1. OKAY.
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2. EVERYBODY, LET'S, UH...
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3. LET'S JUST RUN THROUGH THIS.
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4. UM, BRENDON...
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5. YOU'RE AUDITIONING FOR THE PART
OF WILLIE?
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6. UH, YEAH.
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7. DOES EVERYBODY HAVE THEIR PARTS?
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8. I DON'T THINK I'LL BE NEEDING
THIS SCRIPT, THANKS.
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9. GREAT... THAT'S GREAT!
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10. UM, LET'S TAKE IT FROM
THE "BIG CONFRONTATION" SCENE
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11. ON PAGE TWO.
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12. 17 YEARS I BEEN WORKING
AT THE SAME PLACE,
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13. BUSTING MY HUMP.
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14. WHAT, FOR THIS?
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15. OKAY... I'M YOUR SON, UH...
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16. DO YOU KNOW WHAT THAT MEANS?
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17. WHAT ABOUT, UH...
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18. OH, RIGHT.
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19. I GOT TO LIVE WITH YOU
BEING MY OLD MAN.
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20. YOU GOT TO LET GO, MAN.
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21. GET OFF MY BACK.
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22. WHO DO YOU THINK YOU ARE,
YOU LITTLE PUNK?
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23. YOU THINK YOU KNOW EVERYTHING!
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24. YOU DON'T KNOW NOTHING!
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25. YOU DON'T KNOW NOTHING!
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26. HEY.
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27. WHAT ARE YOU TELLING ME, HUH?
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28. THAT I AIN'T A MAN?
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29. ARE YOU MAD AT ME?
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30. I'M SORRY, BRENDON?
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31. BRENDON, YOU MIGHT NOT
BE READY FOR THIS.
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32. UM... I OFFER AN ACTING CLASS.
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33. WOULD YOU BE INTERESTED IN,
UH...
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34. IN TAKING MY ACTING CLASS?
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35. I'VE NEVER BEEN SO INSULTED
IN MY ENTIRE...
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36. FINE.
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37. WHEN DID YOU SAY IT WAS?
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38. HEY, MY NAME IS PAULA SMALL.
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39. I'LL BE HONEST—...
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40. UM, I HAVEN'T TAUGHT FOR A WHILE
SO BEAR WITH ME.
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41. SO, OKAY, YOU'RE ALL INTERESTED
IN CREATIVE WRITING?
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42. I CAN ASSUME THIS, YES?
THAT'S GREAT.
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43. HOW MANY OF YOU HAVE
WRITING EXPERIENCE?
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44. HANDS?
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45. ALL RIGHT... OH, YOU HAVE...
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46. I JUST WANTED TO LET EVERYONE
KNOW THAT I AM A PUBLISHED POET.
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47. GREAT—— WH—WH—WHERE WERE YOU
PUBLISHED?
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48. XEROXED, I HAVE BEEN XEROXED.
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49. XEROXED, OKAY...
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50. WELL, THAT'S STILL, YOU KNOW...
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51. MAYBE, UH... WE'LL MAKE YOU
THE CLASS COPIER.
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52. OKAY, I GUESS NOW'S A GOOD TIME
TO TALK ABOUT NAMES.
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53. UM...
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54. OH, HI THERE.
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55. ARE YOU HERE FOR CREATIVE
WRITING?
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56. UH... MM—HMM.
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57. DID YOU HAVE TROUBLE
FINDING THE PLACE?
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58. NO.
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59. LIKE TO INTRODUCE YOURSELF?
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60. NOPE.
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61. LIKE TO TELL THE CLASS ABOUT
YOUR WRITING EXPERIENCES?
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62. NOPE.
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63. WELL, LET THAT BE A LESSON
TO ALL OF YOU.
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64. IF YOU SHOW UP LATE, I'LL ASK
YOU IMPERSONAL QUESTIONS
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65. THAT YOU MAY OR MAY NOT ANSWER.
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66. SO THERE.
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67. MOM, HOW IS...
HOW IS MY CREDIT THESE DAYS?
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68. WHAT DO YOU NEED MONEY FOR,
BRENDON?
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69. MOM, UM...
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70. SPIT IT OUT——
"I WANT..."
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71. I JUST, YOU KNOW...
I JUST WANTED TO CHECK...
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72. "I NEED FROM YOU..."
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73. NO, NOT LIKE THAT.
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74. I WOULD NEVER... ACTING CLASS!
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75. ACTING CLASS?
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76. YES, AT THE COMMUNITY THEATER.
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77. UH—HUH.
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78. I NEED TO LEARN SOMETHING SOON.
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79. I DON'T KNOW, BRENDON.
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80. I GUESS WE'LL HAVE SOME
EXTRA MONEY FROM TEACHING
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81. BUT LET ME THINK ABOUT IT, OKAY?
