1. So, uh, my walk and talk with Jean
was very clarifying.
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2. T— Oh, where'd you go?
I lost you. Oh, there you are.
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3. Okay, take two, and action!
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4. Walk and talk, Jean, clarifying.
Freeing, really.
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5. It's not only allowed me
to rehire Xeni, yay,
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6. it opened me up
to a couple of his requests.
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7. They were demands. Demand one,
we will not be best friends.
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8. Deal! Easy.
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9. Two, we performed a thorough cleanse
of the Paula Persimmon brand.
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10. And three, we embarked on
a little Riley research trip
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11. to a place where I've gotten
many a daydream idea.
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12. This is where Riley's independent,
sophisticated experiences come
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13. to simmer, to steep,
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14. to brew into maturity,
and maybe rise to the surface.
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15. She's drinking coffee.
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16. She might get a tattoo, yeah.
That's an option.
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17. She's considering a nose ring.
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18. Whoa. Rock star.
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19. Or maybe a septum ring!
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20. Uh, what is a septum?
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21. She's even envisioning herself
as a teenager.
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22. Affogato for Ms. Persimmon.
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23. Well, actually, I'm a vision drawing
Riley did of her teenage self.
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24. Mm-hmm.
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25. I'm sort of aspirational, I guess.
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26. I'm everything Riley wants to grow into.
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27. I'm a human rights lawyer for the UN.
And on weekends, I save puppies…
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28. - Bonjour.
- …for the UN.
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29. Isn't that right?
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30. Well, it's just…
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31. Yeah. I'm feeling sort of
out of touch with our girl, you know?
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32. I thought I knew Riley,
but I must be way, way behind.
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33. I don't even know
what we're doing here.
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34. This is a total waste of time.
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35. Stop being horrible.
The magic is starting.
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36. Riley, I just— Look.
I'm gonna be real with you right now.
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37. I think about you all the time.
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38. You're the most interesting person I know.
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39. You're the only real person I know.
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40. Seriously, I would die for you, Riley.
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41. - Oh, my…
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42. So, we found our star.
Imaginary Boyfriend.
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43. No, Paula.
The word "imaginary" is offensive
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44. because it denies his existence.
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45. - We talked about this.
- Fine. Yes. Sorry.
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46. Canadian Boyfriend,
which I guess is better.
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47. - I don't know.
- It's obviously better.
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48. Well, what's important is that
Jean flipped when we pitched it to her.
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49. They pitched this dream at the right time.
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50. They're both terrible. Okay, that one.
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51. With this dance coming up,
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52. the question of, "Who will Riley go with?"
is a hot topic.
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53. Jerome waved at me.
Should I ask him to the dance?
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54. Well, you have to go with someone.
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55. - Oh. Who are you gonna ask, Ri?
- Uh…
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56. - Oh, no!
- Don't answer! It's a trap!
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57. Ask someone? Do we ask or they ask?
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58. No time! Answer now!
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59. Asking myself—
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60. uh, someone, to the dance is
a question that I'm asking myself.
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61. - Awkward!
- Uh,
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62. my brain's not braining.
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63. Nice cover.
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64. Yeah, that was bad.
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65. Paula's Canadian Boyfriend idea could
really help Riley make this decision.
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66. But also, I smell a recurring dream.
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67. And romance? Well, I already kicked off
the marketing campaign.
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68. Looking good, Stu!
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69. He can't hear me.
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70. Well, here we go.
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71. I got a good feeling about this.
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72. I guess I just want Riley to see me
for who I really am.
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73. Who am I? Well, uh, I'm from Canada,
among other things.
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74. Uh, actually, not other things.
I'm just from Canada.
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75. Oh, is Riley gonna see this?
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76. Come on, C.B.
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77. Okay.
Twenty seconds to REM, people.
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78. I'm looking for a real
"wherefore art thou" vibe.
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79. Paula, an emergency. It's the lighting.
It's missing some calories.
