1. Previously on Family Guy.
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2. Oh, my God!
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3. Tell your father
not to start the car!
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4. Do you want
my badge number?
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5. Here.
Here's my freaking badge number!
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6. I can't lose this case.
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7. Lois, the case
is already over.
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8. Who did this to you?
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9. In all my years of research
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10. I've never seen a virus
reproduce this quickly.
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11. Everyone I told
about the file is dead.
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12. What do you mean,
cut the blue wire?
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13. They're all blue wires!
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14. Face it. He's never coming
out of that coma.
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15. Brian's gone to Los Angeles
to find himself.
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16. Peter, don't throw out
Brian's things.
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17. It's not like he's going
to be in Los Angeles forever.
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18. He just needs to find himself.
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19. He's not coming back, Lois.
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20. You saw him.
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21. He just walked out on us.
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22. Boy, did we
have some good times!
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23. Here it comes, buddy.
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24. Oh! Oh, God! Oh, God! Oh!
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25. Oh! What are the odds?
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26. Well, if he does come back
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27. I want everything
to be just how he left it.
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28. Easy! Massage the scalp.
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29. You're washing a baby's hair
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30. not scrubbing vomit
off your Christmas dress
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31. you holiday drunk!
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32. You guys, we got
a letter from Brian.
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33. Tell him I'm not here.
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34. Let me see.
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35. Oh, I'm sorry, Sweetie,
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36. There. All better?
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37. You know, you are
some piece of work, lady.
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38. If you... actually, yes, it is.
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39. "Greetings
from California.
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40. "I've been very busy.
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41. "I'm having a great time
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42. "trying to make it
as a writer in L.A.
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43. "It's just as easy
as everyone thinks it is.
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44. I've been working the room
at a lot of Hollywood parties."
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45. Oh!
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46. Bobby, loved you in Raging Bull.
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47. Hey, Jodie, how's the baby?
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48. All right.
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49. Hey, I need more
cheese puffs, Manny.
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50. Looks like Oprah's
off the wagon again.
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51. And skip the toothpicks.
She'll just hurt herself.
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52. Hey, Bri, did you
hear about Jason?
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53. Paramount
bought his script.
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54. They bought
Death Spares Not the Tiger?
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55. Hundred grand.
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56. Pretty good, huh?
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57. Sheesh! He's been
in L.A. how long?
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58. Unbelievable.
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59. You know, he actually
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60. called the main character
"John Everyman"?
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61. Come on.
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62. Well, good for him.
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63. Keanu Reeves. Wow!
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64. You know, I don't
usually gush
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65. so you'll have
to forgive me
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66. but when I was
writing Coast Guard—
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67. that's what I do—
I'm a writer.
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68. Anyway, when I was
writing Coast Guard
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69. I couldn't think
of anyone other than...
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70. uh-uh... there's a woodpecker
on your head.
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71. Yeah,
he comes and goes.
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72. And now back to
Kids Say the Darndest Things.
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73. It's okay.
Take your time.
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74. Then what happened?
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75. He... he said he would kill me
if I ever said anything.
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76. Do you remember
what he looked like?
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77. Yeah. He had a scar on his arm
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78. and he had a big,
stupid doo-doo head!
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79. "A big, stupid
doo-doo head!"
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80. Honestly, the things
children come up with.
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81. If you have a child you'd like
to exploit in order to get
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82. a free trip to Los Angeles
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83. why not have them
try out for our show?
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84. Our next auditions will
be held in New York, Chicago
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85. and Quahog, Rhode Island.
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86. Hey, maybe Stewie
could get on that show.
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87. Eh! You must be 'shrooming.
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88. Yeah! We can get a free trip
to L.A., and see Brian.
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89. Jeez, I haven't been
to California
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90. since I lived
with my other family.
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91. Guys. I just
got invited
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92. to a party at
Sharon Tate's house.
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93. You guys can come
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94. but you got
to promise
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95. not to embarrass me.
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96. Talk, damn you!
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97. I know you've
been plotting
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98. to foil my plans
of world domination.
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99. Who are you working for?
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100. The Libyans? The French?
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101. Very well.
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102. If torture won't work
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103. perhaps a little
tenderness will.
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104. Mmm! I like
your taste in women.
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105. Yes, I think she and I
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106. are going to have
a good time together.
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107. Yes, you like this, don't you?
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108. Oh, God, look at me,
having sex with a pig.
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109. I've become my father.
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110. Come on, Stewie.
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111. Let's get your sailor suit.
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112. You got to look cute
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113. if you're auditioning
for national television.
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114. Lois, I told you.
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115. There's no way...
