1. FXX presents...
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2. It's Always Sunny
in Philadelphia.
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3. But Miss Covington does not
govern the lady of the house.
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4. If you'll have me
as your husband,
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5. that is what you shall be.
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6. - Whoa!
- What?
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7. Oh, my God.
I did not see that coming.
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8. Well, no— I mean,
Lord Davenforth
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9. and Anna the scullery maid?
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10. I mean, that's—
it's kind of scandalous, really.
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11. - Kind of scandalous?
- Yeah.
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12. I usually hate
this old-time British crap.
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13. - Oh, yeah.
- You know? But, like,
this-this show is amazing.
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14. - Yeah.
- It's good. It's...
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15. They actually knew
that you would love it
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16. 'cause of the algorithm.
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17. - The... the what?
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18. The-the algorithm.
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19. Yeah, all of our
previously-watched shows,
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20. they go into a data bank,
so they can accurately predict
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21. which shows you'll love
moving forward.
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22. So they knew
what was gonna happen.
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23. See, the algorithm,
it takes thinking
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24. - out of the equation, basically.
- Hmm.
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25. Well, that's because math
and computers can think
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26. better for us
than we can think for ourselves.
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27. Yeah— ooh, shut up, shut up.
I-It's decided
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28. we're watching another one.
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29. Ah, I love that
it does that, too.
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30. Another thing I don't
have to think about.
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31. You know what I mean? I-I...
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32. What I am thinking about,
though, is the fish and chips.
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33. The fish and chips.
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34. - These snacks aren't cutting it.
- Where's Frank?
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35. - I want substance.
Where is Frank?
- Need something hearty.
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36. - He supposed to be here...
- It is weird how, when
you watch stuff like this,
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37. you feel like you want
to eat like the British.
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38. Constantly want to eat like...
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39. - Cop! Cop!
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40. - All right, fine.
- I'm filming this!
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41. - Hey, hey, hey. Calm down!
- I didn't do it...
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42. I came in to tell you there's
a suicidal man on the roof.
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43. He's threatening to jump.
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44. - We have nothing
to do with that!
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45. Right. Well, the police
are handling it,
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46. but I need you to sit tight.
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47. No one can enter
or exit the building
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48. until the situation is resolved.
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49. - Oh...
- Okay. Thank you, ma'am.
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50. Thank you
for your service.
Yeah, we love,
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51. - we love the police.
- Go blue.
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52. - Blue-Blue Lives Matter,
Blue Lives Matter.
- Sh-Shit, man.
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53. You guys know
what this means, right?
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54. What?
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55. We're not gonna get
our fish and chips.
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56. Shifting gears now,
we have reports
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57. of a developing situation
at Paddy's Pub.
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58. - Oh, that's us. There we are.
- Hey. All right, there we go.
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59. - We're on TV. Oh, my God.
- That's our bar.
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60. A man by the name
of Bryan O'Brien
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61. is threatening
to jump off the roof.
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62. "Bryan O'Brien."
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63. - I'd kill myself, too,
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64. if I had that clown's name.
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65. You literally have
the name of a clown.
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66. - That's true, you do.
- All right, you know what?
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67. This is moving a little
too slow for me.
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68. Let's-let's-let's click it back
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69. - over to the show, yeah?
- Yeah!
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70. Uh, whoa, h-hold on
a second, Dennis.
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71. Uh, this guy's gonna commit
suicide off of our roof.
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72. I mean, shouldn't
we do something?
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73. - Us?
- Us do something?
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74. - Why would we...?
The cops are handling it.
- Yeah.
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75. Well, yeah, but I mean, look,
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76. if he actually goes through
with it, that's a mortal sin.
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77. I mean, maybe God is testing us.
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78. He's not gonna do anything.
This is a classic cry for help.
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79. If the guy actually
wanted to off himself,
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80. he'd hop into a warm bath
and he'd do the old...
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81. You know? North, south.
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82. Hmm?
- Hmm?
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83. He'd go "down the road"
instead of "across the street."
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84. You know what I mean?
