1. d You can do what you wanna do d
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2. d In living colord
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3. - d In living colord
- d You know what I'm sayin'd
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4. d You can do what you wanna do d
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5. - d In living colord
- d In living colord
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6. d You can walk on the moon
Float like a balloon d
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7. d You see, it's never too late
and it's never too soon d
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8. - d Take it from me, it's a'ight to be d
- d In living colord
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9. d And how would you feel knowing
prejudice was obsolete d
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10. d And all mankind danced
to the exact beat d
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11. - d And at night it was safe
to walk down the street d
- d In living colord
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12. d You can do what you wanna do d
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13. d In living color d
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14. d In living colord
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15. d You can do what you wanna do d
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16. - d In living colord
- d In living colord
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17. d Everybody here is equally kind d
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18. d Everybody here is equally kind d
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19. d Everybody, everybody
everybody, everybody d
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20. - d Everybody here is equally kind d
- d In living colord
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21. d What's mine is yours
and what's yours is mine d
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22. d In living c-c-c-olord
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23. d You can do what you wanna do d
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24. d In living colord
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25. - d In living colord
- d You know what I'm sayin'd
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26. d You can walk on the moon
Float like a balloon d
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27. d You see, it's never too late
and it's never too soon d
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28. - d Take it from me, it's a'ight to be d
- d In living colord
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29. d You can do what you wanna do
in living colordd
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30. Ladies and gentlemen,
Keenen Ivory Wayans.
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31. Thank you.
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32. Thank you very much.
Welcome to the show.
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33. We got a great...
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34. We got, uh...
We got a great show tonight.
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35. Some great comedy,
some music. Um...
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36. And as always, we got...
the Fly Girls. Uh...
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37. You know, I'm a guy who really
believes in hiring his family.
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38. You know I have my brothers
and sisters on this show.
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39. But, um, no matter how much
you love your grandparents...
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40. never hire 'em as a boom operator.
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41. - Are you okay, Keenen?
- I'm just fine, Grandma.
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42. Just fine. We'll just let this be
the last week, okay?
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43. Up yours. I'm in the union now.
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44. SW1, kick it!
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45. d You can do what you wanna do d
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46. - d In living colord
- d In living colord
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47. d You can walk on the moon
Float like a balloon d
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48. d You see, it's never too late
and it's never too soon d
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49. - d Take it from me, it's a'ight to be d
- d In living colordd
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50. Oh, girl, you almost
gave me a heart attack...
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51. sneaking up on me like that.
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52. I ain't never seen you here before.
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53. Oh, hi, girl.
My name is Benita Butrell, mm-hmm.
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54. Been here in these
Hopkins projects over 18 years.
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55. You know, we've been having
a rash of robberies going on around here...
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56. so us concerned tenants decided
to organize this here tenant patrol.
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57. Oh, look!
There goes Easterly.
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58. She the one that suggested
I be the block captain.
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59. She like a sister to me.
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60. Easterly! Hey, Easterly!
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61. It's me... Beebee!
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62. Girl, I see why your mama
call you Easterly.
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63. With that perfume you're wearing,
smell like a basket of fresh Easter flowers.
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64. A basket of rotten Easter eggs
is more like it, mm-hmm.
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65. Girl think all she got to do is throw some
perfume on top of stank and everything's okay.
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66. Smells so funky,
you can smell her over the telephone.
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67. But I ain't one to gossip,
so you ain't heard it from me.
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68. No, you haven't. Mm-mm.
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69. No, you haven't.
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70. Oh, lookee there!
There go little Russell Thomas.
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71. I used to babysit him when he was
just a little, itty-bitty baby.
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72. Russell! Russell!
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73. Boy, your mama must be so proud of you.
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74. Give her my love. Hmm!
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75. If Miss Benita was just 15 years younger
and had all my strength...
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76. Lord knows what I'd do.
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77. I'd beat the crap out of that little hustler.
That's what I'd do.
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78. I notice you shook his hand.
You better count your fingers
and make sure they still there.
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79. That little addict's
so desperate for a fix...
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80. he'd steal the crack from your behind.
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81. But I ain't one to gossip,
so you ain't heard that from me.
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82. No, you haven't, mm-mm.
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83. Yeah, honey, the whole
neighborhood running scared.
