1. Goodness gracious, you're so...
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2. Ceske Orphanage
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3. How many times must you pretend to
run away before you're satisfied?
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4. If you do it again, you won't get dinner.
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5. You hear me, Milos?
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6. Yes, ma'am.
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7. Take your hands out of your pockets
when talking to someone!
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8. Yes, ma'am.
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9. For real?
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10. Yeah. It was that blonde girl.
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11. You saw her on Dominican Street, right?
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12. I wonder if she lives around here?
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13. Why didn't you keep following her?
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14. But I was hungry.
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15. In that case, let's find out where she lives...
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16. and report her to the police.
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17. And tell them that Mr. Grimmer didn't kill the director
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18. We'll prove his innocence.
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19. Prove his innocence?
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20. Then Mr Grimmer will be off the hook.
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21. That's right.
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22. We'll hold a meeting to come up with a plan.
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23. Milos, hurry up and finish your dinner already.
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24. This is the unlicensed orphanage where it first started.
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25. The Cruelest Thing
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26. The former director of 511 kinderheim
was murdered by someone here.
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27. The kids said that a blonde girl walked
them right after it happened.
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28. He restarted his experiment here.
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29. Unlike the one at 511 kinderheim...
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30. this one was to determine the
effects of love on the children.
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31. What would you like to do?
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32. Should we go in?
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33. The police should have already removed any evidence.
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34. Mr. Grimmer, what's that?
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35. Huh?
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36. Mr. Policeman,
Mr. Grimmer is innocent!
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37. Mr. Detective,
the blonde girl is the killer!
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38. It's those kids.
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39. The kids from this orphanage must have
come back and put these notes here.
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40. Huh?
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41. "To Mr. Grimmer."
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42. Milan Boucek.
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43. It's a famous soccer player's card.
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44. This must be something precious to the children.
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45. How should I react?
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46. In this type of situation, what should I feel?
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47. My emotions were stolen by 511 kinderheim.
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48. After that, I went to a special school
to learn how to express emotions...
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49. But these types of situations are
the most difficult to handle...
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50. What kind of expression would be appropriate here?
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51. How about paying those kids a visit?
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52. St. Bardejov Orphanage
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53. You're Mr. Grimmer?
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54. I always hear a lot about you from the children.
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55. They went out to play and haven't returned yet.
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56. I hope they come back soon...
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57. Here, take a look at this.
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58. It's the children's diary...
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59. Actually, it looks more like letters addressed to you.
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60. "Mr. Grimmer, let s play soccer again."
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61. "Mr. Grimmer is bad at soccer, so
I'll teach him how to get better."
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62. "Mr. Grimmer, come play with us again."
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63. I'm smiling now, right?
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64. I learned how to do this.
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65. I learned how to make a smile.
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66. I'm actually part of those kids' memories.
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67. Why would they think of me?
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68. Because they all like you.
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69. They like me...
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70. I thought about...
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71. what kinds of emotions I should've felt...
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72. when my own child was dying.
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73. Should I cry in this situation?
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74. Just how much should I cry?
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75. Should I scream at the top of my lungs?
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76. Or should I clench my teeth?
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77. Even now, I still don't know how I should have reacted.
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78. I just don't know...
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79. Mr. Grimmer!
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80. Hey, Antonin...
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81. Mr. Grimmer, this is bad!
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82. What's wrong, Antonin?
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83. We just got a message from the Ceske Orphanage...
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84. Something bad happened...!
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85. Calm down, Antonin.
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86. Calm down and tell me.
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87. We found the blonde girl!
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88. Yesterday, we went looking for
her to find out where she lives.
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89. And then Milos...
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90. Milos disappeared
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91. krumlov National Hospital
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92. I see.
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93. The people who came to visit you were...
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94. a middle-aged gentleman...
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95. a tall German...
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96. and a Japanese man with long hair...
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97. Yes.
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98. By the way, wasn't there one more person you've left out?
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99. According to the nurse, there was a woman with
long blonde hair who also came to visit you.
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100. A woman?
