1. Did you manage to lose them, Mizusaki?
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2. Yep! That shortcut you told
me about worked great!
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3. Asakusa, your bag looks really durable.
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4. You have quite the eye for quality, Mizusaki!
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5. It's made for military use!
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6. It looks cheap, from what I can tell.
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7. I spent all of my New Year's money on it!
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8. It's a big ticket item, Kanamori.
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9. Wow, so around 100,000?
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10. Well, you said used all of
your New Year's money...
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11. We're working-class folks, so my
New Year's money was 21,000.
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12. O-Oh...
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13. The faculty office isn't
in that direction, Asakusa.
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14. We're going to submit our
proposal for a new club, right?
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15. Can't we all just join the anime club?
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16. But my parents said I couldn't.
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17. Since Mizusaki is unable
to join the anime club,
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18. we absolutely need to create
a new club to make anime.
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19. Are you chickening out?
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20. You make it sound easy, Kanamori,
but the idea of actually going in there...
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21. I don't mind! Starting a
new club sounds like fun.
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22. Do you really think that they're going
to let us start a new club for anime,
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23. when one already exists?
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24. Good point.
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25. I'll settle that issue with money
or violence, if it comes to that.
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26. Please don't!
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27. A film club?
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28. That's kind of a vague idea.
What exactly would you be making?
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29. Shorts? Feature length?
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30. We already have clubs
for anime and CG...
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31. We don't have one for feature-length films,
though. How about it?
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32. There's a poster for a competition back there.
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33. The clubs at our school tend
not to be very competitive.
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34. Maybe you girls could make a feature and enter?
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35. It'd be a big help if you could do
video stuff for school events, too.
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36. Live action...
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37. Mr. Yokota...
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38. If we get a club that produces
films off the ground,
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39. what kind of budget would we be receiving?
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40. W-Well, it depends on what you accomplish,
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41. but if the club is officially established,
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42. your annual budget could be
as much as 150,000 yen a year.
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43. Hang on, Kanamori!
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44. He's talking about a club for live-action movies!
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45. We want to make anime, Kanamori!
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46. Huh? You can't make anime!
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47. We've already got an anime club!
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48. What are you two talking about?
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49. Anime is film too, isn't it?
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50. So we call ourselves the film club,
and produce anime. It's that simple.
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51. We'd love to start a film club!
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52. I see. Should be interesting,
with you involved, Mizusaki.
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53. But hang on... you don't have an advisor.
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54. You're not going to do it?
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55. Heavy...
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56. My beard feels heavy.
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57. Mr. Fujimoto?
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58. Lately, this beard of mine feels so heavy.
It makes my shoulders stiff.
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59. Maybe my circulation would get
better if I was a club advisor.
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60. So I think I'll take on that role.
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61. There's an open space for a club,
so let's go check it out.
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62. This is great! He gets it!
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63. The eizouken is taking the stage!
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64. Keep
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65. Your
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66. Hands
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67. Off
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68. Keep Your Hands Off Eizouken!
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69. Keep Your Hands Off Eizouken!
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70. This is the place? It's huge!
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71. It's got those wavy metal plates
for walls! That's so stylish!
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72. It's just old sheet metal.
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73. Man, get a load of that!
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74. Hey! Double fans! Cool!
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75. Huh? They're big, too.
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76. I'm going to go ahead and take some video.
It'll help for a plan of action.
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77. It's really hot in here.
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78. There's no air conditioning, after all.
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79. Can't the school arrange for an air conditioner?
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80. You girls are still a loose association
with nothing to your name.
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81. Once you've been officially recognized,
you might net yourselves an AC.
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82. Well, good luck.
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83. Holes in the ceiling and walls, and no
financial support from the school.
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84. It cost 20,000,000 yen to get
the roof redone at our house.
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85. I don't have that kind of money!
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86. We don't need to do renovations
like your house would call for.
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87. I bet 30,000 will be enough!
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88. That is very unlikely.
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89. I suppose we should clean up for now,
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90. and make this place a bit more tolerable.
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91. I wonder where the switch for the fans is!
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92. I found a broom!
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93. Our priority should probably be
fixing the walls and ceiling.
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94. Between labor and materials,
it's likely to be more than 50,000.
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95. I suppose we should do it ourselves, if we can.
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96. Hey, listen!
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97. This place is going to be our
base of operations, right?
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98. That's right.
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99. So it's like a villa just for us!
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100. We should bring in a sofa,
and a TV, and bookshelves,
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101. and make it a lot more comfy!
