1. God, it's cold. Gettin'
too damn old for this.
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2. Make sure that blast cap's on tight.
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3. It's not the blast cap I'm worried
about, it's my damn fingers.
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4. Stop your complaining. We fall behind
schedule, we violate our permit.
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5. Just a minute. Almost there.
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6. Zone one clear. Zone two clear.
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7. Zone three clear.
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8. Zone four clear.
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9. Got a squatter in zone five.
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10. Getting him out. After
that, we're clear here, too.
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11. Zone six clear.
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12. Okay, people. Building's
clean. Wrap it up and get out.
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13. We're go for demolition
in three minutes.
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14. T-minus three minutes.
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15. So what's up, man?
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16. Stateside diner, meatloaf sandwich?
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17. Thinking steak and eggs at cora'S.
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18. Well, we could always head
up route nine to parkview.
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19. - Sure.
- What?
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20. "What." The waitress. The
brunette. What's her name?
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21. Oh, marcie? No, I wasn't even— I was
thinking about the lean corned beef.
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22. Yeah, right, the lean
corned beef named marcie.
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23. Hold up.
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24. What's the matter?
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25. You okay?
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26. Dennis. What's the problem?
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27. Nothing. I don't know.
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28. - You swept it, right?
- Sure.
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29. I just...
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30. I don't know. All of a
sudden I got a weird feeling.
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31. Yeah? Me too. Mine's called, "I
don't wanna die looking at dennis."
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32. Come on, man.
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33. Hey, radio mike, will ya? Tell
him I wanna do another sweep.
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34. Come on, man, where you going?
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35. Dennis, they're holding
the countdown for us.
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36. Damn it! Come on.
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37. Where we going?
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38. I think we missed something.
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39. The plans show another room over here.
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40. Ahh, this doesn't make sense.
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41. Phil, you got dennis? What's going
on? We don't have a lot of time.
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42. Just two more minutes.
We'll be right out.
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43. - Do you hear that?
- What?
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44. Sounds hollow.
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45. Come on, man, this place
has been completely prepped.
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46. There's nothing underneath
there, just solid foundation.
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47. Does that sound solid to you?
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48. It's probably just frost damage.
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49. The—the
concrete's cracked.
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50. Mike, I think you should come down here.
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51. This is definitely not ****.
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52. God, and what's that smell?
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53. What do you think this was?
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54. I don't know, but it's old.
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55. Well, good, that narrows it down.
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56. What the hell?
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57. Oh, my god.
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58. - =http://sfile.ydy. com=-
proudly presents
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59. - =http://sfile.ydy. com=-
ßÇÈâÈâ
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60. Fringe Season01
Episode15 Inner Child
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61. Ella?
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62. Mommy gets grumpy if
I wake her too early.
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63. She always did.
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64. Mm, come on.
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65. Well, do you want some... pancakes?
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66. - Yes.
- Yeah?
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67. Francis. Hey, jim. How are you, buddy?
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68. I saw that your mayor got himself
into a little bit of trouble.
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69. That couldn't have
been fun for you guys.
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70. When?
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71. Has anyone taken anything from
that fax in the last five minutes?
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72. I'll call you back.
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73. Ugh, liv, I'm sorry.
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74. I told her to let you sleep late.
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75. Oh, she did until 6:17.
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76. - Yup, that sounds late for her.
- Which one?
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77. Uh, the yellow one.
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78. - Aunt liv?
- Definitely the yellow.
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79. Did you tell her?
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80. Go get dressed.
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81. What?
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82. We went apartment hunting yestery.
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83. Really? You're thinking
of moving to boston?
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84. Yeah, well, ella loves it
here, and so do I, so...
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85. Well, you know that you can stay
here for as long as you want.
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86. I know, but you don't need a little
creature waking you up at 6:17 every morning.
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87. If that little creature
is ella, I am fine with it.
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88. - Hello.
- It's me.
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89. The artist is back.
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90. How do you know? Did
we receive another fax?
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91. Yeah. Hartford office got one too.
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92. Well, did we get a trace?
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93. Said from a copy store in allston.
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94. So I've got mason and louis headed
over to question the employees,
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95. see if someone can give us a
description of whoever sent it.
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96. Okay, I'm gonna be there in 15 minutes.
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97. - Some new horrifying event you're not allowed to tell me about?