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82. I NEED TECHNIQUE, MOM.
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83. I NEED TO LEARN THE INVISIBLE
BOX MIME THING OR THE ROPE.
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84. OW, WHAT ARE YOU DOING?
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85. I'M SORRY.
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86. MY EYE.
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87. I'M FINISHED.
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88. I'M JUST SURPRISED, BRENDON,
THAT'S ALL.
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89. I MEAN, YOU WERE ALWAYS
AGAINST ACTING CLASSES.
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90. MAYBE IT'S NOTHING
BUT IF I LEARN, LIKE, ONE THING,
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91. THEN IT'LL BE WORTH IT.
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92. OH, YUCK!
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93. MY DAD MAKES
THE WORST SANDWICHES.
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94. WHAT IS THAT?
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95. TARRAGON CHICKEN WITH SPROUTS
AND DIJON MUSTARD ON FOCACCIA.
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96. WOW, YOU MUST BE RICH.
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97. DOES ANYONE WANT TO SWITCH?
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98. I DON'T HAVE ANYTHING.
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99. WHAT DO YOU HAVE, JASON?
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100. AN OLIVE.
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101. OH.
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102. BRENDON,
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103. UM... DON'T YOU WANT TO BE,
UM... A DIRECTOR, NOT AN ACTOR?
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104. WELL, I MEAN...
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105. OH, BUT, BRENDON I HEARD THAT
ALL DIRECTORS WANT TO ACT
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106. AND THAT ALL ACTORS
WANT TO DIRECT.
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107. RIGHT.
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108. IT'S LIKE THAT SAYING
"THE GRASS IS ALWAYS GREENER
ON THE OTHER SIDE."
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109. RIGHT.
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110. I'M NOT MUCH FOR TRAINING.
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111. SCORSESE DOES A LITTLE ACTING.
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112. YOU CALL THAT ACTING?
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113. I'M, UM... MORE METHOD ORIENTED.
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114. TAKE THE OLIVE
OUT OF YOUR NOSE, JASON.
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115. BRENDON, THERE'S SOME THINGS
THAT YOU CAN'T LEARN IN...
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116. IN A CLASSROOM.
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117. YOU HAVE TO GO LIVE IT.
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118. YEAH, WELL, I MEAN...
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119. YOU COULD LEARN MORE FROM LIFE.
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120. GOOD POINT—...
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121. MELISSA HAS A GOOD POINT OVER
THERE.
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122. LIKE, FOR INSTANCE, UM...
BRENDON...
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123. OH, YEAH.
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124. WHEN WE MADE THE MOVIE ABOUT
THE KILLER LIZARD
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125. I, UM... BECAME THE LIZARD.
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126. YEAH, I COULD SEE THAT.
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127. I, UM... SLEEP UNDER MY BED,
NOT ON IT.
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128. REALLY?
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129. YES, BECAUSE I'M SCARED
OF MY BED.
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130. AREN'T YOU SCARED OF GETTING
SMASHED BY YOUR BED?
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131. AND IT SMELLS LIKE PEE.
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132. OH.
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133. OH.
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134. ALL RIGHT, EVERYBODY, GATHER UP.
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135. EVERYBODY, GATHER IN.
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136. GATHER IN?
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137. WHAT'S A BETTER WORD
FOR "GATHER IN," BRENDON?
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138. EVERYBODY, GET TOGETHER?
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139. NO, THAT'S NOT GREAT.
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140. WHAT ABOUT EVERYBODY, UM...
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141. EVERYBODY, GATHER IN...
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142. WHAT ABOUT "EVERYBODY,
COME HERE?"
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143. EVERYBODY, COME HERE.
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144. THAT'S GOOD.
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145. AND GATHER AROUND.
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146. YEAH, THAT'S BETTER.
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147. YOU NEED BOTH. RIGHT.
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148. ALL RIGHT, TEAM, BRING IT IN.
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149. BRING IT IN. ALL RIGHT,
TEAM, LISTEN UP.
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150. TOMORROW'S A VERY SPECIAL DAY
FOR, UH... FOR THE TEAM
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151. AND I'M GOING TO NEED VOLUNTEERS
TO DO A SPECIAL, UH... THING.
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152. IT'S A SPECIAL EVENT, ALL RIGHT?
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153. COACH, WHAT EXACTLY
ARE WE VOLUNTEERING FOR?
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154. I'LL GET TO THAT, MELISSA.
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155. IS IT ON THE SOCCER FIELD?
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156. WHAT ARE YOU, A REPORTER?
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157. I'M JUST NATURALLY CURIOUS.
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158. COACH, WHAT...
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159. EVERYBODY STOP TALKING.
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160. JUST, WHAT ARE WE
VOLUNTEERING FOR?
