1. "Nina's eyes popped out
of what was left of her back.
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2. Why, oh, why had she
opened that tomb?
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3. The sand turned red.
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4. This was because
she was bleeding on it.
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5. Blood. Ruby red blood.
Her blood. Blood.
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6. And piss and shit.
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7. This was the worst day
of her life."
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8. Welcome, friend.
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9. You know, a lot of people say,
"Garth Marenghi,
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10. isn't he the guy who writes
all that horror crap?"
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11. Well, good luck to you,
you're an idiot
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12. because my books
always say something.
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13. Even if it's just something
simple like,
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14. "Don't genetically engineer
crabs to be as big as men."
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15. There's always a message
or a theme.
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16. When I wrote, directed
and starred
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17. in 'Garth Marenghi's Darkplace'
back in the 1980s,
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18. I gave every episode a theme,
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19. even when we were running out
of time or I was really tired.
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20. However, one theme
proved so controversial,
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21. so dangerous, so radical -
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22. the theme's prejudice
by the way -
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23. so outre, out there,
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24. that top brass finally pulled
the axe on the entire project.
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25. Tonight, pilgrim,
I entrust this episode to you,
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26. along with
interviews from myself,
my publisher, Dean Learner,
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27. and the actor Todd Rivers,
who hasn't had a decent gig
since 'Boon'.
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28. This mini-seminars
will help further elucidate
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29. and unravel the mysteries
of Darkplace
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30. so you have no excuse
for "not getting it".
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31. So here it be, uncut,
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32. uncensored, unbelievable,
unpalatable
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33. and I sincerely hope
you are disturbed.
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34. By the show.
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35. I'm Garth Marenghi,
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36. author, dreamweaver,
visionary, plus actor.
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37. You are about to enter
the world of my imagination.
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38. You are entering my Darkplace.
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39. Mmm. Yeah,
that's real good. Mmmm.
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40. Hey, I've got an idea,
let's continue this outside
in the bushes.
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41. But you're due for
your operation in five minutes.
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42. Oh, come on. It'll be fun.
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43. Let's get down to it right away.
I'm feeling really horny.
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44. Yes. Let's make love
right here on the moor.
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45. Hold on, what's that?
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46. Oh, that's just mist or fog.
You'll forget all about it
once you're into it.
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47. - OK.
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48. Jesus Christ! What the hell? No!
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49. Arggh!
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50. A lot of people write to move,
a lot of people write
to protest,
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51. I write to chill.
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52. He had a very ambitious script.
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53. I said "Garth, this is
a very ambitious script
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54. for the money we've got,
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55. seeing as we've got no money,
it's extremely ambitious."
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56. We were filming it in my garage.
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57. I had a big garage
but still it was ambitious
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58. to film a TV show in a garage.
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59. Well, the thing about
'Darkplace'
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60. is that it was a real
turning point for me as a writer
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61. because up until that point
I had been writing
balls to the wall horror.
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62. For this, I wanted
them to go, "Ooh!"
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63. And I think that's one of the
great strengths of the programme
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64. is that it managed
to bridge that gap
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65. between "ahh" and "ooh"
quite well.
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66. My name is Dr. Rick Dagless M.D.
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67. It's 3:00am and it's misty,
too misty.
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68. And the weatherman had said,
and I quote,
"More mist to come."
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69. And once you added that to
the mist that was already here,
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70. you were looking at
a whole mess of mist.
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71. I'd been called out
to the grounds of Darkplace.
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72. It was taking ages
because of the mist, though.
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73. There was something
about this mist.
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74. What? I hadn't the foggiest.
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75. What do you make of it, Dag?
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76. I'm going to
level with you, Sanchez.
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77. I've never seen anything
like this.
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78. In fact, I haven't got
the foggiest idea.
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79. - Great joke, Dag.
- Cheers. I thought of it
in the car.
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80. Look. Their faces are patterned.
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81. Good work, Liz.
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82. What is it, Rick?