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116. National television, you say?
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117. Coast to coast?
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118. Well, that could
be the ideal place
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119. to unleash
my mass-hypnosis device
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120. on the unsuspecting public.
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121. Oh, I always loved
this little sailor suit.
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122. Or we could do nice
corduroys and a sweater.
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123. Or you could make
yourself useful
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124. and wipe my button.
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125. Circular motion,
one finger—
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126. and don't you
look at me!
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127. Oh, my God,
that's Michael Eisner.
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128. I... I'll take it
from here, Julio.
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129. Uh... here you go,
Mr. Eisner.
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130. It's, uh... it's
been Brianized.
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131. You might notice
that new script smell.
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132. Every car I hand-wash comes
with a smile, an air freshener,
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133. and a copy on my can't-miss,
coming-of-age teen comedy
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134. set in Wisconsin.
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135. - What's your name?
- Brian.
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136. Let's see.
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137. There we go...
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138. Brian.
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139. See you
at Disneyland.
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140. Bring money.
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141. Look. It's Tom Tucker
from The News.
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142. And that must
be his son.
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143. Oh, my.
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144. I feel bad staring
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145. without having paid
for a ticket.
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146. I mean, really, how am
I supposed to follow that act?
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147. Bite the head off a chicken?
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148. Dad, they're
staring at me.
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149. They're just jealous.
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150. Ew!
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151. Uh... you're next.
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152. Hey, wait a minute.
Wait. We were next.
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153. Hey! Hey, don't
walk away from me!
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154. Hey!
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155. You know what
we're going to do?
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156. We're going to get
the video camera out
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157. and we'll
make our own show.
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158. I don't want to!
Yes, you do.
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159. You do because
it's normal.
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160. Tell us, Stewie,
what job does a mommy do?
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161. Oh, interesting question.
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162. More to the point,
how does one define "job"
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163. without branding oneself
with useless labels?
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164. Oh, I'm sorry.
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165. I'm afraid I answered your
question with another question.
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166. Um... how old
do you think Daddy is?
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167. 42.
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168. Oh, um... uh...
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169. I mean... I mean... Daddy's old!
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170. I think he's seven.
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171. Yeah, that's it.
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172. That's what you want to hear,
isn't it?
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173. Yes, yes.
Jump through the hoop.
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174. Daddy's feet smell!
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175. Oh... jackasses.
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176. Mr. and Mrs. Griffin,
he's adorable.
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177. Congratulations.
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178. Stewie's going
to be on the show.
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179. Did you
hear that, Lois?
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180. We're going
to Hollywood—
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181. where the people
are sexy and clever
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182. and they always
say something funny
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183. right before
the commercial break.
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184. Oh, great.
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185. I always end up sitting
next to a damn baby.
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186. What? What
did you just say?
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187. Stewie, stop fussing.
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188. Not now, Lois.
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189. Hey, big man,
turn around.
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190. If you've got
something to say
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191. say it to my face!
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192. Oh, you can't
hear me now?
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193. All right, that's it.
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194. I was going to watch
the movie, but forget it.
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195. For the next five hours,
you're my bitch.
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196. Waa! Waa!
My ears are popping
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197. and there's no way
to console me.
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198. I'm hungry, and
possibly teething!
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199. Maybe I'm wet.
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200. Who knows?
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201. I'm a baby.
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202. Waa! Waa!
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203. Yeah, uh...
this is a message for Brian.
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204. This is Jack Nicholson.
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205. Uh... listen,
I read your script
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206. and it just, uh... you know,
jumped right off the page.
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207. Uh... I think it's something
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208. I'd be excited to be a part of,
so, uh... call my, uh... but...
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209. Listen,
I'm just jacking you, man.
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210. Me and my buddy Phil just found
your script at Starbucks
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211. Tell him it sucks.
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212. Yeah, it sucks!
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213. Give it up, loser.
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214. And don't put your number
on the cover, you stupid.
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215. I'm hungry.
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216. Jasper's residence.
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217. Who the hell is Jasper?
Where's Brian?
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218. Peter? It's me.
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219. Jasper's my cousin.
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220. I'm using his place while
he's working at Club Med.
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221. Are you on a cell phone?
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222. Yeah, we're in L.A.
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223. What? Uh... what
a terrific surprise.
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224. Brian, can we see you
for dinner?
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225. Yeah... yeah, you're not too
famous to get together
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226. with your old family, are you?
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227. Well, I, uh... uh...
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228. I was invited to the premiere
of the new, uh...
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229. the new Val Kilmer picture
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230. but I'd much rather take
you guys out to dinner.
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231. How about Musso and Frank's,
8:00?
