1. Ladies and gentlemen,
Keenen Ivory Wayans.
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2. Thank you. Thank you.
Welcome to the show.
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3. Um, they left again.
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4. Get back here.
Come here.
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5. The Fly Girls,
ladies and gentlemen.
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6. How about a hand
for my deejay, SW1?
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7. All right. Well, once again,
it's our turn to make you laugh...
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8. so sit back
for about a half.
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9. We'll get into trouble.
See ya.
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10. Commissioner, why did Arizona say no
to the Martin Luther King holiday?
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11. Well, uh, as you know...
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12. we put it to the voters...
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13. and they voted it down, uh,
50% to 49%.
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14. - Will the Super Bowl be held here?
- And what about the Fiesta Bowl?
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15. Isn't it true Arizona faces a total boycott
of black athletes and celebrities?
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16. Why, no, that's not true at all.
As a matter of fact...
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17. we have two well-known black celebrities
who have agreed to be our spokesmen...
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18. men who have their finger on the pulse
of the black community.
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19. I'd like to introduce them now. Here are
Tom and Tom, the Brothers brothers.
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20. - Yee-haw!
- Yippie-ki-yay!
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21. - Hey, bro, give me five!
- Uh, that's all I've got.
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22. I hope you return it!
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23. Oh, how about
our instruments, eh?
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24. Thank you, gents.
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25. - Kick it off, Tom.
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26. Excuse me. We didn't come here
to see a nightclub act.
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27. I still wanna know why Arizona
doesn't have a King holiday.
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28. Well, why should we give
Don King a holiday?
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29. I mean, he can't even
comb his hair straight!
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30. That's right. I mean, he's made some great
advancements in the world of boxing, but...
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31. We're talking about
Martin Luther King.
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32. - Who?
- Is... Is he any relation...
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33. to Alan King or Stephen King
or BillieJean King?
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34. The civil rights leader!
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35. - Martin...
- King.
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36. - Ah! Abernathy's friend! Sure, sure!
- Oh, yeah.
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37. Well, he was certainly
a nice gentlemen, but, um...
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38. I guess just another holiday
would be so inconvenient.
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39. I mean, the banks would be closed,
you couldn't get your mail. You know.
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40. Exactly. And I don't think
that's how he would have wanted it.
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41. - No.
- I mean, l... I've got it.
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42. I say we celebrate
from midnight to 8:00 a.m.
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43. I mean, after all, isn't that what
he's famous for... having a dream?
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44. That's right.
He had a dream.
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45. Or we could just have a...
a white sale or something.
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46. - That's a great idea. I'd be there.
- I'm sure you would.
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47. But don't you think the Arizona voters
were insensitive?
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48. - Insensitive, my left boot.
- Come on.
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49. I mean, Arizonians are always looking
for a way to help you out.
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50. Why, the police pulled us over three times just
to make sure we knew where we were going.
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51. - That's right.
- They even gave us this
great, big hug around the neck.
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52. Wouldn't let go.
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53. I mean, we thought we were gonna die
from all the affection!
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54. Yeah. You've still got some burns
around your neck from all that affection.
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55. - So don't give me any of that
doohickey nonsense!
- Tom, watch your mouth.
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56. - No, I'm tired of this frankenturtle bull dookey.
- Ow!
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57. I've never heard him talk
like this before.
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58. - You talk about hospitality.
I'm gonna tell 'em about last night.
- Tell 'em about last night.
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59. We get home late last night,
and I'll be gosh darned if the Arizonians...
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60. didn't light a nice, big fire on our lawn
so we could find our keys.
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61. Yes, they did.
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62. - Good white!
- Good white, everybody!
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63. Yee-haw!
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64. K- Tel presents the man of the Middle East...
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65. the Elvis of Akaba,
Johnny Abdul.!
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66. Every amazing hit he's ever sung is now
included in this new dual-album set.
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67. Unforgettable hits like
"You Ain't Nothin'But A Hostage."
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68. And if you act now, you'll get
"Kuwait a Minute, Mr. Postman,"
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69. "Stairway to Mecca,"Beirut Suede Shoes,"
"Heartbreak Hussein,"
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70. "Papa's Got a Brand New Baghdad,"
"I Left My Hand in San Francisco."
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71. And who could forget
his beautiful love ballad...
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72. "Love Me Tender
Or Die Slowly"?
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73. And, of course,
his biggest hit ever...
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74. the show-stopping
"Iraq Around the Clock."
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75. All these hits
and many, many more.
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76. Send $ 13.95 to...
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77. Are you ready to rock?
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78. Except for Vincent Van Gogh.
