1. Wow, I'm so excited for Brian.
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2. Remember, kids—
if it's terrible,
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3. at the end, we all say, "You did it!"
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4. I can't believe we're
going to the theater
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5. the same day Chris drowned
a mouse in a puddle.
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6. I mean, don't we need a
day to clear our heads?
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7. Boy, this takes me back.
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8. You know, I was, uh...
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9. kind of one of those
theater kids in high school.
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10. Mrs. Andrews, I pooped in the pot again.
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11. I'm gonna need somebody to clean me up.
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12. It's really bad this time.
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13. Wow, what a turnout.
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14. Oh, hey, there's Glenn.
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15. Hey, guys.
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16. Hey, this is my date, Consuela.
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17. No, no, no.
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18. Okay, we're here as friends,
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19. but I'm gonna change your mind one day.
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20. Oh, I'm so proud of Brian.
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21. It's hard to believe he's the same dog
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22. who barked at a
pineapple for four hours.
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23. Close your purse. I
can see your tampons.
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24. And why do you need six?
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25. What happens to you?
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26. There's the man of the hour.
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27. Hey, Brian, can you believe
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28. I found this blazer on
the side of the highway?
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29. Hey, guys. Thanks for coming.
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30. Big night, Brian. How you feeling?
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31. Well, a little nervous.
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32. I just want it to go well.
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33. Fingers crossed.
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34. Will there be an intermission?
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35. Because that will
determine whether or not
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36. I bring this empty Gatorade
bottle into the theater.
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37. This is unacceptable!
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38. Sorry, guys, I got to go.
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39. They didn't put masking tape
over a seat for Tom Tucker
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40. and he's in there pitching a fit.
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41. Do you know who I am?
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42. I'm Tom Tucker, damn it!
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43. I make more in an hour
than you make in two hours!
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44. Oh, the play's about to start.
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45. Mom, am I going to fit in the seat
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46. or is this going to be like last time?
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47. This should tide you over for a while.
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48. I'll come back as soon as I can.
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49. She's not coming back, you know.
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50. How do you know that?
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51. 'Cause she's my mom, too.
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52. Excuse me, that's my seat.
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53. We'll talk about this at home.
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54. Let's see.
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55. Who's in this thing?
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56. Sad. Nobody.
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57. Sad. Sad. Nobody.
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58. Victor Garber?
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59. That's pretty good.
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60. How did he get Victor...?
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61. Oh, of course.
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62. Tonight it's Randall Evan Battincourt.
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63. God, I hate understudies.
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64. King Louis the Sixteenth
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65. has been sentenced to
death by guillotine.
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66. The part of King Louis the Sixteenth
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67. will be played by Jean de Menard.
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68. Relax, you're going to do great.
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69. Nailed it.
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70. Well, as usual,
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71. this is gonna suck for one of us.
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72. Donna? It's Grant, your new husband.
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73. Hi, honey.
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74. I've got great news.
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75. What is it?
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76. First, where do we keep the good scotch?
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77. At your brother's house.
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78. I got an audition for the
hottest new play in town.
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79. This could really make my career
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80. and we can finally start our family.
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81. What's it called?
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82. A Passing Fancy.
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83. That's the name of this play.
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84. How did he do that? How did he do that?
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85. Here, Donna.
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86. I got you your ten-year
anniversary present.
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87. Suntan lotion?
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88. But we live in the Northeast.
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89. That's right, we do.
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90. Unless we were moving to California.
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91. He must've got the part.
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92. When he going to meet Evita?
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93. Not every play is Evita.
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94. Oh, no. I feel terrible.
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95. Why? Don't you want to go?
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96. No— I got
you a parka.
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97. Those two are never on the same page.
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98. Wait for the look...
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99. And that's why it works.
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100. Donna, don't go!
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101. It's not too late. We can
still start our family.
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102. Don't you see?
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103. You already have a family.
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104. It's right there.
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105. Those won't keep you warm at night.
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106. Good-bye, Grant.
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107. It's funny, isn't it?
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108. All these years, I
was the passing fancy.
