It's Always Sunny in Philadelphia 15x2

1. What happened to this country?

2. Bravo.

3. This is unbelievable.

4. It's an outrage. It's un-American is what it is.

5. I thought this was a free country.

6. Free. This is censorship. That's what it is.

7. What ever happened to free speech, huh?

8. You tell me that.

9. Frank, we're not inside your head, man.

10. We don't know what the hell you're talking about.

11. Lethal Weapon 5 and 6are gone.

12. Huh? What do you mean they're gone?

13. They removed them from the library.

14. - They got pulled? - Yeah. The lady said they took them down

15. because of insensitivity.

16. Huh. Well, I'll be honest with you guys,

17. I'm not sure how we, uh, talked the local library

18. - into displaying those movies in the first place.

19. - Yeah. - They were works of art.

20. Well, well, yeah, I mean, they would've been works of art

21. had Mac not ruined them with his blackface.

22. Okay. Look, uh, my heart was in the right place,

23. and I-I-I feel awful about it now.

24. Look, you never should've done it in the first place.

25. That was the whole point of the conversation we were having.

26. - I told you not to do it, man. - I know, I know, but, look,

27. I've done a lot of learning over the past year,

28. as we all have.

29. - That's true. - We've also done a lot of growing.

30. That's true.

31. A lot of learning, a lot of growing,

32. - and a lot of being scared. Yeah.

33. - Yeah. - And, guys, fear is a great motivator to do the right thing.

34. - Ooh. - Yeah, yeah. Frank, look, while it is, uh, awful

35. that they removed our movies,

36. I think it's probably best in this instance

37. to just let sleeping dogs lie.

38. Yeah, yeah. - Yes.

39. We'll just put them in the past, and we'll move on.

40. - Yeah, yeah. - Guys, Lethal Weapon 5 and 6 are in the past.

41. - Right. Now we have

42. the path forward and the knowledge

43. - to do the right thing. - Mm-hmm.

44. And I think it's obvious what that right thing is.

45. Make Lethal Weapon 7.

46. - Yes. - Absolutely. - Right?

47. - Let's get going on it.

48. - The show must go on, right? - Yeah.

49. You know, as we all know, guys,

50. our Lethal Weapon movies were always intended

51. to be a trilogy that followed a trilogy, plus a sequel,

52. but the most important thing

53. is making sure that this third movie in a series of seven

54. can be seen and enjoyed by audiences

55. of today's moral and ethical standards.

56. - Mm-hmm. - Right, because the-the first time

57. - we made that one mistake, and that was... - Mm-hmm.

58. Well, uh, actually two,

59. because you did blackface in the sequel.

60. - Oh. - Ooh, right. The two mistakes.

61. Yeah, well, uh, so did Dee, actually.

62. Okay, so three, we— three mistakes.

63. - Yeah. - Yeah, yeah, yeah. But you've

64. also done multiple insensitive characters in the past,

65. - you know, on and off-screen. - You've played...

66. I don't know if that's going into the conversation

67. - we're having here. - It should.

68. - Yeah, well, and Frank did red-face in... - What?

69. - That's also frowned upon. - Oh, Christ Almighty.

70. - It's also frowned upon. - Okay, you know what? Let's not... Six, seven,

71. - eight, nine, ten mistakes. It wasn't red, it was brown.

72. Guys, let's not get into it, because Hollywood

73. has a very clear moral code

74. - on mistakes. Okay, you get one, right? - Mm-hmm.

75. Like Woody Allen, right? Roman Polanski.

76. One mistake and that was it.

77. Uh, no, actually, those guys

78. continued to make films for the next 40 years.

79. Oh. Uh, Bill Cosby.

80. Well, he made about 50 mistakes.

81. And-and I would actually argue that

82. all these things we're talking about,

83. they-they weren't so much mistakes

84. as they were violent sexual crimes.

85. - Yeah. - Right.

86. You know, but either way, look, the point is,

87. I think we should make a few adjustments

88. to the script, you know, and to our casting choices,

89. to make sure that this film is palatable to a modern audience.

90. - Mm-hmm. Mm-hmm. - Mm-hmm. Mm-hmm.

91. Okay, as long as I get to bang the broad.

92. - Jesus. - Uh, I think

93. we might want to avoid that, as well.

94. - How about a blow job then? - Um...

95. Look, a hand job or I'm not paying for this.

96. - Ew.