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85. - I don't know what you mean.
- I have no idea what you mean.
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86. The proper way to slit
your wrist is take a knife
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87. and, ideally, you go from
metacarpal straight to bicep,
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88. - connecting with the artery
the entire time.
- Oh, man.
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89. - Oh, you've done research.
- Ugh.
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90. - That is the most
pathetic thing, Dee.
- No, I... I-I'm not talking—
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91. we're not talking about me.
We're talking about him.
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92. - Are we not? I think we're...
We are now.
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93. Okay, you know what?
The point is, I'm just saying,
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94. the man has no intention
of offing himself, all right?
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95. - This is a pathetic
attention grab.
Yeah, well,
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96. it-it doesn't matter if he wants
do or he doesn't want to.
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97. He's not gonna die
falling from that height.
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98. Whoa. Hard disagree, pal.
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99. You could absolutely die
if you jump from that height.
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100. What? Dude, it's like
three stories.
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101. It's like basic science,
you know, like...
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102. Uh, oh, I'm sorry.
Let's not bring science into it.
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103. Okay? I mean,
this is life or death.
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104. This is God's territory.
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105. - All right? I mean,
there is no science.
- All right.
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106. What do you mean— what do you
mean "there is no science"?
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107. I mean, you were just talking
about how much you love
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108. science and math for predicting
your television shows.
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109. The— wh-why do you not like it
in this scenario?
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110. Like, uh— do you either
believe in science
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111. or you do not
believe in science?
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112. I am an American! I can
believe in whatever I want...
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113. - I am also an American.
Okay, though?
- ... in any given moment
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114. based on what the argument
I'm trying to make.
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115. - That is not an argument.
- Okay? You are not
a true American, Charlie.
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116. - I'm more American
than you will ever be!
- You s...
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117. Oh, whoa, whoa, whoa.
Simmer down, guys.
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118. S— just simmer down, calm down.
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119. All right?
Dee, stop being so emotional.
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120. Okay? So, guys,
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121. I think I have a way
that we can solve this argument
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122. without human emotion
mucking it all up.
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123. What we need is an algorithm.
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124. Now, guys, we are living in
a data-driven world, are we not?
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125. Yeah!
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126. So this is my Behavioral
Predictor algorithm.
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127. - Oh. There's words. Okay.
- Mm.
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128. - So, first we have: "Could he?"
- No way, uh-uh.
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129. - Then "Would he?"
- Nah. Cry for help.
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130. Mm-hmm.
- And "Should we?"
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131. - Yes.
Guys, please.
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132. Shut the hell up!
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133. I don't need your opinions.
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134. Okay? 'Cause based
on the analytical conclusions
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135. that we draw here,
we're gonna be able to come up
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136. with a mathematically-accurate,
non-emotional answer
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137. to all of our questions.
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138. Okay? We just need
to think like a computer.
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139. Oh...
Oh.
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140. - Like a computer does.
I-I'm getting it now.
- Okay.
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141. Exactly. So why don't we start
with "Could he?" Charlie?
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142. - Okay, great.
- Do the thing.
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143. All right. So, what we have here
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144. is I made a little Paddy's Pub.
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145. - All right.
- Ah.
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146. And-and you got
the, uh, the jumper?
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147. Uh, I do. I do.
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148. Uh, luckily I brought
an egg to work today.
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149. - Oh! Look at that guy.
- All right,
so when the guys falls,
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150. we'll be able to tell,
based on the breakage,
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151. what would happen
to the jumper when...
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152. - I think he's gonna smash.
- Y-Yeah, okay.
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153. - Here we go.
- So, he's up here
and he's saying, "Oh,
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154. - I feel so sad. Life is so..."
- Oh, yeah.
- Oh.
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155. - Yeah, Dee, what would you say
in this situation?
Well, I don't think
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156. he's sad, I think he's happy
to get off this merry-go-round.
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157. Oh, my God.
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158. - That's so pathetic.
I'd never... I would never...
- That you would know that.
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159. - You've thought about it.
- You asked me a...
