1. Welcome to Limmy's Show.
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2. I've got somebody
coming round later,
somebody very important.
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3. Get this place tidied up!
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4. Enjoy the show.
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5. My name's
Jacqueline McCafferty.
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6. I lost three years
of my life on heroin
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7. and another five years
on a methadone programme
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8. that was meant to
get us off it.
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9. So, when I found out that
Marti Pellow was gonna be
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10. signing copies of
his new solo album,
I was there in a heartbeat.
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11. Marti! Marti!
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12. Cos Marti Pellow's
my hero.
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13. When I was
going through recovery,
he was my inspiration.
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14. I knew that if
he could get through it,
I could get through it.
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15. I fuckin' love you, man.
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16. All right?
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17. All right, Marti?
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18. My name's
Jacqueline McCafferty.
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19. You've got no idea how much
of an inspiration
you are to me, mate.
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20. It must be amazing
being such an inspiration
to so many people.
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21. So many junkies
all round the world.
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22. Cos we've been to hell
and back. Nobody knows you
like I know you.
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23. You know what I mean? I lost
three years of my life to
heroin, another five ye—
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24. Aye. It's a time I want to
forget, Jackie.
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25. So, what do you want me
to write on the album?
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26. Aye. Gonna put,
"To Jacqueline. We got
through it... together."
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27. No bother.
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28. Don't worry. I'm not gonna
go and tell the papers
we were shagging
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29. or anything like that.
I just mean that
you were a junkie an' all.
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30. We got to the other side
together. Know what I mean?
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31. What what is it you were
doing anyway? Papers didnae
say. Were you cooking it,
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32. - or were you jagging, or—
- Look... I don't want to talk
about it, Jackie.
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33. How not? Are you ashamed of
it? I'm not.
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34. Well, to be honest, I am.
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35. It's nothing to be proud of
and I'd rather leave the past
where it belongs.
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36. Maybe you should as well.
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37. - I should be
ashamed of myself?
- I didnae say that.
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38. - Aye, you did.
- Now, look, Jackie.
I didnae say that.
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39. Don't "Jackie" me.
My name's not Jackie, it's
Jacqueline, all right?
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40. All right, Jackie...
Jacqueline. There's other
folk waiting, so, erm...
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41. I don't want to talk
about my past. I'm just
here to sign this CD—
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42. Well, get me to fuck, eh,
Marti? Your other wee fans
haven't got a clue about you.
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43. I'm the only daftie
that gets you and you're
getting me chucked out!
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44. Well, Marti, you can run away
from your past, but you
cannae run away from me.
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45. I'm here to remind everybody
you were a junkie. A junkie!
A junkie! A junkie!
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46. I know you better
than anybody, Marti!
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47. He was a junkie!
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48. I got up the road, stuck
his poxy daft wee CD on.
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49. Couldn't listen to it
for any more than a minute.
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50. His voice is fuck all
what it used to be.
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51. Cos you know what? He's
better off on the smack!
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52. It is a new craze
that is being slammed
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53. by politicians
and health experts alike.
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54. What can they do? We're not
breaking any laws.
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55. There's no drugs,
not even any booze.
That's the whole point.
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56. They call the practice
"clowning",
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57. so called after
Manfred Mann's 1967 hit
"Ha Ha Said The Clown".
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58. The participants create
an endless loop
of the chorus,
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59. listening to it for hours,
sometimes days.
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60. As the loop continues to
play, the mind employs
various coping techniques
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61. to keep itself sane.
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62. We've been at it
since yesterday.
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63. Most people try
to shake it off with, er,
physical jerks or dancing.
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64. Some simply retreat into
a protective bubble
of introversion.
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65. And some can relive
their horrifying ordeal
many months later.
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66. Aye, that's one downside.
A trip to McDonald's is
ruled out for a few years.
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67. I've got one pal, he went in,
he saw the cardboard cut-out
of Ronald McDonald
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68. and, no,
he's not been the same.
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69. I'm sure when the government
begins to see
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70. the results of the long-term
damage in years to come,
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71. both societal damage and
damage to the individual,
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72. they'll introduce
the appropriate measures.
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73. And this will hopefully
persuade the participants to
move on to a...