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83. Porridge.
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84. I think I know what did this.
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85. - Scotch mist.
- Scotch Mist, Dag?
But what's Scotch Mist?
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86. One moment while I
cross-fertilize the data.
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87. According to my print-out,
Scotch Mist is an evil
Highland force,
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88. the ghosts of Scottish warriors
trapped in foggy mist.
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89. Well I'll be dead and rained on.
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90. Ever since Dag re-opened
the Gates of Hell last week
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91. there's been a glut of fresh
terror on the wing.
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92. Why would long-dead
Scottish warriors trapped
in mist come so far south?
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93. To kill the Queen and then
destroy our way of life.
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94. - That's what that every
Scotchman wants.
- You can't say that.
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95. Believe me, Liz, I know.
I've met a lot of Scotch people.
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96. They want what we've got,
order, sobriety, hope.
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97. Everything Romford stands for.
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98. They're jealous
of our continental ways.
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99. Well, all I know is that
I've got a hospital to run.
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100. You'd better do something
and fast cos I don't wanna
be sitting here
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101. this time tomorrow
with mist up my crack.
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102. Do I make myself clear?
Good. Now get!
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103. - That's the phone.
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104. Hello? Speaking.
I beg your pudding?
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105. And the same to you, too.
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106. Of all the nerve!
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107. Problem Thornton?
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108. Someone's given my number out.
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109. Says I'm running
a massage parlour.
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110. Now who'd have pulled
a stunt like that?
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111. I don't know, Thornton.
Some people are animals.
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112. Well, if I catch the culprits
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113. I'll string them up
by their Buster Browns.
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114. Not if I catch
the mongrel first.
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115. I just don't understand it!
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116. Why are you two still here?
Scram!
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117. The mist rolled
relentlessly round Darkplace
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118. much like smoke or fog.
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119. We stood transfixed
for what seemed like forever,
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120. but was probably nearer
20 minutes to half an hour.
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121. What is that sound?
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122. That's a bagpipe.
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123. Dag! It's Liz.
She's having a vision.
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124. Go away. I demand that you go.
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125. Please be gone.
Oh God, you must go!
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126. Thanks, Rick, I was hysterical.
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127. What is it?
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128. It's Jim. He's out there.
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129. We found out that
the mist was poisonous
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130. when two techies died, yes.
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131. Now I don't like
to see anyone die
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132. but if someone has to die
it might as well be a techie.
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133. Because another one comes along,
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134. it's the same belt, it's the
same hammer in the tool belt,
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135. you can barely
tell the difference.
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136. Keep your headbands on,
that way we won't get lost.
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137. And use your fans sparingly.
They eat through batteries
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138. and if you're not careful
they can nick your fingers.
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139. Stay local.
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140. Just out of interest, Dag, what
kind of batteries are you using?
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141. Powerzone Turbo Cells.
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142. Got a bag of them
down Herne Bay market.
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143. £1, 30 batteries.
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144. Can I speak frankly?
Of course.
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145. If you act like a cheap arsehole
expect the shittiest portion.
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146. Let me live my own life, Sanch.
They're fine!
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147. Look, it's Jim.
He's been struck by the mist,
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148. thought he's still alive,
unbelievable as that seems.
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149. Quick, let's run
into that outhouse!
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150. Just over there!
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151. Move your arse, Liz!
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152. You goddamned evil misty jocks.
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153. Listen to me, I am not
prejudice, alright?
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154. That is what I'm saying,
I am not prejudice.
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155. But Joe Public is.
You probably are.
You look like a dropout.
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156. Point being,
I wrote this to heal Britain.
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157. 'Scotch Mist',
some thought was fairly racist.
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158. I didn't to be honest.
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159. Thing is I'd play anything,
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160. a Nazi, anything at all.
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161. I'd never... I don't think
I'd ever kiss another man.
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162. You know, not even
for the big boys.
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163. Have you ever been to Scotland,
Dag?