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232. Okay. See you later,
Mr. Big Shot...
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233. Oh, crap. I didn't push "end."
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234. This is going to cost me
a fortune.
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235. Brian! Okay, I'm back.
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236. Tell me everything.
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237. I'm sitting, I'm hearing.
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238. That's Ricardo,
Ricardo, Brian.
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239. He doesn't speak
any English.
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240. Can I?
Mm-mm-mm-mm-mm.
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241. Catching up— okay,
me first.
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242. I'm in love... ooh,
too much dressing.
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243. He's from the Philippines.
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244. I know, I know,
I'm a rice queen.
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245. So how's the writing
thingie going?
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246. Terrible. I can't even
get my foot in the door.
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247. Oh, okay, I have somebody
you have to meet.
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248. He's a producer. He's great.
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249. Really? Oh, thanks.
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250. That would be great.
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251. So, do you like
Sex in the City?
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252. Yeah, it's an
all right show.
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253. I wasn't talking
about the show.
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254. Ooh, I'm nasty!
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255. Someone send me
out to sea.
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256. Ooh... it says here
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257. that this is
the actual gutter
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258. where the policeman
fell over laughing
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259. after Eddie Murphy told him
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260. he was just giving the
transvestite a ride home.
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261. Oh, I think that's me.
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262. Hello?
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263. Hey, hey, Peter,
it's Quagmire.
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264. Oh, hey, Quagmire.
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265. Guess what? Last night
I had sex with a black chick.
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266. Uh, I gotta go.
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267. Huh. Sorry.
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268. What? All he said
was "black chick."
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269. Yeah, I know, but your
boyfriend looks like
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270. one of your typical
angry black guys
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271. and I didn't want
to offend him.
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272. Hey, we cool, G'?
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273. Yeah? Yeah? Yeah? Yeah?
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274. All right.
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275. I, uh... I was thinking
Halle Berry
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276. would be perfect
as the camp counselor
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277. all the kids want
to get with.
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278. Jasper was right.
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279. You're very talented.
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280. You know, I'm having
a brainstorm here.
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281. Have you ever thought
about directing?
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282. Oh, just every waking hour!
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283. Well, I got this movie.
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284. I'm not going to lie.
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285. It's a low-budget movie,
but the script is solid.
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286. My director dropped out
and I need somebody
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287. who's smart, ambitious
and not addicted to meth.
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288. Well, I am smart and ambitious.
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289. Seriously.
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290. No, no. I'm clean.
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291. You know, uh, Musso and Frank's is famous.
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292. See the bar over there?
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293. Great writers like Hemmingway
and Faulkner drank there.
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294. Hey... hey, where'd that guy
who wrote Porky's drink?
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295. Huh? Huh? Oh, man.
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296. When that fat broad grabbed that
kid's crank through the hole—
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297. Ah! Where do they get
their ideas?
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298. Huh? Where do they get 'em?
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299. You're the writer. You tell me.
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300. Oh, boy, this is great.
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301. All that searching—
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302. that emptiness I felt
back home— gone.
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303. I think I've finally found
my life's calling, you know?
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304. Oh, how wonderful.
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305. You know, Brian, I've
always found your writing
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306. to be a little hackneyed
and stilted
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307. but I guess that's why
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308. I'm not working out
here in Hollywood, huh?
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309. Oh, congratulations
on all your success.
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310. Uh... th-thank you.
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311. Hey, you know what might be
a thrill for you guys?
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312. Ooh! Ooh! Eating a pebble!
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313. Yes, but I was talking
about stopping by the set
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314. to see me in action.
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315. Brian, could
we really?
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316. Well, you, uh, you do know
somebody in the business.
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317. Yes, well, I'm
in the business, too, you know.
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318. I'm going to be on television.
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319. Great.
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320. Yes, and when I make
my appearance
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321. I promise you'll all
be talking about it
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322. at the watercooler
the next day.
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323. Yeah. Well, good luck with that.
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324. "Yeah, well, good luck
with that." Yutz.
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325. Hello. I'm trying to reach Peter Griffin.
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326. You're in him.
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327. Mr. Griffin, are you happy
with your long distance service?
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328. Yes, and I'm sick and tired
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329. of you people
always calling during dinner.
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330. I demand to speak
to your supervisor.
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331. Hold, please.
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332. Oh, Peter, I love this song.
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333. Open your mouth.
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334. Brian. Right on time—
I like that.
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335. Come in.
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336. So, ready?
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337. Ready to shoot
your first scene?
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338. I sure am.
Where's the set?
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339. Second door on your left.
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340. So... this is some kind
of shampoo commercial, right?