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160. - You had that in the chamber.
- I'm talking about the egg.
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161. - Here he goes. "Goodbye, world."
Goodbye.
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162. Oh.
Okay.
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163. So I think he'll break a leg,
but, you know...
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164. - Mm-hmm.
- ... he'll be okay.
Hmm.
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165. If I'm being honest,
I was hoping his entire skull
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166. - would just explode.
Right.
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167. I think we all were, Mac.
We were hoping
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168. - for a bit
of an explosion. Yeah.
- Uh-huh.
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169. Yeah, but I think what we
learned is that there's no way
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170. that the jumper's gonna die
from this height.
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171. You know? So there's no reason
for us to do anything about it.
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172. Uh, I don't know about that, b—
I think the problem is, is that,
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173. you know, an egg,
I-in this particular case,
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174. a-a hard-boiled egg,
it's not really
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175. an accurate representation
of-of the human head
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176. - and how it would behave
under a fall.
- Yeah, that's true.
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177. Now, Charlie,
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178. do you happen to ha—
I know you've got more eggs...
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179. - Yeah...
- Do you happen
to have an uncooked one?
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180. Ugh. No. Unfortunately,
that was the only one I found.
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181. Found? What does that mean?
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182. Goddamn it, Dee,
are you eating my egg?
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183. Well, yeah. I got hungry.
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184. - Oh...
- Uh, we never got
our fish and chips.
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185. You bitch. That was
the only one in the nest.
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186. Nest? What? Charlie,
where did you get this egg?
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187. Where'd you get
the egg?
- And why are you going around
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188. stealing eggs
from goddamn nests in trees?
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189. Well, it wasn't in-in a tree,
it was in a hole.
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190. Oh, no...
- Yeah. I mean,
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191. - it's, like, a rat's egg
or something.
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192. - Can we get back to the task
at hand here? All right?
- Okay.
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193. Dee's eaten some sort
of a rat or a reptile's egg...
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194. - ... of some kind,
or whatever it is, but...
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195. - Yeah.
- ... either way,
we got to find something
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196. that accurately represents
the human head, all right?
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197. Otherwise, we're not gonna get
the explosion that we want.
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198. Oh, you know what,
I might be able to get
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199. Frank's secret casaba melon.
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200. Mmm. Hmm?
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201. Why does Frank keep
a casaba melon in the safe?
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202. Hmm? I don't know,
but he flips out
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203. if I go anywhere
near the thing.
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204. Has he cut a hole in the rind,
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205. and then put it back on,
like a plug?
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206. - Oh, yeah.
- Oh.
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207. - Yeah, there's a little...
- You guys think he's
having sex with it?
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208. - Well... yeah.
- He's definitely
having sex with it.
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209. - Oh, that's...
- Prob-Probably is.
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210. - Yeah.
- Probably is.
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211. - Yeah.
- Hello.
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212. Hey, guess what.
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213. There's a guy stuck
on the roof of Paddy's.
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214. Oh, no, he's not stuck,
he's a jumper.
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215. A jumper? You think you could
die from that height?
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216. Uh, well, inconclusive. Yeah.
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217. We'll have an answer for you
on that real soon.
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218. Speaking of which,
we need your casaba melon.
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219. We're gonna run a smash test
on it.
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220. Whoa, hold it.
What, what, what?
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221. Stay away from my stuff.
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222. Don't put your hands
near my casaba.
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223. Yeah, hey, man, why do you have
a-a casaba melon in a safe?
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224. You-you banging it?
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225. It's none of your goddamn
business, Dennis.
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226. - None of your goddamn business!
- Banging it.
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227. - Yeah.
- Yeah.
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228. Damn it, I got to get in there.
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229. Damn it.
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230. Dennis is touching my melon.
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231. No. I got to get in there.
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232. Sir, move back.
This area's cordoned off.
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233. There's a jumper on the roof.
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234. You don't understand.
It's my son.
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235. He's gonna do something
really stupid.
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236. I got to get in there.
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237. Oh, your son?
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238. - Yeah.
