1. We've definitely got to add all
the coloring and sound effects
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2. we had to skip last time.
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3. Definitely. We definitely do!
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4. A story, too! I want it to be
even better than last time!
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5. Even better!
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6. If we're going to have dialog,
that means we need voice actors, right?
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7. We'll need to hold auditions.
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8. I'd wait until the storyboard
is done to worry about that.
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9. What about backgrounds?
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10. Colored this time. Naturally, I'll—
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11. The art club actually wants
to help us out this time.
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12. They said our work
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13. made an impression on them at the
budget committee, much like the robot club.
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14. Huh, that's pretty cool.
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15. I'm sure they realize they
can get something out of it.
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16. As soon as Asakusa finishes the storyboards,
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17. we'll meet with them to
hash out the backgrounds.
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18. A meeting...
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19. You're going to need to explain
to them what kind of art we need.
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20. I-I can't tell people what to do...
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21. Well, you also can't draw the backgrounds
for every cut on your own, can you?
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22. No groaning, moaning, or excuses.
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23. There's one other hurdle to deal with.
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24. The robot club has requested that an
opening sequence be included.
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25. The song is already in the works, apparently.
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26. We'll discuss it in more detail
once the demo track is ready.
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27. What about the music during the actual film?
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28. I think it should be epic!
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29. Could you handle that, Mizusaki?
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30. Never done it before.
What about you, Asakusa?
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31. I've never had a chance to try before.
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32. I'll ask around to see if
anyone I know writes music.
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33. We've got three times the amount
of time for production...
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34. But will our club activity
time be enough, Mizusaki?
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35. No way! I've gotta work at home, too!
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36. Animating designs with so many
lines is a ton of work, y'know.
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37. They say you're not a real animator
until you can do 500 pieces of art a month,
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38. but for anime, you need to be able
to draw the necessary amount of art
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39. at the required standard of quality,
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40. which is nothing like randomly dashing
off 500 doodles of whatever you want!
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41. How difficult is it, exactly?
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42. Imagine having to draw 500 rough drafts
while wearing gloves and handcuffs,
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43. and if you're even 0.02 millimeters
off from frame to frame, you end up in hell.
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44. But even before that, imagine having
to uniformly draw ten pieces of art
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45. that accurately move a millimeter at a time,
while wearing armor, or you starve.
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46. Having to draw three pieces
of art, every hour,
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47. with so many lines, while thinking
about how it moves?
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48. It's basically a curse!
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49. Producing anime while in
high school is impossible!
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50. So the entire premise of this club is invalid.
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51. How are things coming along
for you, Asakusa?
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52. So far, so good!
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53. I'm pretty sure that can't be the case
since we're having to adjust the schedule
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54. based on your progress with the storyboards.
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55. Mizusaki, do you have any suggestions
for how we can improve our efficiency?
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56. Well, it'd definitely be faster if
we had a computer in the club room.
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57. That way, we can handle the finishing
touches and the photography here.
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58. Having to use the PC room every time
we need to make slight adjustments
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59. definitely eats up time.
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60. I'm heading out.
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61. Keep
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62. Your
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63. Hands
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64. Off
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65. Keep Your Hands Off Eizouken!
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66. Keep Your Hands Off Eizouken!
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67. Kanamori never came back, huh?
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68. I imagine she went home.
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69. Let's get something to eat.
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70. Kanamori is inviting us out to eat?
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71. Wh-What is this place?
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72. Does it look like a shoe store?
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73. I can smell gasoline. Is this a good idea?
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74. A few fumes never killed anybody.
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75. This is my treat.
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76. Whuzzat?
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77. Really?
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78. Whoa, hold on! This is
Kanamori we're talking about!
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79. Nothing is scarier than a
free meal from the yakuza!
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80. It's fine.
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81. I've just got ulterior motives.
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82. That's the scary part!
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83. Think of it as an advance
on your overtime.
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84. Since we're going to have
to work on this project
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85. outside of club hours to finish it.