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74. a less damaging form of
recreation.
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75. Never, man.
Never stop clowning.
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76. Never stop...
Clowns for life!
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77. Look, as long as you
underline the important
parts...
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78. Stop!
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79. There'll be nae crashes.
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80. Not today, not ever.
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81. - It's your first day as well?
- Aye. How are you doing?
- All right.
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82. So, where do you want to go?
What do you want to do?
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83. Could get started
with that guy.
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84. - What?
- In at the deep end.
- Are you into it?
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85. - Aye. Aye, on you go.
- What am I going to say?
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86. I don't know.
Just ask him, say...
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87. - Do you want to do it?
- Aye. I'll do it.
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88. No, no, no. It's all right.
I'll do it.
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89. - Here he comes. On you go.
- Right.
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90. - Morning, sir.
- Morning.
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91. Where are you going?
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92. I'm away to work.
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93. Right. Go on.
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94. That was brilliant!
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95. Ask the guy where he's going.
None of my business and...
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96. - And he tells you.
- He tells me.
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97. Don't even know the guy.
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98. - Best job in the world.
- Oh, it's starting to hit me
now.
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99. All right, it's decision
time. So, would you
rather have...
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100. Decide now.
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101. - OK. Have you decided?
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102. All right. All you need
to do now is just, er,
explain your decision
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103. to your mate or a partner or
a stranger in the street
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104. and, er, let them know what
you're after.
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105. And they'll take it from
there. See you.
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106. Erm...
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107. Can I have the...
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108. What do you think you're up
to, mate? This is a friendly
warning.
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109. Watson's the one guy
in this place you don't want
to mess with.
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110. I've had him chasing me.
What's so hard about it?
You struggling a wee bit?
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111. Do you need a hand with him?
All you need to do is ask.
I'm here to help...
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112. Is there some kinda problem
you're nae opening up about?
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113. And welcome back
to Carndook FM.
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114. Before the break I asked you
to give us a call
with your song requests
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115. - and on the line now I have
Claire. You there, Claire?
- Hiya.
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116. - Hi, Claire. Where are you
calling from?
- I'm in Bishopbriggs. Yay!
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117. A big shout-out
to Bishopbriggs.
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118. So, what are you up to today,
Claire. Any big plans?
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119. Not really. Just at home
being a full-time mum,
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120. taking care of the kids,
keeping them out of trouble.
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121. Good on you, Claire.
So, what song
would you like to request?
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122. I'd like you to play
"Whenever You Need Somebody"
by Rick Astley.
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123. And why are you
requesting that?
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124. It's always been one of
my favourite songs.
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125. I was a big fan of Rick
Astley when I was young
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126. and that one's always
stood out for me.
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127. No, what I mean is, er,
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128. why are you phoning
a radio station
to request a song?
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129. Well... so you'll play it.
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130. - Why don't you just play it
yourself?
- What?
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131. Well, you're in the house.
Why don't you just play it
yourself?
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132. I take it you've got it, I
take it you've got one of
your favourite songs, aye?
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133. Maybe. Aye.
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134. Well, go and play it, then.
If it's one of your favourite
songs, you've got it,
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135. you don't need my permission.
Go and play it.
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136. - It's yours. You own it.
- Well...
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137. Even if you've not got it,
I take it you're on the
internet.
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138. - I take it you're in the 21st
century like the rest of us.
- Aye.
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139. Just go and download it,
then. Or stream it.
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140. Just double click
and you'll get it like that.
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141. Rather than phoning
a radio station
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142. on the off-chance
you'll be the one person
that gets through.
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143. I mean, that's nonsense,
Claire. You'll admit yourself
that's nonsense?
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144. - I suppose it—
- OK. Bye, Claire.
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145. OK, so this is
"Whenever You Need Somebody"
for Claire in Bishopbriggs.
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146. It works. It actually works.
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147. How are you doing?
I'm Limmy and I'm here to
tell you it actually works.
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148. I had nothing.
Now I've got everything.
Tons of mates, everything.
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149. Listen, get onto your
Facebooks, your Twitters
and tell them.
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150. Here, I'll prove it.
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151. Chart. Chart. Chart.