- Come with me, sir.
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239. - Okay.
- Step aside, please.
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240. Ladies and gentlemen,
please keep a safe distance
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241. - around the perimeter.
- All right, here we go.
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242. Oh, okay, now, I think
this is finally gonna give us
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243. that explosion
we've been craving.
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244. Well, yeah.
Now, if we see splatter,
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245. that's gonna prove that he could
die by jumping, so yeah.
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246. Okay, ready? Here we go. Five...
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247. Four, three,
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248. two, one, ho...
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249. Cricket!
Cricket!
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250. - Cricket.
- Where did you come from?
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251. I was up on the roof
getting eggs from a nest.
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252. What the hell?
Come on, man.
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253. Yeah, yeah, well,
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254. I checked the hole,
but it was empty.
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255. - Oh, I got the one in the hole.
- The hole.
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256. Hey, you know that you guys have
a guy up on your roof?
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257. - Yeah, we know.
- Oh, yeah, yeah.
There's a guy, there's a jumper.
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258. Guys, why the hell
are you wasting
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259. a perfectly good casaba melon?
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260. We're trying to figure out
if the guy could die
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261. from falling off our roof, so...
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262. Oh, no way. No.
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263. I've fallen off buildings
before; I never die.
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264. And look at me.
I'm doing great.
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265. Yeah, but you're not really
a trustworthy
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266. control group, Cricket.
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267. I mean, you know,
you're sort of subhuman
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268. at this point, you know.
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269. - For sure.
- I don't know how
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270. to squeeze that one
into the algorithm.
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271. Hey, I'm just going to, uh, take
the casaba and head on out.
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272. No, you're not, Cricket.
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273. - Get out of here, street rat.
- Go!
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274. - Get out! Go.
- Fine.
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275. Go get high in the bathroom,
or whatever.
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276. Cricket actually just made me
realize something.
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277. We already have data
for this situation.
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278. Maureen Ponderosa.
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279. Now, she died from falling off
a much shorter building.
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280. - Yeah, but you pushed her.
- No, no, no,
they never proved that.
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281. That was never proven.
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282. It was never even proven
that she was pushed. Okay?
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283. But it was,
I have to say, fortunate
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284. that she landed on her head,
you know.
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285. Or at least he certainly
made it look that way.
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286. - He pushed her.
- Yeah, he pushed her.
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287. No, I was following
your threads.
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288. Come on, you guys are nuts,
all right.
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289. Li-Listen, the point is,
it's all about
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290. how this guy falls, okay.
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291. 'Cause if he falls feet first,
he might break a couple bones,
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292. sure, but he-he'll be fine,
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293. he'll survive,
you know what I mean?
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294. That'd be more of a cry
for help, right?
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295. - Wouldn't you say, Dee?
- Oh, absolutely. Yeah.
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296. - So sad that you know that.
- Stop!
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297. But if the guy falls head first,
now that'd be a death jump.
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298. Right? So the answer
to the question
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299. "could he die from jumping?"
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300. Yeah, absolutely,
if he did a death jump.
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301. Okay, you're right.
It's how he falls.
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302. Exactly, exactly.
But the question still remains:
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303. would he jump,
would he do it at all?
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304. And for that we need to
understand his state of mind.
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305. And for that, we got to
go back to the algorithm.
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306. All right, so how does one
go about figuring out
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307. what another human being
would do?
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308. Right? How do you truly get
to know someone?
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309. - Just go through their trash.
- Sleep with them.
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310. - Oh.
- Uh, talk to their priest,
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311. then sleep with their priest.
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312. Then blackmail the priest.
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313. Then go back to the priest
and ask him to ask God
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314. to forgive you
for blackmailing him.
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315. No. No.
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316. You just, uh...
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317. We're just gonna pull up Bryan
O'Brien's social media page,
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318. and we're gonna comb
through that for any
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319. pertinent information
on his life.
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320. Okay, so from what
I'm seeing here,
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321. he looks like
a pretty normal guy.
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322. Yeah, it looks like
he likes to travel.