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102. I want it to be like the
animation studios in Hollywood!
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103. With big mirrors for recording performances!
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104. And a screening room for checking footage!
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105. And a recording studio!
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106. And while we're at it...
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107. We can make the entire roof into a big hatch!
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108. If the roof can open up,
we can take off from here!
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109. Whoa! What is that?
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110. An engine-powered, motor-propelled
personal helicopter!
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111. The blades are made of a special organic glass,
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112. so they're light and really strong!
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113. And it's got a position-based control system,
so anyone can fly freely with it!
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114. No, they can't!
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115. You'd end up rotating in the opposite
direction of the propeller!
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116. Reverse torque?
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117. In that case, you have the internal
rotor spin in the opposite direction...
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118. That lets you maintain your position!
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119. You forgot the part where the wind is
enough to knock this building over!
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120. Whuzzat?
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121. Dang it, don't distract me
with details! You'll make me fall!
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122. Then fall already! And quit flashing us!
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123. This is harder than I thought!
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124. I'm... fall... ing!
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125. Asakusa!
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126. The wings can also be straightened out,
then slid into standby with a rail system,
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127. where they're unlocked, for storage...
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128. She's still explaining concepts
after a fall like that.
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129. She's most likely worked up from the
excitement of getting the space.
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130. But you did well, Asakusa. Very well.
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131. Your death won't be in vain.
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132. I'm not dead yet.
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133. We can sell the footage of
your fall at a high price,
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134. and use it to fix up the room.
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135. You can sell that kind of thing?
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136. Haven't you seen the shows
where they talk about how much
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137. "shocking footage" sells for?
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138. Most of the footage you see on TV along
those lines is bought and paid for.
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139. So that that bit of candid footage
might mean a payout for us.
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140. It's just me falling down. You're not
gonna get a TV station to pay for that.
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141. There are middle men who handle
that part, so we don't have to do much.
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142. You have really long legs, Kanamori.
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143. I slept a lot, so I grew up big and strong.
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144. And now the upload is complete.
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145. And we're going to get paid for it?
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146. Only if someone decides to buy it.
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147. If I had to fall on my head,
it'd be nice if we got paid for it.
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148. Well, it is on the old side.
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149. I'm just glad you weren't hurt.
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150. The school will handle the repairs,
so don't worry about the money.
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151. I actually managed to capture the
sensational footage on camera.
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152. As interesting as that might be to see,
that's technically accident footage.
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153. Keep it to yourselves, all right?
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154. The higher-ups might get upset, otherwise.
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155. Okay!
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156. It should be fine, right?
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157. As long as no one buys it, yes.
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158. Though the money would be nice.
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159. But y'know...
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160. We get to make anime now!
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161. Yes!
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162. I'd say there are plenty of concerns,
still, as far as gear and budget go.
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163. I say that tomorrow we have an anime
production meeting in the club room!
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164. Roger that.
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165. This is going to be a crucial moment
for setting the course of the eizouken!
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166. Tardiness will not be tolerated!
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167. What exactly is this idiocy, Asakusa?
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168. I'm spinning plates.
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169. I can see that.
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170. Asakusa said you'd probably
complain a bunch,
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171. so we should have our celebration
before you showed up—
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172. I have problems with people who try and
use random excuses for celebrations.
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173. Roger, dodger, and wilco on that.
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174. Aw, it's fine, Kanamori!
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175. We've got croquettes from the cafeteria,
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176. and the canned milk they sell
at the Ongyoku Bathhouse!
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177. You could've just said that.
What a wonderful party.
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178. You're such a mercenary!
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179. More importantly, Kanamori,
have you noticed something?
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180. The sofa, I assume?
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181. That's right! Mizusaki brought it in.
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182. We weren't using it at home, so I had
the property clerk send it down here.
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183. You have one of those?
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184. Using tires for chairs in your secret base
is strictly for elementary schoolers.
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185. We're in high school.
That is to say, we're adults.
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186. And this sofa is the proof of that maturity!
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187. I propose a toast to celebrate
our graduation from tires!
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188. My problems also extend to people who
will use any old excuse for a toast.
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189. I'm curious. How much did
this sofa cost, Mizusaki?
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190. About three million yen.
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191. I thought as much.
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192. Three mill—?
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193. I-I j-just stabbed a three
million dollar sofa with a fork!
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194. Oh, it's fine! It's not like we were using it.
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195. It was basically junk, just taking up space.
