JoJo's Bizarre Adventure 4x22

Kenjiro Tsuda as Tiziano (voice) • Tomoaki Maeno as Squalo (voice) • Sayaka Senbongi as Trish Una (voice)

Because of their own wills and their sense of justice, Bucciarati and the others end up betraying the organization. Trish also wants to find out who her father truly is, so she tells the others that her mother met her father in Sardinia. They all decide to have a meal in Venice before they leave and Narancia is suddenly attacked by a Stand. The boss's own personal elite guard was now on the move.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. For now, it doesn't look

2. like anyone's trying to tail us.

3. Bucciarati, shouldn't we be leaving venezia?

4. The boss commands a convoy of bodyguards.

5. Chances are, they already know

6. about our betraying the famiglia.

7. The next threat will likely turn out to be

8. - someone from the inside.

9. The worst part is we have no idea

10. what kind of torture they can dole out.

11. Certo, it's far too risky

12. for our band of defectors to take to the seas.

13. For now, we observe.

14. - Giorno: Understood.

15. Number 2: Mista, we're hungry!

16. Number 3: Hey, what are you waiting for? Feed us!

17. Number 5: Agh! My Gozzo's empty!

18. Number 1: What's with the holdup? Where's the food?

19. Aw, enough!

20. I hate to ask this right now,

21. but do you think we have time to drop by a restaurant?

22. I suppose we do.

23. Okay, then.

24. We should all fill our Gozzos.

25. So I was thinking,

26. people that are vegan, do they eat cheese,

27. or does it, like, go against one of their rules or something?

28. Uh, I'm pretty positive that they don't.

29. Products like milk and eggs

30. come from cows and chickens, remember?

31. And since you put milk in a cake,

32. that's a no-go as well.

33. Wait. What? They have to swear off cake, too?

34. I wonder if all that health crap really makes any difference.

35. So nothing from animals?

36. Then what do they do about shoes or handbags?

37. All of that stuff is made from leather, isn't it?

38. Look, they're vegan

39. because they feel bad for the animals.

40. They wear sneakers and carry around backpacks instead.

41. Oh, man. They take this stuff so seriously.

42. So are there a bunch of vegan grannies out there

43. dressed like ballplayers?

44. Hey, Giorno.

45. Fear won't do us any favors.

46. Try to relax, and eat.

47. Sure. I'll try to,

48. but we all need to remain vigilant.

49. If not, someone could easily poison our food.

50. Huh?

51. The hell are you doing, you spindly, little shit?

52. What the...

53. You think I'm gonna let you get away with this?

54. This stain is gonna cost you!

55. My suit costs four million lire, pal!

56. Now I'm gonna make you pay.

57. So you're our next foe.

58. What?

59. Don't hear you denying it!

60. You trying to start trouble?

61. Take that, cazzone!

62. And that! And that! And one of these!

63. Huh?

64. Hey, pump the brakes for a second.

65. I don't think this guy's an enemy.

66. - He's out cold.

67. A random citizen. Go figure.

68. What? Are you for real?

69. Ah, shit. What am I gonna do now?

70. Yeah, sucks for you,

71. but this stain's not goin' anywhere.

72. Guess that's what happens when you mess up

73. and spill red wine on a white suit.

74. No way I can pay for something this fancy!

75. Putting a button there should cover it up nicely,

76. so good thing for you the stain is where it is.

77. Before we let this guy go,

78. let's have him taste our food for poison.

79. - Mista: Now we're talking!

80. Down the hatch.

81. Enough.

82. We don't have time to mess around now.

83. Something's not right.

84. What in the world is going on with Bucciarati?

85. There's no question about it.

86. His heart was stopped after his battle with the boss,

87. and when he pierced his hand,

88. not a single drop of blood seeped from the wound.

89. This whole thing is so confusing,

90. but this really isn't the time to investigate.

91. Since it's still just a feeling,

92. letting the others know wouldn't do any good.

93. Okay, Bucciarati, what do we do

94. - from here on out? - Bucciarati: Hmm.

95. The boss possesses the power to obliterate time,

96. and only he can move when his ability is activated.