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323. He was recently on a cruise.
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324. Lot, lot of pictures of food.
I love that.
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325. Oh, I love that.
Oh, I love that.
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326. Don't you love that?
- 'Cause I know what I ate.
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327. I don't know—
I want to know what you ate.
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328. It's a good reminder
that food is a thing.
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329. Yeah, exactly. Right.
- You know what I mean?
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330. - Yeah, yeah, yeah, yeah.
- Okay, so it looks like
he's got a lot to live for.
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331. - He's eating food.
- Mm-hmm.
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332. Or-or-or is he?
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333. Because is— is that just what
he wants you to believe?
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334. You know, because we all know
that on the surface,
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335. social media... it's a lie.
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336. All right, so let's dig deeper,
shall we?
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337. Now, clock the amount
of baseball caps
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338. this guy's wearing,
and with the tucked-in shirts,
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339. it's a bit of a juvenile look
for a man his age,
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340. wouldn't you say?
I mean, he's hardly a child,
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341. but he's still hanging on
to his youth.
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342. That suggests to me that maybe
he's got some daddy issues.
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343. - Mm-hmm.
- Abandonment, abuse.
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344. Plus, he gave him a comical
name, like Mac's dad did.
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345. - His dad hates him as much
as Mac's dad hates him.
- That's so sad.
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346. No, my dad loves me. That...
No, my name's an homage.
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347. - No, it's not.
He really doesn't.
- My dad's name's an homage.
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348. It's an homage
to a hamburger clown.
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349. But, uh, oh, look at this,
looks like he also, uh,
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350. just got back from a cruise,
alone, to mainland Alaska. Oh.
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351. - Lame.
- Where he met himself
an edgy woman
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352. at a conference,
and she introduced him
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353. to a whole new way of life:
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354. parasailing,
Chilean wines, a tattoo
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355. of Spider-Man.
Butt-eating...
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356. Butt-eating?
Where are you getting that from?
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357. Well... there's a certain glint
in the eye, you know, a sparkle.
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358. You can see that
in someone's eye?
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359. - Oh, Dee.
- I'm asking.
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360. - Have you been eating butts?
Of course she has!
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361. - Nasty!
- You are too much today, Dee.
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362. - I was clarifying.
- You're nasty.
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363. - Too much.
- I just was curious.
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364. But recently the girlfriend,
she's disappeared
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365. from his pictures,
which tells me that,
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366. uh, she probably broke up
with him, you know, because
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367. of all his father issues,
and 'cause he's an alcoholic,
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368. and because of the copious
requests for butt-eating,
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369. which, she was thinking
was more of a one-time thing,
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370. and he was thinking, this is
a thing now, like, from now on.
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371. You got him.
Nice work, man.
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372. - Yeah. Geez.
- That sums this guy up, I think.
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373. All right, guys,
so in summation,
Copy !req
374. algorithm-wise,
what have we learned here today?
Copy !req
375. - That Dee's
a nasty fucking slut.
- You are so nasty.
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376. - Okay, all right.
- You nasty!
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377. - Disgusting.
- Definitely, definitely,
but also that the poorly named
Copy !req
378. Bryan O'Brien most definitely
would kill himself.
Copy !req
379. - No-no-no...
- So has your son exhibited
this kind of behavior before?
Copy !req
380. What? Oh, yeah,
he's a real deranged person.
Copy !req
381. This kid's a real whack job.
Copy !req
382. I'm afraid he's gonna do
something really stupid
Copy !req
383. this time.
I got to get in there.
Copy !req
384. - I can't let you do that, sir.
- But-but, look, it might've been
Copy !req
385. my fault.
I mean, we had an argument...
Copy !req
386. I assure you
we're doing all we can.
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387. We're trying to talk to him now.
Copy !req
388. - So just stay put.
- But-but, hey...
Copy !req
389. Excuse me, sir,
I'm Jackie Denardo
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390. from Channel Five News.
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391. I hear you're the father.
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392. - I would love to interview you.
Copy !req
393. Baby, I'll do anything you want.
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394. My son is actually
a big fan of yours.