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109. Get up, you jerk.
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110. Wow, that was amazing!
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111. I mean, usually, the
shows suck in this town.
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112. Like Moishe, the low-energy
Bar Mitzvah clown.
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113. Ooh, what's this?
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114. A quarter.
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115. I found it behind your ear earlier.
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116. All right, that's enough tricks for you.
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117. I'm going to go lie down on the coats.
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118. Hey, has anybody seen the review yet?
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119. No, we've been waiting for you.
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120. Thanks.
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121. Oh, here it is.
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122. "Here's hoping A Passing Fancy
is actually a staying fancy.
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123. "The highest praise goes
to playwright Brian Griffin
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124. "for his hilarious and insightful look
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125. "into modern relationships.
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126. "If you see only one play as an adult,
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127. I urge you to see this one."
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128. Hey, can you read that page
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129. with all the little
paragraphs about dead people?
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130. Those are hilarious.
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131. This is amazing, Brian. How do you feel?
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132. You're a hit!
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133. It's... overwhelming.
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134. This is all I've ever wanted, you know?
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135. For people to appreciate
and respect my writing.
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136. I want to write a play!
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137. Aw, that's cute, Stewie.
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138. Maybe someday.
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139. No, I'm going to write a play.
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140. I can do lots of things.
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141. I was the human resources
director for the Muppets.
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142. Mr. Beaker, it is my unfortunate task
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143. to inform you that your services
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144. will no longer be
required by this company.
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145. Well, if you must know,
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146. it's because we've
noticed large quantities
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147. of benzene, ephedrine
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148. and everyday Epsom
salt have gone missing.
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149. Oh, please.
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150. We both know those are the ingredients
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151. used to make crystal meth.
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152. And I've got a pretty good idea
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153. who you've been selling it to as well.
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154. Oh, hey, uh, Beaker,
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155. when you're done talking to your friend,
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156. I want to, uh, eh...
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157. I want to talk to you about that thing.
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158. Hey, what you doing?
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159. I was going to start
rehearsing my new play.
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160. Want to hear it?
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161. Oh, you actually wrote a little play.
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162. Aw, boy, I wish I could hang out,
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163. but it has just gotten so crazy.
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164. Really? I know, right?
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165. I mean, I'm not complaining, you know?
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166. But I just... I want my old life back.
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167. I'm just kidding, of course.
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168. I'm so grateful, you know?
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169. I mean, every performance is sold out
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170. and they just added a Wednesday matinee.
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171. It's great.
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172. I mean, there's only
one thing I'm not getting
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173. out of this experience.
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174. What's that? Sleep.
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175. No, no, I'm so grateful, really.
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176. It's just that I'm-I'm
so busy all the time.
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177. But it's great. It's all great.
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178. Well, do you think you
might have time to read it?
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179. All right, all right.
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180. But be patient, all right?
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181. I've got interviews and
appearances all week.
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182. I mean, they're squeezing
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183. every last drop they can out of me,
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184. like a bottle of ketchup.
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185. Listen, we've been at
this for 15 minutes.
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186. I don't think anything's coming out.
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187. I'm fine. I can keep going.
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188. I'm just really tired.
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189. What if I stick my finger in your hole?
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190. Eh, that only works
when I'm already close.
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191. The American play was dying.
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192. Have-have we brought
it back to life here?
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193. I can't say that, but it has a pulse.
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194. You're such an amazing writer, Brian.
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195. How do you do it? What's your process?
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196. Oh, God, Allison, how
do I even answer that?
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197. Uh, I mean, what's a rainbow's process?
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198. Two parts rain, one part sun,
one part childlike wonder.
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199. What we do know, though,
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200. is that the end result
in both cases is joy.
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201. Wow.
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202. Wow, are you glad you left
the lighthouse now, Seamus?
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203. Oh, I think so, Seamus!
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204. Excuse me, I noticed
you were talking loud,
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205. so that means you're smart.
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206. But would you mind—
and I hate asking—
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207. but would you mind signing this?
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208. Is this guy giving
you a hard time, Brian?