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80. Uh, okay. Uh—
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81. Uh, boss? We got a hot case of cold feet.
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82. What?
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83. - Hey, bud. How you doin'?
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84. A-Are you all right?
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85. Is the set too oppressive
for your creative flow?
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86. - Xeni.
- Because I agree.
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87. No, no. I-It's just, uh—
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88. Look, a lot is goin' on, and I don't even
know if Riley thinks about me anymore,
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89. and it makes me sad,
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90. and I don't think I can do this!
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91. I broke the garage.
Oh, Riley's dad is gonna kill me!
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92. I'm gonna sort this right out.
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93. Let's tear down the set, people.
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94. We only need black drapes
and two fishbowls.
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95. - No, Xeni. Hold on.
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96. - Set is fine. I think he can do this.
- Copy that. Back to one, people.
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97. Uh, I can't think straight.
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98. If only I could tell her
how I really feel.
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99. You know what? You can!
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100. You see that camera up there?
That's Riley.
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101. Really? I would die for Riley.
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102. Yes. So, just focus on that connection.
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103. Imagine you're looking right at her, okay?
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104. And we're on in three, two…
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105. Riley. Oh, Riley.
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106. Give me a slow push-in.
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107. I've traveled over 4,000 kilometers…
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108. Cue slo-mo.
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109. …to ask you one thing.
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110. - Wow.
- Wow.
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111. Would you ask me to the dance, Riley?
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112. Did you ask him yet?
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113. I'll see him in fifth period.
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114. Hey, guess what.
I'm gonna ask someone to the dance.
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115. - Oh, my gosh, who?
- What? Who?
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116. - Did you hear what happened?
- You think that's 'cause of our dream?
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117. People, the rumors are true.
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118. Riley has decided
to ask someone to the dance,
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119. which means last night's dream was a hit!
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120. - Oh, my gosh.
- You're fibbing!
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121. - I fib not. Check it out.
- No way!
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122. We just made Riley's favorite dream.
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123. I'm telling you, this is just
the beginning of a string of hit dreams.
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124. I can feel it!
And it's all thanks to every one of you.
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125. "Go team" on three. One, two, three.
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126. - Go team!
- Go team!
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127. Look, nobody loves a comeback story
more than me,
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128. but let's see how
the rest of the season plays out
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129. before we start awarding trophies.
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130. I would've cast the love interest
as an emo, sparkly vampire.
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131. But that's just me.
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132. You know, the truth is,
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133. there's a lot of pressure
to being a director here.
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134. Your dreams are expected
to influence Riley's life,
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135. and if you don't, well,
Riley won't remember your work!
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136. It'll be like it never existed.
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137. So, I'm glad Paula found a new direction.
And so fast too.
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138. I mean, where did she even find
Canadian Boyfriend?
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139. Yeah, this place got
real popular. Like, quick.
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140. Everyone wants to find
the next Canadian Boyfriend.
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141. And you know, I'm so pumped for Paula.
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142. I liked her the moment I met her.
I said to myself—
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143. Mega maple matcha for Gigi!
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144. I said, "There's a gentle, humble soul
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145. who would never let success
get to her head."
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146. Paula Persimmon is back, baby.
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147. I hear they might be naming another
sandwich after me in the commissary.
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148. The Persimmon Second Act.
With thick bacon!
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149. Yes, Paula got her bungalow back,
while I,
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150. her partner, got a closet, it appears.
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151. But it's fine. I rather like it actually.
Everything is in arm's reach.
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152. The chair is occupied by Melatonin.
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153. Well, I prefer to stand, you know.
I feel invigorated!
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154. Hey, crew! Who's back in the game? We are!
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155. - Yeah, Paula!
- Yeah, Paula!
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156. - Way to go!
- We did well!
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157. But we need to take it
to the next level, people.
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158. I really need your A game on this one
because now, the studio wants more.
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159. Ooh!
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160. If we can make another hit, we will
then own the hottest genre in town.