Isn't that amazing?
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79. Oh, there are the children
I told you about.
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80. They are so cute.
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81. It's gonna be very difficult to decide
which one to adopt, honey.
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82. - Isn't it, though?
- Come on, Mom and Dad. Let's go.
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83. Come on, man, I already got my stuff packed.
The car's running. Let's go! Chop, chop.
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84. Or is it more like a European thing,
you guys... uh, Mama and Papa?
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85. Or do we have one of those postmodern
child-parent relationships, huh, Ted, Anne?
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86. - Who are you?
- George is one of our older children.
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87. - How old is George?
- He's 35.
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88. - And he'd better start acting his age!
- Yes, Miss Claw.
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89. You mean he's been waiting
35 years to get adopted?
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90. You know, some children
are just slower to adopt than others.
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91. Well, you know, I've been waiting
for the right parents... you.
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92. Look, I'm gonna leave you two here to get
acquainted with the other children, okay?
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93. - Yeah.
- George, leave the Gleasons alone.
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94. - Yes, Miss Claw.
- Hey.
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95. Look at this little guy.
I think he's gonna be a basketball star.
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96. Slam-dunkin' it!
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97. Where's your five year old now, man?
You're eaten up, that's where.
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98. All right. Who's next?
Come on, Pop. One-to-one. Let's go.
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99. - Uh, George...
- Come on, man.!
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100. I think we're just gonna take
a little look around, all right?
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101. - Oh, yeah, yeah, yeah.
- See... S-See Spot...
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102. - Here's a smart little guy.
He's already learning to read.
- Yeah.
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103. "He slowly moved his hand
down her thigh.
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104. She quivered in ecstasy."
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105. S-See Spot r-r...
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106. I think the word that the little genius
is looking for is "run"!
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107. - Honey, think of how much we could teach him.
- Yeah.
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108. Man, you can teach me.
Come on.
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109. "A,"B," uh, "D"...
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110. - Come on, man, help me out.
I don't know what's next.
- George, George...
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111. it's obvious that you're
a very talented man.
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112. - Gifted, even.
- Thank you.
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113. But, you see,
we want to adopt a child...
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114. - someone who will do all the
little things a child can do.
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115. Oh, honey.
Let's adopt a baby.
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116. Look, she's drooling.
That's so adorable.
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117. Adorable?
What, you think drooling is adorable?
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118. - You're gonna love this.
- What are you doing?
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119. Uh-oh, I think someone
just had a little accident.
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120. - Dad, I think I'm gonna have to...
- Don't even think about it!
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121. Stand up.
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122. What do you want from us?
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123. I... I just wanna...
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124. have what
everybody else had...
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125. a mommy and a daddy
who'll love them.
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126. And just a small chance...
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127. for the happiness
I never knew.
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128. Yale School of Drama, 1978.
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129. - You're a lunatic.
- You know, it's funny.
My ex-wife once said that too.
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130. - Your ex-wife?
- That's it! We're taking this one.
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131. - Let's go.
- Don't try to follow us, George.
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132. There they are.
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133. - George, stay away from the Ericksons.
- Yes, Miss Claw.
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134. Mom! Dad!
Or is it kind of like a street thing?
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135. Yo, Mom! Yo, Pop!
What's up?
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136. Boy-ee!
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137. Love ya.
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138. Hi. You must be
Velma Mulholland.
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139. That's right, kid.
Got a cigarette, Johnny?
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140. No, I don't smoke.
Sorry.
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141. Stick around, bright boy.
I'll teach ya a few things.
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142. Oh, really? Well, uh, listen,
my name is actually Eddie.
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143. Eddie, Johnny,
kid, bright boy...
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144. It's a big world out there.
What's in a name?
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145. That's hip.
Um...
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146. Listen, my man Steve
told me a lot about you.
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147. Said you're a party girl
and you're kind of old-fashioned.
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148. Lies, all lies,
I tell you.
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149. Sure, maybe I hung with the wrong crowd and
skipped Sunday school, but I'm not all bad.
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150. No. He said good things
about you. He said that...
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151. you know, besides you lookin' good,
he said that, you know...
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152. you worked at the five and 10, got a jobsky
and, you know, you like old movies.
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153. Sure, I see a picture show
now and again.
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154. It helps to pass the time when your heart's
been broken in so many pieces...
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155. it feels as though you'll never
see the light of day.
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156. Hey, uh, why don't we just
talk all this over over dinner...
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157. and some movies
or something?
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158. - Aw, Johnny, you're a sweet kid.
- I am?
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159. But don't you see?
It'd never work.