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209. Nah, he's all right.
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210. All right. Cool, cool.
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211. How you doing, buddy?
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212. My God.
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213. It's miraculous.
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214. Hey, Brian, can you read my play?
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215. Sorry, there was a fart
trapped in the play.
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216. Hey, Jasper, how are you?
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217. Hey, Brian!
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218. Congratulations on your new play.
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219. Oh, thanks.
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220. What's wrong? You look awful.
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221. What happened?
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222. I read the play Stewie wrote.
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223. She writes plays now?
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224. Yes, and it was brilliant.
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225. Jasper, I've never read
anything like it in my life.
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226. It was insightful and
fresh and intelligent.
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227. It's like his play is mocking me.
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228. He wrote it in a night.
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229. Ugh, that's how I feel whenever
I see Brad Goreski on Bravo.
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230. God, everyone's on Bravo but me.
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231. Anyhoo, have you told
him how good it is?
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232. No. I just read it.
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233. He gave it to me 'cause
he wanted my feedback.
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234. Okay, listen to me.
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235. Tell Stewie it's awful, it's garbage.
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236. Do whatever you have to do, Brian,
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237. but never let him know he's got talent.
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238. Yeah, you're right.
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239. It won't be so hard.
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240. After all, I've certainly done worse.
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241. I replaced Peter's I Can't
Believe It's Not Butter
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242. with real butter.
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243. Buh... wuh... suh... muh-wuh...
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244. I... I can't... I can't believe...
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245. Muh... wuh...
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246. I don't know, Doctor.
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247. Looking back, I think it
may have been real butter.
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248. Your husband murdered three children.
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249. Oh, my God. Look at this.
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250. Brian, get in here.
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251. What?
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252. Your play has been nominated
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253. for a local Hoggy Award
for Best Creative Anything.
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254. Oh, that's great.
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255. Um, I'm gonna...
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256. I'm going to go get some air.
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257. Look at that.
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258. Nominated for an award.
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259. What have you two done today?
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260. I found a lump under one of my balls.
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261. Okay, that's something.
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262. I ate three quarters of
an Entenmann's strudel.
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263. Youse are good kids.
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264. Hey, so did you get a
chance to read my play?
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265. Uh... I did.
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266. I did.
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267. Ooh, I'm so nervous.
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268. What'd you think?
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269. Stewie, you and I are friends, right?
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270. Yeah, I mean, I know you
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271. through our mutual friend Greg,
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272. but sure, I'd say we're friends now.
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273. Exactly. And-and as your friend,
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274. you'd want me to be
honest with you, right?
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275. Totally.
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276. It wasn't good.
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277. Oh, no, really?
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278. Oh, I worked so hard on it.
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279. Oh, I thought it was good. Aw.
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280. Oh, I know, I wanted
it to be good so much.
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281. Oh, I am so bummed out right now.
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282. I-I... Now I don't even
know if I should submit it.
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283. Wha... Submit it?
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284. Yeah, I was planning to submit it
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285. to the Roundabout Theater
Company in New York.
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286. No! I mean...
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287. Oh, I mean, that-that
would be a bad idea.
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288. Definitely not.
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289. No, no, they won't let
you down easy like I did.
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290. New York can be pretty harsh,
especially to outsiders.
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291. Hello, New York!
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292. Ugh, maybe you're right.
I'll think about it.
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293. Anyway, can I have that
back? It's my only copy.
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294. Your only copy?
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295. Yes.
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296. And thank you for being a good friend
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297. and telling me the truth, Brian.
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298. I know that was hard for you.
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299. And to show my appreciation
for reading my play,
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300. I made you this.
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301. Wow, "good dog."
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302. And it's official?
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303. That's what it says, doesn't it?
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304. I wish my dad was alive to see this.
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305. Hey.
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306. Who the hell are you?
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307. I'm the guy Stewie
pays to watch him sleep.
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308. Who are you?
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309. I'm Brian. I live here.
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310. Oh.
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311. Do you mind if I take this script?
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312. Yeah, sure, whatever.