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161. - Romance!
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162. Oh, and one more thing.
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163. - Jean is giving us the whole night.
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164. The whole night?
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165. Even post-snooze alarm?
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166. Especially post-snooze alarm.
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167. Don't worry, people. This director
has never steered you wrong.
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168. You just buckle up,
and you follow my lead.
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169. Paula, a word, please.
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170. I'll remind you of our deal.
We are partners.
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171. - That means I'm directing too.
- Well—
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172. And I also will remind you
that we both found Canadian Boyfriend.
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173. I have as much artistic stake
in this dream as you do.
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174. Okay, here's the deal.
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175. The studio is looking at me on this,
so the buck has to stop with me,
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176. - see?
- Paula.
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177. Look, Xeni. My job is on the line here.
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178. If I don't make an impact on Riley,
I'm out,
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179. so if I'm taking all the risk,
then I have to be in charge.
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180. But I do want you to direct. I really do.
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181. So how about you be
the second unit director?
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182. What's that?
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183. Oh, it's such a good position.
It's like Christmas morning.
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184. So, why don't you do it?
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185. Sorry, I'm—
Got somethin' in my throat, Xeni.
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186. What does the second unit do?
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187. Who cares? Doesn't matter.
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188. There's only one Riley-Camera anyway,
and I'm using it.
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189. I may not know what a second unit is,
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190. but I'm assuming
it doesn't have anything to do with this.
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191. That was a script.
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192. Well, the last dream was a hit.
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193. So, all I have to do is
what I did last time.
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194. Wait. What did I do last time?
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195. Yeah. The whole crew
has been waiting for this.
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196. You're gonna see us
at the top of our game.
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197. Oh…
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198. There are so many moments
in the script I love.
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199. Oh, my gosh. When he says—
But then, when he say—
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200. It's gonna be a long night,
so, uh, I'm wearing a diaper.
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201. A dream like this is why I do what I do.
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202. And when he says—
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203. And the— And the way he chews.
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204. Oh, it's just so beautiful.
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205. Finally! A rom-com.
It's about time, right?
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206. Yeah. I've been saving this box of tissues
for just this night.
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207. Thirty seconds to REM.
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208. Paula, what is our second unit doing?
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209. I do not know, and I do not care.
As long as he's occupied.
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210. Looking good, everybody.
Looking real good.
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211. - Hi.
- Jean! Welcome!
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212. To what do we owe the honor?
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213. I wanted to come down
and give you this myself.
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214. Whoa.
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215. Uh, is that…
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216. We call it the "Feelsen machine."
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217. It's a real-time Riley ratings monitor.
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218. Now, you can see if our girl
is really feelin' it in the dream,
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219. or if she hates it!
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220. See, your work has been reading
sort of stagnant.
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221. You know, boring,
in this forgettable place over here.
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222. Like… Oh, well.
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223. But we wanna get it to a…
"Look at me, Ma! Over here!" See that?
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224. The studio has total faith that your dream
will be an absolute clockbuster.
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225. Because it has to be.
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226. A clockbuster?
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227. Oh, that's a dream so good,
you sleep right through your alarm clock.
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228. Like this one.
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229. Look Mom, I Can Fly. Huge numbers!
Riley talked about it for weeks.
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230. Even tried flying off the fence, but,
well, that's not our department, okay?
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231. That's Impulse Control.
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232. Those people really need
to get their act together.
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233. Who he is anyway?
We know he's elusive…
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234. Ten seconds to REM, people!
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235. Places, everyone!
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236. Oh!
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237. And we're on in three…
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238. - We're already rolling.
- Oh, we're already rolling. Great.
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239. Don't worry about a thing.
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240. I'll get you to the dance on time
on my trusty moose, Timbit.
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241. It's only a few klicks away.
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242. Hyah! Take off, eh!
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243. And did I mention
how beautiful you look tonight?
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244. Did you hear that?