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84. Woman over in Building 27
had a gold watch stolen last week.
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85. That's why you got to wear
your valuables on you, girl.
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86. You see this here?
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87. That's a real diamond there.
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88. Yeah, you know I got royalty in my blood.
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89. This diamond was passed down
from generation to generation.
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90. Used to be the size
of an ice cube, mm-hmm.
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91. Friends would call me Zsa Zsa Butrell.
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92. Then one day I was
heating up some neck bones...
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93. my diamond caught on fire,
and this was all I could save.
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94. But that's all right, honey,
'cause unlike these other project bunnies...
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95. I'm gonna have me something.
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96. That's right, 'cause I'm enrolled in
the Parker School of Rodent Extermination...
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97. and the Helicopter Pilots Academy.
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98. So Miss Benita's gonna have.
Mm-hmm.
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99. Oh, lookee there.
There go Peabody Scott.
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100. Yeah, Peabody Scott
from Building 92.
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101. See he got the whole brood
with him tonight.
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102. Peabody! P-P-Peabody!
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103. Boy, somebody ought to give you
the Father of the Year Award.
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104. Mm-hmm. We need more men
like you in these projects.
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105. Always got them kids out with you.
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106. That little one over there
got your personality.
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107. His personality and
the maintenance man's eyes.
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108. Damn fool.
Ain't one of them kids his.
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109. That last one came out looking
so much like the mailman...
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110. people were sticking
letters in his diapers.
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111. But I ain't one to gossip,
so you ain't heard that from me.
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112. No, you haven't.
So who are you here to see?
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113. Mrs. Jenkins? Oh, Lord!
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114. How come you didn't tell me
you were here to see Mrs. Jenkins?
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115. She like a mother to me.
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116. I love me some Mrs. Jenkins, honey.
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117. Don't nobody better say nothing bad
about Mrs. Jenkins...
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118. 'cause that's when Benita lose it.
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119. That's when Benita goes off.
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120. That's a fine woman.
Fine woman.
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121. Mm-hmm.
Just don't let her take her wig off.
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122. Head so bald, you can see her thoughts.
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123. But I ain't one to gossip,
so you ain't heard that from me!
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124. - No, you haven't.
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125. Miss Benita, Miss Benita.
Excuse me.
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126. Miss Benita,
cops are all outside your building.
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127. Someone broke in your apartment.
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128. I knew that old beady-eyed
Russell Thomas was up to no good!
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129. Girl, I gots to go.
The china the queen gave me is in there.
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130. Ooh, let me get my chair.
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131. - All right, people!
- dd
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132. All right, people, freeze!
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133. Everybody, listen up!
Al Macafee's on the scene.
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134. Now, that means no fondling,
holding, hugging, caressing...
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135. cuddling, embracing,
dancing too close.
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136. We're gonna have a clean prom
this year, people.
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137. Consider yourselves warned.
Carry on.
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138. - Hey, hey, hey, hey, hey, Ruthy.
- Hi, Al.
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139. Ruthy, I think it's time you heard
Mr. Macafee's speech on love.
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140. If you were food,
you'd be my muffin...
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141. and if you were a turkey,
I'd give you my stuffin'.
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142. You're making me queasy, Al.
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143. - Here you go, Ruth.
- Oh, hey, baby.
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144. Excuse me, son. I don't know
what home room you're in...
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145. but I'm sure you know the rules
about fraternizing with the teachers.
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146. Al, I'd like for you to meet
my fiance, John Tyler.
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147. - Heard a lot about you, Al.
- Fiance?
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148. Ruthy, you're makin'
the biggest mistake of your life!
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149. Give me your love, honey!
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150. - Al!
- Hey, that'll be enough, pal.
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151. All right, you little stud, come on!
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152. Shoot your best shot, mister!
Five years of tae kwon do, baby! Come on!
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153. - Let's get out of here.
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154. Yeah, you can run,
but you can't hide, you little runt!
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155. Hey, hey, hey!
What the Sam Hill's goin' on here?
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156. - I'm getting a glass of punch.
- Yeah, right, right, right.
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157. Let me tell you something.
I think it's time you heard
Mr. Macafee's speech on booze.
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158. Don't spike the punch bowl
'cause it makes you punchy!
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159. - Let me go!
- Back talk, huh, little missy?
