Doctor Who: Unleashed 1x8

1. In this episode, the Doctor gets the shakes...

2. It kind of feels like you're Beyonce at Glastonbury.

3. .. when he meets a blast from his past.

4. We meet again, my old friend.

5. Hold tight - Bonnie's riding a bike.

6. Now faster! I'm going as fast as I can!

7. We play spot the prop on the remembered TARDIS.

8. That's the... Matt Smith's Cyberman mate.

9. Yeah, you've got a Cyberman there.

10. I'm sorry, you tiny little woman.

11. The truth floods out about Anita Dobson's character.

12. She needs to see a therapist, big time.

13. Spoiler alert -

14. we've got a special Unleashed announcement

15. at the end of this episode.

16. And we say au revoir, auf Wiedersehen,

17. ta-ra for now to Ruby Sunday.

18. It'll be very difficult to do it without Mills.

19. But that's the show, isn't it? It's constant regeneration.

20. Welcome to Doctor Unleashed.

21. OK, mark there. Action!

22. Get your crash helmets on and hold on tight...

23. Oh, careful!

24. ..as episode eight sees the Doctor and Mel,

25. and 102 supporting artists, fleeing the dust of death

26. on the streets of London.

27. Or is it?

28. No. It's Cardiff.

29. The Who crew closed down part of the city centre for two days

30. and transformed it into London.

31. So that meant fake buses,

32. fake phone boxes...

33. Howdy!

34. Fake.

35. .. fake signs.

36. Fake. That one...

37. ..is the one that's not fake.

38. It's London now. It's always London here.

39. TYRES SCREECH, HORN BEEPS

40. One of the hardest things was finding a street

41. that we can control,

42. because obviously we're in a city centre.

43. We need to be able to lock down the street,

44. which is really difficult.

45. But also we're in Cardiff and we need to

46. make it look like London.

47. Action!

48. The trickiest bit of all was diverting the buses.

49. I think there's three or four buses that pass here

50. every sort of three to four minutes.

51. So thank you, Cardiff Bus, for making this happen.

52. It's great to be out and about

53. on the streets of Cardiff.

54. You know, seeing the sky

55. is always good and there's usually quite a lot

56. of support from people who are interested in

57. what you're doing. So...

58. .. that's nice. It's really nice, actually.

59. And to help make the locations more convincing,

60. some of the backgrounds will be digitally replaced

61. with London scenery.

62. They were here early this morning

63. doing scans of the whole street

64. so it can be remapped, I guess, in the CG space.

65. So, for example,

66. through the bus's back window,

67. the Cardiff skyline has been replaced

68. in post-production with a London skyline.

69. For director Jamie,

70. this adds another layer of complication.

71. So every time we put a camera up onto the sky,

72. we have to think what VFX elements we need.

73. Every time we catch even an SA coming past,

74. are they going to die, what that's going to cost?

75. So we have a budget and a shot list that we work within,

76. so everything is so meticulously planned.

77. With so many people running around,

78. and cars to weave in and out of,

79. the Doctor and Mel were played by stunt doubles,

80. and the person riding the scooter is Rosie Rowett,

81. who's ranked third in the world in enduro racing.

82. Nah, I'm really enjoying it.

83. It's a good little stunt bit.

84. Before, I've not had much, like, stunting,

85. I've always just rode,

86. which for me is obviously quite easy.

87. Uh, whereas now there's quite a bit about it,

88. which I'm really enjoying.

89. And Ncuti's stunt double Paul is just here for the views.

90. It's really easy for me. I'm just a passenger,

91. so I'm just enjoying the ride -

92. you know, trusting Rosie knows the route,

93. and she's real experienced at what she does.

94. With the stunt stuff in the can,

95. a slightly more pedestrian method was used

96. for Ncuti and Bonnie's close-ups.

97. The Vespa sits on the low loader

98. so then the actors can sit safely on the bike.

99. So there's a vehicle pulling the Vespa along.

100. It's a safe way for the actors to be on the bike

101. and do their dialogue,

102. and still weaving in and out of all the chaos.

103. I mean, an orange Vespa. I mean, yes!

104. You've got somebody driving the rig,

105. you've got somebody operating the camera,

106. you've got somebody operating the special arm.

107. Faster! Now faster! I'm going as fast as I can!

108. I mean, riding on a Vespa with Bonnie and just screaming,

109. that was my...

110. .. task for that morning.

111. And I said, "Yeah, I can accomplish this."

112. I always prefer to try and put things real in camera

113. for the actors as well.

114. Being physically in here and being able to react

115. with everybody screaming and in the environment,

116. you're always going to get

117. the better performance doing it that way.