Copy !req
395. - Oh.
- I mean, it would
really get under his skin
Copy !req
396. if he knew I was
standing next to those.
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397. Uh, you. You.
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398. Okay, guys, now we are
on to "Should we?"
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399. Should we get involved in this
in any way?
Copy !req
400. Is it our moral obligation,
as Mac says,
Copy !req
401. to keep this man
from committing suicide
Copy !req
402. - and going to hell...
- What— I feel— I don't know.
Copy !req
403. I still think we just
better, like,
Copy !req
404. - let the cops do their jobs.
- Mm-hmm.
Copy !req
405. Mm, I don't know.
But we've already established
Copy !req
406. that this guy could die
and would jump,
Copy !req
407. so, I don't know, the chances
of the police getting in there
Copy !req
408. in time to-to stop this guy
are, uh, pretty slim.
Copy !req
409. And then we could be known
as a suicide bar,
Copy !req
410. and that's no good.
I don't want to be that.
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411. Yeah, kind of grim. I'd probably
take my business elsewhere.
Copy !req
412. You don't have business.
Copy !req
413. Oh! What, uh, what if you
lean into that, though?
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414. Right? Like, you don't make it
grim, but you make it playful.
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415. Like, we start to name drinks
after jumpers or whatever,
Copy !req
416. like, uh, The Last Call.
Copy !req
417. The Jump Shot.
Copy !req
418. - Lemon Drop.
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419. - Right.
- Oh. There you go.
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420. Cosmo-fall-itan?
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421. - Oh!
- Very good.
Copy !req
422. We could become, like,
a hot spot for jumpers.
Copy !req
423. You know? We'd put their
pictures up, all around the bar
Copy !req
424. - to immortalize them, you know?
Oh, yeah.
Copy !req
425. Turn them into martyrs.
Copy !req
426. That's cool. And we'd play
music. We'd play music.
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427. Uh, "Highway to Hell."
"Free Fallin'."
Copy !req
428. - "Free Fallin'."
Come on, man. That's...
- You know what we could do?
Copy !req
429. We could lean into, like,
a-a haunted, a haunted house
Copy !req
430. - kind of bar theme,
like... you know?
- Oh, well, I'm loving that.
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431. - Yeah, that'd get
my business back.
You don't have business,
Copy !req
432. - Cricket.
- You don't have business, guy.
Copy !req
433. Basically, what we've concluded
is that it would actually
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434. be good for the bar
if this guy jumps and dies.
Copy !req
435. Yeah? So the answer
to the question
Copy !req
436. of "should we get involved?"
is... is actually yes.
Copy !req
437. - Huh? Why, though?
- Yeah, but-but
Copy !req
438. if-if we stop him, that would be
bad for the bar, right, Dennis?
Copy !req
439. W-Well— No, that's not
what I'm saying, though.
Copy !req
440. More importantly, that's not
what the algorithm is saying.
Copy !req
441. You see, we've already
established that this guy wants
Copy !req
442. to die and that it would
actually benefit our bar
Copy !req
443. if he dies.
Copy !req
444. Now, of course,
from an emotional standpoint,
Copy !req
445. we feel as though
we should get involved,
Copy !req
446. we feel as though
we should save this guy,
Copy !req
447. but the algorithm
is actually telling us
Copy !req
448. that that does not
benefit anybody.
Copy !req
449. - Hmm.
- The algorithm is telling us,
Copy !req
450. mathematically, scientifically,
Copy !req
451. that this guy could die,
wants to die,
Copy !req
452. and that we should
help him do it.
Copy !req
453. That's just math.
Copy !req
454. - Oh.
- Hmm.
Copy !req
455. Well, it still feels
a little weird,
Copy !req
456. but feelings are irrelevant
in the face of facts.
Copy !req
457. - Yeah.
- Is that what I'm hearing?
Copy !req
458. The feelings— feelings
just get in the way.
Copy !req
459. Now, but here's-here's
the only thing, though.
Copy !req
460. Like, if we were gonna do
something like this,
Copy !req
461. - like...