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245. Riley, you're more beautiful
than the great Canadian outdoors.
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246. You're more beautiful than that maple,
that bitternut hickory, that red oak.
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247. You're prettier than that balsam fir,
and that hemlock and that white ash…
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248. - …that bur oak…
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249. - …those spruces, that basswood.
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250. Oh, uh… Give me more moose power!
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251. Heigh-ho, Timbit!
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252. They're riding the stupid moose
for ten pages!
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253. Oh, just go to second unit,
but get the writers in here.
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254. - Excuse me!
- Move!
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255. I can't write Canadian.
I don't speak metric.
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256. I got it! We jump forward to when
they're married, 80, and hate each other.
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257. No. We need to get the ratings up!
I'm talking,
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258. Part 3: The Championship Is Tomorrow
And I Can't Find My Hockey Stick
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259. - type levels.
- The ratings are going up!
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260. - Hey, Riley.
- Huh?
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261. I got you
a strawberry shake. Your favorite, right?
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262. B-But if you don't like it,
I-I can totally get you something else.
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263. Sorry. Riley and I were gonna
go to the school dance together,
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264. but you go ahead.
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265. No, I'm sorry.
I thought I was taking Riley to the dance.
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266. - Yes, and…
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267. It's really up to you, Riley.
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268. He created a love triangle? How?
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269. And for the second one,
let's add a dash of malaise,
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270. and throw in a hint of acne-shame.
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271. Why not?
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272. Ugh. Yes. It was brilliant, okay?
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273. But I had an ace up my sleeve too.
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274. Okay, it was the same ace.
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275. Yes, yes. Now try thinking,
"He doesn't deserve her!"Or does he?"
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276. Movin' to first unit!
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277. - Thank you!
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278. We're keeping it live, people!
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279. Hike the stacks with me, Riley!
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280. You're the icing on the cake, Riley.
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281. He is good.
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282. I maintain that the love triangle is still
the purest form.
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283. But if it takes
a love hex-angle to beat Paula,
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284. then we'll just have to do that.
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285. - Phew!
- Manitoba, please hold the rope.
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286. Pay attention, now. Stay in line.
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287. I see you dawdling, Prince Edward Island.
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288. Justin Beaver isn't working.
The numbers are sinking.
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289. - My turn!
- Whoa!
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290. - This is a great party, Riley!
- Come on, people! Let's dance!
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291. - What?
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292. You sure you want all these boyfriends?
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293. Yes, yes, yes!
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294. - Hey there, Riley!
- And going back to first unit.
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295. Whoa!
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296. - Riley, over here!
- Oh. Wow. You have an axe.
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297. Well, I'm a lumberjack.
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298. Let's keep this party going, people.
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299. - Hiya, Riley!
- Come on. Let's dance!
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300. I'm over the moon for you!
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301. You're number one in my heart, eh!
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302. Riley, you're my rainbow in the dark.
Or whatever.
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303. Uh, they're a little clingy, right?
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304. We go together
like gravy and cheese curds.
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305. What do you think of this dance move?
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306. - You made me a director!
- A second unit director!
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307. - I don't know what that means!
- Whoa!
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308. - You wanna dance?
- Yeah. N-No, thanks.
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309. - Great party, Riley.
- Um, thank you, but no.
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310. Don't you wanna dance? Dance with me.
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311. What's the matter?
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312. You are surprisingly strong!
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313. We're losing her.
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314. We could listen to music.
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315. - Oh! Whoa!
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316. Uh…
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317. I decided I don't wanna
go to the dance with any of you.
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318. I think I'm gonna go
with Bree and Grace.
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319. Let me go find them now.
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320. What the—
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321. - What?
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322. Riley?
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323. You know what? I just want some space.
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324. Maybe I'll see you later.
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325. It's moving.
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326. Look at that! Are you seeing this?
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327. What's happening?
It's going on its own.
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328. What is happening?
What is happening?
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329. Watch out!