118. So wherever we can, we try and do things for real.

119. I love doing stunts.

120. It's great. It's always great to have

121. a little bit of... action fun.

122. OK. Cut there.

123. Now, throughout this series we have had two

124. returning mystery characters, haven't we?

125. There's been Susan Triad and Mrs Flood.

126. Well, now we know what's happening with Susan -

127. she's back living a relatively normal life -

128. what is going on with Mrs Flood?

129. Clearly, there's a mystery with Mrs Flood,

130. played by Anita Dobson -

131. Dobs, as I call her.

132. Um, we've seen way back in The Church On Ruby Road

133. where Ncuti first appeared and where Millie first appeared...

134. Isn't it your birthday, love?

135. Oh, it is, yeah.

136. I was a Christmas Eve baby.

137. She was the next-door neighbour,

138. but then suddenly ends that episode

139. with a great line to camera, when she goes...

140. Never seen a TARDIS before?

141. So clearly that's saying, "Something's going on here."

142. She's popped up then living next door.

143. We've seen her. She's cast a little eye in 73 Yards

144. on what's going on.

145. You're standing in the street

146. on the phone to your own mother?

147. Yeah.

148. Nothing to do with me.

149. She gets a bit closer to the action, episode seven.

150. She starts to reveal herself in episode seven.

151. I'd be very careful, Mrs Sunday.

152. There's a storm coming in.

153. Episode eight,

154. she had... she says, "I had such plans."

155. I had such plans.

156. So she's not part of what Sutekh was up to.

157. She's kind of trapped in whatever Sutekh was up to,

158. inasmuch as the whole world is, and says, "I had such plans."

159. I wonder what that means.

160. Well, I'm clearly not going to get anything out of Russell.

161. How about the Doctor?

162. When you approach Russell or the producers and you say,

163. "Listen, come on. What's going on?"

164. Mm-hm... What do they...?

165. I think they've, like, resolved to not telling me much

166. because of how big my mouth is.

167. You can't be trusted. Spoilers.

168. OK, Dobs, surely you know.

169. Who are you?

170. Mrs Flood's sort of, er, changing.

171. We don't quite know what into, but she's definitely changing, yeah.

172. Or else she needs to see a therapist, big time.

173. Changing. But changing into what?

174. Come on, Russell, throw us all a bone.

175. I can promise you reveals.

176. I can promise you astonishing reveals

177. and a lot of fun with her as well.

178. She is so much fun to work with.

179. So good times with Mrs Flood to come.

180. Night-night.

181. Going all the way back to the Daleks in 1963,

182. a small but significant posse of villains

183. have returned to haunt the Doctor.

184. Some, like the Daleks and the Cybermen,

185. have been regular foes.

186. Others, like the Silurians, the Sea Devils

187. and the Sontarans come and go.

188. Others still, like the Ice Warriors,

189. wait decades to reappear.

190. But what they all have in common is that

191. they've usually had a glow-up between appearances.

192. Exterminate!

193. The Daleks have sported more colour changes

194. than the 15th Doctor has costumes.

195. The Cybermen have gone from sock-faced fiends

196. with colanders and car lights on their heads

197. to sleek and super scary cyborgs

198. who are not averse to a bit of retro.

199. Those Sontarans, Silurians and Sea Devils

200. have all had significant glow-ups down the decades.

201. But my prize for the biggest badass baddie glow-up

202. goes to the returning villain in this episode.

203. For this two-part finale,

204. Russell reached back into the classic era

205. to resurrect the god of death.

206. Sutekh. Last seen in 1975

207. in an astonishing story called Pyramids of Mars.

208. Sutekh.

209. Last of the Osirans.

210. Sutekh's such a good villain,

211. and so good that it's taken me this long to bring him back.

212. I always thought... When I was a little kid,

213. he got banished into the Time Vortex at the end.

214. No!

215. And I thought, "Well, you could survive in the Time Vortex."

216. That's 48 years of me thinking,

217. "What if Sutekh had been holding on to the TARDIS

218. "all this time and was really alive

219. "and plotting his revenge?"

220. Him growing with the Doctor

221. and travelling with the Doctor, and having, like, accumulated

222. all this knowledge and power throughout the years,

223. was so... clever.

224. And I get to do it in a place like this.

225. Do I love my job or what? That's mad, isn't it?

226. So, Sutekh is back and deadlier than ever.

227. But how did he go from this, to this,

228. to this, to this?

229. Well, it all started at the read-through.

230. With the return of the mighty god Sutekh from 1975,

231. we have an audio clip to play you.

