1. dd
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2. Yo! You're too slow.
Isaac, Tootie, get him out of here.
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3. But you don't understand,
I'm the Executive Producer of this show.
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4. We got a thing goin'
on here. I don't know...
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5. He's cool, he's cool.
Leave him.
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6. All right, so anyway, the chicken
crossed the road, right?
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7. Anybody know why the chicken
crossed the road?
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8. To get to the other side.
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9. Look, uh, Shawn, we got
a show to do, okay? Can we...
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10. Wait a minute.
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11. He says you're needed
on some show.
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12. Mr. 1 says "chill."
He'll be up there when he's ready.
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13. Oh, well, you tell Mr. 1...
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14. that sooner or later he's gonna
have to go home with me.
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15. Now he's ready.
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16. Bye, Shawn.
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17. See you after the show.
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18. d You can do what you wanna do d
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19. d In living colord
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20. - d In living colord
- d You know what I'm sayin'd
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21. d You can do what you wanna do d
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22. - d In living colord
- d In living colord
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23. d You can walk on the moon
Float like a balloon d
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24. d You see, it's never too late
and it's never too soon d
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25. - d Take it from me it's a'ight to be d
- d In living colord
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26. d And how would you feel knowing
prejudice was obsolete d
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27. d And all mankind danced
to the exact beat d
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28. - d And at night it was safe
to walk down the street d
- d In living colord
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29. d You can do what you wanna do d
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30. d In living colord
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31. d In living colord
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32. d You can do what you wanna do d
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33. - d In living colord
- d In living colord
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34. d Everybody here
is equally kind d
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35. d Everybody here
is equally kind d
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36. d Everybody, everybody
everybody, everybody d
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37. - d Everybody here is equally kind d
- d In living colord
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38. d What's mine is yours
and what's yours is mine d
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39. d In living c-c-c-olord
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40. d You can do what you wanna do
in living colord
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41. - d In living colord
- d You know what I'm sayin'd
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42. d You can walk on the moon
Float like a balloon d
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43. d You see, it's never too late
and it's never too soon d
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44. - d Take it from me it's a'ight to be d
- d In living colord
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45. d You can do what you wanna do
in living colordd
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46. - Ladies and gentlemen, SW1.
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47. We're very close
to signing Paula Abdul.
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48. It would be quite a coup.
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49. Oh, this is it, homey.
This is the green room.
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50. Is Madonna down here somewhere?
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51. I'm Madonna's manager.
She's on stage. Can I help you?
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52. The man himself.
Look here, homey.
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53. I'm Clavell.
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54. Now I know Madonna must have
mentioned me because we go way back.
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55. My cousin Boudreau delivered some flowers
to her guesthouse one time last year.
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56. Now look here. I heard Madonna's
been in town for a week...
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57. and she hasn't called me, you know?
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58. - Well, Madonna's very busy.
- Say what?
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59. Well, we all know how that can be.
I'm Howard Tipps III.
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60. I manage a group called Satern.
That's with an "E." S-A-T-E-R-N.
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61. Now I used to manage
a group called Stratus.
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62. Had to fire 10 horns,
but we got nine left.
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63. But here's the kicker.
We hired a brand-new bass player...
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64. Polynesian cat from Detroit.
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65. Funky as he wanna be.
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66. Let me give you one of our cards.
You know, I'm fresh out. Howard.
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67. Bam!
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68. All right now.
Check this out.
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69. Don't pay any attention
to the drapes and fixtures, all right?
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70. My number's here on the back, all right?
I'm stayin' with Moms.
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71. Don't call after 11:00 p.m.
Not that you couldn't...
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72. but it's a respect
type of thing, all right?
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73. That's great. Uh, if you'll excuse me,
I'm supposed to meet Tina Turner upstairs.
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74. Is Lil T in town,
'cause she hasn't called me, you know?
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75. Ike hasn't called either,
but that's another story, another life.
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76. - Stop it!
- Great. Uh, see you later.
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77. When my hair gets straighter.
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78. Hello, Sunshine.
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79. You know, I didn't know
angels could fly so low.
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80. Clavey, give me a shot of insulin,
'cause I'm about to go into sugar shock.
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81. Girl, you are the sweetest thing.
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82. Howard Tipps III.
That's spelled three-R-D.
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83. And I'm Clavell, that's with a "C."
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84. Let me give you one of my calling cards.
You know, I'm fresh out. Howard.
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85. Bam!
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86. All right, now, check this out.
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87. Pay no attention to that sign language
stuff on the front, all right?
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88. 'Cause that's not what
we're all about, okay?