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101. No, a woman didn't come to visit me.
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102. No, the nurse was sure of it.
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103. A very beautiful woman.
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104. Yes, she was very beautiful.
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105. But she was actually a man.
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106. I see.
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107. What's your name?
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108. Milos.
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109. Have we met somewhere before?
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110. Huh?
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111. N-No.
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112. What were you doing there?
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113. Nothing, really...
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114. You come around here a lot, don't you?
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115. Y-Yeah...
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116. Are you looking for someone?
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117. Umm... my mom.
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118. Why not come over here and have a seat?
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119. I have some juice for you, too.
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120. Umm... Are you moving?
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121. Why do you ask?
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122. You have a big bag...
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123. and there's nothing in this room.
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124. Does your mother live around here?
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125. Huh?
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126. Didn't you say you were looking for your mother?
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127. Yeah.
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128. But I don't know if she actually lives around here.
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129. Then how are you going to find her?
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130. Do you have a picture of her?
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131. No, I don't.
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132. Then you don't know what she looks like.
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133. I'll know.
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134. When I see her, I'll recognize her.
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135. Nobody at the orphanage believes me.
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136. They all say there's no way I'd know...
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137. but I'll recognize my mom when I see her.
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138. And...
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139. And?
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140. My mom will recognize me when she sees me, too!
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141. What if she pretends that she doesn't
recognize you when she sees you?
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142. Were you born because you were wanted?
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143. Why were you abandoned?
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144. Didn't your mother abandon you
because she didn't like you?
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145. T-That's not true!
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146. Being born really isn't that uncommon...
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147. Huh?
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148. Almost everything in this world is meant to die.
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149. In this world, a life born is nothing
more than an insignificant speck...
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150. and shouldn't even be counted as an existence.
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151. Death is natural.
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152. Then why are you alive?
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153. Is it because someone wanted you?
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154. Who wanted you?
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155. What is your reason for living?
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156. A girl with long blonde hair...
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157. Ah, that would be Anna.
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158. Anna?
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159. Does this Anna live around here?
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160. Yeah, I'm pretty sure her apartment
is in the alley two blocks down.
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161. Yeah, she's such a nice girl.
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162. So polite, she never fails to greet me.
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163. Anna?
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164. Yeah, she's such a good girl.
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165. Always has a smile when she speaks.
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166. Do you know what floor and room she lives in?
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167. Yeah, up there.
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168. Third floor, that window.
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169. If what the kids say is true...
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170. and if Milos was really kidnapped by that woman...
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171. and that Anna girl is really her, then...
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172. Then if that person is who I think he is...
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173. Everything will end here and now!
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174. They got away already?
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175. Where did Milos go?
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176. Or was he kidnapped?
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177. He was following the blonde girl
in order to prove my innocence.
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178. What should we do now, Dr. Tenma?
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179. What expression should I make in this situation?
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180. The kids got dragged into this case because
they wanted to prove my innocence.
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181. The kids told us, right?
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182. That Milos usually wanders the streets of Prague...
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183. looking for his mother.
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184. He wanted... to meet his mother.
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185. I... felt nothing, even when my own child died.
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186. One day, back when I was still
working for the newspapers...
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187. a female colleague told me...
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188. that she liked me.
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189. So I married her...
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190. because I was taught that you're less
likely to be suspected as a spy...
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191. if you're married.
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192. She got pregnant...
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193. and gave birth to a boy.
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194. Then one day, my wife was out shopping nearby.
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195. When I entered my son's room...
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196. he was lying face down and had stopped breathing.
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197. I gave him CPR...
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198. and called the doctor.
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199. I did everything I knew I should do, without hesitation.
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200. But he still died.
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201. At the funeral, my wife broke down...
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202. "How can you remain so calm?"
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203. "Why can't you cry?"
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204. "You're always like this."
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205. "That's how you treat me, too."
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206. "You're unable to love another person."
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207. "There's nothing in your heart."
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208. And then my wife left me.
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209. We have to find Milos!