97. That's a very important part of the filmmaking process.

98. - Yeah, yeah, yeah. - I ain't paying for it unless I get a hand job.

99. You don't even like hand jobs. - Fine. You can get a hand job,

100. but it's got to be under a towel or a blanket

101. because I don't want to see your genitalia.

102. Can-can-can we just talk about

103. the elephant in the room?

104. Right? Let's talk about Murtaugh.

105. - Yes. - Now, uh, obviously, I will not be playing Murtaugh

106. - in Lethal Weapon 7. - Yeah.

107. - Right. - Yeah.

108. O-Okay.

109. I will be magnanimously

110. taking a step back.

111. - Right. Yeah.

112. I feel like you're talking really slow

113. and taking a bunch of pauses. I don't know what's going on.

114. I-I'm waiting for you guys to praise me.

115. Uh, what? - Why?

116. Oh, 'cause I'm doing something anti-racist,

117. and I think I deserve praise for that, do I not?

118. You don't get praise for telling people you're not racist.

119. - Then why am I doing it?

120. Why don't we just move on from this, guys?

121. - Uh, let's move past that. Yeah.

122. - Yeah. All right. - Yeah. - Yes, please.

123. Let's make the movie.

124. - Let's make a movie! - Let's dive in.

125. - Yeah, it's gonna be easy. - Okay. Let's make a movie.

126. - It's gonna be fun. - We're over, we're overthinking it.

127. G'day, former partner.

128. Sorry I'm a little late.

129. I got stuck up on some traffic on the 405.

130. Yeah, I got off at Sepulveda,

131. and then I-I made my way over to Moorpark.

132. From there, I sort of wiggled down to Tujunga,

133. then I ticky-tackied over to the, to the Laurel Canyon.

134. Oh, my God, what is she doing?

135. That accent is terrible.

136. And what's with all the directions?

137. Why is she explaining so much?

138. - Well... - Oh, yeah.

139. W-We found that people had, uh, no idea

140. where the characters were in the first two,

141. so we thought we'd clear it up.

142. Everyone was confused about where things were happening

143. and what things were happening.

144. - Where props came from, et cetera. - Sure, sure.

145. - Well, hopefully, Murtaugh's good. - Yeah.

146. Oh, who-who did you wind up getting for that?

147. Oh, well, so, Frank went under the bridge to get

148. a prostitute for his sex scene.

149. He talked the pimp into playing Murtaugh,

150. so, you know, some guy named Pepper Jack,

151. - or something like that. Yeah. - Okay.

152. - Pepper Jack? - Yeah, you know this guy?

153. - Yeah. All right. - Oh, cool.

154. That's okay, partner. I'm just glad you're here.

155. - Let's start the party now. - Yeah.

156. Happy birthday, little baby ho. I wish your ho mama—

157. Riggs' wife— and my daughter could be here to see this,

158. but she died.

159. Run along and play, little bitch.

160. Have fun.

161. Now, this is all wrong. I mean, he's playing it like a pimp.

162. Well, he is a pimp.

163. - So, give him the note. - So, you...

164. - Give him the note. - Just tell him to tone it...

165. Yeah, tell him to tone it down.

166. - You mean... - Yeah.

167. You guys can give it to him.

168. - No, you give it to him 'cause you're the director. - Yeah.

169. - Oh. What's that?

170. You know what? It's me phone.

171. It's been in my pocket the whole time.

172. Well, go ahead, answer it, bitch.

173. - Yeah. Okay.

174. G'day. How you going?

175. Sorry to interrupt, boys.

176. I hope you're having as much fun as I am.

177. I know we all enjoy

178. a big bang.

179. Wait, wait, wait. Cut, cut, cut, cut, cut.

180. This ain't working for me.

181. - It's not working for me. - Cut. Okay.

182. - It's just not working. - Okay, cut,

183. - cut, cut, cut, cut. No. 'Cause, uh...

184. - Guys, take five. - Yeah, I say that.

185. I say, "Take five." Also, I say, "Cut," guys, 'cause I am the,

186. - I'm the director. Okay, listen. Listen, Frank.

187. I agree. It's not working. Okay, Dee is terrible.

188. Okay. She's terrible, but it's not her, it's my thing.

189. I'm talking about— Look,

190. like, first of all, it's just,

191. you know, I say, "Big bang."

