Monty Python's Flying Circus 2x12

Directed by Ian MacNaughton

The sketches in this episode include Dirty Hungarian Phrasebook, World Forum-Communist Quiz, Hospital for Over-Actors and Spam.

Request examples:

!req Monty Python's Flying Circus 2x12 [02:32]
!req Monty Python's Flying Circus 2x12 [Monty Python's Flying Circus 2x12]
Syntax: !req EPISODE [quote or timestamp] (max. 8 square brackets)

For quotes, now you can request by index (e.g !req Monty Python's Flying Circus 2x12 [10-11]; !req Monty Python's Flying Circus 2x12 [20] [24]). Keep in mind, though, that index numbers might change at any time.
You can also generate a copy command with the quotes. Hover the desired subtitle and enter the amount of lines you want to copy.

Subtitle languages: English • Spanish • Brazilian Portuguese

Note: you must use specific languages with their specific pages/discord channels.

1. COME ON.

2. COMPLETELY DIFFERENT...

3. IT'S...

4. MONTY PYTHON'S FLYING CIRCUS.

5. MR. TOBACCONIST.

6. WAS THAT ALL RIGHT?

7. SHH! SHH!

8. UH... HAH...

9. I WILL NOT BUY THIS RECORD.

10. IT IS SCRATCHED.

11. SORRY?

12. I WILL NOT BUY THIS RECORD.

13. IT IS SCRATCHED.

14. NO, NO, NO.

15. THIS... TOBACCONIST'S.

16. AH!

17. THIS TOBACCONIST'S.

18. IT IS SCRATCHED.

19. NO, NO, NO, NO.

20. TOBACCO. UM... CIGARETTES.

21. YAH. YEAH?

22. YAH. CIGARETTES. YAH.

23. UH... UH... YAH.

24. MY HOVERCRAFT IS FULL OF EELS.

25. MY HOVERCRAFT...

26. IS FULL OF EELS.

27. MATCHES. MATCHES.

28. YAH, YAH, YAH, YAH, YAH.

29. DO YOU WANT...

30. DO YOU WANT...

31. TO MY PLACE...

32. BOUNCY BOUNCY?

33. I DON'T THINK YOU'RE USING THAT RIGHT.

34. YOU GREAT POOF.

35. UM... THAT'LL BE SIX AND SIX, PLEASE.

36. WOULD YOU HOLD IT AGAINST ME?

37. I-I AM NO LONGER INFECTED.

38. UM... MAY I? MAY I?

39. YAH, YAH, YAH.

40. SIX AND SIX...

41. COSTS SIX AND... AH!

42. HERE WE ARE. UM...

43. STRA VENKA.

44. WHAT'S GOING ON HERE, THEN?

45. AH! YOU HAVE BEAUTIFUL THIGHS.

46. WHAT?

47. HE HIT ME.

48. DROP YOUR PANTIES, SIR WILLIAM.

49. TILL LUNCHTIME.

50. RIGHT!

51. EXPLODE WITH DELIGHT.

52. CALL ALEXANDER YAHLT.

53. OH, SHUT UP!

54. YOU ARE ALEXANDER YAHLT?

55. OH, I AM.

56. IMPERSONATIONS.

57. YOU ARE ALEXANDER YAHLT?

58. I AM.

59. THAT ON THE 28th DAY OF MAY, 1970

60. YOU DID WILLFULLY, UNLAWFULLY,

61. ENGLISH/HUNGARIAN PHRASE BOOK

62. OF THE PEACE.

63. HOW DO YOU PLEAD?

64. NOT GUILTY.

65. YOU LIVE AT 46 HORTON TERRACE?

66. I DO LIVE AT 46 HORTON TERRACE.

67. OF A PUBLISHING COMPANY?

68. OF A PUBLISHING COMPANY.

69. PUBLISHES PHRASE BOOKS?

70. PHRASE BOOKS.

71. YOU DID SAY 46 HORTON TERRACE, DID YOU?

72. YES.

73. HAH! GOT HIM!

74. GET ON WITH IT.

75. GET ON WITH IT.

76. YES, M'LORD.

77. ON THE 28th DAY OF MAY

78. THIS PHRASE BOOK.

79. I DID.

80. I QUOTE AN EXAMPLE.

81. "CAN YOU DIRECT ME TO THE STATION"

82. "PLEASE FONDLE MY BUM."