- Yeah.
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98. Okay, now it's gonna be 14.
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99. Excuse me, agent dunh?
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100. Get the bishops. I need you to
meet me at children's hospital.
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101. Actually, I just had an
old case reopened, and I—
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102. It can wait.
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103. After the boy was found, construction
crews performed a search of the tunnels.
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104. It was determined they'd beenen
sealed shut for at least 70 years.
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105. The place was a sarcophagus.
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106. The only living things down
there were rats, insects...
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107. and him.
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108. And we have no idea
how he got down there?
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109. He's so pale.
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110. He seems to be developing
some pigmentation.
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111. Well, he probably hasn't
seen sunlight in years.
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112. Does he have a name?
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113. He hasn't spoken a
word since he was found.
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114. - Dr. Bishop, any thoughts?
- Perhaps.
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115. But first I need a piece
of special equipment.
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116. My turntable.
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117. Is that some kind of lab equipment?
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118. No, a turntable. Record player.
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119. You enjoy music, don't you, mr. Broyles?
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120. Well, imagine the agony of having
an extensive record collection,
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121. and having no means to play it.
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122. The agony.
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123. I'll have someone get right on that.
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124. This is dr. Winnik. Chief of p
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125. Look, I understand your agency's
taken an interest in this child,
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126. but he's been through quite a trauma.
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127. Is he sick?
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128. Not as far as we can tell, but
he's having difficulty breathing.
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129. - We need to administer oxygen.
- No, don't. No no no. I wouldn't do that.
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130. You said the tunnel was
sealed, is that correct?
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131. Well, then it's obvious that the child was
trapped in a low-oxygen environment for so long
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132. that his body adapted to it.
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133. And that is why he's
having trouble breathing.
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134. I don't think so.
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135. Unless you have an iq higher than mine,
I'm not interested in what you think.
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136. Administering additional oxygen
at this stage would simply
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137. cause his lungs to fill with
fluid and drown him where he lies.
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138. We need to deprive him of oxygen.
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139. Get him a nasal cannula and a
tank with low oxygen content.
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140. Perhaps 5% to start.
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141. A griffin.
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142. 'Scuse me?
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143. Your tattoo.
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144. The body of a lion and
the head of an eagle.
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145. That's a griffin, right?
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146. Just picked it outta the sample book.
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147. Thought it looked cool.
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148. Oh, well. A nice choice.
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149. Did it hurt much?
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150. I always imagined getting a
tattoo would hurt real bad.
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151. It's a good pain.
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152. - I'm sorry, I didn't mean to
embarrass you or any— - You didn't.
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153. Do you need a hand?
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154. Uh, thanks, I got it.
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155. Um, actually, you know,
a little help would great.
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156. Cool motorcycle. What make?
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157. '67 harley shovelhead. She's a beauty.
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158. Yeah, she is.
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159. Any minute, now.
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160. It worked.
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161. You'll want to increase the oxygen flow
by 10% every hour 'til he acclimates.
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162. So you said that he hasn't talked.
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163. How do we know he can hear?
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164. He responds to sound.
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165. And we examined his timpanic
membrane; there's no physical damage.
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166. In fact, considering how he was
found, he seems fairly healthy.
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167. His heart sounds fine, his
blood pressure's strong.
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168. And how do we think he survived
down there? I mean, what did he eat?
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169. Rats. I'd think. Moss insects.
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170. High in protein. Tastier than you
may think, especially millipedes.
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171. Although they all lack certain minerals
which may account for his follicular dilemma.
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172. His baldness.
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173. Have you performed a urinalysis?
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174. We haven't been able to. We've
been feeding him intravenously.
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175. He hasn't relieved
himself since he arrived.
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176. Can't say I blame him for
not wanting to try this.
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177. This looks worse than the dreadful
food they served at st. Clare'S.
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178. You were on staff at st. Clare's asylum?
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179. No, no, no, not a medical
doctor. I was a patient.
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180. Got such a sense of humor, huh?
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181. Walter, what do ya say we keep those
old st. Clare's stories to ourself, yeah?
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182. Hello.
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183. My name's olivia. What's yours?
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184. It's my phone.
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185. It's charlie.
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186. I'm, uh, still in the hospital.
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187. You won't remember this, peter, but
you didn't talk much either, as a child.
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188. Could you get me the address?