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89. But, look here, not that
we ain't down with the deaf. Get it?
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90. Now, this is B.D.'s beeper number, all right?
You can call me anytime.
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91. I don't think my husband
would approve.
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92. Bam! In reverse!
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93. Not that we're cheap
or anything like that.
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94. But it's about that whole
big recycling thing, you know?
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95. Excuse me.
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96. - Salmon!
- Cakes.
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97. Ahh!
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98. Excuse me, are you
in this agent business?
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99. - Actually, I'm a film producer.
- Right.
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100. Ain't that a blip?
'Scuse me, but we are too.
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101. You probably heard of us...
Funky Finger Productions.
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102. You know our callin' card,
the scratch and sniff one.
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103. - N-No, I haven't heard of you guys.
- Well, look.
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104. I'm on the creative end
and Clavey handles the business.
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105. He's got a lot of experience... Amway,
Herbal Life and, dig this, Dick Gregory.
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106. We gots to be down with the brothers,
you know what I'm sayin'.
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107. But here's the kicker.
You remember them little sea monkeys?
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108. I'm gonna bring 'em back, homey, only this
time I'm puttin' little cowboy hats on 'em.
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109. - What does that have to do
with producing movies?
- You don't get it, huh?
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110. We take the profits from the sea monkeys
and dump 'em into our movie.
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111. Now, look here.
Already shot the trailer.
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112. Bam!
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113. Calm yourself. This is on camcorder,
but this sucker really cooks.
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114. Now, look here.
We call this Penitentiary Four.
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115. But dig it, you put your ducats down,
call it anything you want!
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116. 'Scuse me, baby. I'm sorry.
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117. Oh, look here, this is a problem.
The lens cap was on.
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118. All right, you ready?
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119. Clavey, let me finish up frying up
this here baloney, all right?
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120. How many times I've got to tell you I'm on
a budget? Now go ahead on and start.
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121. - Oh, right.
- All right, go ahead. Kick it.
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122. - Give it up, y'all.
- Action. That's action, Clavey.
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123. Oh, l-I'm sorry. Actionini.
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124. Here we go. Now, I been in
this penitentiary three times already...
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125. so I guess that makes this
Penitentiary Four.
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126. - Now what's that booger
on the side of yo cheek?
- That's a scar.
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127. And lookin'good too. Sorry. Now, tell me
one more thing. What's this button here do?
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128. Now that spells big bucks.
What do you say?
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129. Oh, you-you speechless?
Well, let me give you the kicker.
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130. Look here. What we tryin' to do is kinda
combine Blacula meets Coffy.
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131. Now you know what that spells...
more ducats in the hip pocket!
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132. - You know?
- Excuse me, I gotta go.
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133. - He's not down.
- Well, his loss, our gain.
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134. - Dig that.
- Those are the guys.
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135. Hey, y'all, party over here!
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136. I told you Madonna
would be down with us.
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137. You, guys? Weren't you in
Sister Sledge's green room yesterday?
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138. - Oh, yes.
- Oh, is the Sister in town,
'cause she hasn't called me!
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139. Look here. You're probably here
to move my Torino.
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140. Now this key is for
my crib in El Segundo.
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141. It's in foreclosure, but that
ain't nothin' but a business deal.
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142. - Give him a card, homey.
- Bam!
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143. At this season's
international fashion show in Paris...
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144. Iraqi fashion designer
Macbar Al Fakar...
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145. took top honors but also
his life in his own hands...
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146. when he revealed his radical new line
updating traditional garments...
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147. which had not been altered
for thousands of years.
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148. This year, Fakar has taken
daring risks with hemlines...
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149. sometimes revealing
almost an entire ankle.
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150. The beauty of Fakar's designs
is that they can be worn anywhere.
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151. Actually, Fakar explained
they must be worn everywhere...
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152. at all times, according to law.
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153. Fakar also gave
a tantalizing preview...
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154. of what they'll be wearing on
the Iraqi beaches this season.
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155. That is, what they would be wearing
if they were allowed on the beaches.
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156. The designs of Macbar Al Fakar...
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157. keeping Iraqi women one step ahead,
but always three steps behind the men.
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158. This is Elsa Klutch with another
Style Minute for Fox News, Paris.
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159. - You know, we do whatever
we do to survive, brother.
- Drop it.!
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160. dd
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161. dd
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162. dd
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163. Children, the first act
was simply wonderful, wonderful.
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164. Just be sure to speak clearly, okay?
And Edna Louise?
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165. Edna Louise, you come away from that
fire alarm for the fifth time today!