83. I WISH TO PLEAD INCOMPETENCE.

84. PLEASE, MAY I ASK FOR AN ADJOURNMENT, M'LORD?

85. ADJOURNMENT? CERTAINLY NOT.

86. WHY ON EARTH DIDN'T YOU SAY WHY YOU WANTED AN ADJOURNMENT?

87. I DIDN'T KNOW AN ACCEPTABLE LEGAL PHRASE, M'LORD.

88. IF THERE'S ANY MORE STOCK FILM

89. I SHALL CLEAR THE COURT.

90. CALL ABIGAIL TESLER.

91. M'LORD, THIS IS ABIGAIL TESLER.

92. IS IT?

93. YES, M'LORD.

94. 23-YEAR-OLD ABIGAIL

95. WHERE THEY'RE UPSIDE DOWN ABOUT HER.

96. WHEN IT COMES TO BEACH BELLES.

97. BET SOME LIFESAVER WOULDN'T MIND GIVING HER THE KISS OF LIFE.

98. SO WATCH OUT FOR THE SHARKS, ABIGAIL.

99. Journalist "IS THIS STRICTLY RELEVANT?"

100. QUIZZED LEARNED LOVELY, JUSTICE MALTRA VERS.

101. 78-YEAR-OLD JUSTICE

102. AND HE'S BEEN MAKING

103. AT EXETER.

104. "ALL WILL BE REVEALED SOON, M'LORD"

105. QUIPPED TALL, 42-YEAR-OLD NELSON BEDOWES, CUTIE Q.C.

106. NELSON'S KEEN ON NEGLIGENCE

107. AT GRAY'S INN.

108. AND WITH CASES LIKE HE'S WON

109. WE BET GRAY'S IN WHEN NELSON'S AROUND.

110. "WELL, GET ON WITH IT"

111. ADMITTED 78-YEAR-OLD

112. COURTAT THE HAGUE.

113. GET OFF!

114. GOOD EVENING.

115. IN THE HISTORY OF TELEVISION.

116. OF THE COMMUNISTMANIFESTO.

117. REVOLUTION, WRITER, STATESMAN

118. AND FATHER OF MODERN COMMUNISM.

119. COMMUNIST PARTY SINCE 1949.

120. IS FOR YOU, KARL MARX.

121. "THE HAMMERS."

122. "'THE HAMMERS' IS THE NICKNAME OF WHAT ENGLISH FOOTBALL TEAM?"

123. THE HAMMERS?

124. NO? WELL, BAD LUCK THERE, KARL.

125. SO WE GO ON TO YOU, CHE.

126. CHE GUEVARA.

127. "COVENTRY CITY LAST WON THE F.A. CUP IN WHAT YEAR?"

128. NO?

129. I'LL THROW IT OPEN.

130. "COVENTRY CITY LAST WON THE F.A. CUP IN WHAT YEAR?"

131. NO? WELL, I'M NOT SURPRISED YOU DIDN'T GET THAT.

132. IT WAS IN FACT A TRICK QUESTION.

133. THE F.A. CUP.

134. SO, WITH THE SCORES

135. AND, LENIN, IT'S YOUR STARTER FOR TEN.

136. "TEDDY JOHNSON

137. "WON THE EUROVISION SONG CONTEST IN 1959.

138. OF THE SONG?"

139. AND PEARL CARR'S SONG

140. IN THE 1959 SONG CONTEST?

141. ANYBODY? NO?

142. YES, MAO TSE-TUNG.

143. "SING LITTLE BIRDIE"?

144. YES, IT WAS INDEED.

145. WELL CHALLENGED.

146. WELL, NOW WE COME ON TO OUR SPECIAL GIFT SECTION.

147. IS A BEAUTIFUL LOUNGE SUITE.

148. NOW, KARL HAS ELECTED

149. ON THE WORKERS' CONTROL

150. WITH QUESTION NUMBER ONE.

151. YOU NERVOUS?

152. "THE DEVELOPMENT

153. BY WHAT OTHER DEVELOPMENT?"

154. OF THE INDUSTRIAL BOURGEOISIE.

155. YES. YES. YES, INDEED.

156. YOU'RE ON YOUR WAY TO YOUR LOUNGE SUITE, KARL.

157. "THE STRUGGLE

158. IS A WHAT STRUGGLE?"

159. "A WHAT STRUGGLE?"