97. He is unstoppable.

98. Doesn't matter the person or the approach.

99. His stand is so powerful,

100. attacks have no effect in the least.

101. However...

102. All bets are off once we unveil his identity!

103. After we finally figure out who the boss really is,

104. we can eliminate him once and for all!

105. It'll be tough, but we've no other choice!

106. It's kill or be killed.

107. I'm with you,

108. but how the hell are we gonna find him?

109. The boss has made extra certain

110. to remove any trace of his life 'til now.

111. What about Trish?

112. Surely we can learn something useful from her,

113. given how involved she is.

114. Just think about how those goons and the boss came after her.

115. You know?

116. Well, uh, I've been thinking.

117. I don't like it.

118. We've already involved Trish enough in this.

119. It—it just doesn't feel right.

120. Trish is the true victim here.

121. Knowing her own father tried to kill her,

122. think how she must be feeling. It's too much!

123. Have a heart, Bucciarati!

124. Involving her in the hunt for the boss and his secret identity

125. is the wrong move!

126. Thank you,

127. but it's okay, Narancia.

128. I've known all that, about the kind of man he is,

129. my father.

130. T-Trish.

131. No, it's all right. In fact, your talk

132. of him leaving no trace sparked something.

133. I wondered about my father,

134. so I asked mom, and she said she met him in sardinia.

135. Sardinia.

136. When I was little, mom told a story

137. that was very strange to me at the time.

138. They met while she was on vacation.

139. One day, he went to run an errand, but he vanished

140. and left nothing behind, not even his real name.

141. That must have been right before he became the boss.

142. That far back, do you think it could be his hometown?

143. I can't say for sure,

144. but it's somewhere to start.

145. Sardinia holds the key to his past and identity.

146. You know what telling us that means?

147. We very well might end up killing your biological father.

148. No. We'll do all we can to bring him down.

149. Honestly, whether your group decides

150. to kill him or not is your own business.

151. There's only one thing I wanna know,

152. and it's whose blood is coursing through my veins!

153. I'll be damned if someone kills me before I get an answer.

154. Look at that, Narancia.

155. Guess you were wrong.

156. This girl standing before us

157. is way tougher than you thought she was.

158. Fine. I get it.

159. Sardinia...

160. That's where we're heading after we escape this place.

161. It's where we'll find out who the boss really is.

162. Guess I was projecting too much onto Trish,

163. totally missed the Mark.

164. It's clear she's already found her determinazione.

165. But given that I decided to join this suicide mission on a whim,

166. I'm going into this thing with more doubt than hope for now.

167. Eh?

168. huh? Uh...

169. Huh?

170. Hmm.

171. Huh?

172. Uh...

173. - Eh?

174. Uh...

175. Eh?

176. Eh?

177. - Uh, guys, we've got company!

178. My soup's got a weird shark swimming in it!

179. Li'l bomber!

180. Giorno, quick! Get Trish inside the turtle.

181. Abbacchio, guard right. Mista, left.

182. Well, where are they?

183. Where are we being attacked from?

184. Inside the soup bowl.

185. I don't know how it got in there, though.

186. You serious?

187. Uh, but it was right there.

188. I swear there was some shark-looking thing in my soup!

189. Huh? I'm not seeing anything strange here.

190. Did we lose the thing already?

191. Uh...

192. Narancia! You okay?

193. What happened?

194. What the heck are you screaming about?

195. - Did that shark bite you?

196. Tell me what's wrong. I can help.

197. Talk to me!

198. I'm trying to help, but you gotta answer me!

199. Hold on a moment, Mista!

200. Narancia may not be able to speak.

201. What?

202. Have you really lost your voice?

203. What's wrong, Narancia?

204. Just what are you pointing at?

205. Is it the water?

206. You want a drink of that?

207. - Mista: Hey, guys,

208. we're gonna need some help over here.

209. Look! His tongue has been ripped right out of his mouth!

210. I don't think he's breathing, either.

211. This isn't good. I can make a replacement

212. for his tongue using golden wind,

213. but it'll take a little time to do it.