192. I ain't even banging this chick.

193. Yeah, that's a good point. It's continuity.

194. - Yeah. - Okay. - Doesn't make sense.

195. You're right. Okay, maybe you could say,

196. "I'm sick of getting jerked around.

197. - I'm ready to explode." - Yeah.

198. Look, I don't think it's too much to ask

199. for me to have a little real stuff.

200. Okay, listen, Frank,

201. you should not be actually having sex with anybody.

202. It's called acting, Dennis.

203. - No. Mm. - Marlon Brando

204. got to jam butter up his costar's orifice

205. against her will and got nominated for an Oscar.

206. We could make this more of an art house film.

207. - I'm open to it. She is a prostitute, so I don't know

208. - what the rules are... - I don't want butter to get involved.

209. - It's gonna get... Oh. Uh, excuse me, gents.

210. Yeah, uh...

211. So, uh, how'd I do?

212. - Oh, Mac. Yeah, you were, uh... - Yeah, Mac had a note.

213. - You were gonna give some notes. - Yes. Uh, yes. Uh...

214. Whoa, whoa, whoa, whoa.

215. What's this? Now, I hope you're not, uh,

216. hating on Pepper Jack's flow?

217. No. No, no, I'm not hating on your...

218. I mean, I feel, like, I'm-I'm in the way here.

219. - Are my headphones working? - Well, you guys, you're not in the way.

220. - Are yours, are yours working? - You guys are... Yeah.

221. Um, no. I-I think what—

222. Your flow is great. I think what you're doing's great.

223. The thing is, maybe this next take,

224. you could do it a little bit more...

225. A little more...

226. - ... Pepper Jack. - Yeah.

227. A little bit more Pepper Jack.

228. - That's what I was thinking. - Okay.

229. - Yeah. Okay. - Well, okay then.

230. - Now we cooking. All right. - Okay. We're cooking.

231. - Thank you, Pepper Jack. Thank you. - Hey, no problem, man.

232. - Little more Pepper Jack. Hey, man,

233. you didn't give him the note.

234. Yeah. Well...

235. Guys, look, I-I just don't think

236. we should be silencing Black voices.

237. Guys, there's a larger issue at play here,

238. and that is that all the people of color that we know

239. are people of the bridges and the streets, okay?

240. Look, they're pimps and prostitutes, which, I tell you,

241. says a lot more about us

242. than it does about them, that's for sure.

243. - That's not a great look. - That's not...

244. We're gonna have to do some real soul-searching.

245. - We should really open up our... Yeah, absolutely.

246. We got to dig real deep into our contacts,

247. and we got to find, like, diverse voices that don't...

248. - Yeah. - Uh, oh, guys, actually,

249. I think I know how to kill two birds with one stone.

250. Thank you for the opportunity, and I'm hip to your hustle.

251. Bringing a woman of color to spice things up.

252. Eh?

253. Wait, where-where is she? Where is she?

254. The woman of color? Is right here.

255. You're a woman of color?

256. Yeah, I'm Persian.

257. That's the ethnicity from Iran. Hello?

258. He's, uh, ignorant. - Anyway,

259. there's a dearth of Iranian female directors, so thank you.

260. Uh...

261. Yeah, uh, to be clear, you will be the assistant director.

262. Okay, we'll see. Now, let's talk about payment.

263. I will accept

264. coins, cash,

265. checks,

266. food, vape pens, pens in general, scissors.

267. Sure. Let's-let's move on from this.

268. Uh, guys, uh...

269. I made a few changes to the script

270. because Dee was, well, she was terrible.

271. Oh, I could see that.

272. Yeah, yeah, yeah. So I sent her out to lunch,

273. and I'd like to shoot before she gets back.

274. - So can we do that? - Let's do this.

275. Let's shoot. Okay, guys, let's get to places.

276. Okay, guys, let's get to places.

277. - Uh, well, I— That's what the director... - Well, let's get to places.

278. Let's get to places. Director in the house.

279. - Okay, fine. I'll give the note. - Can you just let her speak?

280. - Well, you— Okay. Uh, yes. - Can you let her speak?

281. Wow.

282. Good day, former partner. Sorry I'm late.

283. I-I got a little up-jammed traffic on the 504, uh, 450,

284. on the highway.

285. Uh, I got off on "Spelly-ba-da,"

286. but I took that all the way down to Moorpark.

