SAUSAGE
AND SPAM.Copy !req
495. SPAM, BACON, SAUSAGE AND SPAM.Copy !req
496. SPAM, EGG, SPAM, SPAM,
BACON AND SPAM.Copy !req
497. SPAM, SPAMCopy !req
498. SPAM, EGG AND SPAM.Copy !req
499. SPAM, SPAM, SPAM, SPAM, SPAM,
SPAM, BAKED BEANSCopy !req
500. SPAM, SPAM, SPAM
AND SPAM.Copy !req
501. OR LOBSTER THERMIDOR
AUX CREVETTES WITH MORNAY SAUCECopy !req
502. GARNISHED WITH TRUFFLE PATE,
BRANDY, AND A FRIED EGG ON TOPCopy !req
503. AND SPAM.Copy !req
504. HAVE YOU GOT ANYTHING
WITHOUT SPAM IN IT?Copy !req
505. WELL, SPAM, EGG, SAUSAGE
AND SPAM.Copy !req
506. IT'S NOT GOT MUCH SPAM IN IT.Copy !req
507. I DON'T WANT ANY SPAM!Copy !req
508. WHY CAN'T SHE HAVE
EGG, BACON, SPAM AND SAUSAGE?Copy !req
509. THAT'S GOT SPAM IN IT!Copy !req
510. NOT AS MUCH AS SPAM,
EGG, SAUSAGE AND SPAM.Copy !req
511. LOOK, COULD I HAVE EGG,
BACON, SPAM AND SAUSAGECopy !req
512. WITHOUT THE SPAM?Copy !req
513. UGH!Copy !req
514. WHAT DO YOU MEAN "UGH"?Copy !req
515. I DON'T LIKE SPAM!Copy !req
516. SHUT UP! SHUT UP!Copy !req
517. YOU CAN'T HAVE EGG,
BACON, SPAM AND SAUSAGECopy !req
518. WITHOUT THE SPAM.Copy !req
519. WHY NOT?Copy !req
520. WELL, IT WOULDN'T BE EGG,
BACON, SPAM AND SAUSAGECopy !req
521. WOULD IT?Copy !req
522. I DON'T LIKE SPAM!Copy !req
523. OH, DON'T MAKE A FUSS, DEAR.
I'LL HAVE YOUR SPAM.Copy !req
524. I LOVE IT! I'M HAVING
SPAM, SPAM, SPAM, SPAM, SPAM...Copy !req
525. SPAM, BAKED BEANS,
SPAM, SPAM AND SPAM!Copy !req
526. BAKED BEANS ARE OFF.Copy !req
527. WELL, CAN I HAVE
SPAM INSTEAD?Copy !req
528. YOU MEAN SPAM, SPAM,
SPAM, SPAM...Copy !req
529. UGH!Copy !req
530. SHUT UP! SHUT UP!Copy !req
531. "OH, GREAT BOOBIES, HONEY BUN.Copy !req
532. "MY LOWER INTESTINE IS FULL
OF SPAM, EGG, SPAM, BACON...Copy !req
533. SHUT UP!Copy !req
534. "MY NIPPLES EXPLODE..."Copy !req
535. ANOTHER GREAT VIKING VICTORYCopy !req
536. WAS AT THE GREEN MIDGET CAFE
IN BROMLEY.Copy !req
537. ONCE AGAIN, THE VIKING STRATEGY
WAS THE SAME.Copy !req
538. THEY SAILED
FROM THESE FJORDS HERECopy !req
539. ASSEMBLED AT TRONDHEIMCopy !req
540. AND WAITED FOR THE STRONG
NORTHEASTERLY WINDSCopy !req
541. TO BLOW THEIR OAKEN GALLEYS
TO ENGLANDCopy !req
542. WHENCE THEY SAILED
ON MAY THE 23rd.Copy !req
543. ONCE IN BROMLEY, THEY ASSEMBLED
IN THE GREEN MIDGET CAFECopy !req
544. AND SPAM SELECTING A SPAM
PARTICULAR SPAM ITEMCopy !req
545. FROM THE SPAM MENU WOULD...Copy !req
546. SHUT UP!Copy !req
547. HAAGBARD ETHELDRONGA
AND HIS VIKING HORDESCopy !req
548. ARE CURRENTLY APPEARING
IN GRIN AND PILLAGE ITCopy !req
549. AT THE JODRELL THEATRE,
COLWYN BAY.Copy !req
550. THE DIRTY HUNGARIAN PHRASE BOOK
IS AVAILABLECopy !req
551. FROM HER MAJESTY'S
STATIONERY OFFICE.Copy !req
552. PRICE... A KISS ON THE BUM.Copy !req