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164. Once.
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165. What was it like?
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166. I remember it much
as one recalls a dream,
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167. or a nightmare.
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168. I was on a budget flight
to Norway
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169. when a storm hit and forced us
to ditch in Glasgow Prestwick.
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170. I was stranded.
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171. And it's so hilly up there
you can't get any signal
on your carphone.
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172. It looked bad.
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173. It looked like I was gonna have
to spend the night in Glasgow.
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174. Jesus Christ!
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175. The cabin crew suggested
we all go out and club it.
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176. I had no option. It was that
or one of their B&Bs.
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177. I figured it'd be safer
on the streets.
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178. For the first time ever
I saw the Scotch
in their natural habitat.
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179. And it weren't pretty.
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180. I'd seen them huddling
in stations before being loud.
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181. But this time I was surrounded.
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182. Everywhere I went, it felt
like they were watching me.
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183. Fish-white flesh puckered
by the Highland breeze.
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184. Tight eyes peering out
for fresh meat.
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185. Screechy, booze-soaked voices
hollerin' out for a taxi
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186. to take them half-way up
the road to the next
all-night watering-hole.
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187. A shatter of glass.
A round of applause.
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188. A 16-year-old mother of three
vomiting in an open sewer,
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189. bairns looking on,
chewing on potato cakes.
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190. I ain't never going back.
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191. Not never.
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192. My aunt lives in Scotland.
She's says it's quite nice.
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193. Well, she's wrong.
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194. Bloody thing's cut out.
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195. Look. The mist is retreating.
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196. She's right,
the mist is retreating.
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197. You're both right,
it is retreating.
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198. OK. You two get Jim back
to the hospital. I'll cover you.
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199. Heroically,
I let Sanch, Jim and Liz
run back without me.
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200. In my private bones
I knew they'd be safe.
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201. This mist was out
for one person only
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202. and that person
methought was moi.
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203. I ran, ran like my life
depended on it, which it did.
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204. As a writer,
I make my own rules up, OK?
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205. If I want to start a sentence
with a full stop I will.
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206. If I want to highlight
social prejudice I will,
but I'll do it my way.
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207. And sometimes you actually
have to be a bigot
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208. in order to bring down
bigger bigots.
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209. At the end of the day,
this is not just a horror show.
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210. This is a show about great,
original writing.
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211. - Where the hell's Dagless?
He should be back by now.
- We have to help him.
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212. No dice, Liz.
We'd never make it.
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213. The batteries are spent.
I think they were warped.
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214. That's what you get
buying cheap batteries.
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215. Tell me about it.
You try to make a saving,
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216. economically it's more sensible
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217. to buy from a reputable
high-street retailer.
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218. And not from some fly-by-night
with a suitcase.
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219. Exactly. Who knows,
they may even be stolen.
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220. But the initial price of a name
battery is much higher.
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221. They'll always be dear.
But you're paying
for the reliability.
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222. I personally use
rechargeable batteries.
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223. Couldn't use
my charger last night
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224. cos I was up playing
the keyboard till two.
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225. We ought to check in with Reed.
Maybe he has a supply
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226. of name batteries like
Duracell or Ever Ready.
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227. Well, you'd hope so.
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228. I told you before.
I don't do that kind of thing.
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229. Another one.
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230. As if I didn't have enough
on my plate what with this mist.
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231. And just listen
to the answer phone.
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232. Hello, I'm calling
about arranging a massage.
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233. I mean, I ask you.
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234. Take that last bit back.
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235. - Rick!
- Rick.
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236. What happened?
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237. Shit happened, sweetheart.
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238. Come on. Time's running out.
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239. - What are you up to?
- I don't know yet.
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240. Slow it down 26%. Shhh. Listen.
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241. Och. Kill.
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242. Dagless. Mon.
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243. - What does it mean?
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244. I know 'mon' means 'man',
but I don't think 'och'
means anything.
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245. It's me they want. And
that's what they're gonna get.