160. A POLITICAL STRUGGLE.

161. YES. YES.

162. ONE FINAL QUESTION, KARL

163. WILL BE YOURS.

164. YOU GOING TO HAVE A GO?

165. YOU'RE A BRAVE MAN.

166. KARL MARX,

167. "WHO WON THE CUP FINAL IN 1949?"

168. UH... THE WORKERS CONTROL THE MEANS OF PRODUCTION.

169. OF THE URBAN PROLETARIAT.

170. NO. IT WAS IN FACT

171. WHO BEAT LEICESTER 3-1.

172. AH. THANK YOU.

173. I WAS LOOKING FOR.

174. "I WONDER," SAID LA FARGE

175. "JUST HOW MUCH MOLINEUX."

176. HEY!

177. THAT'S THE BAD JOKES.

178. AND NOW A BIT OF FUN.

179. JENKINS?

180. YES, SARGE?

181. YOU GET BACK TO BLIGHTY?

182. I DON'T KNOW, SARGE.

183. I 'SPECT I'LL BE LOOKING AFTER ME MUM.

184. SHE'LL BE GETTING ON A BIT NOW.

185. OWN, HAVE YOU?

186. NO, SHE'S...

187. SHE'S ALL I GOT LEFT NOW.

188. MY WIFE DOREEN, SHE...

189. I GOT A LETTER.

190. YOU DON'T HAVE TO TELL ME, SON.

191. NO, SARGE, I'D LIKE TO TELL YOU.

192. SEE... THIS PLACE...

193. HOLD IT!

194. HOLD IT!

195. LOOK, LOVES, CAN ANYONE

196. PLEASE LEAVE THE SET?

197. NOW, COME ON. PLEASE.

198. IN THIS SCENE.

199. THE CANTEEN'S OPEN UPSTAIRS.

200. NOW, COME ON, PLEASE.

201. SORRY, LOVES, SORRY.

202. WE'LL HAVE TO TAKE IT AGAIN FROM THE TOP, ALL RIGHT?

203. OKAY.

204. CUE!

205. HOLD IT!

206. HOLD IT!

207. NOW, WHO CHANGED THE CAPTION?

208. IMMEDIATELY, PLEASE?

209. RIGHT. ALL RIGHT, WE'LL TAKE IT AGAIN FROM THE TOP. CUE.

210. HOLD IT!

211. HOLD IT!

212. COME ON, COME ON, OUT OF THERE!

213. YOU'RE NOT IN THIS.

214. YOU'RE JUST HOLDING THE WHOLE THING UP.

215. COME ON, PLEASE.

216. IT'S NO GOOD, LOVES, IT'S NO GOOD.

217. WE'LL HAVE TO LEAVE IT FOR NOW.

218. COME BACK WHEN EVERYONE'S SETTLED DOWN A BIT.

219. THE ART ROOM, ALL RIGHT?

220. SO, CUE CAMERA THREE.

221. SORRY! CAMERA FOUR.

222. AREN'T THEY MARVELOUS?

223. YES, YES.

224. THE STRENGTH AND BOLDNESS...

225. IN THOSE COLORS.

226. TITIAN'S MASTERPIECE.

227. OH, INDEED, IF ONLY FOR THE COMPOSITION ALONE.

228. THE FIRMNESS OF THE LINE.

229. YES, THE CONFIDENCE OF A MASTER AT THE HEIGHT OF HIS POWERS.

230. YES?

231. HELLO, SONNY. YOUR DAD IN?

232. YES.

233. TO HIM, PLEASE?

234. IT'S THE MAN FROM "THE HAY-WAIN."

235. WHO?

236. THE MAN FROM "THE HAY-WAIN" BY CONSTABLE.

237. DAD! IT'S THE MAN FROM "THE HAY-WAIN"

238. TO SEE YOU.

239. COMING.

240. HELLO.

241. HOW ARE YOU? COME ON IN.

242. OH, NO, NO. CAN'T STOP.

243. JUST PASSING BY, ACTUALLY.

244. OH. WHERE ARE YOU NOW?

245. WELL MAY YOU ASK.

246. WE'VE JUST BEEN MOVED IN NEXT TO A ROOMFUL OF BRUEGELS.

247. TERRIBLE BLOODY DIN... SKATING ALL HOURS OF THE NIGHT.

248. ANYWAY, I'VE JUST DROPPED IN

249. THERE'S BEEN A WALKOUT IN THE IMPRESSIONISTS.

250. WALKOUT, EH?

251. YEAH. IT STARTED WITH THE DEJEUNER SUR L'HERBE LOT.

252. EVIDENTLY, THEY WERE MOVED AWAY

253. OR SOMETHING.

254. ANYWAY, THE IMPRESSIONISTS ARE ALL OUT.