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189. - What's it say?
- Sam gilmore.
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190. He cawrite?
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191. Is that your name?
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192. I'll see what we have on any
sam gilmores in massachusetts.
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193. The body was found just after 6:00 pm.
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194. This part of the park's usually
empty this time of the year.
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195. Couple of kids were using it as
a shortcut when they found her.
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196. Definitely the work of the artist.
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197. He clearly made alterations
to the body post mortem,
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198. and put her out here for
the whole world to see.
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199. Here's what we have so
far. She's a local girl.
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200. A process server from weston.
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201. Next of kin is being notified
by local agents as we speak.
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202. Samantha gilmore.
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203. Wait, did you say sam gilmore?
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204. Yeah. Samantha gilmore. You know her?
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205. Our perp's name is the artist.
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206. Now, some of you here may recal that we had
our first encounter with him three years ago.
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207. He killed four women in lower jamaica
plain over a period of two days.
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208. After the fourth murder he stopped.
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209. - Are you holding for dr. Winnik?
- Uh, yes.
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210. Samantha gilmore, age 24.
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211. Now, the killing bears all
of the artist's trademarks.
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212. His M.O.Is to kidnap,
sedate, and kill his victims.
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213. Then after he kills them, using
surgical tools and chemicals,
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214. he, in his mind,
enhances their appearance.
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215. In this case he bleached her skin, removed
multiple piercings, and dyed her hair.
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216. It was preceded with a faxed
invitation to view new work
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217. - that was to be displayed somewhere in public.
- Anything yet?
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218. No. That was the hospital.
They're giving the boy an mri.
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219. When he's done I'm gonna
go in and talk to him again.
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220. In the meantime I've sent his picture
to samantha gilmore's friends and family,
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221. but, so far, no one recognizes him.
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222. You didn't really expect
that they would, did you?
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223. No.
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224. So let me ask you the
obvious. What's the connection?
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225. Amala and kamala, the wolf
girls of india. And—and, ah...
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226. marie-gelique memmie leblanc,
the wild girl of champagne.
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227. They're all feral children who— who grew
up completely isolated from human contact,
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228. surviving, like our boy,
uh, for many years alone.
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229. Yeah, but I'm guessing none of
them could write upside-down.
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230. You're saying that the
boy grew up down there.
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231. Well, based on the blood work, yes.
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232. I'm fairly certain that the
lack of vitamin d, for one,
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233. but also the complete
absence of lactobacillus—
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234. Microorganisms that help us
digest. They're everywhere.
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235. Precisely. If the boy had spent
any time above the ground,
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236. then he certainly would
have absorbed those.
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237. But that still doesn't explain how
he got there in the first place.
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238. You said that the place had
been sealed off for decades.
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239. The boy couldn't be more than ten.
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240. Well, he certainly looks that.
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241. You believe he might be older.
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242. Well, given the environmental
conditions— the lack of oxygen and light—
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243. and their impact on his biological
development, he could be significantly older.
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244. But none of that explains
how he knew samantha gilmore.
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245. No. That I can't explain.
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246. But good news, mr. Broyles.
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247. I have located my turntatable.
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248. So I don't need you to
purchase me one after all.
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249. It was under the sink in the john.
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250. So obvious.I was sitting
on the toilet, and I-
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251. - Walte I think that's probably enough information.
- Agent dunham.
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252. We just got another one.
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253. The artist is going
after another victim.
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254. - That's a beautiful dog.
- Thank you.
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255. - Is he friendly?
- Of course.
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256. His name's mack.
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257. Hey, mack. Hey, mackie.
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258. They, uh...
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259. they told me that you haven't
eaten anything solid yet.
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260. So I, uh...
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261. I thought that you might like
these more than the mystery meat.
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262. When I was a kid, I
used to live on these.
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263. Except the yellow.
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264. Something about the color.
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265. Reminded me of medicine.
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266. You wanna try one?
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267. That's it. Good.
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268. Thank you.
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269. Yesterday you wrote down
a name for me. Remember?
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270. I thought today you
could give me your name.
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271. You have a real way with him.
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272. Elliot michaels. Department
of social services.
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273. Uh, olivia dunham, fbi.
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274. Um, you mind if I borrow
miss dunham for a few minutes?
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275. I promise I'll bring her right back.