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210. You said Milos was the child of a prostitute
in the red-light district...
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211. near the Czech border, right?
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212. Yeah...
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213. If the person who was living here is who I think he is...
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214. I don't think he'll let the boy live.
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215. But he won't simply kill the boy either.
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216. If that person is who I think he is...
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217. he'll put the boy through the cruelest thing...
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218. before killing him.
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219. If you keep going down this road, you'll be in Germany.
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220. And my mom is somewhere down this road?
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221. There's a very lively place up ahead.
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222. I'll be able to see my mom, right?
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223. I'll wait for you here.
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224. Go on ahead by yourself.
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225. You'll be able to recognize your mother when you see her.
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226. And your mom will recognize you when she sees you.
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227. But if no one calls out to you...
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228. that means nobody wanted you.
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229. What will you do then?
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230. What will you do?
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231. Go on now.
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232. Mom.
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233. Cruel, huh...
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234. Thank you, thank you!
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235. Huh?
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236. What is it boy?
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237. I'm looking for someone.
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238. Looking for who?
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239. My mom.
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240. Your mom?
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241. That's a good one!
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242. What's so funny?
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243. Yeah, I know your mother...
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244. Where...
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245. Where is she?
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246. Well, you see...
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247. Technically, I know like...
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248. fifty of them here!
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249. Why were you abandoned?
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250. Ah, my boy!
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251. My boy!
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252. Who are you, lady?
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253. It's okay.
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254. Umm, I'm looking for my mother...
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255. Never mind that, just let me hold you.
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256. What's with the kid?
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257. Don't tell me that's your son.
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258. No way!
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259. I wouldn't screw up like that.
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260. Even though you're infected...
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261. Shut up!
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262. You wanna fight?
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263. What's your problem?
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264. Let go of me!
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265. Wait, not here!
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266. I already paid you.
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267. I'm a customer.
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268. Do what your customer tells you to do.
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269. But wait...
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270. A kid's watching!
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271. Wait.
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272. keep watching.
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273. Don't leave.
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274. I'm a teacher in Germany.
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275. At my school, I have a good reputation with the parents.
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276. I'm an honorable man, and a wonderful teacher.
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277. A wonderful teacher!
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278. Please take that.
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279. Who wanted you?
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280. Hey, boy...
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281. Money...
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282. Are you sick, lady?
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283. Soon...
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284. I'm gonna die soon.
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285. Why are you here?
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286. I just told you, because I'm gonna die soon.
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287. Money, please.
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288. I only have this much.
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289. Almost everything in this world is meant to die.
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290. Who wanted you?
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291. What is your reason for living?
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292. I see...
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293. That's how it is.
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294. The red-light district ends around here.
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295. Lots of people saw Milos in the district.
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296. Should we turn back?
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297. He may still be in there somewhere...
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298. Milos!
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299. Milos...
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300. It's all right...
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301. Everything is all right now.
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302. Okay...
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303. Come to me.
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304. In order to...
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305. In order to prove my innocence...
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306. You tried your best, right?
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307. It's all right now.
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308. Come here.
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309. It's all right...
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310. It's all right now.
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311. Is this how I'm supposed to feel, Dr. Tenma?
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312. Would it be better if I cried?
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313. I was never taught...
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314. such complicated feelings.
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315. What's wrong, Milos?
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316. What did you see...
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317. What did you see back there?
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318. What have you experienced?
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319. Milos, listen to me.
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320. You don't have a mother.
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321. But...
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322. There is a reason why you were born!
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323. You were born because someone wanted you!
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324. You were definitely...
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325. You were definitely wanted by someone!
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326. Definitely...
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327. Hey, Dr. Tenma...
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328. What I just said isn't wrong, is it?
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329. No.
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330. Right now...
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331. What kind...
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332. What kind of expression do I have?
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333. You're crying.
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334. Yes... Gazing at what is known now in this world...
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335. Yes... Your eyes believe in kindness...
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336. Make it home... to your land of harmony...
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337. Make it home... to your land of purity...
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338. The Rose Mansion
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