255. GAINSBOROUGH'S BLUE BOY'S BROUGHT OUT THE 18th-CENTURY ENGLISH PORTRAITS

256. THE FLEMISH SCHOOL'S SOLID, AND THE GERMAN WOODCUTS ARE AT A MEETING NOW.

257. RIGHT. WELL, I'LL GET THE RENAISSANCE SCHOOL OUT.

258. OKAY. MEETING 4:30... "BRIDGE AT ARLES."

259. OKAY. CHEERIO. GOOD LUCK, SON.

260. GOOD LUCK.

261. RIGHT. EVERYBODY OUT!

262. I'M OFF.

263. I'M OFF.

264. I'M OFF.

265. I'M OFF.

266. I'M OFF, DEAR.

267. I'M OFF.

268. I'M OFF, TOO.

269. I'M OFF.

270. Here is the news.

271. By an almost unanimous vote

272. paintings in the National Gallery

273. voted to continue the strike

274. that has emptied frames for the last week.

275. The man from Constable's "The Hay-Wain"

276. said last night that there was no chance

277. of a return to the pictures before the weekend.

278. Sir Kenneth Clarke has said he will talk to any painting

279. if it can help bring a speedy end to the strike.

280. At Sotheby's, prices dropped dramatically

281. as leading figures left their paintings.

282. WHAT AM I BID FOR VERMEER'S

283. "LADY WHO USED TO BE AT A WINDOW"?

284. DO I HEAR TWO BOB?

285. TWO BOB!

286. GONE.

287. FOR ANOTHER GREAT BARGAIN...

288. EDWIN LANDSEER'S "NOTHING AT BAY"?

289. OF BLOODY CONSULTATION.

290. IN SUPPORT OF THE PAINTINGS.

291. THE VOTE WAS UNANIMOUS...

292. WITH ONE ABSTENTION.

293. Meanwhile at Television Centre

294. work began again on a sketch about Ypres.

295. A spokesman for the sketch said he fully expected it

296. to be more sensible this time.

297. JENKINS?

298. YES, SARGE?

299. TO BLIGHTY?

300. I DON'T KNOW, SARGE.

301. I 'SPECT I'LL LOOK AFTER ME MUM.

302. SHE'LL BE GETTING ON A BIT NOW.

303. YOUR OWN, HAVE YOU?

304. NO. SHE-SHE'S ALL I GOT LEFT NOW.

305. MY WIFE DOREEN, SHE...

306. I GOT A LETTER.

307. YOU DON'T HAVE TO TELL ME, SON.

308. NO, SARGE, I'D LIKE TO TELL YOU.

309. YOU SEE, THIS BLOKE FROM UP THE STREET...

310. OKAY, CHAPS.

311. AT EASE.

312. I'VE JUST BEEN UP THE LINE.

313. CAN WE GET THROUGH, SIR?

314. NO. I'M AFRAID WE'LL HAVE TO MAKE

315. AT NIGHTFALL.

316. RIGHT, SIR.

317. WE'RE ALL WITH YOU.

318. YES, I KNOW.

319. THAT'S JUST THE PROBLEM, SERGEANT.

320. THERE OF US?

321. WELL, SIR, THERE'S YOU, ME, JENKINS

322. PADRE, KIPPER... THERE'S FIVE, SIR.

323. FOR...

324. FOUR, SIR.

325. PRECISELY.

326. I'M AFRAID ONE OF US

327. THE OTHER WAY OUT.

328. I'M A GONER, MAJOR.

329. LEAVE ME.

330. I'M... I'M NOT A COMPLETE MAN ANYMORE.

331. YOU'VE LOST BOTH YOUR ARMS AS WELL.

332. YES.

333. DAMN SILLY, REALLY.

334. NO, NO, WE'LL DRAW FOR IT.

335. THAT'S THE WAY WE DO THINGS IN THE ARMY.

336. SERGEANT, THE STRAWS.

337. RIGHTO.

338. ALL RIGHT.

339. NOW, THE MAN WHO GETS

340. KNOWS WHAT TO DO.

341. YOU, SIR.

342. IS IT? OH, WHAT DID WE SAY...

343. "THE LONGEST STRAW," WAS IT?

