Keeping Up Appearances 2x1

Hyacinth is shocked to see a strange man wearing only a towel emerge from Elizabeth's house, thus she tells Richard they will have to move house. However her opinions change when discovering who the man really is. Meanwhile Daddy has gone missing.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. MORNING, MRS. BUCKET.

2. IT'S "BOUQUET."

3. I NEVER KNEW THAT.

4. TRUST ME.

5. TO ME, PEOPLE ARE USUALLY JUST A NAME ON A NOTE.

6. TO A PIECE OF PAPER.

7. MRS. BU-?

8. "BOUQUET"?

9. IT SEEMS ALL RIGHT.

10. MY OWN BOTTLES BACK.

11. HAVE BEEN PROPERLY WASHED.

12. AND I CAN'T BE QUITE SURE ABOUT OTHER BOTTLES.

13. MY OWN BOTTLES BACK.

14. ARE STERILIZED, MRS. BU-

15. "BOUQUET." THE MILK'S PASTEURIZED.

16. IT'S A MATTER OF COMPLETE

17. WHETHER IT'S STERILIZED, PASTEURIZED, IMMUNIZED OR PRIVATIZED.

18. BOTTLES BACK!

19. THERE'S A MAN-NEXT DOOR- IN ELIZABETH'S HOUSE.

20. SORRY, I DON'T SEE THE SIGNIFICANCE.

21. A MAN.

22. YES, I HEARD THAT.

23. BOLD AS YOU PLEASE.

24. HE'D BE APPALLED.

25. STEADY ON, MAYBE SHE'S GOT THE DECORATOR IN.

26. DRAPED IN A TOWEL?

27. WELL, AT LEAST HE SOUNDS CLEAN.

28. HYACINTH, PERHAPS HER HUSBAND'S COME BACK FROM SAUDI ARABIA.

29. IT IS NOT HER HUSBAND.

30. WATCHING CHANNEL 4.

31. SHE'LL COME TO NO GOOD IDENTIFYING WITH THE CONTINENTAL CLASSES.

32. ONSLOW.

33. WHAT IS IT?

34. A BEAUTIFUL DAY.

35. HOW NICE.

36. WELL IT IS. LOOK AT IT.

37. IT'S A BEAUTIFUL DAY.

38. BEAUTIFUL DAY.

39. ANY CONVERSATION THESE DAYS.

40. YOU RARELY SPEAK TO ME.

41. YOU RARELY SPEAK TO ME.

42. FOR SUCCESS.

43. IT'S JUST THAT-

44. THAT THERE'S ACTUALLY SOMEBODY THERE.

45. IT'S THAT MEMORABLE, IS IT?

46. I'LL TELL YOU WHY I DON'T LIKE CHATTING

47. WHEN I'M MAKING LOVE TO YOU.

48. BECAUSE THE LAST TIME, RIGHT IN THE MIDDLE OF THINGS,

49. YOU SAID TO ME, "ONSLOW,

50. IF I'D HAVE DIED IN CHILDBIRTH,

51. MARRIED AGAIN?"

52. WELL, WOULD YOU?

53. MARRIED AGAIN? I COULDN'T EVEN FINISH MAKING LOVE.

54. YOU FORGET, YOU WOMEN,

55. IT'S NOT ALWAYS EASY MAKING LOVE TO PEOPLE,

56. WHEN YOU'RE MARRIED.

57. WITH A QUESTION LIKE THAT,

58. THE SYSTEM.

59. TO GET UP?

60. YOU DON'T HAVE

61. JUST BECAUSE IT'S A BEAUTIFUL DAY.

62. WOULD YOU PUT SOMETHING ON, ROSE? YOU'LL BE UPSETTING ONSLOW.

63. NO SHE WON'T. NOT THIS TIME OF THE MORNING.

64. DAD'S GONE AGAIN. HE LEFT A NOTE THIS TIME.

65. "CONDITION RED, ENEMY AIRCRAFT APPROACHING.