214. We don't have time.

215. Can't you see that Narancia's about to suffocate?

216. Mista, do you have a pen on you?

217. Pen? Yeah, it's right here.

218. But what do you need it for?

219. Oh, man. That was close.

220. I'll imbue the pen with life force

221. and create the replacement tissue.

222. That way, he'll be able to breathe through the process.

223. It all makes sense now.

224. That's Giorno Giovanna.

225. Man 2: This is very interesting, indeed,

226. and it explains the boss's intel reports.

227. So the greatest threat to the famiglia

228. comes from this cannoli-haired deadbeat newcomer.

229. Man 1: Yeah. I have to admit

230. the brat keeping Narancia alive was a surprise.

231. Never in my wildest dreams would I have imagined crush

232. having any trouble with this particular assassination.

233. But apparently killing all five of these reprobates

234. will necessitate your involvement as well, Tiziano.

235. As the boss's elite guard,

236. it is our duty to ensure these turncoats perish here.

237. Are you ready to do what must be done, Squalo?

238. Do you even need to ask?

239. Once I lure them into the water, crush will be unstoppable.

240. Our plan will decide everything.

241. Let's off 'em one by one, Tiziano.

242. Gladly, Squalo.

243. And our friend Narancia is going to help.

244. Are you all right, Narancia?

245. I'm good.

246. That was close.

247. What info can you give us?

248. Who are they? How does their stand work?

249. It was in the soup bowl,

250. some kind of shark.

251. Narancia, try to relax.

252. I'm fine. I could talk.

253. Hey, help us out.

254. What does the enemy look like?

255. Which way did he go?

256. He was—

257. he was really small, like a huge pebble,

258. and he ran into the back of the restaurant! It was crazy!

259. Huh? How can a pebble be huge?

260. And weren't you saying just a few minutes ago

261. that you found it in your soup?

262. You're not making any sense.

263. What? No.

264. I didn't really say that, did I?

265. Here. Answer this for me.

266. Would you say our foe is about yay big?

267. Nuh-uh.

268. Huh? No, wait. I—

269. Then would you say it's about this big?

270. - Narancia: Uh- - Mista: It's bigger?

271. So you're saying it's something like this.

272. Yeah, you got it.

273. So this big-ass enemy was taking a dip in your bowl.

274. Then they just ran off into the restaurant and vanished?

275. Mm-hmm.

276. What the—why aren't I—

277. Sorry, but we're not quite understanding

278. the picture you're trying to paint.

279. You mean they move at extremely high speeds?

280. Nah, they're as slow as you can be.

281. - Bucciarati: Say what?

282. - Mista: Come on!

283. If it was as huge and slow as you say,

284. then why didn't we see it?

285. You sure you really saw a stand, Narancia?

286. Of course I did!

287. Not see one!

288. Huh? You're starting to sound like a real wacko.

289. - Mista: Hang on.

290. You're not trying to hide the fact that you got beat

291. - by the enemy, are you? - Narancia: Why—

292. Come out with it already!

293. You didn't see a damn thing, did you?

294. Of course I did!

295. Not!

296. Well, which is it?

297. Did you really see something, or didn't you?

298. You picked a hell of a time to dick around.

299. I don't sense anything nearby.

300. Whatever it is, it's probably a long-range stand.

301. And if you're right about that,

302. the user must be observing from afar.

303. Come. We need to go.

304. I have a feeling our escape should be sooner than later.

305. The canal will take us out to sea.

306. - Bucciarati: Hmm?

307. That's a great idea, Giorno!

308. Let's get going! The canal's waiting for us

309. to take-

310. Yes, Narancia.

311. Thanks for reiterating that.

312. - Narancia? - Mista: Huh? What's going on?

313. Why are you covering your mouth like that?

314. Is there a problem? Show us whatever it is you're hiding.

315. I'm not seeing anything.

316. Yep. Nothing to see here.

317. There's absolutely nothing wrong,

318. nothing at all!

319. So what now, Bucciarati?

320. Are we all gonna head out to sea?

321. No.

322. We're not heading down the canal just yet.

323. This is our chance, men,

324. our chance to hunt down and eliminate the enemy.

325. Luckily the boss

326. never saw our little betrayal coming.