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166. - Mrs. Keegan, I cannot possibly play the sheep!
- Why not?
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167. - Because I have an ocasa
calack adilelaaaa phobia.
- Ooh! What's that?
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168. It's a fear of wearing a stupid
old, smelly sheep costume...
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169. when you really should
have been a princess.
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170. Okay, well, if you're not feeling well, I guess
we'll just have to call your mother then.
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171. Oh, you know something.
It's amazing! I'm cured!
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172. Parnell, there'll be
no more spitting from you.
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173. I'm not spitting! I happen to have
a severe alignment problem...
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174. that makes it difficult for me
to contain my saliva.
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175. Yeah! In other words,
you've got Bucky Beaver bite!
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176. I do not, Edna!
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177. Edna Louise, you stop it!
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178. - Okay, mean old witch.
- What did you say?
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179. I said, " Whatever you wish,
Your Royal Highness."
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180. Children, we have five more minutes, okay,
so if you have to go, go now.
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181. - Go where?
- To the bathroom.
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182. Made you look, made you stare,
made you eat your underwear.
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183. Oh, you shut up, Edna Louise.
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184. Hey, you know what, Tammy?
I'll gonna do you this big favor, see.
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185. I'll let you be the beautiful sheep
and I'll just be the dumb old princess.
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186. - Go away evil, ugly Edna.
I don't wanna be a stupid sheep.
- Oh, yeah?
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187. - Well, I know a secret about you.
- No, you don't!
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188. - Yes, I do!
- No, you don't!
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189. Yes, I do! Infinity!
You're adopted!
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190. I am not!
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191. - Yes, you are!
- No, I'm not.!
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192. Yes, you are! I saw your picture on...
America's Most Adopted.
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193. And, um, and if you go out there,
the whole audience will recognize you...
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194. and, uh, see, if you're the sheep
then they won't see you.
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195. You shut up, Edna Louise!
That's not true!
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196. Hey, don't take it so hard.
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197. - Ha ha ha, Edna.
- You.
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198. - I told you.
- Nobody wants to...
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199. You better stop...
You're never gonna...
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200. Parnell, how many times have
I told you that's impolite.
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201. She was the one.
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202. And you, miss, you better learn
how to behave yourself.
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203. - Whatever you say, pruneface.
- What did you say?
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204. I said, " Oh, wow,
I love the human race!"
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205. Children! We have about
five more minutes.
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206. We're getting ready to start the show
right now. Please come in.
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207. dd
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208. Baa! Baa!
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209. I am the beautiful princess...
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210. and... and I'm adopted!
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211. Aha! You evil witch...
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212. your plan has been foiled!
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213. And I, the true princess
of the kingdom...
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214. must come here
to claim my love...
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215. Farmer Brown...
played by Parnell.
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216. Hey, uh, Parnell, you're on.
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217. Way to go, Barfasaurus!
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218. - Oh, my true love...
- You're wreckin' the whole production.
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219. Parnell, just say your lines.
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220. I am a farmer...
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221. and I have come to-to, uh...
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222. - I've traveled very far.
- I've traveled very far, 'cause...
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223. Now I must kiss
the beautiful princess, Edna Louise.
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224. Now I must kiss the beautiful prin...
Hey, I'm not supposed to say that.
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225. - Yuck!
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226. What'd you do that for,
Edna-Pedna-big-fat-Nedna?
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227. 'Cause I'm in love with you!
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228. That's the grossest, most vomit-like thing
that's ever happened. You are a vomitore.
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229. Yuck! I kissed a sheep!
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230. But, alas! I am not a sheep.
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231. I am a princess in sheep's clothing.
It's a miracle!
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232. They all lived...
They all lived happily ever after.
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233. - The end!
- Edna Louise!
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234. Thank you.
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235. Edna Louise, you come away
from that fire alarm!
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236. - dd
- It's time for
Buffed, Beautiful and Bitchin'...
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237. the at-home workout
with Vera de Milo.
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238. Hi, I'm Vera de Milo.
And thanks for tuning in.
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239. You know, before I learned
how to exercise properly...
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240. I was a poor excuse for a woman.
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241. Just look at those unsightly lumps of lard
protruding from my sternum.
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242. I was so weak and frail back then.
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243. I couldn't even tear
a telephone book in half.
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244. But I made that change
and you can too.
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245. So, let's get busy burning off
those bothersome bazooms.
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246. Girls, are you ready?
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247. All righty.
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248. - dd
- Let's start with a stretch... and down.
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249. Okay, now you try.
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250. See how those big breasts
just weigh them down?