66. DON'T GET UP, I'LL HANDLE IT.

67. MY RATION BOOK? DAD."

68. NOW WE'LL HAVE TO GET UP.

69. I'LL KILL YOUR FATHER.

70. OF THIS CALIBER?

71. HAD I KNOWN, I'D NEVER HAVE GONE

72. OF DOUBLE GLAZING.

73. THERE'S NO POINT IN GETTING UPSET.

74. THERE'S PROBABLY SOME PERFECTLY HARMLESS EXPLANATION.

75. IN THE HOUSE?

76. WITH A DEBAUCHED EXPRESSION?

77. ALL NIGHT.

78. YOU DON'T KNOW THAT HE'S BEEN THERE ALL NIGHT.

79. IF HE'S THERE

80. WHEN THE MILK ARRIVES, HE'S BEEN THERE ALL NIGHT.

81. YES, IT'S A REASONABLE CONCLUSION.

82. I MEAN, JUST IMAGINE,

83. IF SHE KEEPS HIM, WE COULD BE SHARING MILK BOTTLES.

84. WITH AN ILLICIT LOVE NEST.

85. IT'S REALLY NONE OF OUR BUSINESS.

86. OF COURSE IT'S MY BUSINESS. ELIZABETH IS MY FRIEND.

87. I JUST CAN'T STAND

88. WHEN SHE'S SINKING INTO MORAL TURPITUDE.

89. I CAN'T SEE LIZ

90. MORAL TURPITUDE.

91. I WON'T ALLOW IT.

92. FROM HERSELF.

93. INTO A HOUSE OF ILL REPUTE.

94. HYACINTH!

95. DO TO THE PROPERTY VALUES.

96. ONSLOW, AREN'T YOU UP YET?

97. I'M THINKING.

98. IT'S NO GOOD

99. IN THESE LITTLE EMERGENCIES.

100. SOMEBODY'S GOT

101. AND DO THE PLANNING.

102. THERE'S NOBODY SEEN HIM IN THE STREET.

103. HER AT THE SHOP HASN'T SEEN HIM, AND SHE NEVER MISSES A THING.

104. IF YOU'RE GOING TO TRACK HIM

105. WHAT HE'S WEARING.

106. RIGHT.

107. PLANNING? A COOL HEAD.

108. ALL HIS STREET CLOTHES ARE THERE. HE'S NOT WEARING ANY OF THEM.

109. WHAT WE'RE LOOKING FOR-

110. AN OLD MAN IN PAJAMAS.

111. WRONG.

112. OH, NICE.

113. WE'LL HAVE TO MOVE!

114. MOVE?

115. THIS HOUSE.

116. OVER THE YEARS, I HAVE MADE IT A CENTER OF CULTURE AND TASTE.

117. HAVE TO MOVE?

118. FOR A MORAL DECLINE,

119. WHAT CHOICE HAVE WE?

120. ATMOSPHERE.

121. I CAN'T BELIEVE ELIZABETH'S INVOLVED

122. CONTINENTAL.

123. WELL, I CAN'T BELIEVE IT, EITHER.

124. YOU ARE, RICHARD,

125. MORAL RECTITUDE.

126. WHAT ARE WE GONNA DO? - WE'RE GONNA HAVE A CUP OF TEA,

127. ON A PLAN OF OPERATION.

128. ONSLOW'S VERY GOOD IN EMERGENCIES.

129. I SHOULD THINK SO.

130. HE'S HAD.

131. PLAN "A."

132. I'LL STAY HERE IN CASE HE COMES HOME, YOU TWO GO AND LOOK FOR HIM.

133. OH, I CAN'T GO.

134. I'M EXPECTING A PHONE CALL FROM MR. BICKERSTAFF.

135. WHO'S MR. BICKERSTAFF? - WHO'S MR. BICKERSTAFF?

136. HE'S ONLY THE BEST THING THAT EVER HAPPENED TO ME.

137. TO START AGAIN,

138. ON THE SECURITY...

139. WHO CARES FOR ME.

140. MR. CRABTREE.

141. DON'T SPEAK TO ME ABOUT THAT SWINE.

142. YOU LOVED HIM MADLY.

143. IN FACT, WE COULD HEAR YOU LOVING HIM MADLY.

144. A TRAGIC MISTAKE.

145. I DIDN'T KNOW

146. MR. BICKERSTAFF.

147. I CAN'T GO ANYWHERE UNTIL I'VE HAD HIS PHONE CALL.

148. HE'LL PANIC IF I'M NOT HERE TO TELL HIM I LOVE HIM.

149. YOU GO WITH DAISY!

150. IF A BICKERSTAFF RINGS, I'LL TELL HIM YOU LOVE HIM.

151. I KNOW YOU DON'T BELIEVE ME, RICHARD.

152. TO WORK, HYACINTH.

153. NOT UNTIL YOU'VE SEEN IT WITH YOUR OWN EYES.

154. A MAN IN THE HOUSE.

155. IT'S NONE OF OUR BUSINESS.