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330. I'm just gonna get some fresh air.
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331. It's coming!
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332. Go, go go!
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333. Watch out!
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334. - Get out of the way!
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335. - Watch out!
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336. Pull the cable! Pull the cable!
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337. Take cover!
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338. Take cover!
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339. Riley, I would die for you!
Please, give me a—
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340. - This is all a little much.
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341. That's it! I'm waking her up.
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342. What the—
What happened to the Wake Up Button?
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343. Oh, no.
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344. - Run!
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345. Get out of the way!
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346. - Don't worry, Riley. We're comin'!
- Oh! Watch out!
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347. I need a seven-letter word
for "cliff" or "precipice."
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348. - Look out!
- That's it!
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349. Oh, no! Riley! Riley!
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350. Hey! Watch it.
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351. - Stairs!
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352. Oh, no!
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353. - Don't worry. We got you, boss!
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354. Riley?
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355. - Riley, no!
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356. - Everyone pull!
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357. Riley? Are you having a bad dream?
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358. M-Mom?
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359. - Phew!
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360. Hey, Paula. They, uh, ran out of boxes,
so they put your hits in here.
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361. Oh. Thanks.
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362. I'm so sorry. Are you okay?
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363. Me? Oh, yeah. I'm good.
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364. A speed bump, you know?
I mean, how bad was it, real—
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365. Ms. Persimmon?
Jean wants to see you and Xeni.
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366. Well, I guess this is—
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367. Right now, Ms. Persimmon.
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368. Mel, stay with Janelle. Okay?
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369. - Paula…
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370. Good luck.
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371. But if this happens again,
I'm coming down there!
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372. - Right to your office!
- I do understand.
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373. I'm not gonna give you just
a piece of my mind…
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374. - You yelled that part already.
- …I'm gonna give you all of it! Clear?
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375. Yep! Don't you worry.
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376. That was headquarters. They loved it.
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377. - They did?
- Of course not!
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378. You broke the Wake Up Button,
and oh, oh, almost killed Riley.
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379. Just look at this! I still
don't understand what I'm watching.
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380. Riley was still asleep,
but she was walking around, and—
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381. In the manual, it says—
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382. She was walking, and she was also asleep.
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383. Asleep and walking?
I mean, what do you even call that?
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384. Sleepwalking.
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385. No, no, no, Sadness.
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386. Actually, that's not bad.
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387. And Riley woke up her parents, so now
I've got the other studios mad at me too!
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388. See, Dad was having a flying dream.
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389. Do you know how expensive those are?
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390. I put you in the room where it happens,
and look what happened!
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391. - But, Auntie, I—
- And you.
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392. I gave you the whole night, Paula.
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393. I knew keeping you on
as a director here was a mistake.
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394. Jean, I hear you. You're right.
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395. It was unacceptable,
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396. but we all make mistakes
at our first time at bat.
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397. - What?
- So, this was all your fault.
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398. Whatever happened to
"the buck stops with you," huh?
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399. Well, sometimes the buck stops,
and then it keeps going to someone else.
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400. It rolls over, you know?
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401. Bucks stop. That's what they do.
There's no such thing as a rolling buck!
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402. Look, I only gave you a job here
because your dad begged me.
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403. But now, you're done making dreams.
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404. - But Auntie, I want to make—
- Whoa, Jean.
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405. I think you're better off making
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406. - sandwiches.
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407. You're dismissed.
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408. Hey, Jean.
I-I didn't mean for you to demote Xeni.
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409. I'm done with Xeni, Paula.
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410. Now, let's talk about you.
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411. You're fired.
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412. That's what I'd say if I had anyone
to replace you, but tonight I don't.
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413. So, you have one last shot, Paula.
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414. If tonight's dream isn't
the most mature, artful,
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415. life-changing, epiphany-making,
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416. rainbow-popping dream
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417. Riley has ever had,
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418. you will be demoted to brain farts!
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419. That was the chair.
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