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152. I'm Bobby Carlyle.
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153. It actually works.
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154. Chart. Chart. Chart.
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155. I'm Michael Jackson.
It actually works.
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156. Chart.
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157. Chart.
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158. All joking aside, it does.
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159. These are lovely.
All the memories.
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160. - That's you in that one
there, see.
- Oh, aye.
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161. - Here, that's a lovely frame.
- And in here is, er...
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162. - Sorry about the mess.
- Oh, that's fine.
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163. Just need to look
where I'm standing.
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164. Sorry. And here's...
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165. Oh, hello.
I couldn't see you there.
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166. I'm not surprised
you couldn't see,
with all the mess.
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167. Oh, not to worry.
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168. Aye. Come on.
I'll show you next door.
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169. - Lovely size of room.
- Yeah.
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170. Bye!
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171. Oh! Here, I nearly
stood on a plug there.
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172. - Sorry.
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173. Spotted the suspect. Over.
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174. - What are you doing?
- You are under arrest. You do
not have to say anything
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175. but anything you do say
may be held against you
in a court of law.
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176. - What have I done?
- Suspect detained.
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177. - What's going on?
- Oh, shut up!
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178. It's just a wee joke.
It's our first day.
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179. You can't go round
handcuffing folk and
arresting them for a joke!
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180. What are you gonna do
about it? Phone the polis?
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181. Mate, we are the polis.
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182. - Classic!
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183. What is this?
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184. What is this strange,
intriguing, mesmerising—
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185. Is it not
a kaleidoscope?
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186. - Who's that?
- It's James.
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187. Oh, I couldn't
work out who you were.
What did you say?
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188. Just saying,
is it not a kaleidoscope?
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189. No, it's not a kaleidoscope.
A kaleidoscope's one of they
things like a telescope—
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190. Yeah, you're right.
It's not a kaleidoscope.
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191. Do you not think it looks
like something you'd see in
space? One of they clouds.
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192. Who's that?
- It's Angela.
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193. - All right, Angela?
- All right?
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194. Do you not think it looks
like one of they NASA
pictures of nebulas?
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195. Oh, shut up, Angela.
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196. - What would you know about
nebulas, you dozy cow!
- Who was that?
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197. That was you.
No, the other voice,
the English one.
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198. Who was that?
Cheeky bastard.
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199. That was you.
Aye. It was pretty
obvious that was you, Limmy.
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200. Sorry, I was just
having a laugh.
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201. - What did you say, Angela?
It looks like a nebula?
I'm away.
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202. - See you later, James.
- See you, Angela.
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203. Angela, I was just joking.
Angela!
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204. - That was pretty bang
out of order, Limmy.
- It was just a joke.
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205. Anyway,
any ideas what this is, then?
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206. - Nah, I'm just going to head,
mate.
- Right.
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207. Beast!
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208. I'm finished with youse.
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209. Have you got any of
that soup from yesterday?
The onion soup?
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210. All right. Can I just have a
bowl of tomato s...?
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211. I'm sick of it. Every week
you have to get somebody in
to sort that thing out.
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212. - Tell me about it.
It's murder.
- How are you getting on?
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213. You need to make noises about
these things
or nothing'll get done.
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214. The paper keeps jamming.
It jammed on me four times
yesterday.
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215. Aye, it's a nightmare.
It must be, I don't know,
15 years old...
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216. - Oh, fuck!
- What's up?
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217. - It's Doug. We're due to
go out tonight,
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218. but every time we've got
nothing to talk about,
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219. so we end up getting a drink,
heading to the casino
and I lose big time.
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220. Then don't go
to the casino.
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221. I'm not going out at all. I
just want to stay in, away
from temptation.
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222. - You'd better hurry up
and tell him.
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223. I'll tell him
I'm not feeling well.
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224. All right?
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225. Well, I was just gonna
phone to...
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226. Aye, erm...
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227. All right,
I'll see you there.
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228. I'll go for a drink, but I'll
tell him, nae casino.
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229. I'll just say
I've got to leave at ten.
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230. - How much did you lose?
- 1,200.
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231. - Excuse me.
- Hiya.