156. HAS ALWAYS BEEN MY BUSINESS.

157. MOST SOUGHT-AFTER POSTAL CODES.

158. I CAN'T JUST

159. AT ELIZABETH'S HOUSE.

160. NO, OF COURSE YOU MUSTN'T STARE, DEAR.

161. WE'RE NOT ONES TO PRY.

162. NOW, I SHALL PRETEND

163. TO SEE YOU OFF TO WORK.

164. AS YOU NORMALLY DO.

165. TURN AND WAVE?

166. AND WAVE, RICHARD.

167. TO CAST YOUR EYE OVER ELIZABETH'S HOUSE.

168. WELL, WHAT IF I DON'T SEE HIM?

169. YOU HAVE FORGOTTEN SOMETHING.

170. TO THE HOUSE.

171. AND THEN WE'LL DO IT ALL OVER AGAIN.

172. OFF YOU GO, RICHARD.

173. I'VE FORGOTTEN SOMETHING.

174. I'VE FORGOTTEN SOMETHING AGAIN.

175. LIZ,

176. WHO'S THE IDIOT NEXT DOOR?

177. OH, THAT'S RICHARD.

178. OH, HE'S RATHER A DEAR, REALLY.

179. A BIT FORGETFUL, ISN'T HE?

180. THAT'S THREE TIMES HE'S BEEN BACK TO THE HOUSE.

181. TO HYACINTH,

182. IT'S A MIRACLE HE GOES BACK AT ALL.

183. NOW DID YOU SEE HIM THAT TIME? - I COULDN'T SEE A THING.

184. OH, WHY IS IT MEN NEVER NOTICE THINGS?

185. I NOTICE I'LL BE LATE FOR THE OFFICE.

186. DON'T INTERRUPT ME WHILE I'M THINKING, DEAR.

187. IF HE WON'T SHOW HIMSELF,

188. FLUSH HIM OUT.

189. TEAR GAS?

190. RICHARD?

191. TO ELIZABETH'S HOUSE

192. INNOCENT ERRAND.

193. I'LL INVITE HER TO ANOTHER OF MY CANDLELIGHT SUPPERS.

194. AND KEEP WATCH.

195. HAS LET ME IN

196. THROUGH THE FRONT DOOR,

197. 10 TO ONE, YOU'LL SEE THE

198. SCURRYING AWAY.

199. IT'S TIME THAT I WAS SCURRYING AWAY.

200. SHE'S NOT LISTENING. HOW DOES SHE MANAGE NEVER TO LISTEN?

201. GET THE HANG OF IT.

202. RICHARD!

203. OF STRANGE MEN.

204. ME?

205. YES, YOU, DEAR. WHY AREN'T YOU LISTENING?

206. DO IT TACTFULLY.

207. WHILE I'VE CORNERED HER,

208. HOW YOU'VE SEEN IT IN THE PAPERS.

209. SEEN WHAT? - THE DANGERS OF GETTING INVOLVED WITH STRANGE MEN.

210. SHE'LL THINK I'M THE STRANGE MAN.

211. OH, NOW DON'T BE SILLY, DEAR.

212. I AM RELYING ON YOU, RICHARD.

213. DON'T FAIL ME.

214. LET'S RESTORE

215. TO A PLACE FIT FOR SHERIDAN TO LIVE IN.

216. GO ON, TO YOUR POST.

217. JAWOHL.

218. GOOD MORNING. - OH, GOOD MORNING.

219. HELLO, CAN YOU HANG ON A MINUTE, PLEASE?

220. I'M SORRY ABOUT THAT.

221. OH, IT'S YOU, DAISY.

222. NO, SHE'S JUST POPPED NEXT DOOR.

223. WHICH REMINDS ME, HANG ON.

224. I DON'T EXPECT SHE'LL BE LONG. IS IT URGENT?

225. OH, YOUR FATHER, YES.

226. NO, I'LL TELL HER. I'VE GOT TO POP NEXT DOOR MYSELF.

227. YES, BYE.

228. YOU SEE IT IN THE PAPERS.

229. TERRIBLE. WOMEN LIVING ALONE.

230. STRANGE MEN. VERY UNWISE.

231. SOUNDS BARMY.

232. YOU CAN'T OPEN A CONVERSATION LIKE THAT.

233. HELLO, LIZ. HAVE YOU SEEN IT IN THE PAPERS?

234. INVOLVED WITH STRANGE MEN.

235. OH, I CAN'T SAY THAT.

236. ON THE OTHER HAND,

237. WAITING FOR ME TO SAY THAT.

238. I CAN SAY THAT.

239. HELLO, RICHARD.

240. ELIZABETH, HI.

241. WHAT IS IT? - ELIZABETH, I-

242. YES, RICHARD?

243. TO SPEAK TO YOU.

244. OH, WELL, COME IN.

245. ARE INSISTING THAT I SPEAK TO YOU. - YES, RICHARD.

246. IN THE PAPERS?

247. HAVE I SEEN WHAT?

248. - RICHARD! RICHARD!