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161. BRENDON! WHAT DID I JUST SAY?
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162. I REALLY DON'T KNOW.
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163. YEAH, YOU DON'T KNOW.
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164. THIS ISN'T OUR HOUSE.
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165. YOU CAN'T MOUTH OFF
TO EVERYBODY.
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166. HEY.
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167. ALL RIGHT, NOW, TOMORROW...
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168. ARE YOU VOLUNTEERING?
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169. I DON'T KNOW, ARE YOU?
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170. NO.
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171. OH—— WHY NOT?
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172. LISTEN UP.
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173. I DON'T KNOW.
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174. YOU GUYS WANT TO GET IN TROUBLE?
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175. NO.
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176. NO.
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177. YOU DON'T WANT
TO GET IN TROUBLE?
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178. YES.
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179. NO.
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180. NO, BRENDON, NO.
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181. IF WE DON'T WANT TO GET IN
TROUBLE THE ANSWER IS YES.
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182. DOUBLE NEGATIVE.
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183. ANYWAY, WHO...
WHO'S GOING TO VOLUNTEER?
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184. THAT MEANS, WHEN I SAY, "WHO
HERE IS GOING TO VOLUNTEER?"
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185. EVERYBODY RAISES THEIR HAND——
UNDERSTOOD?
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186. WHO'S GOING TO VOLUNTEER?
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187. COACH McGUIRK?
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188. YEAH.
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189. YOU STILL HAVEN'T TOLD US
WHAT WE'RE VOLUNTEERING FOR.
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190. OKAY, LISTEN,
I HAVE 14,000 ENTRY FORMS
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191. THAT NEED TO BE FILLED OUT
BY NEXT WEEK
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192. AND ENTERED INTO A SWEEPSTAKES.
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193. WHAT ARE WE TRYING TO WIN?
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194. THIS.
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195. A TOY BOAT?
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196. NOT A TOY BOAT, BRENDON.
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197. IT'S A HOVERCRAFT.
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198. OOH... COOL!
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199. YEAH, THAT'S RIGHT.
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200. NOW, WHO WANTS A PIECE
OF THIS THING, HUH?
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201. WHO'S GOING TO HELP ME FILL OUT
14,000 ENTRY FORMS, OKAY?
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202. COACH, I FEEL LIKE I NEED
TO ASK MY DAD IF I CAN DO THIS.
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203. NO, HERE'S WHAT YOU DON'T DO,
MELISSA—— ASK YOUR DAD.
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204. BECAUSE YOU KNOW
WHAT YOUR DAD WILL SAY?
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205. WHAT?
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206. WHY ARE YOU FILLING OUT FORMS
INSTEAD OF PLAYING SOCCER?
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207. AND THEN WHAT WOULD I SAY?
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208. THEN YOU SAY BEC...
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209. WELL, THAT'S WHY
YOU DON'T SAY IT.
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210. THAT QUESTION DOESN'T COME UP,
ALL RIGHT?
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211. WE HAVE TO DO THIS FOR THE TEAM,
MELISSA, NOT FOR YOUR DAD.
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212. WELL, WHO HERE CAN DO THIS
WITHOUT ASKING THEIR PARENTS
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213. OR EVER TELLING THEM ABOUT IT?
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214. BRENDON...
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215. YEAH.
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216. I NEED YOUR HELP ON THIS.
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217. YOU'RE A LOT BETTER OFF
FILLING OUT FORMS
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218. THAN YOU ARE PLAYING SOCCER.
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219. YEAH, COACH, DO YOU THINK
YOU MIGHT BE ABUSING YOUR POWER
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220. JUST, YOU KNOW, A LITTLE BIT?
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221. I DON'T THINK OF IT AS POWER.
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222. YOU KNOW, IT'S MORE
OF A SIZE ISSUE.
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223. I'M BIGGER THAN THEM.
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224. I DO WHAT I WANT.
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225. TAKE A LOOK AT THIS BABY,
BRENDON, HUH?
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226. IT'S... IT'S...
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227. LOOK AT THAT SWEETHEART.
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228. IT'S A NICE...
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229. WOULD YOU LIKE A RIDE IN THAT?
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230. YES.
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231. YEAH, IT'S A BEAUTIFUL PIECE
OF MACHINERY, BRENDON.
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232. HEY, I'D LOVE TO HELP
BUT I REALLY CAN'T COMMIT
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233. TO ANYTHING RIGHT NOW.
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234. WELL, WHAT DO YOU
HAVE TO DO, BRENDON?
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235. UM... ACTING CLASS.
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236. I'M STUDYING ACTING NOW
BECAUSE SOMEDAY I'M GOING
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237. TO BE A PROFESSIONAL ACTOR—...
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238. WHAT?
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239. YEAH, GOOD LUCK.