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86. That's more considerate than I would've figured.
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87. Hardly. I'm only doing the obvious thing.
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88. You'll be expected to work it off, eventually.
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89. Kake ramen!
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90. Red pepper, please.
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91. Can I get a soft-boiled egg in mine?
With extra wakame!
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92. And firm noodles?
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93. Sure thing!
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94. So, Asakusa, have you made any
progress with the storyboards?
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95. Es perfecto!
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96. The time is before school is open.
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97. That'll save us the trouble
of drawing people.
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98. Good idea.
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99. Generally speaking, it's the
same layout as Shibahama High.
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100. There are eerie movements underground.
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101. There's a sudden spray of water!
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102. Here we have the base.
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103. The first and second floor
are directly connected!
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104. Looks good.
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105. For various reasons, the robot
is now eight meters tall.
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106. That's a fair bit bigger.
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107. We'll need to confer with the robot club.
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108. They're alerted to the monster's appearance!
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109. There have been reports about
vibrations being detected underground.
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110. The robot is being mobilized!
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111. The team rushes to their positions!
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112. Off go the bolts!
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113. The gate opens!
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114. Light up the rails!
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115. All the various machines come
alive in a dizzying fashion!
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116. It launches!
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117. Ejected from the catapult!
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118. It encounters the crabtle underground
before the creature escapes,
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119. but once it re-appears on the
school grounds, they battle!
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120. The robot wins! The end!
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121. Here you go.
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122. The others will be a bit longer.
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123. Go ahead and eat.
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124. Appreciate it.
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125. Time to eat!
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126. These action scenes are extremely...
broad, to put it lightly.
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127. That's all up here.
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128. Well, it needs to be on the damn page!
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129. How is this "perfecto"?
You're supposed to be specific!
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130. I'm not good at action, okay?
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131. I've been drawing a bit of action myself.
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132. The arm shakes from the impact of the blow!
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133. It pulls a leg back to avoid
from getting too close.
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134. That's cool!
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135. And then, the arm is knocked back
from the recoil of an attack!
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136. The movements leading into a charge...
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137. The wind-up for a punch...
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138. When you're trying to show a powerful hit,
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139. you need to include these little movements!
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140. That's some high-quality acting.
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141. Why don't we let Mizusaki
choreograph the action scenes?
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142. No objections.
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143. Here's your kake ramen.
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144. Sorry, the red pepper ramen's
gonna take a little bit longer.
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145. Time to eat!
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146. I wanted to ask, what're we
gonna do about sound effects?
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147. They're really important.
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148. Good question. What should we do?
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149. For now, I can look into
using royalty-free ones.
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150. That reminds me, I've made
arrangements for a computer.
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151. How much was it?
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152. Thirty-two thousand yen.
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153. That is a thuggishly low price!
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154. I talked to the information
service research group.
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155. Apparently, every time they
put together a new PC,
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156. they dispose of the old one,
no matter how powerful it was.
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157. Like when they tear down new buildings
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158. just to throw up newer ones.
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159. What about the software and other stuff?
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160. It's already taken care of.
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161. It is?
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162. You sure about this, Kanamori?
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163. We're not gonna get raided later, are we?
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164. Would you put a sock in it already,
you cowardly raccoon dog?
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165. For the software... the school
already had paid for the licenses.
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166. So it's... basically free.
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167. Here you are. One red pepper ramen.
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168. I guess this is part of why she's so tall.
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169. Her ramen's gonna get cold.
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170. Okay, I'm ready to start
drawing when I get home!
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171. If we're doing this on PC, there's a
tablet at home I can animate on.
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172. You sure you won't get caught?
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173. It's easy to hide stuff when you're in bed!
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174. I'm gonna be animating at home and on the train!
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175. Our goal this time is to complete this anime!
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176. Completion isn't our goal,
it's a predetermined outcome!
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177. We're not starting production,
we've already started!
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178. That is a terrifying way to eat.
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179. Thank you for the food! Check, please!