287. And then I took that down to "Ta-ca-ha" Cucamonga.

288. And then I tackied all the way over to Laurel Canyon. Ticky.

289. Uh, this is gonna be tough to cut around.

290. Artemis, did-did you give Pepper Jack the note?

291. Yes. Yeah, I simply asked him

292. if he's ever been to a child's birthday party.

293. He said yes. I said, "Take us to that place.

294. Make it authentic to your experience."

295. What? What do you mean this is not my kid?

296. Are you motherfuckers kidding me?

297. I've been paying child support for five years,

298. and Pepper Jack's pullout game is strong.

299. So, if I don't get some answers real fast,

300. Pepper Jack about to cut all of y'all.

301. Oh. Oh, shit.

302. Go with it, Charlie. We can use it.

303. What's next? Come on. The phone.

304. The phone. The phone. We're going to the phone bit.

305. Fix it, Charlie. Fix it. - All right, yeah.

306. Oh, man, I would cut, I would cut someone, too. Damn.

307. - Yeah, I'm sure you do have a good pullout game, Pepper Jack.

308. Uh-oh. What's that? This is phone,

309. - that I've whole had on me this time.

310. Uh, hello, who's this? It's Charlie— uh, Riggs.

311. Sorry to interrupt, boys.

312. - I hope you're having as much... - Honey, what is the matter?

313. Uh, I'm fine. Keep going, keep going.

314. I don't think your dick work.

315. He might need an anal stimulant.

316. Candy, get the butter!

317. No! No butter. There's no butter involved.

318. What about the Brando thing, Frank?

319. - It don't work the other way. - Yeah, it does.

320. Uh, Frank?

321. You gonna have to pay Pepper Jack,

322. whether you bust a nut or not.

323. You understand that, don't you?

324. I don't know what's happening. Are we still in the scene?

325. That's my Fraggle Rock thermos. He stole that from me.

326. Wh... What's this?

327. - Are you guys shooting without me? - Dee's here.

328. - C-Cut. - Goddamn it, Dee!

329. - Cut. - Yeah, cut. - Cut.

330. - Goddamn it, Dennis.

331. - Let's take a five, everybody. - Let's take a five.

332. Listen. Guys, none of this is working.

333. You think we got to fire Pepper Jack?

334. No, no, no, no, no.

335. His anger and intensity are-are good, you know?

336. Just... not for this role.

337. I think we need to recast Murtaugh.

338. We need someone lovable, someone versatile,

339. someone with the skill, range,

340. and talent of one of the best actors of our generation.

341. We need Don Cheadle.

342. You know Don Cheadle?

343. No. But I know the guy that plays him.

344. Hey, partner. Happy you made it.

345. Oh, sorry I'm late.

346. People be driving like bitches on the 405.

347. - And my level of intensity

348. is because I am crazy on account of my wife's murder.

349. In case anybody is feeling uncomfortable about it.

350. I think this is working. This is, like, way better.

351. That's okay. I'm just glad you're here.

352. Man... Whew.

353. We getting too old for this shit, huh?

354. Well, yeah, we are.

355. Hey. Happy birthday, baby girl.

356. Now, I...

357. I...

358. I-I know I haven't always been there for you,

359. but I want you

360. to know I'm always,

361. always with you.

362. Right here.

363. In your heart.

364. - Whoa, he's really good. - He's good.

365. - He's really good. - He's the— he's a real actor.

366. - He's the real deal. - Okay. Here comes our new villain, guys.

367. Fingers crossed it works.

368. Hold that thought, son. My shit be blowing up.

369. Talk to me.

370. Excuse me?

371. What are you doing in this park in my neighborhood?

372. Who is this, bitch?

373. It's Karen. Karen White.

374. And I live in this neighborhood, and I am sure that you do not.

375. And if you don't leave right now, I will call the police,

376. and I will tell them you attacked me.

377. I just don't understand how this is a villain.

378. Well, one of the last socially acceptable groups to villainize

379. - are entitled white women. - Mm.

380. It's just, like, making me uncomfortable.

381. You know what I mean?

382. - It's not fun, is it? - It's no fun.

383. - No. She's a cunt. She's a cunt. - You want our movie to be fun.

384. She's a little bit cunty. It's just too real.

385. Damn it, guys. I really wanted this to work.

386. I really did,

387. but maybe putting up any group of people as villains

388. - these days is potentially problematic. I don't know. - Yeah.