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196. More importantly, we need to
talk about making this anime.
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197. I'd say the sanctity of the
sofa is a bigger deal.
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198. I want to draw the natural movements
you see in daily life,
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199. with lots of realistic acting that feels alive.
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200. You're just ignoring what I said, huh?
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201. Lots of realistic, subtle facial
expressions and camera angles...
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202. Good lip sync and blinking...
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203. And I want to focus on the timing of
intercharacter conversation, too!
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204. If we're talking about focus,
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205. then mine is making sure the details of the settings
and the gimmicks are as detailed as possible.
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206. That's your specialty, Asakusa!
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207. The right use of sound effects
can add a bunch of texture, too.
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208. Like making sure a "boom" puts the
right emphasis on an explosion...
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209. It'd be great to do it on paper, too!
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210. I usually use a tablet.
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211. Why don't we settle on a genre, first of all?
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212. Sci-fi and romance...
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213. We don't have brand recognition
like big-name studios,
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214. so we'll need a genre with mass appeal
if we want to see any profit from this.
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215. We don't get the club's funding
from our audience, though.
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216. I want our focus to be the animation,
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217. and the kind of scenes we want to make!
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218. We can settle on a genre later. It'll be fine.
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219. It's best to let them do what they want for now,
to size up what they're capable of.
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220. We'll table the question of genre for now.
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221. What exactly do we need to make anime?
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222. There's lots of stuff...
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223. But if we're doing it by hand,
we'll need animation paper.
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224. Animation paper?
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225. It's really just paper with holes in it.
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226. But you use pegs to hold it in place
when you're actually animating.
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227. What pegs?
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228. The pegs are—
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229. Whoa, hang on. We don't even have a desk yet.
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230. Asakusa's actually fairly sharp
when she's got a cool head.
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231. A complete idiot when she's worked up, though.
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232. That's funny!
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233. I wouldn't say a complete idiot...
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234. Let's talk to the powers that be
about getting some desks.
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235. Leave this to me!
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236. Fair enough. Just don't
bring up anime production.
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237. I'll prove to you both that I'm no idiot!
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238. Pardon the intrusion!
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239. Mr. Fujimoto... is not here?
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240. Hey, it's the eizouken's shock troop girls.
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241. What's up?
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242. We need desks for the club room,
but since we don't have any budget,
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243. we were hoping there were some we could borrow.
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244. Oh, right.
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245. We've got a few long desks, in addition
to the kind that are in classrooms.
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246. What do you have in mind?
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247. If there are any, a desk with
a light box would be perfect!
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248. Huh?
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249. You need them for making anime—
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250. Anime?
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251. I said no anime!
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252. Uh, we—
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253. Shoot!
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254. We've already got an anime club!
You girls need to be working in live action.
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255. Having two groups with the
same focus is a bad idea.
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256. We in the film club are operating with
an eye towards general film production,
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257. and as such, have a right do just that,
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258. regardless of whether such films
are animated or live action.
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259. Besides, isn't the anime club's
official designation the
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260. "anime culture research group," sir?
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261. And, as that entails, their focus
is currently on researching anime,
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262. not the production of film.
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263. A club making claims on other activities
with no actual intent of engaging in them
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264. is a nuisance to other groups.
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265. Not to mention how a teacher infringing
on a student's right to organize
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266. for legitimate activities without
a proper reason is a matter
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267. worth bringing up to the PTA
and the Board of Education—
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268. I get it, I get it!
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269. Man, kids are scary nowadays.
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270. This is the key to the storeroom
the old anime club used to use.
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271. I think they have an old desk
for tracing in there.
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272. Go ahead and use anything you need.
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273. But try and avoid anime, if you can!
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274. And there's supposed to be a big rainstorm later,
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275. so hurry and take care of your business.
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276. Copy that! Thanks!
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277. Man, get a load of that!
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278. There's an actual windmill!
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279. It must've been for the wind from the canal!
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280. It's like we have a river, too!
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281. I never thought there'd be something
like this right below our clubroom.
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282. Careful there, Mizusaki!
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283. Let's check out the storeroom.
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284. Holy cow, there's a generator!
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285. These are the folders you keep cuts in!
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286. There are cells and backgrounds, too!
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287. You mean to tell me someone painted
each one of these, individually?
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288. Yep!
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289. And then you put it on the
background when you film it.
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290. Too many at once makes it blurry,
so generally it was four at a time.