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313. He just pays me to watch him sleep
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314. and rub this knife across
my face while I do it.
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315. Oh.
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316. Okay.
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317. Hey, how much does Stewie pay you?
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318. $4,800 a week.
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319. Yeah.
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320. Hey, Brian.
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321. Oh, hey, Stewie.
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322. Listen, have you seen my play?
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323. You know, Stewie, I have seen your play,
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324. and it is exhilarating to me.
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325. A child's play is one of
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326. the most beautiful things in the world.
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327. Continue to play, little one.
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328. You're our future.
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329. What the are you talking about?
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330. The play I wrote. Have you seen it?
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331. Uh, I don't know. Let me call my lawyer.
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332. Hello. I'm
being cross-examined.
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333. No, I haven't... I haven't seen it.
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334. Really? 'Cause I had it
sitting right on my table...
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335. I said I haven't seen it, all right!
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336. And what does it matter?
It was terrible anyway!
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337. We've had this conversation!
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338. Do yourself a favor and move on!
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339. Well, that's interesting,
Brian, because I found this
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340. buried in the backyard
next to your soup bone.
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341. Stewie, I...
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342. You tried to destroy it, didn't you?
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343. I knew my play was good.
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344. Just like I knew your play
was a mediocre patchwork
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345. of hackneyed ideas and tired clichés.
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346. You have no idea how hard it was
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347. to sit in that theater with
all those braying hyenas.
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348. Couldn't you tell something was up
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349. when Chris and the fat
man could follow the plot?
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350. I mean, it took Peter a year
to figure out Stuart Little.
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351. I just figured it out.
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352. "Stuart" means "mouse."
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353. No, Peter.
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354. "Little" means "mouse"?
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355. No, Peter.
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356. I feel so old and in the way.
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357. It's still a good play!
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358. It's filled with
terrible double entendres,
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359. puns and stolen bits.
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360. There's a line in there from Seinfeld!
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361. I never saw that episode!
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362. I have a voice.
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363. Do you understand that?
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364. A writer needs a voice, and I have one.
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365. You don't.
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366. Your play panders to the lowest
common denominator, Brian.
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367. And it doesn't even do that well.
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368. Shut up!
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369. May every person
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370. that laughs at your sophomoric effort
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371. be a reminder of your eternal mediocrity
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372. and pierce your heart like a knife.
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373. Come here, you bastard!
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374. You stink!
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375. And your play stinks!
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376. This ain't about me, is it?
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377. No.
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378. And I'm sorry...
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379. but nobody can ever know that.
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380. Donna? It's Grant, your new husband!
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381. Hi, honey.
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382. I've got great news.
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383. What is it?
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384. First, where do we keep the good scotch?
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385. At your brother's house.
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386. Lois, can I
have my birthday here?
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387. Seems to be going well.
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388. What do you want?
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389. Wanted to share a bit of good news.
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390. I just found out that my play
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391. is going to be produced on Broadway.
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392. What?
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393. And I'm taking Randall
Evan Battincourt with me.
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394. Hi, Stewie. I'll be right there.
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395. I just got to finish this crap.
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396. Hey, I need you to take me to New York
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397. for the opening night of my play.
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398. No way.
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399. Besides, I checked, and there's no play
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400. by Stewie Griffin opening in New York.
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401. I submitted it under a pseudonym.
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402. They think it was
written by Tony Dovolani.
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403. I thought your pseudonym was
Gorgeous Randy Flamethrower.
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404. That's my dodge ball pseudonym.
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405. Look, if you won't take me,
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406. I'm sure the New York Theater
League would send a car.
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407. New York Theater League? Why?
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408. Because they're throwing a
welcome dinner in my honor.
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409. Really?
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410. Well, I guess I could clear my schedule.
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411. Oh, you won't regret it, Brian.
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412. All the most important
Broadway people will be there.
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413. Playwrights, money men,
even Stanley Kowalski.
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414. Hi. I'm Michael.
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415. Michael!
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416. Michael!
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417. Um, and this is my wife, Nancy.
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418. Nancy!
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419. Nancy!