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341. Do I have to sleep
with the dog in this one?
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342. Hey, can someone fluff Paul?
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343. He's got, like,
a wind sock thing going on.
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344. So this is some kind
of shampoo commercial, right?
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345. Look, Zack, I'm... I'm sorry.
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346. There's just no way
I can do this.
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347. I mean, I've been around,
you know, I've...
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348. I've licked my share
of peanut butter
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349. but... I-I just... I think
you need to find yourself
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350. a new director.
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351. Are you sure?
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352. I just can't do this.
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353. Come on. Is this any more
degrading than washing cars?
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354. At least here, you
can be creative.
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355. Look, I... I want to make this
perfectly clear.
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356. There is absolutely no way
I would possibly consider
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357. doing something like this.
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358. Unless I saw a script first.
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359. Of course.
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360. You know, this isn't bad.
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361. It's kind of like
Bang the Drum Slowly
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362. Except the drum's
a chick.
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363. Peter, slow down.
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364. Brian said he was going
to be on the set all day.
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365. Ah! "On the set." Listen to me!
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366. Two days in Hollywood, and I
sound like a contract player.
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367. Oh, crap— The L.A.P.D.
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368. Come on, Peter,
want to save some tape
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369. for the Hollywood sign.
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370. Okay. Hey, thanks a lot,
you guys.
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371. Hey, our pleasure.
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372. Have a nice vacation, sir.
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373. Ooh!
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374. Yes... yes...
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375. Yes...
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376. Yes...
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377. Yes...
Cut.
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378. Uh, okay. Uh, nice
take, Jenna.
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379. But, uh, let's try giving the lines
a little subtext this time.
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380. Your husband's always
away on business
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381. and you feel increasingly
isolated and unloved
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382. so you begin to think
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383. maybe you should go back
to graduate school
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384. and finish your dissertation
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385. and that's when you notice
the cable man
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386. has taken his pants off.
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387. Oh, wow!
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388. A real movie set!
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389. Hey, this house looks
kind of familiar.
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390. I'll bet Samuel L. Jackson
is here.
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391. He's in everything.
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392. There's Brian!
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393. All right, now, Samuel,
when you lay her down
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394. in front of the fireplace,
I want you to enter from...
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395. Oh, my God!
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396. Uh, h-hey, you guys.
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397. Hey, Brian.
Can I be in the movie?
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398. Well, actually, one
of the Jacuzzi girls didn't show up.
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399. How long can you
hold your breath underwater, sweetie?
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400. Real long.
One time at Hatch Pond...
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401. No! Absolutely not.
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402. This is a closed set.
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403. You gotta leave.
Get these people out of here... now.
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404. Oh, what? Now that you're a big
director, we embarrass you?
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405. No! No, I-I mean, yes.
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406. Does anyone else
smell Astroglide?
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407. You're going to look
so handsome.
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408. Oh, look at these crow's feet.
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409. My God, you stay up
past 7:30
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410. and you pay for it
in the morning.
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411. Who the hell does Brian
think he is?
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412. Well, maybe he thought
we'd get in the way.
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413. I mean, it wouldn't be
the first time
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414. you've disrupted
a performance.
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415. Oh, geez! Oh, God!
Oh, God, I didn't see it.
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416. It jumped right out
in front of my car.
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417. Oh, I am so sorry.
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418. I think we just have
to face it, Peter.
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419. Brian's a big-time
Hollywood director
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420. and we're just simple,
small-town people.
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421. Uh... all right,
one more, one more.
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422. Rob Lowe.
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423. Straight.
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424. - No!
- Yes.
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425. Come... stop.
Ho-hum.
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426. Pull over.
Absolutely.
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427. Really?
Yep.
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428. Oh, well,
he hides it well.
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429. Yeah, he wishes.
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430. Stewie— that's
a funny name— Stewie.
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431. It's like Stew, only
with an "E" at the end.
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432. Hmm.
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433. I meant it's funny, Stewie.
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434. See, I had an uncle named Stewie
and he used to sell bicycles.
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435. Look, I'm sorry.
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436. Aren't you supposed
to be asking me a question?
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437. Stewie, what do you think
candy is made out of?
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438. Sunshine and farts!
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439. What the hell kind
of question is that?
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440. I love candy!
When I was a little boy
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441. we would play stickball.
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442. No, no, I'll wait.
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443. Oh, are you finished?
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444. I'm sorry. You know,
it's my fault, really.
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445. I was under the impression
the name of the show was
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446. Kids Say
the Darndest Things
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447. not Old Black Comedians
Never Shut the Hell up.
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448. Ask me what I want to be
when I grow up.