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240. "COACH McGUIRK, HELP! HELP ME,
I'M DROWNING."
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241. OH, HEY, BRENDON, HOW ARE YOU?
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242. HELP, I CAN'T SWIM.
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243. OH, REALLY?
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244. I CAN'T HEAR YOU BECAUSE
MY HOVERCRAFT IS TOO LOUD.
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245. SEE YOU LATER.
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246. UM...
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247. I LIKE WHEN YOU DO BOTH PARTS.
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248. GO RUN LAPS.
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249. AND... ACTION.
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250. WHAT... YOU KNOW, I THINK
YOU'RE WRONG ACTUALLY, STILL.
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251. I MEAN, I KNOW THIS
IS JUST AN EXERCISE
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252. BUT... I THINK HE'D CROSS
IN FRONT OF THE COFFEE TABLE,
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253. YOU KNOW AND I DON'T SEE HIM
ENTERING THE SCENE, NO.
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254. I THINK HE WOULD HAVE BEEN THERE
ALREADY IN, YOU KNOW,
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255. THE WHOLE PLAY,
IN EVERY SCENE...
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256. AND ALSO, I'M SORRY BUT...
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257. BUT CAN YOU THROW
A GEL UP ON THAT LIGHT?
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258. YOU KNOW, MY EYES ARE...
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259. VERY SENSITIVE SO...
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260. SENSITIVE EYES.
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261. ACTION.
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262. NO, THAT'S YOUR LINE——
ACTION.
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263. IF YOU WANT TO START
THE SCENE NOW, YOU CAN GO AHEAD.
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264. THANK YOU.
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265. OKAY, GREAT.
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266. UH... DOES ANYONE ELSE WANT
TO READ THEIR ASSIGNMENT?
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267. HOW ABOUT YOU, MARY?
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268. NO, MEREDITH.
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269. STEVEN.
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270. UH... STEVEN.
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271. UH... WOULD YOU LIKE
TO READ WHAT YOU HAVE?
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272. OKAY...
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273. "OFFICIALS WERE BAFFLED TODAY
WHEN RODNEY PRINCETON,
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274. "A LOCAL HISTORIAN BROUGHT
TO THE PUBLIC'S ATTENTION
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275. THAT A DOCUMENT SIGNED IN 1880
WAS PROVEN FALSE..."
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276. OKAY, I'M GOING
TO STOP YOU THERE.
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277. ARE YOU READING
FROM THE NEWSPAPER?
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278. YES.
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279. OKAY, WELL, THAT'S, UH...
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280. I GOT SOMETHING TO READ.
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281. OH, GREAT. OKAY, YOU ARE...
DANIEL, AM I RIGHT?
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282. NO.
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283. JUST GO AHEAD.
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284. "SHE IS MY WOMAN.
"SHE BELONGS IN MY APARTMENT
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285. "FEED HER THE FOOD I FIND
"FROM MY GLOVE COMPARTMENT.
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286. "HUGGING TURNS TO KISSING,
"KISSING TURNS TO LOVE
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287. "LOVE TURNS TO ME GOING
"TO THE DRUGSTORE
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288. "TO MAKE SURE THAT
"I WON'T HAVE A SON.
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289. "I TRY ON HER DRESS,
SHE TRIES ON MINE..."
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290. OKAY, I'M SORRY.
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291. UM, YOU... YOU CAN JUST
TURN YOUR ASSIGNMENT INTO ME.
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292. I'M NOT FINISHED.
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293. "HUGGING TURNS TO KISSING,
"KISSING TURNS TO THROBBING
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294. PUSHING, MORE THROBBING..."
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295. SO, HAVE YOU LEARNED ANYTHING?
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296. UH, YES AND NO, MOSTLY NO.
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297. BRENDON, SHOULD I TAKE
THE ACTING CLASS?
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298. WELL, JASON, I MEAN, THERE ARE
A LOT OF REASONS THAT...
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299. FORGET IT.
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300. SOUNDS BORING.
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301. BRENDON, UM...
WHAT ARE WE DOING HERE TODAY?
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302. WELL, JASON, HOW WOULD YOU
LIKE TO DIRECT?
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303. REALLY?
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304. OH, BRENDON, I DON'T THINK
I'M READY YET.
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305. YOU SHOULD TRY AND EXPAND
YOUR HORIZONS, JASON.
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306. WELL, SOME PEOPLE KNOW
THEIR LIMITATIONS, MELISSA.
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307. THAT'S A GOOD POINT.
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308. WELL, WOULD YOU MIND TAKING OVER
JUST FOR FUN FOR ME TODAY?
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309. OKAY.
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310. BECAUSE I WANTED TO WORK ON SOME
OF THESE ACTING EXERCISES.
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311. WELL, BRENDON, WHAT ABOUT ME?