344. NO. SHORTEST, SIR.

345. WELL, WE BETTER DO IT AGAIN.

346. THERE'S OBVIOUSLY BEEN A BIT OF A MUDDLE.

347. THERE WE GO.

348. BEST OF THREE?

349. RIGHT.

350. WELL, I GOT THE SHORTEST STRAW, SO...

351. TO DECIDE WHO'S GOING TO DO...

352. TO-TO-TO, UH, TO, UH, TO DO THE THING...

353. TO DO THE RIGHT THING.

354. NOW, RANK DOESN'T ENTER INTO THIS.

355. BUT OBVIOUSLY, IF I SHOULD

356. I'LL BE IN A VERY GOOD POSITION

357. FOR A POSTHUMOUS V.C.

358. NO? GOOD, FINE.

359. FINE, FINE, FINE, FINE.

360. RIGHT.

361. DIP, DIP, DIP, MY LITTLE SHIP

362. SAILS ON THE OCEAN, YOU ARE...

363. NO, NO, WAIT A MINUTE.

364. UM... I-I-I MUST HAVE MISSED OUT A DIP.

365. WE'LL START AGAIN.

366. DIP, DIP, DIP, DIP,

367. SAILS ON THE OCEAN, YOU ARE...

368. NO, THIS IS NOT WORKING OUT.

369. IT-IT'S NOT WORKING OUT.

370. UH, WHAT-WHAT SHALL WE DO?

371. ONE POTATO, TWO POTATO, SIR?

372. DON'T BE CHILDISH, JENKINS.

373. NO, UM, I THINK-

374. WOULD BE BEST.

375. OKAY? SO, UH, HANDS BEHIND BACKS.

376. AFTER "THREE," OKAY?

377. ONE, TWO, THREE!

378. NOW, WHAT'S THIS?

379. UH, STONE, STONE, STONE AND SCISSORS.

380. NOW, UH, SCISSORS CUT EVERYTHING, DON'T THEY?

381. NOT STONES, SIR.

382. THEY'RE VERY GOOD SCISSORS.

383. HASN'T BEEN!

384. NO ARMS, SIR.

385. OH, I'M TERRIBLY SORRY.

386. I-I-I-I'M AFRAID I DIDN'T, UM...

387. TELL YOU WHAT...

388. WHO DON'T WANT

389. AND SHOOT THEMSELVES. RAISE THEIR ARMS.

390. STOP IT! STOP IT!

391. STOP THIS... THIS HIDEOUS FACADE.

392. E... EASY, PADRE.

393. NO, NO, I MUST SPEAK.

394. WHEN I... WHEN I CAME

395. TO THIS WAR, I HAD TWO ARMS...

396. BUT WHEN THE TIME CAME TO... TO LOSE ONE, I...

397. I GAVE IT... I GAVE IT GLADLY.

398. A FUTURE FOR MANKIND. I...

399. TO GIVE THEIR LIMBS!

400. TO GIVE MY OTHER ARM, I...

401. I GAVE IT GLADLY, I...

402. I SANG AS THEY SAWED IT OFF, BECAUSE I BELIEVED...

403. OH, YOU MAY LAUGH!

404. A... A FLOWER GROWS.

405. AND THAT FLOWER...

406. THAT SMALL, AGILE, DELICATE FLOWER...

407. A NEW STRENGTH!

408. THERE IS FREEDOM...

409. AND FREEDOM FROM TYRANNY.

410. CAN LIVE TOGETHER IN COMMUNION.

411. AND OUR CHILDREN'S CHILDREN...

412. FROM SEVERE OVERACTING.

413. ARGH! JIM, LAD!

414. ARGH! JIM, LAD!

415. WHEN THEY'RE BROUGHT IN, THEY'RE ALL REALLY OVER THE TOP.

416. IT'S OUR JOB TO TRY AND TREAT THE CONDITION OF OVERACTING.

417. RATHER SERIOUS.

418. THIS IS THE RICHARD III WARD.

419. A HORSE. A HORSE.

420. MY KINGDOM FOR A HORSE.

421. ARE PRETTY UNPLEASANT.