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276. I'll be just outside.
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277. Dr. Winnik brought me up to speed
about your interest in the boy's case.
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278. The circumstances by which he
was found attracted our interest.
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279. It's bizarre, huh?
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280. Have you been able to find
out anything more about him?
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281. You know, first name, where he's from...
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282. Uh, no. I'm afraid not yet.
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283. Well, I'm not gonna get in your way.
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284. I just thought I'd stop by and see
him before I g the ball rolling.
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285. - How so?
- How so?
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286. Uh, well, you know— physically, it— it doesn't
seem as if there's anything really wrong with him,
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287. - so I've arranged to have him moved.
- Moved?
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288. To a facility that can
provide the treatment he needs.
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289. - When?
- Tomorrow. You know, I hope.
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290. Assuming all the paperwork is in order.
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291. - What's wrong?
- Uh, I'm not sure.
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292. His bp and his heart rate are spiking.
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293. It's okay, it's okay.
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294. It's okay.
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295. It's gonna be okakay.
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296. I-I think we're okay.
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297. You okay, there?
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298. Maybe if you just, uh, gave us a moment.
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299. - Of course. Just take your time.
- Thank you.
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300. I'm at the hospital.
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301. I think we may have found another one.
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302. I should let you get some rest.
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303. Anything so far?
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304. I just got here five seconds ago.
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305. So what's the plan?
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306. Start knocking on doors?
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307. Unless you can think of a better idea.
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308. All right. You go east, I take west.
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309. - Good.
- You are very good.
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310. Mind some company?
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311. Of course not.
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312. Did I miss you last night,
or did you not even come home?
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313. Uh, no. You didn't miss me.
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314. Have you eaten anything?
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315. Uh, m&ms.
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316. Liv... do you like it? Your job?
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317. Yeah. Most days.
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318. Today, not so much.
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319. I followed a lead that didn't pan out.
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320. What about you? Why are you up?
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321. I'm sorry.
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322. - Hello.
- We found our second victim.
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323. It's kate harper.
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324. Where?
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325. She's right outside st. Catherine'S.
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326. Surrounded by candles.
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327. Good news is we might have
finally caught a break.
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328. E.R.T. Said they found some
blood underneath her nails.
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329. - So they're running it.
- Okay. I'll be right in.
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330. Just one more thing, liv.
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331. The address the boy gave us.
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332. Little while after we left, a
neighbor found a dog tied to a fence.
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333. It was whimpering.
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334. It was the victim's dog.
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335. We were there.
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336. There's no way we could've known, liv.
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337. But he was trying to tell us, and
he was right, and we were there?
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338. WalteR. Olivia's here.
She needs to talk to ya.
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339. Walter.
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340. Could she come back later?
I'm about to step in the bath.
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341. No, she can't come back later.
It's the middle of the night.
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342. Shneeds to talk to you right now.
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343. Honestly, peter, can't a
man get a— agent dunham.
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344. Peter, why didn't you tell
me agent dunham was here?
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345. I'm pretty sure I did.
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346. Well, what can I do for you?
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347. Walter, it turns out the boy was right.
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348. He gave me a clue, but I didn't
know what I was looking for.
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349. So do you have any thoughts at all?
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350. Any idea how I can reach him
or how he's doing any of this?
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351. I-I believe I know how he's doing it.
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352. Since he's been living
underground for so long,
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353. his hypersensitivity
to light and sound—
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354. it's just possible he may also
be sensitive to people's emotions.
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355. A raw nerve.
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356. Able to intuit the feelings
and intentions of others.
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357. Your killer, for one.
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358. So are you saying that he's psychic?
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359. No, no. More a shark.
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360. A shark?
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361. Specifically, their
electromagnetic field,
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362. which allows them to detect their prey's
bioelectric field from a distance of many miles.
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363. We humans have it too,
of course. Pheromones.
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364. Undetectable chemicals that nonetheless
affect our behavior, our sex drive—
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365. Hey, speaking of sex drive.
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366. Oh, peter, don't be such a prude.
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367. I'm sure agent dunham knows
what a penis looks like.
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368. Don't you, agent dunham?
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369. My father, ladies and gentlemen.
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370. But how would he know
things that I don't?
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371. Know about the killer or
victims that he's never even met?
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372. My dear, there is much
that is unexplained.
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373. Until it is.