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160. I'm no good for ya, Johnny. I'd be trouble from
the word go. Hell, my middle name is trouble.
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161. But not you, Johnny.
You've got a shot at something really big.
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162. You're gonna make
something of yourself.
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163. I'm gonna be somebody?
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164. Johnny, don't you see?
We're from two different worlds.
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165. You're real top-drawer,
head of the list, cream of the crop.
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166. I'm nothing but a washed-up has-been
workin' in a dime-a-dance saloon.
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167. Steve said you worked
at the five and 10.
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168. Five and 10,
dime-a-dance.
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169. Can't ya see, Johnny, I'm trying to knock
some sense into that lunkhead of yours.
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170. I'm no good for you.
No good, I tell you.
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171. Oh, Johnny, you deserve that stone cottage
with the picket fence and the shady oak tree.
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172. If you stick around with me, kid, they'll
ruin your life just like they've ruined mine.
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173. Hey, look, is it
the black-and-white thing?
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174. - Because you should've said that up front.
- All right, Johnny.
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175. You've forced me to say it.
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176. I hate you.
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177. You hear me? I hate you.
I hate you! I despise you!
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178. If I never see that puppy dog face
around here again, it'll be too soon.
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179. Now beat it.
Scram!
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180. I'd better get out of here, 'cause you can't
be hittin' a brother like that.
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181. Johnny!
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182. Johnny!
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183. That's right, Johnny.
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184. Save yourself.
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185. Run just as fast
as your legs will carry you.
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186. Run to the ends of the earth if you have to,
only don't look back...
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187. because I won't be here.
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188. But I love you,
ya big palooka!
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189. Here we are.
Funky Finger Productions.
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190. We are now in business.
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191. - Hello.
- Oh. L-Look busy.
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192. - Okay.
- Conference call.
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193. Now, don't
get me wrong, now.
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194. Nell Carter is a gigantic talent.
Humongous.
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195. But look here.
What we're looking for, home skillet...
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196. is somebody who looks
like Cicely Tyson...
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197. and sings like Peabo Bryson,
ya know?
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198. Quincy, Stop playin'.
Fresh Prince is gonna be all right.
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199. This here's long-distance.
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200. I'm here
to hook up your phones.
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201. Now, ain't that a blip?
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202. Excuse me. I thought
we had a bad connection.
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203. Finally, I found you!
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204. Ah, Mr. Iritani.
Look here.
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205. I'm Clavell,
and this here's my partner.
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206. Howard Tibbs III.
How you feelin'?
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207. - Look just like Al Green.
- Don't he?
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208. And we are Funky Finger Productions!
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209. Now look here. Let me give you
one of my business cards.
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210. You know, I'm fresh out.
Howard?
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211. Bam!
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212. Look here.
Pay no attention to this...
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213. because that's my mother's
recipe for succotash, all right?
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214. This is my sister Clorine's number
on the back in pink crayon.
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215. Okay? Give her a call anytime.
She down with it.
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216. But look here, if her boyfriend Beaudrow
answers, you just better hang up.
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217. Listen, guys.
I want my car.
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218. Now, look here. You seemed a little
attitudinal with our unctuous behavior...
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219. when you met us
outside of Spago's last night.
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220. Now, dig that. But that valet gig
is just a way for us to spot new talent.
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221. That's right. You know,
I didn't want to bring this up, chief...
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222. but you forgot to tip me,
ya know?
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223. A tip? You gave me the keys
to the wrong car.
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224. Look, I just came here to get my Mercedes,
and I want it now.
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225. Now, we know you Japanese
bought up Columbia and Universal...
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226. And it's not that we ain't down with
the Asians. "Arigate."
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227. But we figured it was only a matter of time
before y'all came after Funky Finger.
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228. - Dig that.
- I thought I explained to you last night...
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229. that I'm not
in show business.
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230. Well, that ain't nothing but a meatball.
Excuse me.
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231. 'Cause we got a sweet deal for you.
You won't believe this.
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232. Sit down, brother. Howard, it's time
to unveil our marketing plan.
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233. Bam!
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234. All right, now.
Now, say we sign a major artist...
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235. like a, uh,
Freddy Fender.
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236. Okay?
Sign him for a record deal.
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237. - For how much?
- A ducat.
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238. Sell every record
for how much?
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239. A million records,
that makes a million ducats.
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240. Say what?
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241. Freddy Fender's right on top with
David Cassidy. You hear what I'm saying?
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242. - Look, I'm not interested in record deals.
- Movie deal!
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243. - I just want my car!
- Movies. See?
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244. Now, look here, homey.
What we got here...