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312. WHAT AM I GOING TO DO?
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313. WELL, MELISSA, HE ALREADY
TOLD ME I'M DIRECTING.
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314. I KNOW, BUT I WANT TO KNOW
WHAT I'M DOING.
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315. I NEED YOU IN THE EXERCISE.
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316. OKAY.
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317. I'M GOING TO TRY TO CONVEY
AN EMOTION TO YOU
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318. THROUGH MOVEMENT
AND UNKNOWN WORDS.
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319. IT'S A CLASSIC EXERCISE.
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320. OKAY.
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321. I, UM... UM... BRENDON...
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322. I DON'T THINK THAT'S A GOOD
IDEA.
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323. IT'S JUST... IT'S JUST
AN ACTING EXERCISE.
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324. WELL, WHAT I LIKE TO DO
IN MY FILMS...
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325. THIS IS YOUR FIRST ONE.
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326. MELISSA, SHH—— PLEASE.
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327. YOU'RE SO EASILY REPLACEABLE.
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328. OKAY, BRENDON...
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329. YEAH.
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330. WHAT I LIKE...
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331. YOU KNOW WHAT
I WAS THINKING, BRENDON?
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332. MELISSA...
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333. THAT MAYBE I'M GOING TO GO HOME
AND THEN SEE IF YOU CAN
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334. GET SOMEONE
ON SUCH SHORT NOTICE.
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335. MAYBE THAT'S A GOOD IDE...
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336. HEY, WHOA! GUYS, HEY!
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337. WELL, I DON'T KNOW
WHY YOU MADE HIM DIRECTOR.
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338. YOU KNOW HOW HE GETS.
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339. GIVE HIM A LITTLE BIT OF POWER
AND HE GOES CRAZY.
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340. MELISSA, YOU'RE FIRED.
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341. UM... TAKE FIVE...
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342. ALL RIGHT.
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343. YEARS.
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344. CAN I TALK TO YOU PRIVATELY,
BRENDON?
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345. NOPE, I'M THE DIRECTOR, MELISSA,
SO I'M—...
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346. I'M THE TALENT.
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347. OH, THAT'S CLEVER.
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348. THAT'S SO CLEVER.
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349. GUYS, PLEASE.
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350. MELISSA, I THINK, MIGHT BE
TOO HEAVY FOR THIS PART.
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351. EXCUSE ME?
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352. I GUESS MAYBE WE'LL HAVE
TO REPLACE HER
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353. WITH A THINNER ACTRESS.
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354. MELISSA, DON'T LISTEN TO HIM,
ALL RIGHT?
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355. I'M NOT GOING TO SINK
TO YOUR LEVEL, JASON.
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356. WELL, BRENDON, MAYBE, UM, IF...
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357. ALL RIGHT, COOL.
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358. JASON, I LOVE THE DIRECTING
IDEAS AND MELISSA...
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359. YES.
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360. YOU LOOK FABULOUS.
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361. THANK YOU.
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362. I STILL DON'T THINK
WE'VE CLARIFIED...
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363. I KNOW, I KNOW, THAT'S GREAT.
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364. I LOVE THAT YOU'RE THINKING.
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365. SO, UH... LET'S GET
TO THE MOVIE.
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366. SO, BRENDON, YOU'RE GOING TO BE
SPEAKING AN UNKNOWN LANGUAGE?
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367. EXACTLY—— JUST REACT TO IT,
YEAH.
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368. OKAY, BRENDON?
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369. YEAH, YEAH.
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370. WHAT BUTTON DO I PRESS?
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371. REMIND ME NEVER TO GIVE
THE CAMERA TO JASON AGAIN.
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372. IT'S THE RED BUTTON RIGHT THERE.
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373. OKAY, READY?
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374. OKAY.
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375. AND ACTION.
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376. HEY...
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377. EH?
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378. HEY!
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379. HMM? HUH?
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380. UM, BRENDON...
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381. I'M HAVING A HARD TIME
UNDERSTANDING
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382. WHAT YOU'RE SAYING.
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383. WHAT... I'M SORRY, I'M SORRY.
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384. CAN WE STOP?
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385. WHAT IS IT NOW?
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386. I'M HAVING A CONCENTRATION
PROBLEM BECAUSE THIS GUY
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387. OVER HERE KEEPS ON
MOUTHING MY LINES.
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388. HE'S MOUTHING THE LINES
BECAUSE HE'S SPEAKING THEM.
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389. THEY'RE HIS LINES.
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390. YOU DON'T HAVE ANY LINES
IN THIS SCENE.
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391. WELL, I GUESS I'D LIKE
THAT GUY'S PART, YOU KNOW.
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392. EV... EVERYBODY...
EVERYBODY TAKE FIVE!
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393. BRENDON!
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394. BRENDON!