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232. - Are you getting the
9:20 flight to Amsterdam?
- Aye.
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233. Could you please take this
teddy bear with you?
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234. I've got a friend there
waiting to collect it.
It's really dear to him.
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235. - Aye. No bother.
- Oh, thanks.
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236. - Hello.
- Hiya.
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237. - Is this, er...?
- Oh! Aye, there you go.
- Thanks.
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238. It's amazing how people are
willing to trust strangers,
isn't it!
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239. I could have knocked that.
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240. Well, folks. Thanks for
watching the webcam. Till
next time, see you later.
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241. All right? I was just
on the webcam there.
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242. Oh, hold on.
I forgot to switch it off.
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243. See?
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244. Just click Close...
and that's it off.
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245. Or is it? I mean,
just because it tells me
it's off
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246. doesn't necessarily mean
it is off.
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247. I mean, it could take
the webcam an extra minute
or two
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248. to completely switch off,
d'you know what I mean?
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249. And during that time anything
could happen.
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250. I could... pick my nose,
could start having
a private conversation,
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251. could start having a wank,
anything.
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252. Just totally ruin my life
because I saw some daft wee
light go off
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253. and I took its word
for it.
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254. I mean, who's to say that
my webcam isnae on
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255. 24 hours a day
without me knowing it.
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256. Some hacker
just watching me
type in all my passwords.
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257. I might be part of
some sex ring,
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258. streaming me live
to some fucked-up website.
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259. They're all sitting around
watching me
getting up to all sorts.
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260. You just don't know.
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261. Or maybe it's not hackers
that are watching me.
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262. Maybe it's...
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263. Them.
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264. To be on the safe side,
I'll just pull it out.
That's it off. Definitely.
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265. Or is it?
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266. I mean, just because it
isnae plugged in, that
doesn't mean it isn't on.
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267. That doesn't mean
it isnae connected.
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268. I mean, there's my phone.
That isn't plugged in,
but that's still on.
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269. That's still connected. I
could just bin the camera,
just shove it in a bin,
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270. just be done with it, but
that might not be the camera
that they're watching me on.
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271. They may have a camera
in the wall. They may have
a camera in the screen.
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272. Or they might have hidden
a camera
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273. in the last place
you'd expect to find
a hidden camera.
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274. In... a camera.
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275. I could tear it to pieces and
try and find the camera,
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276. but how do I know what I'm
looking for? Their cameras
might not look like cameras.
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277. They might not act
like cameras.
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278. Here, their cameras
might not even be called
cameras.
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279. Can you imagine that?
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280. A camera that isn't even
called a camera.
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281. You don't stand a chance!
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282. Oh, here. Wait a minute.
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283. Hey! You're not allowed
down here.
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284. And not one of youse
looks old enough to drink.
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285. So? What are you gonna do
about it?
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286. Phone the polis?
They are the polis.
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287. Ha ha ha! That's you told.
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288. Fuck off!
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289. Did I tell you I said that?
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290. I said today, "Are you gonna
phone the polis?
We are—"
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291. Aye. That's why I said it.
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292. - [policeman mumbles
drunkenly]
- He's steaming.
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293. Do you want to hear
a story?
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294. A scary story?
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295. All right.
Let the story commence.
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296. When I was a boy, I used to
collect ginger bottles.
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297. Used to go around chapping
the doors for empty bottles
of Irn-Bru,
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298. take 'em back to the shops,
get myself a wee bit of extra
pocket money. Right?
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299. And one day I chapped on
a door that I hadnae
chapped on before.
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300. A few seconds later
the door opened.
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301. I looked up
and standing there was...
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302. Got you!
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303. Standing there was a woman.
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304. And I asked her,
"Got any ginger bottles?"
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305. She said, "Aye, hold on."
She went away,
brought back a polybag,
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306. and gave us it and shut
the door in my face.
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307. On my way down to the shop
I looked in the bag
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308. to check to see how many
bottles she gave us.
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309. I opened it up.
I peered inside.
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310. But there,
in the bag, I saw...
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311. that one of the bottles
never had a cap on.
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312. The thing is, you've got to
have a cap on the bottles. If
you don't, a lot of shops...