- Mm-hmm?
Copy !req
462. you know, how would we do it?
Copy !req
463. Like, in the right way?
Copy !req
464. - Do we need to do another
algorithm to figure this out?
Eh.
Copy !req
465. - Nah, I'll push him.
Huh?
Copy !req
466. What's that?
Copy !req
467. Yeah. I'll push him
off the building.
Copy !req
468. I don't give a shit.
Copy !req
469. - This is such a difficult
situation for any parent.
- Yeah.
Copy !req
470. If you could, would you like
to say anything to your son?
Copy !req
471. Oh, yeah. Look, you think
you can do whatever you want,
Copy !req
472. but what's mine is mine.
Copy !req
473. You don't have a call.
Copy !req
474. If I want to bang it,
I'm gonna bang it.
Copy !req
475. Not that I am banging it,
but I could.
Copy !req
476. And if it doesn't
splatter to bits,
Copy !req
477. I'm gonna bang it later.
Copy !req
478. Because it's my property.
Copy !req
479. And what I do with my property
is my business.
Copy !req
480. - You got that?
- I-I'm sorry to interrupt,
Copy !req
481. but we have breaking news.
Copy !req
482. - Eh.
- I've gotten word
Copy !req
483. - the jumper is coming down.
- Oh.
Copy !req
484. I've been told he found out
his estranged father is here
Copy !req
485. - and he wants
to come down and talk.
- Whoa, whoa, whoa. He's call...
Copy !req
486. - He's calling me strange?
- Wait, wait...
Copy !req
487. You don't know what
this sicko kid has done.
Copy !req
488. Okay, Cricket, uh,
here's a broom.
Copy !req
489. You probably sneak up there,
give him a little nudge,
Copy !req
490. and, uh, you know,
don't let anyone see you
Copy !req
491. - commit the murder.
Whoa, uh...
Copy !req
492. Guys, can-can
we just not call it a murder?
Copy !req
493. Let's try to think of it
more analytically,
Copy !req
494. more mathematically.
It's sort of like a deletion.
Copy !req
495. You know? Like hitting
Control-Alt-Delete.
Copy !req
496. Bloop. He's in the trash.
Copy !req
497. - Oh, that's all it is, right?
I like that.
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498. - That works for me.
- Uh-oh.
- Blip. He's gone.
Copy !req
499. Breaking news right now.
Uh, there's some clarification.
Copy !req
500. The jumper did not jump.
He did not jump from the roof.
Copy !req
501. He is coming down the stairs.
Copy !req
502. G— oh, dude, that's...
What a gyp.
Copy !req
503. - Yeah. Yeah.
- We were gonna—
we had a good plan.
Copy !req
504. Can I say something, though?
I think this is for the best.
Copy !req
505. Right.
Copy !req
506. - You know what I mean?
- Probably.
- That's not the algorithm...
Copy !req
507. - Right.
- Like, we were going down a road
Copy !req
508. - I was not totally
comfortable with.
Ooh, ooh, ooh.
Copy !req
509. You guys want to go back
to watching our show?
Copy !req
510. - Let's get back to our show.
- Right?
- The show.
Copy !req
511. - All right.
- Why are we watching this stuff?
Copy !req
512. - Okay. Yeah, okay.
- The guy didn't even jump.
Copy !req
513. That's boring.
Copy !req
514. Chet, what we are about
to witness here
Copy !req
515. is a father being reunited with
his son after a harrowing day.
Copy !req
516. - Here he is now.
- Yeah. Hey...
Copy !req
517. This isn't my dad.
Copy !req
518. That's not Dennis.
Copy !req
519. I thought you said
you were the dad.
Copy !req
520. Not of this sad sack.
Copy !req
521. I'm sorry, kid.
Must've been a mix-up.
Copy !req
522. I got distracted
by the reporter's bagonzas.
Copy !req
523. Speaking of melons,
there's a casaba
Copy !req
524. with my name on it in there.
Copy !req
525. Dear Anna, our time apart only
makes my heart grow fonder.