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251. I'm tellin' ya, you can't float
'til you get rid of those sinkers.
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252. And now the shoulders.
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253. Come on, girls.
Oh, yeah, that's right.
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254. Uh-uh, that's right.
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255. Now, this one.
Just pull it and pull it.
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256. Really pull it. Really...
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257. Oh, wow!
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258. That's gonna be sore in the morning,
but it hurts so good.
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259. And you know what they say...
"No pain, no gain."
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260. Now, before attempting
any serious lifting...
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261. I can't stress enough the importance
of eating a healthy breakfast.
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262. Of course, I prefer mine
in concentrated form.
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263. Another advantage
of my at-home workout...
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264. is that there's no need
for investing in costly weight sets.
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265. With just a little imagination...
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266. a few hefty household appliances
will do just as well.
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267. Deidre, the secret to a strong,
flat championship chest...
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268. is breast bombardment
with maximum weight.
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269. Are you ready?
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270. - All righty!
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271. That's the spirit!
Show those mammaries no mercy!
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272. Hey, kids, it's time
for Vera's vanity table.
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273. You know, some women spend a lot
of money on lipsticks and glosses...
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274. to make their lips look fuller.
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275. I say you can get
the same effect naturally...
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276. with a nice, hot curling iron.
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277. - Watch.
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278. Of course, it helps to have
a high pain threshold.
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279. But believe me, when these babies
start to blister, look out Michelle Pfeiffer!
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280. Till next time... toodle-oo.
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281. dd
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282. d Come listen to the story
about the 'bros, Ice and Wiz d
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283. d Two homeboys from the streets
Who was always gettin'dissed d
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284. d They said California is
the place that's lookin'good d
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285. d So they found an empty truck
and they moved to Hollywood
Hills that is d
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286. d Tenderonies
and the fresh def cars dd
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287. Yo! Yo! Yo!
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288. - What's up?
- What time it is?
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289. - Yo!
- Yo! Welcome to the Homeboys
Shoppin' Network!
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290. That's right. I'm Wiz,
this is the Ice Man.
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291. Chillin'!
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292. That's right. Boy, we made
the big move to the woods.
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293. Hollywood, that is.
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294. Word! Now you seen it on TV
and thanks to us...
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295. you too can enjoy the lifestyles
of the rich and famous.
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296. That's right! For only $19.95...
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297. not only will you get maps
to the stars' homes...
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298. but blueprints and floor plans
of their security systems.
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299. And, as an added bonus...
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300. we'll throw in this here
key to the city.
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301. Yo! With this two-way
steel master key...
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302. no doors will be closed to you...
windows neither.
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303. That's right.
Show 'em the other stuff.
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304. - What other stuff?
- All that other stuff.
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305. - All right.
- Who says you gotta be in film to get an Oscar?
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306. Not anymore.
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307. That's right. Use any sharp object
to engrave your name here...
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308. - Bam!
- Then put it on the shelf...
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309. - Bip!
- The hood of your car...
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310. Or be the envy of your neighborhood
by wearin' this as a funky fresh medallion.
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311. There you go.
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312. But wait, wait, wait.
Hold it, hold it, hold it.
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313. - You say "Homeboy."
- What?
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314. - I say "Homeboy."
- What?
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315. - I say "Ho-Ho-Ho-Ho-Ho-Ho-Ho-Homeboy."
- What?
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316. - How can I have my picture taken with a star?
- Say it.
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317. No problem.
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318. I'm talkin' about a real star.
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319. No problem.
We got him right here in the bag.
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320. Help! Help!
Somebody help me!
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321. - You better hurry up.
- 'Cause this one puttin' up a major fight.
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322. - Stop!
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323. Yo! Takin' pictures
with the stars can be fun...
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324. - but let me ask you this, Wiz.
- Yes, Ice?
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325. How can I share some of that
there celebrity-type wealth?
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326. I'm glad you asked.
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327. - Simply get yourself a cut-out
of your favorite star...
- Uh-huh.
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328. Put him in a compromising position...
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329. then snap away.
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330. I guess Bo knows cross-dressin' too.
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331. Now you sell this here photo
to the National Enquirer...
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332. or just blackmail the celebrity himself.
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333. Either way you slice it...
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334. You two, down there, freeze.!
Stop what you're doing.!
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335. Sounds like Beverly Hills Cops 2.
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336. - Well, you know what that means.
- It's showtime.
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337. That's right.
We'll see you next week.
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338. - Same time, different star.
- Peace!
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339. We'll see you next week.
Good night.
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340. d You can do
what you want to do dd
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