422. A HORSE!

423. NURSE?

424. A HORSE!

425. MY KINGDOM FOR...

426. WITH SOME PEOPLE.

427. CHICHESTER FESTIVAL.

428. WE OPERATED JUST IN TIME, AND NOW HE'S ALMOST NORMAL.

429. A HORSE, A HORSE.

430. MY KINGDOM FOR A HORSE.

431. ARGH! ARGH! ARGH! ARGH!

432. ARGH! ARGH! ARGH! ARGH!

433. BUT, UH, IN HERE,

434. CASES, INDEED.

435. TO BE OR NOT TO BE.

436. THAT IS THE QUESTION.

437. TO BE... TO BE...

438. OH. OH.

439. GOOD EVENING.

440. PRETTY BEGONIAS, IRISES,

441. AND CRY-MANTHESUMS.

442. THEN...

443. ARRANGE THEM...

444. NICELY...

445. IN A VASE!

446. OH, GET IN!

447. GET IN!

448. GET IN! OH!

449. SHH!

450. MORNING.

451. MORNING!

452. WHAT YOU GOT, THEN?

453. WELL, THERE'S EGG AND BACON.

454. UH, EGG, SAUSAGE AND BACON.

455. EGG AND SPAM.

456. EGG, BACON AND SPAM.

457. EGG, BACON, SAUSAGE AND SPAM.

458. SPAM, BACON, SAUSAGE AND SPAM.

459. SPAM, EGG, SPAM, SPAM, BACON AND SPAM.

460. SPAM, SPAM

461. SPAM, EGG AND SPAM.

462. SPAM, SPAM, SPAM, SPAM, SPAM, SPAM, BAKED BEANS

463. SPAM, SPAM, SPAM AND SPAM.

464. GARNISHED WITH TRUFFLE PATE, BRANDY, AND A FRIED EGG ON TOP

465. AND SPAM.

466. WITHOUT SPAM IN IT?

467. WELL, SPAM, EGG, SAUSAGE AND SPAM.

468. IT'S NOT GOT MUCH SPAM IN IT.

469. I DON'T WANT ANY SPAM!

470. WHY CAN'T SHE HAVE EGG, BACON, SPAM AND SAUSAGE?

471. THAT'S GOT SPAM IN IT!

472. NOT AS MUCH AS SPAM, EGG, SAUSAGE AND SPAM.

473. LOOK, COULD I HAVE EGG, BACON, SPAM AND SAUSAGE

474. WITHOUT THE SPAM?

475. UGH!

476. WHAT DO YOU MEAN "UGH"?

477. I DON'T LIKE SPAM!

478. SHUT UP! SHUT UP!

479. YOU CAN'T HAVE EGG, BACON, SPAM AND SAUSAGE

480. WITHOUT THE SPAM.

481. WHY NOT?

482. WELL, IT WOULDN'T BE EGG, BACON, SPAM AND SAUSAGE

483. WOULD IT?

484. I DON'T LIKE SPAM!

485. OH, DON'T MAKE A FUSS, DEAR. I'LL HAVE YOUR SPAM.

486. I LOVE IT! I'M HAVING SPAM, SPAM, SPAM, SPAM, SPAM...

487. SPAM, BAKED BEANS, SPAM, SPAM AND SPAM!

488. BAKED BEANS ARE OFF.

489. WELL, CAN I HAVE SPAM INSTEAD?

490. YOU MEAN SPAM, SPAM, SPAM, SPAM...

491. UGH!

492. SHUT UP! SHUT UP!

493. "OH, GREAT BOOBIES, HONEY BUN.

494. "MY LOWER INTESTINE IS FULL OF SPAM, EGG, SPAM, BACON...

495. SHUT UP!

496. "MY NIPPLES EXPLODE..."

497. IN BROMLEY.

498. ONCE AGAIN, THE VIKING STRATEGY WAS THE SAME.

499. ON MAY THE 23rd.

500. ONCE IN BROMLEY, THEY ASSEMBLED

501. FROM THE SPAM MENU WOULD...

502. SHUT UP!

503. AT THE JODRELL THEATRE, COLWYN BAY.

504. FROM HER MAJESTY'S STATIONERY OFFICE.

505. PRICE... A KISS ON THE BUM.