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180. That'll be 2,450 yen!
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181. Separate tickets, please.
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182. I make it a point to never
carry more than 1,000 yen.
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183. I'll pay you back for the ramen later.
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184. What the heck?
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185. The robot club explained what's up.
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186. The student council has to
track the flow of money.
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187. Why, are you going to tax us?
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188. It's just a simple check to make
sure it's not being misused.
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189. We've got a lot of crazy clubs,
like yours, and it keeps us busy.
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190. Excuse me.
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191. A sound-proof door, huh?
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192. Would you knock it off?
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193. Who are you supposed to be?
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194. I'm with the film club.
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195. Film club? No, thanks.
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196. I don't exactly need
your thanks, as it turns out.
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197. Wh-What?
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198. Give it up...
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199. Hey!
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200. Don't just barge in here!
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201. A bit cold, isn't it?
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202. What exactly do you want?
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203. I'm here on behalf of the student council.
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204. It seems you've been
occupying four club rooms,
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205. on top of ignoring orders to vacate them.
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206. Wow!
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207. Whoa!
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208. This is crazy!
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209. You got here fast.
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210. This place is totally amazing!
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211. This room has every sound
effect you can imagine!
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212. And how much do those cost to use?
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213. There are free libraries,
and ones for professionals
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214. that cost hundreds of thousands of yen...
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215. For movies, they tend to be custom made.
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216. This room alone might be
worth over five million yen!
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217. All right, let's sell it all!
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218. The library isn't for sale, not for
whatever dirty money you're after!
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219. You're looking at an audio collection!
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220. A museum of sound, indexed by
location, time, and recorder!
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221. You could search the entire world and
not find something this valuable!
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222. That's right!
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223. For example, look at these 72 different
recordings of Kegon Falls!
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224. Normally, when you're indicating
the season in anime...
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225. You have cicadas in summer,
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226. bell crickets in fall,
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227. and dogs howling at night in winter.
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228. Not a lot of variety, right?
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229. But here we've got 72 different
takes on the sounds of Kegon Falls!
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230. That's every different type of weather
condition multiplied times three plus alpha!
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231. Forget the four seasons, we're talking
about seventy-two times of year!
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232. You're not going to find a massive
record like that anywhere else!
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233. Yeah, what she said.
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234. Now, if you understand, get out of here!
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235. Before I call school security!
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236. You still don't seem to
understand your situation.
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237. I wouldn't try and threaten me, if I were you!
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238. I'm recording this entire conversation!
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239. You still don't seem to
understand your situation.
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240. We're here to enact legitimate
school council business.
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241. Y-You can't trick me like
you can everybody else!
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242. Everyone knows that anarchists,
street gangs, the yakuza,
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243. violent criminals, and the
eizouken are public enemies!
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244. So if you try to stick me up
and damage my precious sounds—
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245. This has nothing to do with anarchy,
bureaucracy, or anything else.
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246. The bottom line is you're squatting
here against the rules.
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247. Read the damn thing!
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248. I am done!
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249. I give up! You can have the building back.
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250. But do you realize how long it
took me to move this stuff in here?
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251. And you want me to clear out in a rush?
When there's four whole rooms?
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252. That's not happening, especially considering
I don't have a budget.
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253. Wait, there's another four rooms like this?
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254. The whole reason I joined
was the sound library,
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255. but I'm the only club member...
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256. And now I'm supposed to clear
out right after joining?
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257. I'm begging you, could you
pretend you didn't see me?
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258. Either that, or loan me some cash?
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259. You expect a loan when your club's got no budget
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260. and is on the verge of
being dissolved? Damn, you're dumb.
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261. What? I won't let them dissolve the club!
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262. I'm not seeing any other
outcomes for you right now.
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263. Yeah...
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264. What a waste!
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265. When there's all this great stuff...
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266. Meanwhile, listen to our audio situation!
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267. Stop those sound effects right now!
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268. This is what we're actually dealing with.