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291. The people who handled the coloring
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292. would even compensate for the
differences in coloring the layers caused!
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293. I see... It's connected to the windmill outside.
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294. But if it's not going to turn...
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295. I wonder what this is...
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296. You've got a real thing for high
places, don't you, Mizusaki?
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297. I guess they were using wind
to power to this place...
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298. That's a camera stand!
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299. You're right! This thing's a camera!
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300. It's huge! This is the real deal!
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301. You turn this crank...
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302. And by moving the background
a little bit at a time,
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303. you can make a single stationary
cell look like it's in motion.
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304. Each turn is 0.1mm, so a fourth
of that would be 0.025mm.
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305. You can raise the camera with this crank,
which lets you zoom in and pull out.
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306. If you use the different levels,
you can change the point of focus...
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307. And you can manage light permeation
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308. by using the mirror on the bottom to
reflect the right amount for your brightness.
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309. There's so much valuable stuff here!
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310. What about the desk that we came here for?
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311. One with this light box thing.
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312. This is it!
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313. It's just like I've seen in books!
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314. There's animation paper,
pencil sharpeners, a feather sweeper...
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315. Clips, tape... wow!
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316. We can use this stuff as-is! We've won!
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317. This is a big win for us!
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318. This is the peg I was talking about!
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319. You run it through the hole in the paper.
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320. That way, you can draw with
a bunch of sheets at once!
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321. And what's this?
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322. Someone must've drawn the
windmill that's outside.
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323. Looks rough.
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324. It's just a layout. The early stuff.
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325. Is it any good, Mizusaki?
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326. Well, they did a good job of drawing it, but...
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327. What do you think, Asakusa?
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328. I don't think it'll turn like this.
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329. There's no angle on the blades.
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330. Hey, you're right.
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331. It can't catch the wind like that,
so it won't spin.
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332. Y'know... what if we finish it?
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333. Good idea!
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334. I underestimated animation.
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335. Doing things analog... is rough.
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336. It's easy to get dirty, and my fingers hurt.
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337. It's really hard to draw any good, fine lines.
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338. And the oil from my hands
is making the paper curl up.
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339. Animators were getting paid
how much for each drawing?
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340. We're not getting paid anything, Mizusaki!
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341. There! All done.
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342. Let me see.
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343. You're good at that, Kanamori!
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344. A knack for handling stacks of paper. Figures.
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345. Something's still weird, though...
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346. I think maybe the angle isn't quite right.
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347. In terms of a face, you have
the profile, and then the frontal...
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348. Most people think that the mid-point is
like this, but it's more like this one.
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349. I think the different blades aren't
visible enough at this angle.
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350. Good point!
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351. Let's adjust for that, then.
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352. How's that look? It seems more natural now.
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353. Yeah, it looks like it's spinning now.
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354. It's still lacking something, though...
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355. Yeah, it works, but it's got no impact.
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356. Some color would probably help, but...
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357. Maybe some shadows?
Some faint ones, from a distance...
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358. I think it needs wind.
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359. The windmill is turning,
but you can't see the wind.
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360. And wind... is visible?
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361. Some people depict wind like this,
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362. or by showing stuff being blown around by it.
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363. But as far as I'm concerned...
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364. The reason this windmill isn't spinning...
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365. is because that building is blocking the wind!
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366. Off we go, people!
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367. We're doing this right now?
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368. The sun's gonna set if we don't get a move on!
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369. Okay!
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370. The sun is going to set either way!
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371. You two get like this every time you're excited!
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372. Let's go!
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373. Run for it! It's gonna blow!
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374. Wouldn't the building collapse after that?
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375. It's fictional, so we'll be fine!
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376. Why would water come out of there, Asakusa?
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377. The whole area's flooded now.
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378. Makes me wish we had a boat.
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379. And just like that, a sailing
dinghy floats our way!
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380. Let's set out!
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381. It's huge!
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382. Hey!
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383. All right! Deploy the dagger board!
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384. We went up?
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385. This is our creation...
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386. The greatest windmill!
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387. Did we just draw this?
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388. Girls!
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389. I told you to take care of
your business quickly!
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390. Man, is it windy or what?
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391. Yahoo! I can hear it carrying my voice!
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392. And the rain hurts!
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393. Mizusaki, stop clinging to me!
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394. Do you think the trains are
even running in all this?
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395. Hello? Is that you, Mizusaki?
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396. I just got a deposit of 30,000 yen.
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397. I just saw why on TV.
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398. I'm... fall... ing!
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