Copy !req
526. - In the dead of night...
Oh!
Copy !req
527. Hey, you got our fish and chips?
Copy !req
528. - Ate 'em.
Uh...
Copy !req
529. - You ate 'em?
- Wow.
- Hey, wait, wait.
Copy !req
530. - Where's my melon?
Where's my casaba?
- Oh...
Copy !req
531. It's right here, man. Why do you
care so much about this thing?
Copy !req
532. - What is the deal?
- Ah...
Copy !req
533. Yeah, what is
the deal with that?
Copy !req
534. - Ugh.
- Oh.
Copy !req
535. - Ah...
- Oh, God.
- Ugh!
Copy !req
536. It's where I stash my Maui Kush.
Copy !req
537. - You hide your weed
in a casaba melon?
- Yeah.
Copy !req
538. In case the cops
ransack the place,
Copy !req
539. you got to find a good,
unsuspecting spot
Copy !req
540. to stash your drugs.
Copy !req
541. Pot's pretty much legal now.
Copy !req
542. You don't really have
to stash it anywhere.
Copy !req
543. I-I don't think
you have to hide it, man.
Copy !req
544. When did that happen?
Copy !req
545. - Can you move?
You're blocking our show, man.
- Yeah.
Copy !req
546. - Come on, man.
You're blocking the show.
I didn't know that.
Copy !req
547. What? You're still watching
that British show?
Copy !req
548. I mean, that's a bunch of crap.
Copy !req
549. - It stinks.
- Uh...
Copy !req
550. Uh, well, no, actually,
Copy !req
551. the algorithm told us
that we like it.
Copy !req
552. - Yeah. Yeah.
- Yeah. And-and, um...
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553. - Yeah.
- I don't. You know what I mean?
Copy !req
554. Like, I can't follow what
they're saying most of the time.
Copy !req
555. Thank you for saying that.
I find it very boring.
Copy !req
556. - Okay, now, I...
- It is boring, right?
Copy !req
557. I hate the plot
because it's absurd.
Copy !req
558. The plot is ridiculous.
Copy !req
559. - Right? The scullery maid?
- And their teeth,
Copy !req
560. I find them hard to look at.
Copy !req
561. The teeth are a little bit
of a mess, but mathematically
Copy !req
562. - we're supposed
to like the show.
Uh, yeah,
Copy !req
563. I know, but mathematically
Copy !req
564. we were supposed
to kill a man today.
Copy !req
565. Maybe that's, like,
part of the problem
Copy !req
566. of, like, taking the humanity
out of decisions.
Copy !req
567. Perhaps the science
just isn't there yet.
Copy !req
568. Hey! Where did we land
on the casaba?
Copy !req
569. I-I think you can eat it, man.
I think we're done with it.
Copy !req
570. Yeah, we're done.
- Yeah.
Oh!
Copy !req
571. - Yeah, baby.
Eh.
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572. I wouldn't eat it, Cricks.
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573. It's full of loads.
Copy !req
574. Captioned by
Media Access Group at WGBH
Copy !req
575. Thank you
for joining the focus group.
Copy !req
576. I just want to say thanks
to the suits back there
for allowing us to be here.
Copy !req
577. He thinks that's
a two-way mirror.
Copy !req
578. - Dee, did you just scale up
the side of the building?
- Free soloed!
Copy !req
579. You gotta beef up security.
You know how easy it was for me
to get in that window?
Copy !req
580. What kind of people do you think
you're gonna attract with that?
Copy !req
581. Young bohemians
with no sexual boundaries.
Copy !req
582. All-new Sunny.
Copy !req
583. Wednesdays at 10:00 on FXX.
Copy !req
584. Oh, my God!
Ooh.
Copy !req
585. Look at
these hardwood floors!
Copy !req
586. - I'm cold.
- It's not cold. Just come to me.
Copy !req
587. - I'll keep you warm, I promise.
- Fine.
Copy !req
588. AHS 1984.
Copy !req
589. All new,
Wednesdays at 10:00 on FX.
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