389. Maybe-maybe villains shouldn't be people at all, huh?

390. Wait, you're totally right. Right?

391. Like wh— Like what if we make the villain,

392. like, a big dog or something, right?

393. Or a bunch of raccoons

394. stacked up in a trench coat? You know?

395. Or a trench coat full of bees flying around?

396. - Like, that would scare me. Imagine seeing that. - Bees! Bees are cool.

397. - Bees are scary. - What about,

398. like, a plague? An act of God.

399. All the best villains in the Bible were acts of God.

400. - A tsunami.

401. Ooh, but, you know what? Let's call it a tidal wave.

402. That feels less racially charged.

403. - Yeah. Right, right. - I don't want to say that—

404. I don't want to say that all waves are Asian.

405. Yeah, you want to make sure that waves are, you know...

406. - Just neutral. - Yeah. Not-not culturally...

407. - That's good, that's good. - Um...

408. Hey, happy birthday, baby girl.

409. I know I haven't always been there for you.

410. But...

411. I'm always with you.

412. Right here,

413. in your heart.

414. Uh, h-hold all that crying, man.

415. Let me— I-I— My shit be blowing up.

416. Yeah, yeah. Go on.

417. Oh. It says, "Look behind you."

418. - Oh, no!

419. Tidal wave! Where'd that come from?

420. Well, no country specifically.

421. Just an act of God, I guess.

422. No God specifically, just the universe

423. or whatever.

424. - This is a piece of shit. - Yeah.

425. - I can't work like this. - No.

426. We can't even get past the first scene.

427. Well, I don't know what the point of making a movie is

428. - if we can't even be in it. - Yeah, or bang whores.

429. All right, guys, listen.

430. We can still do this. Okay, what about this?

431. What if Riggs and Murtaugh

432. start to shoot out a path so that the tidal wave moves

433. to a field that's been decimated by climate change.

434. - That doesn't even make any sense. - Climate change? That's so dumb.

435. That sucks, man. I don't want to watch that movie.

436. Guys, I know it's not great, all right?

437. But it's the right thing to do,

438. and we have to do the right thing.

439. Since when do you care about doing the right thing?

440. Guys, guys, listen, listen.

441. Over the course of the last year,

442. I've learned to listen, to not talk, to grow.

443. Guys, I'm woke.

444. Okay? Now, let me tell you how I reached this awakening.

445. I was on a date, and, as usual, I fibbed about my age a bit

446. so I could score a younger prospect.

447. The woman was in her 20s, and the date

448. was going quite well, or so I thought.

449. It becomes just, like, so clear

450. that the patriarchy

451. is-is really just an off-shoot of privilege.

452. Uh, 100%. Yeah.

453. No, I— Yeah. Um...

454. You know, you have the most beautiful eyes.

455. Thanks. D—

456. Don't you agree with what I was just saying, though?

457. Abso— Yeah. Tot— I mean, yeah. Whatever.

458. - Whatever? - Listen, can...

459. can we just keep this light, you know?

460. I'm-I'm less interested in politics

461. and more interested in what makes you tick.

462. Oh, my God.

463. Oh, you're gross. God.

464. The young generation

465. on the left seemed to be a tough nut to crack,

466. so I turned my attention

467. to the youth of the right.

468. Socialists are ripping away our freedom.

469. - Totally. - It's a slippery slope

470. until we are living in a failed welfare state.

471. Right. Hey, what do you say we get out of here

472. and get into our own slippery state?

473. You know what I mean, Lisa?

474. No.

475. I'm talking about us banging, you conservative little minx.

476. Pig.

477. I was learning.

478. This generation is more socially active

479. on both sides of the aisle, so...

480. this time, I engaged.

481. - I mean, don't you agree? - Yes.

482. We need to allow others a chance to speak for once.

483. Well, yes, but even by saying, "Allow,"

484. you're implying that you have all the power.

485. Uh, but I thought you were saying I did have the power?

486. Are you twisting my words?

487. No. I'm just, uh...

488. I'm just trying to understand

489. what the hell you're talking about. I-I can't follow.

490. See? This is exactly what old people always do.

491. - Old people? - Uh-huh.

492. I'm 26.

493. But my rational thinking

494. and my desire for an open dialogue were a dead giveaway.

495. It was all starting

496. to make sense.

497. See, this generation doesn't even understand

498. half the shit that they're saying.