249. YOU HAVEN'T MET ELIZABETH'S BROTHER, HAVE YOU?

250. BROTHER? - ELIZABETH'S BROTHER!

251. OH, I'M SORRY.

252. I'VE JUST BEEN TELLING EMMET ALL ABOUT YOU.

253. EMMET, THIS IS RICHARD. RICHARD, MY BROTHER EMMET.

254. HELLO, RICHARD. - HE'LL BE STAYING HERE FOR A WHILE.

255. I CAN'T TELL YOU HOW GLAD I AM TO HEAR THAT.

256. STAYING HERE FOR A WHILE?

257. NO, THAT YOU'RE HER BROTHER.

258. WELL, HYACINTH-

259. NO! NOW STOP BABBLING, RICHARD.

260. IT'S TIME YOU GOT BACK TO THE OFFICE.

261. RESPONSIBILITIES.

262. I DON'T LIKE HIM BEING LATE FOR THE OFFICE.

263. HYACINTH, YOUR SISTER'S BEEN ON THE PHONE.

264. OH, MY SISTER VIOLET.

265. SHE MARRIED A TURF ACCOUNTANT. THEY HAVE A VERY LARGE HOUSE,

266. AND ROOM FOR A PONY.

267. NO, DAISY. - OH, DAISY.

268. EXCUSE ME, DEAR.

269. EMMET.

270. THERE'LL BE

271. SOMETIME, TO LOOK FORWARD TO.

272. EMMET.

273. SELECT GATHERING.

274. LIVING NEXT DOOR TO US, YOU'LL SOON LEARN

275. THAT YOU'RE

276. OF THINGS ROUND HERE.

277. I MUST BE LEAVING FOR THE OFFICE. - AGAIN.

278. AS THE FRENCH SAY.

279. TE44TE-AOO-TE44TE

280. YE GODS!

281. LIKE THAT?

282. ALL THE TIME.

283. HE'S LOST HIS HOUSE

284. SOMEWHERE TO LIVE.

285. WAS BEYOND MORAL REPROACH.

286. I DON'T KNOW WHY YOU PUT THAT IDEA IN MY HEAD IN THE FIRST PLACE.

287. YOU DON'T IMAGINE I COULD HAVE BEEN FRIENDS ALL THESE YEARS,

288. OF LOW MORAL FIBRE?

289. OF YOU, RICHARD.

290. ACTUALLY,

291. YES, I DID, DIDN'T I?

292. AND YOU SEE HOW RIGHT I WAS.

293. TO THE OFFICE.

294. FOR A MOMENT, RICHARD.

295. THERE'S SOMETHING I HAVE TO TELL YOU.

296. IT'S QUITE EXCITING.

297. TELL ME HERE.

298. IS VERY COMMON, DON'T YOU?

299. HYACINTH-! - NO, NO, NO!

300. - SHH! SHH!