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374. In short, he has no idea.
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375. Even if you're right, and he can sense
the killer, he can't tell me that.
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376. Not in a way that I could
do anything about it.
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377. Well, if that's the problem,
then there's no problem.
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378. What does that mean?
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379. Well, the boy is obviously
thinking, yes? Having thoughts.
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380. We just haven't beenble to hear them.
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381. And I'm sure you can do that, can't you?
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382. Hear his thoughts.
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383. Perhaps I can.
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384. Did you make this?
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385. Listen, I wanna take you
away from here for a while.
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386. Is that okay?
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387. Vintage bugs bunny.
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388. Didn't get any better than this, right?
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389. I found it!
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390. Neural stimulator.
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391. Is there anything it can't do?
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392. Walter, is that what you're gonna
use to read the boy's thoughts?
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393. Not to read them, my dear.
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394. To listen to them.
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395. I wish you would have told us that
that's what you were gonna use.
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396. - Why?
- 'Cause you coulda saved us the hassle.
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397. You're not putting that medieval
torture device on that poor kid.
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398. Walter, the last time you used that
thing, you drilled it to the guy's head.
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399. If you think he'll
find it disagreeable...
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400. - I suppose it could be modified.
- Really?
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401. You didn't think to mention
that to the last guy?
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402. It shouldn't be too much trouble.
Copy !req
403. We merely need to intercept the neural responses
from the speech centers of the boy's brain,
Copy !req
404. which can be achieved by placing
electrodes in the halo ring.
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405. After that, it's simply a matter
of synthesizing the impulses.
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406. Think of it as creating
artificial vocal cords.
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407. Simple. Like makin' an omelet.
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408. Actually, son, a good
omelet is far more complex.
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409. We'll have him talking in no time.
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410. Where's the child thatas in this room?
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411. - He was discharged.
- By whom?
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412. Just remember that you don't have to
do anything that you don't wanna do.
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413. If for a second you're scared, or
you don't like what's happening,
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414. you just squeeze my
hand like that. Okay?
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415. Is he ready?
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416. As ready as he'll ever be. I guess.
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417. I've seen that look before.
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418. Usually right before somebody throws up.
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419. Agent farnsworth, ready?
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420. Walter, what're you doing?
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421. Watch and learn, son.
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422. - Nicely done, walter.
- Thank you.
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423. You can turn the music
off now, agent farnsworth.
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424. What's wrong?
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425. What's going on in here?
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426. Did you really think you could just
steal a child out of protective custody
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427. and that somehow no one would notice?
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428. Look, first of all, I didn't steal him.
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429. The child's assisting us in an
active criminal investigation.
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430. Assisting you how?
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431. No offense, mr. Michaels, but
that's classified information.
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432. The department of social services
doesn't have clearance to know that.
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433. - What?
- Mr. Michaels isn't social services.
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434. He's with the cia's directorate
of science and technology.
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435. I'd ve told you earlier myself, but
you don't have clearance to know that.
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436. This morning we were informed the D.
S.N.T. Will be taking full custody of the child.
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437. So they can what? Study him?
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438. This child was apparently able
to survive for years, underground,
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439. in an oxygen-deprived
environment with no food or water.
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440. Surely you could see how someone who doesn't have his
best interests at heart might want to exploit that.
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441. Oh, so you wanna take him
to protect him, is that it?
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442. Forgive me for sounding harsh,
but I don't buy that for a second.
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443. Dunham. It's all right.
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444. To be honest, it really doesn't make any difference
what you think— the boy's coming with me.
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445. I'm afraid this is above both of us.
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446. Agent francis just called.
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447. He said we got another
invitation from the artist.
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448. Mr. Michaels, suppose
you give us one day.
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449. A day?
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450. He could help us catch a
murderer and save a life.
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451. The boy would be under my protection.
I'll personally guarantee his safety.
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452. If I agree to this, then you'll turn
the boy over to me without a fight?
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453. Do we have an agreement?
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454. We do.
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455. My very educated mother
just served us nine pies.
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456. No. That's the planets of the
solar system— or at least was.
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457. You wanna take a look at
this? His name is roadblock.
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458. He's not really one of your top-tier
G.I. Joes, but it is the best we had.
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459. It's funny, I always remember the scar
being on the other side. You want him?
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460. Cannot build phallic puzzles in the lab.