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160. - All right, you're out of here!
- But it's my prom.
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161. Yeah, tell it to an A.A. Meeting,
you little lush! Get out!
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162. Boy, that's good punch.
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163. What are you looking at?
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164. Hey, hey, hey! Hardison?
Where's the fire, son?
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165. Mr. Macafee,
I got a stain on my father's tux.
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166. And quite a nice little outfit it is, my boy.
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167. It's my father's tux,
and his father wore it to his prom too.
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168. It's very expensive.
If anything happened to it,
I'd be in so much trouble!
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169. Well, just cool your jets, little mister.
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170. - Looks like you just got a little thread loose.
- There's nothing on it...
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171. - Mr. Macafee, what have you done?
- You just broke the dress code!
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172. - Get out of here! Take it to the parking lot!
- That's not fair!
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173. Life's not fair. Go ahead.
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174. Hey, Macafee.
You're looking pretty sharp there, big guy.
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175. - Thanks a lot, bucko.
- Hey, Ma-ca-fee!
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176. - It's Macafee, son.
- You are doin' a good job.
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177. Hey, gimme some skin.
Take a hike.
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178. No gang signals on the dance floor.
Go ahead, get out of here.
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179. All right, all right.
The show's over. Come on.
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180. Somebody do something!
Marcy's choking!
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181. - I know the Heimlich maneuver!
- Hey, hey, hey.!
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182. - All right, break it up, you two!
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183. Come on, come on,
let her go, let her go!
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184. You know, I think it's time you two heard
Macafee's speech on teenage sex.
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185. You two, you're only 16.
You're both still young'uns.
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186. Way too soon to start your tonguin'.
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187. - But she can't breathe!
- Just let her rest a little bit.
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188. Ah, that's it, honey. That's it.
Just take a little rest.
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189. Once those loins cool down,
you'll be all right.
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190. Hey, Mr. Macafee,
somebody's smoking in the bathroom!
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191. Out of my way,
the Mac-man's coming.
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192. All right, boys, come on.
What's going on in here?
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193. - Hey.
- Okay, everybody! The coast is clear!
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194. Let's party!
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195. Before we vote on
your request for parole...
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196. we do have some questions.
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197. Do you think you'll be able to
adjust to life on the outside?
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198. Allow me to "proctologize" myself.
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199. "Suppositorily" speaking...
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200. my incarceration has forced,
you understand...
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201. the ventilation of,
shall I say, my derriere...
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202. and upon my discharge,
I will evacuate...
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203. Excuse me. "Ejacutate"...
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204. my mind to the prophylactic
of the bowels of society.
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205. But how would you
support yourself, Mr. Bates...
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206. considering that
your reading comprehension...
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207. has gone down every year
since you've been in prison?
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208. A very "vaginative" proposition, my man.
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209. That is to say, prostitution...
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210. pertaining to the Kotex,
you understand, of the argument.
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211. I myself have "enemapatized"
my "illiquidation,"
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212. therefore, ergo, i.e.,
that is the instigation...
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213. which is excessive cleavage,
shall we say.
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214. So let me "clarifly" or...
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215. excuse me..."clitify."
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216. In other words, I'd probably teach.
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217. All right, if there are no further questions,
let us put this to a vote.
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218. All those in favor of parole, vote aye.
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219. Aye.
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220. All those opposed, vote nay.
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221. Nay!
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222. I'm sorry, Mr. Bates.
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223. Is there anything further
you'd like to say?
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224. Let me be venereal...
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225. in my requisition for
this body of congregation...
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226. see, for the personal
gratification of my urethra.
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227. As the Greek philosopher,
uh, Massengill once dictated...
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228. "Lickus my probiscis!"
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229. "Undouche" me!
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230. I can find my own damnation
in tardy completion.
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231. dd
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232. Just like the films
Cry Freedom and A World Apart...
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233. this is a story about the anguish
and upheaval ofblack South Africa.
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234. I can remember it
as if it happened yesterday...
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235. the day they bulldozed down
my maidservant's shack...
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236. destroyed all ofher property...
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237. and separated her from her children.
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238. And all of this on a night that I had
planned a formal dinner for 30.
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239. Oh, how I cried.
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240. How many girls would I have to interview
before I'd find anotherJacinta?