301. I'M TELLING YOU-

302. A MUSICIAN.

303. HE TEACHES MUSIC.

304. TRAINED MUSICIAN.

305. DON'T YOU REALIZE WHAT THAT MEANS?

306. ABOUT £25 AN HOUR, I SHOULD THINK.

307. CAN'T YOU SEE WHAT AN ASSET HE'LL BE

308. MUSICAL SOIRE! ES?

309. OH, THOSE, YES.

310. LITTLE MUSICAL SOIRE! ES?

311. NO, DEAR, NOT YET.

312. BUT I'M NOT ONE TO PUSH MY TALENTS FORWARD.

313. I'LL LET THAT JUST EMERGE NATURALLY. - YEAH.

314. BUT YOU HAVEN'T HEARD THE BEST BIT.

315. REALLY?

316. THE AMATEUR OPERATIC SOCIETY!

317. IT'S A WONDER HE FOUND TIME TO GET DIVORCED.

318. PREPARED, RICHARD.

319. HEARS ME SING,

320. HE'LL START PESTERING ME TO PLAY A LEADING ROLE.

321. AND THAT'S WHAT I WANT TO ASK YOU, DEAR.

322. TO SHERIDAN,

323. ON THE STAGE?

324. MY BRIEFCASE?

325. BECAUSE I'M HAVING HIM ROUND FOR COFFEE AND THE QUESTION MAY ARISE.

326. DON'T FORGET TO RING YOUR DAISY.

327. OH, YES, DEAR, YES, I WILL WHEN I'VE GOT A MOMENT.

328. AH. - WHEN I'VE DECIDED THE DETAILS OF MY DEBUT.

329. DADDY'S NOWHERE ROUND THE BLOCK! - NOBODY'S SEEN HIM.

330. DID OUR HYACINTH RING? - NO.

331. DID MR. BICKERSTAFF RING? - NOBODY RANG.

332. ONSLOW, YOU'VE GOT TO GET THE CAR OUT, LOVE. WE HAVE TO GO AND TELL HER.

333. MR. BICKERSTAFF RINGS?

334. YOU CAN PHONE MR. BICKERSTAFF AT OUR HYACINTH'S.

335. PUSH-BUTTON TELEPHONE.

336. GOODBYE, DEAR.

337. HAVE A NICE DAY.

338. WHAT'S LEFT OF IT.

339. WHY ARE YOU SINGING? - HMM?

340. IN THE OPEN LIKE THAT?

341. RICHARD, WHAT A QUESTION, DEAR.

342. YOU KNOW I LOVE TO SING.

343. OH, ELIZABETH, DEAR.

344. DON'T FORGET COFFEE AT 10:45, WILL YOU?

345. MAYBE YOU SHOULD'VE PUT ON A SHIRT.

346. IT WAS FORMAL.

347. I'LL DIE IF I MISS MR. BICKERSTAFF.

348. OH, SHUT UP, ROSE!

349. COME ON, EMMET, SHE SAID 10:45.

350. IT HAS TO BE EXACTLY 10:45?

351. BELIEVE ME, IT'S EASIER.

352. AH, THERE YOU ARE.

353. AND ALMOST ON TIME.

354. COME IN.

355. AND THERE'S SHERIDAN AT SHERINGHAM IN HIS LITTLE SAILOR SUIT.

356. SUPER.

357. ON A DONKEY AT DAWLISH.

358. BLESS HIM, HE WAS FEARLESS.

359. THEN WHY IS HE CRYING?

360. HIM AWAY FROM HIS MOMMY.

361. WE WERE ALWAYS VERY CLOSE.

362. NUT-ROASTED SPECIAL?

363. NO!