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395. YEAH?
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396. COME HERE, PLEASE.
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397. I... OKAY.
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398. HEY, GUYS, BE RIGHT BACK!
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399. I'M KICKING YOU OUT OF CLASS.
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400. RIGHT, OKAY.
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401. I CAN'T TEACH THE CLASS
WITH YOU HERE
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402. INTERRUPTING EVERY FIVE SECONDS.
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403. HMM.
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404. I HAVE AN ENTIRE CLASS...
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405. YEAH, I THINK I UNDERSTAND...
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406. PLEASE DON'T INTERRUPT ME.
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407. OH!
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408. EVERYBODY'S COMPLAINING TO ME.
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409. SO, I'M SORRY,
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410. NO MORE ACTING CLASS.
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411. NO, NO, I CAN'T BE...
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412. BRENDON...
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413. NO.
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414. I CAN'T BE KICKED OUT OF ACTING
C... CL... UH, UH... OKAY...
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415. WILL THERE BE A REFUND?
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416. NO.
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417. MY MOM IS GOING TO KILL ME.
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418. I... WAIT, NO, WAIT.
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419. JUST THINK ABOUT THIS.
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420. WHAT IF...
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421. NO.
WHAT IF...
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422. HEY, DON'T MAKE ME
CALL YOUR MOTHER.
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423. WHOA.
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424. I'LL CALL HER.
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425. I'LL LEAVE QUIETLY RIGHT NOW
IF YOU DON'T CALL HER.
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426. I'M... I'M NOT GOOD
AT REPRIMANDING PEOPLE
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427. BUT I'M THE TEACHER, SO I FEEL
LIKE I HAVE TO SAY SOMETHING
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428. ABOUT THE INCIDENT IN CLASS.
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429. UM... UH...
ARE YOU LISTENING TO ME?
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430. HMM.
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431. AND WE'RE BOTH INTERESTED
IN WRITING.
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432. SO FOR THE SAKE OF THE PEOPLE
IN THE CLASS
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433. LET'S TRY TO GET ALONG, RIGHT?
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434. HOW'S TEACHING?
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435. NOTHING.
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436. WHAT?
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437. NOBODY.
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438. I... I DON'T LIKE HIM.
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439. WHAT?
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440. TEACHING'S GREAT.
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441. GREAT.
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442. GREAT.
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443. GOOD.
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444. HOW'S ACTING CLASS?
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445. FANTASTIC!
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446. UM... SO GOOD
I MIGHT NOT EVEN GO TONIGHT.
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447. I'M AHEAD OF THEM.
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448. I... YOU KNOW, THEY'RE JEALOUS.
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449. THEY HATE ME MAYBE.
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450. NO, I'M KIDDING.
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451. IT'S REALLY GOOD.
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452. CAN YOU PASS THE PLEASE PEAS?
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453. I DIDN'T MAKE ANY PLEASE.
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454. OH, NO, I MEANT PEAS.
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455. OH, THAT'S WHAT I MEANT.
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456. I FORGOT TO KISS THEM.
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457. WHAT?
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458. MAKE OUT... MAKE THEM.
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459. WE'RE KICKED OUT OF PEAS?
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460. WHAT?
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461. NOTHING—— HOW ARE YOU?
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462. WE'RE... VERY CLOSE FRIENDS.
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463. VARICOSE?
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464. OH, NO, I MEAN YOU AND ME.
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465. OH.
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466. RIGHT... FINE.
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467. OKAY.
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468. WELL, I'M A CHILD ACTOR.
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469. I'M EIGHT, BUT I CAN PLAY
SEVEN—AND—A—HALF TO NINE.
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470. AND I'VE BEEN STUDYING
STANISLAVSKY.
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471. MM—HMM.
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472. AND, UH, SO, YEAH, I NEED
TO MAKE SOME MONEY NOW
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473. BECAUSE I HAVE
TO PAY MY MOM BACK BECAUSE...
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474. BIG LONG STORY...
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475. GREAT—— SO... THAT'S GREAT.
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476. WE CAST FOR COMMERCIALS AND SOME
FEATURES, MOSTLY COMMERCIALS.
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477. YOU HAVE HEAD SHOTS?
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478. UM... I'VE HAD FLU SHOTS—— IS...
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479. NO, I NEED PICTURES
OF YOUR FACE, BRANDON.
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480. BRENDON.
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481. RIGHT.
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482. RIGHT—...
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483. I HAVE MY CLASS PICTURES HERE.
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484. RIGHT, THAT'S GREAT.
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485. YOU CAN TELL
I'M EXPERIENCING HAIR PROBLEMS.
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486. I WOKE UP A LITTLE LATE FOR
SCHOOL THAT DAY AND, YOU KNOW...
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487. MY FAULT—— I FORGOT
IT WAS PICTURE DAY, SO...