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420. And this is our Uzbekistani
friend, Bokyavroychesku.
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421. Hi.
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422. Stewie, don't you think you're
overdoing it with that outfit.
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423. I don't wear anything I can't
take off with a flourish.
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424. Wow, this is amazing.
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425. Every major playwright is here.
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426. Yes, and it seems to be
quite a successful party.
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427. Several of them have
already committed suicide.
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428. Great party.
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429. Totally!
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430. Hey, Tony.
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431. Oh, my God, that's David Mamet.
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432. There's the man of the evening.
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433. I read your play, An American Marriage.
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434. It was incredibly raw. I
was pretty damn impressed.
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435. Oh, thank you, David.
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436. David, this is Brian. Brian, David.
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437. Oh, it's an honor.
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438. Listen, I just want to say
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439. what an inspiration
Glengarry Glen Ross was to me
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440. when I was writing my own play.
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441. Easy.
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442. Is that Tony Dovolani?
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443. Hello. Alan Bennett.
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444. Fantastic play.
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445. And I'm Yasmina Reza.
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446. Oh, are you his night nurse?
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447. No, I'm a playwright.
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448. I wrote Art and God of Carnage.
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449. I won a Pulitzer.
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450. You want to say your
grade point average, too?
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451. Boy, it's just so weird to be in a room
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452. where every single person
in the room is a playwright.
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453. Every single one of us.
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454. Everyone.
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455. Including me.
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456. I'm a playwright.
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457. Brian, my God, take it down a notch.
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458. You're a playwright? In New York?
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459. Well, Quahog, Rhode Island.
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460. You're kidding.
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461. We just went and saw a play
in Quahog, Rhode Island.
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462. Really?
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463. Have you ever heard of A Passing Fancy?
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464. I have!
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465. Oh, my God, what a load of rubbish.
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466. We have this thing where we go
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467. to the worst regional
theater we can find
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468. and laugh ourselves sick.
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469. And this one took the grand prize.
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470. Really?
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471. I-I had heard only good things.
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472. It was a piece
of on a!
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473. Oh, my God.
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474. I got to hear David
Mamet curse in person.
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475. Oh, there you are.
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476. That was the worst night of my life.
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477. It's not like you were
the only fat guy in there.
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478. What?
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479. Oh, this is about the play. Sorry.
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480. I was so happy until I
read your play, Stewie.
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481. I finally had some kind
of success as a writer.
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482. It wasn't big, but it was mine.
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483. I was fine being an okay writer,
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484. until I discovered I was living
in a house with a brilliant one.
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485. I know we don't talk
about doggy years a lot,
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486. but I-I just wish you could have waited
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487. to find out how talented
you were until I was gone.
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488. By the time I'm dead,
you won't even be ten.
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489. You'll have 70 more years to be great.
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490. I just wish I could
have had five to be good.
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491. There's your voice, Brian.
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492. It's a depressing voice, but it's yours.
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493. Write from that.
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494. Listen, me and the other playwrights
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495. are going out to have drinks
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496. with Woody Allen and his daughter-wife.
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497. You want to come?
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498. All right.
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499. We can just sit here for a while.
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500. They talked a lot more crap
about you after you left.
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501. Oh, God, that was just
terrible. Terrible.
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502. I don't understand.
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503. Stewie, what happened
to the play you wrote?
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504. That was terrible.
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505. Well, I gave it a final polish..
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506. Changed a few things.
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507. Guess I kind of mucked
the whole thing up.
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508. But how? You...
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509. Wait
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510. Did you do that... for me?
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511. What are you talking
about? I'm a young writer.
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512. I just wasn't as ready
as I thought I was.
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513. Maybe in a couple of years, who knows?
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514. Stewie, you shouldn't have done that.
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515. But... thanks.
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516. No problem, Brian.
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517. Hey, what do you say we head back home?
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518. That sounds good.
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519. You know, I'm going to move to
New York City when I'm older,
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520. 'cause it's twinkly and big
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521. and this is where dreams come true,
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522. and that giant bird's
coming for us, isn't he?
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