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461. - What is he doing?
- Mnemonics.
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462. You know, like a rhyme
or phrase to help memory.
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463. Like, uh, "home" stands for
the great lakes. That's huron—
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464. I'm familiar with it. Why is he doinit?
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465. Well, he is trying to remember which wires
go into which connections on the machine.
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466. Yeah, thanks, charlie.
I will. Keep me posted.
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467. More bad news?
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468. We got the forensics report.
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469. We were hoping that the blood we found under the
second victim's fingernails was a match for the killer.
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470. But no?
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471. Not unless gene is the killer.
It wasn't human, it was bovine.
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472. You said cow blood?
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473. Yeah, and some plastic polymers.
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474. How would someone get cow's
blood on their fingers in boston?
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475. Astrid, could you contact
the bureau of animal health?
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476. We should start pulling
livestock licenses around boston.
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477. Petting farms, research
facilities, anything.
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478. - Yeah. Gotcha.
- She's a bad mamma jamma!
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479. Pha, beta, beta and gamma—
she's a bad mamma jamma.
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480. Signal amplification, bifurcation,
modulation, juxtaposition.
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481. You hanging in there, kiddo?
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482. - Yeah, me too.
- Peter, get me the red wires.
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483. - Peter.
- Here's a thought.
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484. A couple years ago, I was working down in tennessee
as a floor sweeper at a meat packing plant.
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485. - Sounds awesome.
- You have no idea.
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486. My point is we had these big
rolls of industrial-grade plastic
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487. that we used to wrap their cuts of meat in
before we would send them to the grocery stores.
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488. Cow's blood in plastic.
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489. Yeah.
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490. Okay. I believe we're ready.
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491. - Peter.
- Yeah.
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492. Yes. Listen to that.
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493. Listen to what, walter?
That's just random noise.
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494. No, that's just the computer
calibrating the signal to noise ratio.
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495. Adjust the attenuation
setting to 70 decibels.
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496. Okay, that sounds a
little more like a voice.
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497. Yes, now, the sound pressure level.
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498. Eh, dial the audio meter to 1,500 hertz.
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499. Slower, damn it, go slower.
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500. - Okay, if you wanna do this yourself, feel free.
- No, there.
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501. Quickly, get me a tape recorder.
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502. Walter, turn the machine off
right now. Turn it off now.
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503. He's freezing. Help
me get this off of him.
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504. Y, astrid, can you grab us a blanket?
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505. - All right, free in the front.
- Here.
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506. All right, we're gonna
get you warmed up.
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507. Doesn't make any sense.
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508. If anything, brain activity
should generate heat.
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509. We're trying to track down a
suspect in a murder investigation.
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510. What, you mean the guy on the
news... who killed those girls?
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511. We're not sure. Maybe.
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512. But any past or present
employees that stick out to you?
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513. Like antisocial behavior or a history
of violent incidences here at work?
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514. No. They're good men. Hard workers.
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515. I'm gonna need a copy of your
employee records, regardless.
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516. Okay.
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517. And also a sample of
your shipping plastic.
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518. Plastic? Why?
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519. It could be an element
in our investigation.
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520. - Will that be a problem?
- No, but...
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521. Mr. Wu?
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522. A man came in here yesterday,
and I—I sold him some plastic.
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523. Allow me.
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524. Oh, thank you.
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525. Your mother raised you well.
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526. Hey, peter, it's me. I'm just leaving.
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527. So, how's the boy? Has
walter made any progress?
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528. Hard to say; we heard something, but I
don't know if it was the kid trying to talk.
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529. Look, I don'want you to get upset
about this because he is fine,
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530. but something kinda weird did happen.
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531. Weird how?
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532. Well, he started shivering
all of the sudden.
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533. Like, the temperature dropped
30 degrees, except it didn't.
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534. Is he sick?
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535. No, he seems fine. We got him wrapped
up in a blanket. He's doing okay.
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536. How 'bout you? You find anything?
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537. Yeah, looks like the artist bought some
plastic from a slaughterhouse in roxbury.
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538. I got his sketch, all thanks to you.
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539. Hey, guys. We got good news.
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540. What's that?
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541. Turns out the plastic did
come from a meat packing plant.
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542. Olivia got a sketch of the guy.
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543. What about you? You gonna go back
to the fbi, or you coming here?