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449. And we also used to play
brock-brock.
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450. Enough of your blather.
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451. Good evening, world.
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452. From this moment on,
I will be your...
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453. Ooh!
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454. What you got there?
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455. Oh, you get to go
skiing now!
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456. Give... give that back
to me!
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457. They're of no use
to you!
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458. Oh, I'm going down
the mountain.
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459. Goo-goo-ga-choo!
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460. No! Don't listen to him!
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461. That's not funny!
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462. That's just saying what happens
when you go skiing!
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463. Ah!
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464. Here I go, down
the slope.
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465. Oh, I'm going zip-zop-
zoopedy-bop!
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466. Stop it! Stop applauding him!
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467. He's not even using
real words anymore!
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468. We'll be back with
a little girl from Atlanta
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469. who skips rope
with here sister's pigtails!
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470. No! my segment's not over!
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471. Come on, little fellow.
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472. You like to jump rope,
don't you?
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473. ( robotic, child-like voice :
I like jump rope.
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474. All right, so you gonna
just sit here and enjoy it.
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475. I'm going to sit here
and enjoy it
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476. and I like pudding
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477. and Ghost Dad was the best
movie I've seen
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478. since Leonard Part VI.
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479. Good news, good news!
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480. What, more people I love
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481. think I'm
an arrogant jerk?
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482. You're more than that
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483. Mr. Nominated-for-an-adult
movie-award
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484. for-Best-New-Director.
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485. A Woody? I'm up for a Woody?
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486. Come on! Call your family!
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487. I'll bet they'll be
really proud of you.
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488. No. I'd rather they think
I'm a jerk than a smut peddler.
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489. Brian, they're your family.
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490. They'll love you even if you
made a couple of crappy movies.
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491. I mean, Blythe Danner still
loves Gwyneth Paltrow.
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492. Ooh! Score one for me.
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493. Welcome back to E!'s
Adult Video Awards preshow.
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494. It's a good crowd
here tonight, Mom.
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495. It sure is, Melissa.
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496. All the studs and sluts
are arriving.
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497. Brian! Brian!
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498. Uh, hey.
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499. You're nominated for three
of the seven films
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500. you directed yesterday—
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501. Add Mama to the Train,
The Purple Head of Cairo
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502. and, uh... what was
the third one?
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503. Uh, You've Got
Male Genitalia.
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504. You know, I was asked
to star in a porno once
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505. but I couldn't because,
you know, most of my body
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506. is less than 18 years old.
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507. I used to guest-host
the Tonight Show.
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508. Oh, yeah. What was that,
like 30 years ago?
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509. Your mic isn't plugged in.
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510. You're... you're not
even on television right now, are you?
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511. In my mind...
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512. The next award is for best
original score in an adult film
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513. and the nominees
are Rod Jones...
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514. Walter Murphy...
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515. and John Williams.
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516. Well, you've come a long way
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517. from hiding from
the vacuum cleaner.
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518. Lois!
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519. Hey, buddy. Hey, how are you,
Alfred Hitchcock... eh? Eh?
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520. You like that one,
Dick Hurtz?
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521. Ah, I'm sorry.
I'm already drunk.
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522. H-how did you guys know... I...?
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523. Jasper called.
Brian, why didn't you tell us?
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524. I thought you'd be
ashamed of me.
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525. Oh, are you kidding?
I ought to knock you out
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526. for not bringing
me here sooner.
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527. Look at the pair
on that one, Lois.
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528. Bigger than your head.
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529. So you guys aren't offended
by this?
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530. Well, I can't say
I approve, but...
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531. we love you.
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532. If this is what
makes you happy
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533. we support you.
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534. My God. I-I thought I needed
to get away from you guys
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535. to find what was missing
in my life, but...
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536. the only thing I'm missing
is my family.
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537. How could I ever have
become involved
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538. in this filthy,
degrading business?
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539. M.C.:
And the award goes to... Brian Griffin.
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540. Whoo!
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541. Whoo!
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542. Oh-ho! Wow! My God!
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543. This is unexpected.
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544. I want to thank my incredible
production team
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545. who have been me from
Shaving Private Ryan
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546. all the way to
Welcome to my Face...
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547. He lives with us
back in Quahog.
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548. You got a nice wiggle,
baby.
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549. You want to be
in a movie? Huh?
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550. Little girl-girl
action, maybe?
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551. Ah! Peter!
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552. Good luck, buddy.
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553. I've been barking
up that tree for 17 years.
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554. Wow, that was
a wonderful trip
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555. and everyone has something
to remember it by.
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556. You're going to love it
at our house, Janet Jameison.
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