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313. Ya bastard!
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314. Aye, if you've not got a cap
on the bottle, a lot of these
shops won't take it back.
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315. And sure enough, I didn't get
anything for that one.
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316. You're watching
Adventure Call.
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317. My name is
Falconhoof
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318. and I will be
your guide
on your quest.
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319. Greetings, Line Four.
What is your name,
traveller?
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320. Er, hello.
It's Greg, erm, John.
My name's John.
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321. Greetings, John.
Are you ready
to begin your quest?
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322. - Mm-hm.
- Very well.
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323. You are
standing in a
moonlit meadow.
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324. To the north
is a witches'
coven.
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325. To your side
is a large
boulder.
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326. What would
you like
to do?
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327. Open
sarcophagus.
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328. There is
no sarcophagus
here.
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329. Oh, erm.
Right. I mean
roll boulder.
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330. You roll
the boulder.
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331. It reveals
a large
hole beneath.
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332. Go hole.
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333. You crawl
through the hole
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334. and enter
a secret
catacomb.
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335. There's
a passage
to the north.
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336. In the centre
of the
catacomb is
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337. a sarcophagus.
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338. Ah, right.
Open
sarcophagus.
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339. You
open the
sarcophagus...
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340. Traveller, how did
you know there
was a sarcophagus?
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341. Erm, I don't know.
You must have had
it on your show before.
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342. I haven't.
This is a
new adventure.
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343. I don't know.
Lucky guess.
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344. Yes, it was.
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345. Very well.
You open
the sarcophagus.
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346. Lying within
is a skeleton.
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347. Around its
neck is a
golden amulet.
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348. Take finger
from skeleton.
Go north.
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349. You take a finger
from the skeleton
and go north.
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350. You stand before
a foreboding gate
made of bones.
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351. It is locked.
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352. Unlock gate
with skeleton
finger.
Copy !req
353. - That was handy.
- What?
Copy !req
354. Having the
skeleton finger.
Copy !req
355. It's almost
as if you...
Copy !req
356. knew you'd
need it to
unlock a gate.
Copy !req
357. - Made of bones.
- Lucky guess.
Copy !req
358. Yes. Very.
Copy !req
359. Traveller, are
you a relative of
any of our elves
Copy !req
360. here at
Adventure Call?
Copy !req
361. - Nope.
- Nope.
Copy !req
362. OK. You unlock
the gate and
enter a large room.
Copy !req
363. What's in
the room?
Copy !req
364. You tell me, traveller.
You seem to be
quite the soothsayer.
Copy !req
365. - Erm...
- [rustling
of paper]
Copy !req
366. Get broomstick.
Copy !req
367. - What broomstick?
- There's a
broomstick.
Copy !req
368. - No, there isn't.
- Aye, there is.
Copy !req
369. No, there isn't.
How is there?
Copy !req
370. - There just is.
- You're dead.
Copy !req
371. - No, I'm not.
How am I?
- You just are.
Copy !req
372. You cannae
do that.
Copy !req
373. You cannae just
make things up.
I'll speak to my, erm...
Copy !req
374. Speak to who?
You'll speak to
who, Greg?
Copy !req
375. Who will you
speak to,
Greg?
Copy !req
376. Let's take
another call.
Copy !req
377. - Yay!
Copy !req
378. Hold on.
I'll get the door for you.
Thanks.
Copy !req
379. Good to know there
are still some gentlemen
left in the world.
Copy !req
380. Yeah. Sorry about
the mess in there.
Copy !req
381. Oh, that was nothing.
Copy !req
382. - All right. See you later.
- Cheerie bye.
- Bye.
Copy !req
383. I want you out!
Copy !req
384. But in all seriousness,
that's the end of the show.
Copy !req
385. Hope you enjoyed it.
Thanks for watching.
Copy !req
386. And thanks
for tidying the room.
Copy !req
387. Thanks for completely
embarrassing me
in front of my guest.
Copy !req
388. And thanks for, when she said
hello to you, thanks for not
saying hello back.
Copy !req
389. Thanks for just staring.
I'm sure that made her
feel very welcome.
Copy !req
390. I want you out!
Copy !req
391. Out!
Copy !req