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544. - Ask her if it was refrigerated.
- Hold on a second.
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545. Peter! Ask her if the
plant was refrigerated.
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546. It's a meat packing
plant full of raw meat.
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547. So yeah, let's go out on a limb here
and say that it's probably refrigerated.
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548. What does that even matter?
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549. Because that explains everything.
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550. Walter, slow down. You're
not making any sense.
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551. Of course I am.
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552. The boy— our strange,
little friend— is an empath.
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553. Yes. He senses other people's
emotions. You already said that, walter.
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554. Go on, walter, what are you saying?
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555. That he's capable of making
connections— emotional connections.
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556. Uh, to a construction worker who found
him, the killer, but most importantly,
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557. he is emotionally bonded
to you, agent dunham.
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558. That's why he's telling
you about the crimes.
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559. Because he knows that the
information is important to you.
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560. He's trying to help you.
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561. Are you trying to help me?
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562. That man who's been hurting people is going
to hurt someone else unless I stop him.
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563. Do you know who he is?
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564. Can you tell me anything about him?
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565. Maybe he doesn't know.
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566. Or he can't control the
ability all the time.
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567. Perhaps a small electric
shock to kick-start things.
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568. No.
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569. It's something different.
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570. It's like he's mad at me.
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571. - Because he doesn't wanna leave.
- What?
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572. Well, you told michaels that once the boy helped
you stop the artist, you'd turn him over to him.
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573. He heard you.
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574. Or, more accurately, felt you.
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575. I'm sorry.I've been so
caught up in what I needed
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576. that I forgot how strange
this must seem to you.
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577. And I know how scared you must
be, but I need your help again.
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578. And I can't even stop
them from taking you.
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579. Even though I wish I could.
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580. And if you really can
feel what I'm thinking...
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581. you know how much I mean that.
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582. Thank you.
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583. Nice car, sir. Where ya headed?
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584. Uh, home. I was out to dinner.
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585. Open the trunk, please.
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586. It's clear.
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587. Okay. Thank you. Sorry
for the inconvenience.
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588. What's going on, officer?
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589. What are you doing in
the neighborhood, sir?
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590. I—just, uh, coming
home from work.
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591. Haven't had anything to drink.
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592. Would you mind if I ask what
you— what you're looking for?
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593. Uh, I'm sorry. We're not allowed to say.
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594. Sir, we need to check
the back of your vehicle.
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595. Charlie! Check the back of the van!
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596. Liv, found the victim.
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597. She's alive.
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598. - You okay?
- Yeah.
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599. Oh, god.
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600. This is francis.
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601. I need E.M.S.At the cemetery
behind the 1600 block of york.
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602. Broyles.
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603. It's olivia. I need you
to help me with something.
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604. Here. Here.
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605. And then we just do
the blood work, okay?
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606. - Excuse me, dr. Winnik?
- Yes.
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607. I was wondering if I could
talk to you for a moment.
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608. Sure.
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609. I think you'll find
he's doing much better.
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610. Oh, thank you.
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611. You remember d winnik.
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612. She's gonna take you now.
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613. But not to a facility. She's
gonna take you to a home.
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614. With a very nice family that
are gonna take care of you.
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615. And keep you safe.
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616. We should go now.
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617. Bye.
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618. What do you mean he's gone?
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619. I'm sorry, mr. Michaels.
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620. Gone where?
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621. Well, that's what we can't figure out.
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622. He disappeared from right under
the noses of protective detail.
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623. How is that possible? He's just a kid.
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624. Yes.
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625. A kid who, as you said yourself,
lived his entire life underground,
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626. which still begs the question how
he got there in the first place.
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627. I'm beginning to suspect there's a
lot about him we don't understand.
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628. And apparently we never will.
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629. - You said it!
- No! I didn't! I didn't say it!
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630. Yes you did, you cheater! Hi, liv.
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631. Mommy is so bad at simon says
she won't even do what I say.
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632. Four years old and
she's drunk with power.
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633. I have created a monster!
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634. Do you wanna play with us?
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635. Oh, don't do that. Let aunt liv rest.
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636. Sure.
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637. - I'm simon.
- Okay.
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638. - Simon says put your hands in the air.
- Okay.
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639. Touch your noses.
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640. You lose.
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641. Okay,again, again.
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