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246. - But why you, Dag?
- I did a stupid thing
on that night in Glasgow.
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247. I went into a chip shop
and I ordered a cheese burger.
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248. But that could have
happened to anyone.
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249. Don't beat yourself up about it.
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250. Wait, Thornton, that's not all.
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251. I ordered this cheeseburger
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252. but instead they put
a frozen slab of meat
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253. in a deep fat fryer and served
it to me in a tissue.
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254. I refused to pay.
An argument ensued.
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255. And I said some very racist
things about the Scotch
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256. and about how fat
a lot of them were
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257. probably on account of
what they did to their burgers.
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258. That's why this mist is here.
Revenge.
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259. - I'm gonna have to face them.
- I'm coming with you, Dag.
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260. - No, you're not, Sanch.
- Fair enough.
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261. I've been running from
the Scotch all my life.
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262. I'm going solo on this one.
Man to Scotchman.
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263. Then take this.
It's my flick-knife.
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264. - Thanks.
- And you might need this.
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265. Be careful with it.
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266. It's my mother's.
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267. And take this.
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268. What is it?
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269. Something that might come in handy.
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270. - And Dag?
- Yep.
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271. Put your trousers on.
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272. I've got to do it like this.
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273. Please accept this shortbread.
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274. I'm afraid I can't offer you
any salt to go with that.
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275. I know it's me you want.
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276. Look, I just want to apologise
for what I did
to your countrymen.
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277. Look didnae get me wrong.
I'm a big fan
of the Scotch people.
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278. I love Lulu and if Taggart's on
I'll tape it.
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279. I was very tired that night
and I was pissed off
I was in Glasgow.
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280. Colleagues of mine have since
visited it during the day
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281. and they say they've had
a cracking time. I'm sorry.
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282. I was wrong. I see that now.
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283. My life is yours.
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284. - What about the hair?
- It'll grow out!
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285. It was very, very cheap.
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286. Do you like Scotch food, Liz?
I know a little place we can go.
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287. I know a little place you can
go. It's called
'To blazes'.
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288. Hey.
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289. - Well done, fellas and Liz.
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290. I'm sure this'll be Won Ton,
congratulating us.
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291. Hello? Beg your pudding?
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292. No. For the last time,
that's not my bag.
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293. What's wrong with you people?
I mean, I'm just trying to run
a decent hospital
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294. and you people keep bothering me
in the most rude manner
imaginable.
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295. Get out of the office.
Thank you!
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296. - I do not run a massage parlour!
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297. You guys are so cruel.
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298. I'm gonna get out of here
for a bit. Grab some air.
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299. Hang loose.
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300. I wonder what
brought them here, Liz.
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301. Was it Rick,
was it this hospital?
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302. Or was it both.
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303. Or all three?
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304. One mist had gone,
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305. but another mist remained,
a worse mist.
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306. A mist that fogged men's minds.
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307. The mist of missed
understanding.
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308. Luckily, this mist
was just a metaphor
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309. and wouldn't really affect
things that much.
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310. On a nearby rooftop,
a bird took flight.
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311. But not even that could
spoil this beautiful moment.
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312. As rosy-fingered dawn
cupped Romford in its hands
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313. and thumbed open
the new day's crack.
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314. I love Scotland, you know.
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315. I'll take the high road,
I'll take the low road.
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316. I think both are valid.
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317. I once tried to open a string
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318. of gentleman's clubs near Fife,
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319. 'North of the Border'.
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320. But they're just not ready.
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321. Glasgow's been industrial
for a while
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322. but in many ways it's still
a Third World country up there.
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323. But they'd be the first
to accept that.
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324. Things are improving by degrees.
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325. Today, if an Englishman
meets a Scotchman or vice versa,
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326. 50-50 they're gonna get along.
And that's a very
encouraging statistic.
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327. 'Garth Marenghi's Darkplace'
is a Garth Marenghi production.
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328. In association
with Dean Learner.
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