499. They aren't more ethical than us.

500. They just want to be perceived as such.

501. And who could blame them?

502. I mean, they've spent their entire adult lives

503. only 280 characters away

504. from being tweeted into oblivion.

505. Either way,

506. I took a new tack...

507. We need to use our privilege

508. as much as we possibly can to protect people.

509. How can you not see that?

510. We need to use our privilege

511. to protect people as much as we can.

512. How can I not see that?

513. - Because if we don't, who will? - Because if we don't, who will?

514. Exactly. What we need is a revolution.

515. Exactly. What we need is a revolution.

516. Simply regurgitating back to them

517. exactly what they're saying to each other

518. in their ridiculous echo chambers

519. is all they want.

520. And then, we can get what we want.

521. Yes, Daddy!

522. - Daddy!

523. Oh, also they're riddled with insecurity

524. and have serious daddy issues, so that helps.

525. Guys, we have to listen to the young.

526. Otherwise, we are doomed to have sex

527. with only old people for the rest of our lives,

528. and I won't do that.

529. - No. - Right.

530. Oh, my God.

531. I never thought about that, man.

532. So, you know what I say?

533. Finger on the pulse, finger on the puss.

534. Ew.

535. - Ew. - That's gross.

536. - I see what you're saying now. - So-so what do we do?

537. I'll tell you exactly what we're gonna do.

538. All right.

539. Uh, hi.

540. - Hey, hey. Uh, Mr...

541. Cheadle— Uh, Donovan McNabb...

542. T-Tiger Woods, Elvin—

543. whatev-whatever your name is. Um, listen,

544. we have, uh, we have come to the conclusion that, um,

545. you and only you have the knowledge,

546. the experience and the-the authenticity to tell this story.

547. So, we are gonna do the right thing. We're gonna, we're gonna

548. do the woke thing,

549. and hand complete creative control

550. over to you...

551. I feel like you were gonna say something else?

552. - Well... - I think he was waiting for the applause.

553. Well...

554. Oh. Okay? Uh...

555. - Oh, yeah! Yay! - Sure, sure.

556. If you must.

557. It's nice when it happens, isn't it?

558. - Feels nice. - Sure. Nice when it happens naturally.

559. When it happens naturally, I like it.

560. Yeah, um, listen, the point is,

561. we want you to know that we are allies.

562. Great.

563. - Okay? - We are allies.

564. We are your allies. - Up top. - Allies!

565. - Yes, yes, yes.

566. - We're on your side.

567. But were they?

568. Lethal Weapon 7 was destined to be an inferno

569. of quasi-wokeness and, uh,

570. good old-fashioned racism.

571. Out of the, uh,

572. smoldering ashes, however, I pieced together

573. a cautionary tale.

574. An exploration, not of what is gained by learning,

575. but of what is lost

576. by staying ignorant.

577. Thank you. Thank you so much. Wow.

578. Oh, my God. This is so humiliating.

579. Where does he get off telling our story

580. without even including us at all?

581. And he made us look like assholes.

582. I feel used.

583. I feel misunderstood.

584. What does he know about our experience?

585. Yeah. I'll tell you, there's only one thing left to do.

586. Make Lethal Weapon 8?

587. - Yup. - Yeah, right?

588. Yes. Yes!

589. - I'll play Murtaugh. - Goddamn it, Mac.

590. - I-I'll play Murtaugh. - No! No, no, no, no.

591. - Did you not watch the... - I'll do it good.

592. Luck of the Irish.

593. No!

594. Luck of the Irish.

595. Ha!

596. Mama's about to get herself a little luck of the Irish.

597. It's Always Sunny in Philadelphia.

598. All new. Wednesdays at 10:00 on FXX.

599. Everything you want to know about vampires,

600. it's right here.

601. - I'm in love. She's half-chicken

602. Nobody's perfect

603. Bat!

604. Cash or card?

605. I will not be paying - for anything. - Got it.

606. They have wellness vampires now.

607. Stretch those hammies!

608. Feel the burn!

609. She has changed my life.

610. No one has seen a stolen food truck, would ya?

611. Um... no.

612. Someone stole a truck. Broad daylight.

613. Put your seatbelt on. - Seatbelt?

614. Put your seatbelt on - or we're not leaving. - Jeez!

615. Your good thieves. Best in town.

616. Thank you.

617. It is a small town.

618. It is hard to be a warrior with dignity.