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269. Please, make it stop!
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270. We've got basically no sound effect files.
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271. And even if we were to take
all of these files in,
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272. we wouldn't be able to
digitize them quickly enough.
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273. How about it?
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274. We're willing to loan the
sound club our two stories
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275. and one basement's worth of storage.
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276. We'll also guarantee your independence
and continued existence.
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277. In exchange, we'll be granted
free use of your sound library.
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278. You can digitize and sell
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279. the sound club's library in
order to secure your own funds,
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280. and we'll take a service fee.
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281. One other thing... I'd like you to
be an audio advisor on our projects.
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282. If it'll keep the club from being dissolved,
and won't cost me anything...
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283. O-Okay, agreed.
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284. We have a deal, then.
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285. Yes! We just scored all
the sound effects we need!
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286. You'll need to empty this place
out and move everything today.
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287. Whoa, I can't manage that! I've got
my hands full with existing business!
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288. I should be able to manage next month...
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289. I suppose that'll have to do.
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290. But make it some time this month.
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291. Right, understood.
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292. How about we get a formal handshake?
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293. So I can report it to the student council.
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294. Who, me?
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295. The name's Asakusa. Nice to meet you.
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296. I'm Doumeki.
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297. Doumeki? How do you write that?
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298. The kanji for "hundred-eyed demon."
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299. Oh, wow! That's cool!
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300. Yeah, yeah, I'm taking the shot. Look this way.
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301. And click.
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302. Kanamori! Good morning.
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303. How are things progressing?
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304. Straight to that, huh?
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305. Asakusa?
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306. G'mornin!
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307. How'd you come in from up there?
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308. I found a route into the club from the forest
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309. that passes through the sound
club's building three days ago!
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310. Here's today's storyboards!
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311. Wait, you already finished this much?
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312. I see you're still fast when you get going.
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313. I'm going exploring until
first period starts!
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314. Asakusa has this ability to draw an
incredible amount once she gets going,
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315. but she spends too much
time not drawing otherwise.
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316. How do the storyboards look, Mizusaki?
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317. There's a big clang, and then a rumble...
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318. And boom...
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319. Four days of delays, and then
three days' worth of progress.
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320. Asakusa's motivation switch...
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321. Okay, lemme introduce you.
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322. I'm the club president, Okamoto.
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323. And working on this is gonna be...
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324. Nakamura and Kubo.
They're both second-years.
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325. I'm Nakamura.
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326. I'm Kubo. It's nice to meet you.
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327. H-Hello there! It's nice to meet you!
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328. Let's begin, then. Asakusa?
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329. R-Right!
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330. Uh, um...
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331. Here's the storyboard.
We've also got the data for you.
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332. This scene takes place at around 6:00 AM,
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333. so the light would be coming
from this direction.
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334. Huh? What're these holes?
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335. Oh, those are for pegs.
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336. What pegs?
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337. Uh, well, um...
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338. They hold the animation paper in
place when animation is being drawn.
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339. It's also on the layouts, so you
can use them to make sure
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340. the animation and backgrounds line up correctly.
Copy !req
341. They'll be fastened to them too,
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342. so please be sure to note the peg
locations in the backgrounds.
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343. What color is this car? And the model?
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344. Uh, the car is going to be
a cel, so we'll be drawing that.
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345. Anything you see that's yellow will be on a cel.
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346. A cel? What's that?
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347. Well, it's not actually a cel in this case...
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348. So, considering the type of material...
Copy !req
349. Hey, why's there no students around?
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350. Wouldn't a buncha people running
around be more of an anime thing?
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351. Not that I'd know, but...
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352. W-Well, having additional people
makes it more difficult to draw.
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353. That's why it's going to take
place so early in the day.
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354. Yeah, but don'tcha think it'd be weird
if there wasn't a night watchman around, y'know?
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355. Oh, sorry? Did I say something funny?
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356. Never mind me!
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357. What were you thinking for this one?
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358. Uh... W-Well...