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241. And as they took Jacinta away
kicking and struggling...
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242. I felt as if the police were pulling me away
kicking and struggling.
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243. - I haven't done anything.
- I had to do something.
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244. So I cried, and I took a picture
for my little scrapbook of anguish.
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245. Wait! Wait!
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246. After the police had gone...
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247. I noticed that they had trampled
over a bed of geraniums...
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248. that I had been pruning
since I was a child.
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249. I looked down at those flowers...
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250. and I saw the pain
ofblack South Africa...
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251. in all of those broken stems
and wounded petals.
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252. I wept... until I realized
they were perennials...
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253. and would be back again
next summer.
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254. Yes, with Jacinta gone,
life just wasn't the same in Johannesburg.
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255. Oh, did I mention that I wept?
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256. And as the condition of my house
so deteriorated withoutJacinta...
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257. I began to understand
what it must be like...
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258. to live in a black South African
relocation camp.
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259. Next, as I attempted
to polish my own silver...
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260. my arms began to ache,
and I could feel what it must be like...
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261. to toil long, arduous hours...
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262. in the white South African
diamond mines.
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263. It was at this point that I decided
thatJacinta simply had to be liberated...
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264. before my entire household
rotted from within...
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265. the same way minority rule
was rotting my continent.
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266. No one could stop me now.
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267. I would write a letter
to President de Klerk.
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268. So I wrote and I cried.
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269. And I cried and I wrote.
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270. And I wrote and I cried.
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271. Who knows?
One day I may even mail it.
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272. My Dark Conscience.
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273. A true story about the pain
of watching somebody else suffer...
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274. and wanting to do something about it...
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275. but not really wanting to get involved...
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276. and then feeling
a little guilty about it, sort of.
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277. My Dark Conscience.
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278. A film that could well be
coming to a theater near you.
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279. Three famous boxers
for Fruit O' The Loom boxers.
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280. Hi, Bob.
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281. Hey, what are you guys doing
in my underwear drawer?
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282. Who are you guys?
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283. We're the Fruit O' The Loom boxers,
and we're ecstatic to be here. I'm Mike.
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284. I'm Sugar Ray.
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285. And my name is, uh...
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286. Concentrate.
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287. No, no, it's shorter than that.
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288. Ali! My name is Ali!
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289. I'm an apple because
I was so polished in the ring.
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290. And I'm a banana because
I was good to a ripe old age.
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291. Why are you a bunch of grapes?
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292. Because some bitch
stomped all over me.
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293. What's so good about
Fruit O' The Loom boxer shorts?
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294. For one thing, they're made
of double-stitched cotton.
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295. That way you never have to worry
about bobbing and weaving.
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296. - Bobbing and weaving?
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297. Cut it out, Ali.
Stop being ludicrous.
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298. You're gonna make me forget my lines.
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299. What are these boxers made of?
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300. Well, these are
the new Don King brand.
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301. They're 10 percent cotton,
90 percent commission.
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302. And they come in several sizes:
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303. Middleweight, heavyweight,
super heavyweight...
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304. and George Foreman.
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305. This is the latest thing:
Disposable shorts.
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306. We like to call this
our Buster Douglas line.
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307. They're good only once,
but if you wear them again...
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308. they fall down after 10 seconds.
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309. Okay. I'll try these boxer shorts.
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310. Bye, Bob!
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311. Hey, guys...
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312. will the ladies like me better
in my Fruit O' The Loom?
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313. The ladies will think
you're sweet as sugar.
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314. The girls will think you're
the greatest of all times.
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315. Oh, sure,
they'll love you, Bob.
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316. They'll love you till you
get a ring on their finger.
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317. And then, then...
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318. Then they'll bring their mothers around
and try to take all your money from you.
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319. And they get madjust because you throw
a few chairs and break some dishes.
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320. Hey, wait a minute!
I'm not finished, Bob!
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321. Then they'll divorce you, and then
you'll have the worst fight of your life.
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322. You know, I won that fight.
I hit him with an uppercut...
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323. Fruit O' The Loom boxers.
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324. Get some today
and stop being ludicrous.
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325. All right. Thank you
for hanging out with us.
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326. - Tell 'em what to do, man.
- See you next week!
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327. See you next week.
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328. d You can do what you wanna do dd
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