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245. is a sure-fire
box office smash-ola.
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246. Now, see, it's a cross between
The Poseidon Adventure and Dirty Dancing.
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247. See, we think the time is right
for a, uh, water ballet disaster film.
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248. Clavey, give him the goods,
could ya?
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249. I'm just gonna give him a taste.
Gotta pay for the rest.
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250. Oh, you're gonna
leave me hangin'.
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251. Ain't that right?
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252. Okay. We're rollin', homey.
Oh, no! It's a tidal wave!
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253. Come on, now. Pull back.
See? There it goes!
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254. There it goes. See?
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255. I'm drowning, but I'm dancing. Look here.
I'm drowning, but I'm dancing.
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256. Look at this here.
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257. I'm drownin', but I'm dancin'.
I'm drownin'.
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258. - He's sellin'this one, chief.
- I'm dancin'!
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259. And Godzilla can be
implemented quite easily...
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260. - as you can see.
- I knew you'd love that.
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261. Your five minutes is up.
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262. I just want my car,
or I'll call the police.
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263. - Hey, you ain't gotta do that!
- Whoa, whoa, whoa, whoa! Look here!
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264. We got the contracts in our Pinto,
right next to the Cheez Doodles.
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265. Look here. Shall we give Bruce Lee
a little taste on the sound track?
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266. Just a little tiny bit.
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267. Temptations walk.
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268. Get it.
Drop down in the pocket.
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269. And this one's
for free, homey.
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270. Blood pressure's stable
at 120 over 70.
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271. Doc! How's my partner?
Is he gonna pull through?
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272. He's in pretty bad shape.
Take a look for yourself.
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273. Oh, my God!
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274. Look... Look, Doc...
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275. do whatever you gotta do, man,
but please make him whole again!
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276. - We can rebuild him. We have the technology.
- Thank God.
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277. It's gonna cost you
six million dollars.
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278. Six million dollars? The department
doesn't have that kind of money!
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279. - Fifteen thousand.
- Look.
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280. I got um,
19, 20, 21, 22...
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281. 25, 28, um, 45.
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282. All right?
That's 28.45.
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283. I can't promise anything,
but we'll try.
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284. He'll be a lot shorter
and a little slower...
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285. - but at least he'll be alive.
- Thanks, man.
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286. We gotta get you
out of here.
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287. Hang in there, partner.
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288. Coming this spring
to a theater near you...
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289. The Head
always gets his man.!
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290. Let's just forget it, man.
He's too far away. We'll never catch him.
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291. - Throw me at him.
- What?
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292. Just throw me at him.
I can do it.
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293. - No way, man. Too dangerous.
- Just do it!
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294. Aah!
Watch my brain!
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295. - Way to go, Head.!
- Freeze, slimeball!
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296. Don't make me chase you
any further.
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297. And women find him irresistible.
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298. Yes! You've got incredible hands
and feet, you animal, you.
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299. Oh, Detective Head...
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300. I never dreamed
it could be like this.
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301. Well, you know what they say, baby...
It's not what a man's got...
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302. it's how he uses it
that counts.
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303. - Stop tickling my feet.
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304. The Head Detective.
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305. Coming this spring
to a theater near you.
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306. Thank you for hanging out
one more time.
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307. Taking us home tonight,
Motown recording artist Rich Nice.
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308. Oh, yeah.
Here we go. Come on.
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309. Clap your hands. Everybody.
Come on, clap.
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310. Clap your hands like this.
All the ladies check it out.
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311. You know what?
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312. All the ladies in the house tonight,
check this out. Come on.
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313. - All the ladies say, "Ow."
- Ow!
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314. Say, "Ow, ow."
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315. - Everybody say, "Rich Nice."
- Rich Nice!
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316. - Say, "Rich Nice."
- Rich Nice!
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317. - Say, "Rich Nice."
- Rich Nice!
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318. - Now, scream!
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319. Just wave them hands like this. Everybody.
Come on. Wave them hands.
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320. That's right. Come on.
Just wave them hands.
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321. Everybody, let me hear you say,
"We came to the party."
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322. - We came to the party.
- Check it out.
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323. For In Living Color,
we gonna break it down like this.
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324. We go one, you go two.
Check it out.
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325. One, two, three...
Break it down.
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326. Oh, yeah. Check it out.
Everybody in the house...
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327. let me hear you say,
"In Living Color."
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328. In Living Color.
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329. Everybody say,
"In Living Color." Come on!
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330. In Living Color.
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331. Come on, clap.
Clap your hands. Come on.
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332. Come on, clap. Clap your hands.
Everybody say...
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