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488. OKAY, WELL, DO YOU HAVE
ANY FILM EXPERIENCE?
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489. I DO HAPPEN TO HAVE
A TAPE RIGHT HERE.
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490. UH—HUH, GO AHEAD AND PUT IT IN.
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491. Mmm, yeah, I'm a pretty lady.
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492. DANG!
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493. A very pretty lady...
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494. SORRY.
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495. A lady, lady, lady...
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496. I THINK I GRABBED
THE WRONG TAPE.
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497. YEAH.
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498. BRENDON, WHAT DO YOU WANT?
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499. I NEED TO TALK TO YOU.
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500. WELL, OFFICE HOURS CLOSED,
BRENDON, SO SEE ME TOMORROW.
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501. WOW. LOOK AT THAT, WILL YOU?
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502. HUH!
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503. OH... YEAH.
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504. WELL, THAT'S... THAT'S KIND OF
WHY I'M HERE, COACH.
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505. KNOW, I'D LIKE TO WORK FOR YOU
YOU KNOW, MAKE SOME EXTRA MONEY.
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506. BRENDON...
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507. YEAH?
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508. NO—— THIS IS NOT A MONEY GIG.
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509. THIS IS A VOLUNTEER GIG.
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510. THEY WORK FOR FREE
OR THEY DON'T WORK.
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511. THEN MAYBE YOU
AND I CAN WORK SOMETHING OUT.
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512. YOU KNOW, I...
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513. LISTEN, BRENDON,
WHY PAY THE PIPER
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514. WHEN THERE'S FREE PIPING
DOWN THE STREET?
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515. WAIT A MINUTE,
I SCREWED THAT UP.
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516. OKAY, COACH, I WONDER
IF I COULD POSSIBLY
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517. BORROW A SMALL FRACTION OF CASH.
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518. BRENDON, I DON'T LOAN MONEY
TO EIGHT—YEAR—OLDS... ANYMORE.
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519. AND IF YOU SEE BILLY,
TELL HIM I'M LOOKING FOR HIM.
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520. YEAH.
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521. "TEACH ME GOOD,
TEACH ME ALL NIGHT.
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522. "TEACH ME TO LOVE,
TEACH ME TO WRITE.
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523. "BABY LET ME TEACH YOU
ABOUT THROBBING AND KICKING
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524. AND CLASSROOM NECKING
AND CREATIVE WRITING."
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525. OKAY, THAT'S GREAT.
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526. WHAT?
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527. A—PLUS FOR YOU.
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528. BUT I...
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529. PLEASE, I CAN ALREADY
TELL IT'S GREAT.
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530. WHO ELSE?
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531. UH, STUART?
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532. STEVEN.
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533. UM... ANYTHING HAPPEN
IN THE NEWS?
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534. "TWO CARGO TRAINS
HEADING OPPOSITE DIRECTIONS
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535. "COLLIDED EARLIER TODAY.
PASSENGERS SUFFERED
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536. MINOR INJURIES..."
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537. GREAT—...
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538. THAT'S ENOUGH.
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539. OH.
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540. CLASS DISMISSED.
NO HOMEWORK.
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541. I MEAN, I DON'T WANT
TO SOUND PUSHY
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542. BUT I THINK IT MIGHT BE BEST
TO COOL IT.
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543. I MEAN, I HAVE KIDS,
I HAVE RESPONSIBILITIES.
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544. I... I CAN'T GET
ROMANTICALLY INVOLVED.
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545. I DON'T EVEN KNOW YOUR NAME
WHICH IS MY FAULT.
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546. BUT, UH... IT'S UNPROFESSIONAL
TO KEEP IT UP IN CLASS.
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547. AND I'VE...
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548. WHAT IS YOUR NAME?
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549. WAIT—— DON'T ANSWER THAT.
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550. IT'S BEST THAT
I DON'T KNOW THAT.
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551. WHAT ARE YOU TALKING ABOUT?
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552. WHAT DO YOU MEAN,
WHAT AM I TALKING ABOUT?
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553. WE MADE OUT.
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554. WE HAD A MAKE—OUT SESSION,
AN UNSCHEDULED MAKE—OUT SESSION.
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555. OH, THAT.
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556. I ALWAYS MAKE OUT.
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557. I'VE MADE OUT WITH NEARLY
EVERYBODY IN CLASS.
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558. REALLY?
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559. LOOK, I MAKE OUT,
THAT'S WHAT I DO.
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560. IT'S MY INSPIRATION.
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561. IT'S WHY I WRITE.
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562. OKAY, WELL.
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563. I WISH THERE WERE NOT AN AWKWARD
WAY TO END THIS CONVERSATION.
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564. HEY, LOOK, I'M A MARIACHI GUY.