327. He has sentries everywhere, but it's safe to say

328. he hasn't had time to mobilize all his forces,

329. meaning if we take down this foe,

330. we'll be able to escape to the sea much more safely.

331. You know what? That makes a lot of sense.

332. I'm all in. - Abbacchio: Yeah.

333. You can count me in, too.

334. Then it's all settled.

335. Bucciarati, we'll follow your lead.

336. Abbacchio, I need you to run a replay.

337. Bring out moody jazz, and we'll get to work right away.

338. Yeah, sure thing. You got it.

339. So where do you want to start? Would when the soup was still

340. - on the table be a good spot?

341. - Bucciarati: That's perfect.

342. What's up with you now?

343. Hey, the enemy's right over there!

344. Huh? Over there?

345. You mean inside the restaurant's bathroom?

346. I swear,

347. you damn well better have seen something this time.

348. Mm-hmm. I did.

349. Let's get on it, then.

350. We'll settle the fight with them here and now.

351. Come on, Giorno. Let's move.

352. Right.

353. Thanks for your help, Narancia.

354. You've played your part beautifully. I'm impressed.

355. Now your friends have no idea

356. my stand crush has quite a handy little helper.

357. Yes. My stand, talking mouth, works wonders,

358. especially when it latches on to your tongue and forces you

359. to say the exact opposite of what you mean.

360. Well, my itch to kill

361. isn't gonna scratch itself. Grazie.

362. So that's what all this was about.

363. Damn it!

364. Whoever this asshole is

365. used me to get the guys near the water one by one.

366. Nobody mocks me.

367. I'm not picking up on anything.

368. We have to figure out this bastard's identity.

369. - Moody jazz!

370. Transform into whoever was just in here,

371. and start following their movements.

372. - Giorno: Narancia!

373. Finding the user with moody jazz is a great plan,

374. but you can't go after them.

375. You're as good as dead in the water.

376. I'm gonna have to bust my ass to keep 'em

377. as far as possible from that death trap!

378. Hey, this must be it.

379. Moody jazz is transforming into someone.

380. You have to get away from there!

381. Don't look in!

382. Hey! Look over here, guys! You won't believe

383. - what's in this bowl! - Abbacchio: What?

384. You nasty little— get it together, would you?

385. Get over here, Abbacchio!

386. I've got a present for you!

387. Check the bowl for the surprise inside!

388. You've lost your mind.

389. Is this a new kind of fetish or something?

390. The only reason we're even searching this place

391. is 'cause you were yapping on about seeing the enemy.

392. Just tell the damn truth about what you saw!

393. I'm trying to tell—

394. Enough. I'm over this.

395. Bucciarati, I think all of this was Narancia's imagination.

396. If we're gonna pursue whoever's after us,

397. we should go back to the table.

398. I suppose.

399. You need to get a frickin' grip, Narancia.

400. This kind of bullshit

401. could derail everything we've worked for.

402. Narancia, your finger, it's bleeding.

403. I think you may have cut it on something.

404. Here. Let me stop the bleeding.

405. Cazzone.

406. You're gonna try moving through my blood.

407. No. You can't come near me, Giorno.

408. Please, stay away!

409. Sounds good. Thanks for offering.

410. Yaah!

411. Now I know something's not right.

412. What's going on inside of your mouth?

413. The enemy was messing around with your tongue.

414. - Is it connected?

415. Attaboy, Giorno.

416. I knew you'd pull through.

417. You're almost there.

418. You're so close to figuring this whole thing out.

419. Not good.

420. You're really bleeding.

421. We need to take care of this wound first.

422. - Let me see.

423. No. You can't touch my blood.

424. We need to hurry.

425. Stop. Stay back.

426. Come on!

427. Li'l bomber!

428. Narancia, I haven't known you long,

429. but I can tell there's something forcing you to act this way.

430. That must be the reason

431. why you can't give us a straight answer.

432. It's the enemy.

433. Thank goodness.

434. You finally figured it out.

435. I wonder if that stand

436. left something in your mouth.

437. That would explain all this.

438. This power makes you say the opposite of what you mean.

439. Yes! That's it, Giorno!

440. Shit. There's water leaking from the pipe.

441. Giorno!