364. NO, THANK YOU. I'M FINE.

365. ELIZABETH, YOURS MUST BE COLD.

366. NO, NO! THANK YOU, HYACINTH.

367. I'M ALWAYS A BIT UNEASY WITH YOUR BEST CHINA.

368. NO, I'M QUITE HAPPY WITH MY BISCUIT.

369. GOOD, BUT JUST WATCH THE CRUMBS, WON'T YOU?

370. IS NOT REALLY MY BEST CHINA.

371. IT'S JUST MY EVERYDAY BEST.

372. MY REALLY BEST BEST, I SHALL KEEP FOR ANOTHER TIME.

373. FOR A MORE FORMAL OCCASION.

374. MUSICAL SOIRE!E,

375. CANDLELIGHT SUPPER.

376. NOW, I'VE GOT ANOTHER ALBUM SOMEWHERE.

377. WELL, THANK YOU

378. ALBUMS, BUT WE HAVE TO BE GOING.

379. NO, YOU CAN'T GO NOW!

380. NOT NOW. NOT RIGHT NOW.

381. NOT UNTIL YOU'VE SEEN THE OTHER ALBUM.

382. EXCUSE ME, DON'T MOVE!

383. JUST SIT THERE.

384. I'LL BE BACK.

385. WHATEVER YOU THINK!

386. OH, LET'S GO.

387. I DON'T THINK I CAN FACE YET ANOTHER ALBUM.

388. NO, SHE SAID DON'T MOVE.

389. WE CAN'T EXACTLY BE UNDER HOUSE ARREST.

390. CAN WE?

391. GO AND FIND DADDY IMMEDIATELY. - WE'VE BEEN DOING THAT.

392. CAN'T I MAKE A PHONE CALL TO MR. BICKERSTAFF?

393. NO, ROSE.

394. ON MY WHITE SLIMLINE TELEPHONE,

395. I HAVE TO SPEAK TO SHERIDAN.

396. RESIDUE OF YOUR CONVERSATION?

397. DADDY NOW.

398. HE MIGHT BE HERE.

399. RATION BOOK.

400. NOT IN HIS LONGJOHNS.

401. NOW, GO AND FIND HIM IMMEDIATELY.

402. INTO THE CAR, ONSLOW?

403. NOW, ONSLOW.

404. OF WATER FOR THE RADIATOR.

405. WOULDN'T BE SUITABLE

406. FOR YOUR KIND OF RADIATOR.

407. THAT'S IT. THAT SOUNDS FINE.

408. OFF YOU GO, ONSLOW.

409. BUT HYACINTH,

410. GOODBYE, DEAR. GIVE ME A RING IF YOU FIND DADDY.

411. POOR DADDY.

412. OUT THERE SOMEWHERE,

413. LUFTWAFFE.

414. WE'LL HAVE TO BE GOING, HYACINTH.

415. EMMET HAS WORK TO DO.

416. NEVER MIND, DEAR.

417. THERE'LL BE MANY OTHER OCCASIONS.

418. OH... SPLENDID.

419. DID YOU SEE THAT?

420. WHO IS HE? - IT WAS DADDY.

421. MY FATHER'S A LEADING

422. IN THE OVER 70s BICYCLE RACE.

423. FELL OFF IN THE EXCITEMENT.

424. AND A STEEL HELMET?

425. FOR CHARITY.

426. BRAVE DADDY.

427. AGE FOR CHARITABLE PURPOSES.

428. THE OLD SCHOOL, YOU KNOW.

429. COMING, DADDY.

430. THE NEXT 100 LAPS.

431. YES, THE OLD SCHOOL.

432. IT'S HIS KIND OF SPIRIT

433. TO BE COLLAPSING.