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359. Something like this?
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360. Oh, right. Yes.
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361. You just need something similar
in atmosphere. I'll leave the details to you.
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362. But since it's going to need to match the cel,
Copy !req
363. make sure you keep these lines intact—
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364. Okay.
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365. So, where is this building?
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366. R-Right...
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367. Wait, what?
Copy !req
368. Welcome back!
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369. Huh? Where's Asakusa?
Copy !req
370. She needed to oxygenate her depleted brain.
Copy !req
371. Obsidian!
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372. If the soil here was brought
in from the residential area,
Copy !req
373. that means there might be more
obsidian over on that mountain...
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374. Since the school grounds are
reclaimed land from a lake.
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375. A groundhopper! They're so round and cute!
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376. Groundhopper goes in the creature log.
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377. I'll mark the boat remains and tires
as not being able to be removed.
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378. As for the geological log,
I found some obsidian.
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379. Soil is mostly clay, but with lots of stones.
Copy !req
380. There's a logic to all things.
Copy !req
381. A monster-fighting robot...
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382. Wait. Is this really what we should go with?
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383. I've been trying to avoid thinking about it,
Copy !req
384. but shouldn't it be able to fold
its arms? And look directly up?
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385. How does the pilot stay safe?
Would they be protected in this thing?
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386. I'm having trouble breathing.
What if people criticize it?
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387. Should we really have a robot like this?
Copy !req
388. Not to mention, giant robots are like a
collection of lies in the first place!
Copy !req
389. In that case...
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390. Let's ditch the giant robot anime!
Copy !req
391. Dumbass!
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392. That's the one thing we can't do!
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393. Stop rocking the boat.
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394. But I can't come up with a robot
premise that can satisfy everybody!
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395. It's fine. Your art is already amazing.
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396. People who can't draw always say that!
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397. You're more cynical than I figured.
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398. Don't you worry.
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399. I've got an alternative in mind.
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400. Behold!
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401. What's this tiny thing?
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402. A vehicle that's going to take down
the monster instead of the robot!
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403. It's a buggy!
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404. It's perfect!
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405. Completely unacceptable!
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406. We all agreed to this after trampling through
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407. those contradictions in that
pain-in-the-neck meeting!
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408. But the audience can be really harsh.
Copy !req
409. If we cut corners, the robot
police will catch on fast.
Copy !req
410. The pilot can't see behind them.
There's no space for an engine.
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411. And how do they escape if there's an emergency?
Copy !req
412. Giant robots carry a lot
of responsibility, after all.
Copy !req
413. And working on a robot anime means
having to commit all kinds of crimes.
Copy !req
414. You're kind of doomed either way.
Copy !req
415. An imperfect giant robot...
Copy !req
416. Is my only option being doomed
to settle for what we've got?
Copy !req
417. Since when are you slick enough to
satisfy everybody with your art, anyway?
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418. Well, what the heck am I supposed to do?
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419. Just draw, and stop worrying
about anyone else.
Copy !req
420. My dear Kanamori, if I were that bold,
we wouldn't be having this discussion.
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421. You can be quite foolish!
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422. You want me to slap you silly?
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423. Listen here. This project is only in
trouble if you think it's in trouble.
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424. It's got nothing to do with anyone else.
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425. Your only choice here is
to draw the kind of robot
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426. that you would be satisfied with!
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427. Everyone is working their hardest
to follow your directions.
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428. That's because we all believe you've
imagined something incredible.
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429. I won't be particular about
the final product as long
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430. as it's done in time for the culture festival.
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431. But if the finished product
is some boring piece of crap,
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432. then that's your responsibility!
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433. Because you're the director!
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434. Is she back?
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435. Changing just the interior, huh?
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436. This is amazing.
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437. So that's the trick, huh?
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438. I'm resuming my expedition!
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439. Behold my blade, the Lightning Flash!
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440. I guess Asakusa's motivation
switch is pretty random.
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441. Random enough that we should let her run free.
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