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565. THAT'S VERY GOOD.
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566. THEY'RE... THEY'RE BASIC
IMPROV TECHNIQUES.
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567. LOOK, IT'S A HAT!
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568. SORRY, THAT WAS A CRAPPY ONE.
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569. SO, HOW DO YOU LIKE
YOUR TEACHER?
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570. WHAT'S HIS NAME?
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571. MISTER... SOMETHING.
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572. MR. SOMETHING—ALONG—THOSE—LINES,
YOU KNOW.
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573. DO YOU LIKE THE CURRICULUM?
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574. OH, YEAH, YEAH,
I LOVE THE CURRICULUM.
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575. YOU KNOW, IT'S THE...
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576. WHAT'S NOT TO LIKE?
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577. WHAT ISN'T NOT TO LIKE?
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578. NOT EVERYTHING
ISN'T NOT TO LIKE?
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579. ISN'T EVERYTHING NOT TO LIKE?
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580. YOU GOT ME THERE.
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581. AND I DON'T MEAN TO SOUND
NEGATIVE OR DOUBLE NEGATIVE.
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582. MOM, PLEASE, YOU DON'T NOT
SOUND NEGATIVE
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583. NOR NON NOT DOUBLE NEGATIVE,
OKAY?
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584. HEY, WHAT DO YOU SAY I PICK YOU
UP AFTER CLASS TONIGHT
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585. AND WE GO OUT TO EAT?
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586. HMM... UH... HUH... NO, I CAN'T.
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587. UH—OH...
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588. WHY NOT?
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589. I'M SPLITTING, YOU GET IT?
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590. I CAN'T STICK AROUND IN THIS
NOTHIN' TOWN NO MORE.
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591. THIS PLACE, THESE PEOPLE——
NO WONDER YOU GOT PROBLEMS.
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592. IT'S BECAUSE OF THIS TOWN, MAN.
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593. DON'T YOU SEE?
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594. DON'T YOU GET IT?
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595. STOP IT, WILLIE!
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596. STOP IT!
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597. WHAT ARE YOU DOING?
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598. HUH?
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599. YOU'RE MY BROTHER.
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600. WE GOT A FAMILY.
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601. YOU GOT TO STAY.
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602. YOU GOT RESPONSIBILITIES!
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603. THE FACTORY.
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604. WHAT ABOUT SHIRLEY?
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605. YOU, GET OFF MY CASE.
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606. YOU BETTER BACK OFF
RIGHT NOW, MAN!
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607. BOYS!
TIME FOR DINNER!
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608. WELL, BIG BROTHER LOOKS LIKE YOU
GOT TO MAKE UP YOUR MIND.
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609. YOU LEAVING OR YOU STAYING?
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610. WILLIE?
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611. JIMMY?
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612. DINNER.
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613. SORRY, TELL THE FOLKS
I'LL MISS 'EM.
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614. AND I GUESS I'LL MISS YOU, TOO,
JIMMY.
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615. I GUESS I'LL MISS YOU, TOO.
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616. ADIOS.
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617. BRENDON, COLOR ME IMPRESSED.
THAT WAS VERY... IMPRESSIVE.
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618. BUT CAN YOU SHOW ME
THIS KIND OF FOCUS IN CLASS?
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619. YES, I CAN.
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620. I MEAN, I'M SORRY.
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621. I WAS STUPID AND I WAS A PUNK
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622. AND I DESERVED EVERYTHING
I GOT AND I'M SORRY.
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623. OKAY, OKAY, OKAY, OKAY, OKAY.
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624. NOW YOU'RE... YOU'RE OVERACTING.
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625. YOU'RE RIGHT—— THANK YOU.
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626. I'm a pretty lady, pretty lady.
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627. BRENDON, WHAT IS THAT?
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628. THAT'S, UH... IT'S ME—...
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629. I'M A PRETTY LADY.
I'M A VERY PRETTY LADY.
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630. WHEN DID I TAPE THAT?
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631. LOOK, FRIEND, DON'T MAKE ME GO
BACK TO MY HOUSE FOR 25 CENTS.
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632. JUST GIVE ME THE SIX—PACK, ALL
RIGHT?
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633. GIVE ME FIVE.
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634. I'LL TAKE A FIVE—PACK.
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635. WHAT THE HELL IS THAT SOUND?
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636. HUH?
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637. OH, NO, NO.
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638. HEY... HEY!
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639. THAT'S MY HOVERCRAFT!
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640. I WAS SUPPOSED TO WIN THAT!
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641. OH, MAN.
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642. YOU CAN'T GO.
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643. WHERE WILL YOU GO?
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644. I MEAN, WE NEED YOU HERE.
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645. BESIDES, YOU'RE
A VERY PRETTY LADY.
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646. UH, YES, I SUPPOSE I AM.
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