232. Ooh! Welcome.

233. This is the voice of Sutekh.

234. Enjoy your read-through.

235. Your final read-through.

236. The voice in the read-through belongs to actor Gabriel Woolf,

237. who played the original Sutekh way back in 1975.

238. I have won my freedom, Horus.

239. Your curse is lifted!

240. Almost 50 years later, 91-year-old Gabriel

241. is once more playing...

242. The god of death.

243. Gabriel has been acting in film, radio and TV since 1951.

244. All life is my enemy

245. and everything will perish at my hand.

246. Thank you, sir.

247. It was such an amazing thing to do

248. to get Gabriel Woolf back as the villain,

249. who last did that voice in 1975.

250. We'd always loved him as a voice of evil.

251. He actually crops up in a David Tennant episode

252. as the voice of the Beast.

253. You will die.

254. And I will live.

255. And although Sutekh has not been on our screens since '75,

256. he has lived on in Doctor Who audio dramas, books and comics.

257. Unbelievable. I mean, it's 48 years.

258. Die at the hand of Sutekh!

259. It was a very small part of my life then, but it became

260. bigger and bigger and bigger as the years went by.

261. To bring him back and to get him to do the voice again

262. is one of those gifts you get in Doctor Who,

263. one of those great gifts of continuity. The fact that

264. he's still working and still happy to be

265. part of Doctor Who is brilliant.

266. Submit to me, Melanie.

267. Submit, insect.

268. I love how you enjoy being sinister.

269. It's so much fun. Thank you. Yeah.

270. No, this isn't Jurassic The Puppet Show.

271. This is the UNIT set,

272. and the next stage in the creation of Sutekh.

273. Puppetry is the most amazing art form.

274. The scenes we shot where Sutekh is, like, fully materialised

275. in his god self

276. was this incredible puppet

277. orchestrated by two puppeteers.

278. Very, like, War Horse vibes.

279. Like, it's very skilled puppetry.

280. The amazing design team

281. had sort of put together

282. this green-screen backpack to control

283. the face of Sutekh, and it was almost like

284. this full robot, green-screen Sutekh kind of design.

285. I've explained that very badly, but I'm sure you've got

286. some footage of that to put that in.

287. The reference puppet was used to give the actors

288. an idea of scale and eye lines.

289. The job of giving flesh to the frame

290. fell to a team of visual effects artists

291. who spent months bringing Sutekh to life.

292. Given the fact you'd made a decision early on that Sutekh

293. had to be fully CG, did that make it sort of easier?

294. Or is this my naivety of the process here?

295. In terms of like sometimes

296. when you've got some physical effects

297. blended with visual effects, is that harder to do,

298. or does it not really make a difference?

299. The only complexity with Sutekh is how big Sutekh is,

300. and what Sutekh is, because with smaller CG characters,

301. you do make a proxy model.

302. With Sutekh, just the sheer size of Sutekh,

303. we talked - "Should we make a puppet?"

304. And it was just like... You know, he's very big.

305. Well, it's one thing wrapping a CGI monster

306. around a static phone box. It's quite another

307. to have it dragged through a 3D Time Vortex...

308. .. on a bungee-cord lasso.

309. It did pose quite a unique challenge

310. that we'd not really faced at that level on the other

311. episodes we've done. Yeah.

312. Um, we had the Time Vortex, which we had to kind of

313. realise that in a more cinematic way,

314. you know, and then we had to animate Sutekh

315. being dragged through it on a rope,

316. kaleidoscopic colours

317. and lightning going off, and then a telephone box

318. dragging him through it.

319. I mean, it's a slightly abstract

320. conceptual idea to get your head around.

321. So that took some time.

322. The TARDIS and the Doctor flying through the Time Vortex

323. were filmed in a green-screen studio,

324. with the TARDIS mounted on an electronic gimbal.

325. Action!

326. What happens if you bring death

327. to death?

328. You bring life!

329. The TARDIS was made into, like, a merry-go-round.

330. It was made into a roller-coaster.

331. It was super fun.

332. Honestly, it kind of feels like

333. you're like Beyonce at Glastonbury

334. and you're, like, coming up on a stage and it's...

335. And you have to do your choreography

336. and you have to keep... So that's how I felt.

337. I felt like Beyonce casting the god of death

338. into the Time Vortex.

339. So even though there was

340. only one physical element of that scene,

341. Ncuti himself, we've got that dynamic lighting as well.

342. Yeah. We had LED lighting panels on set

343. to be able to light Ncuti with, so we had

344. these fluctuating colours from the Time Vortex.

345. The TARDIS... we ended up replacing in CG

346. so it was lit properly, you know,

347. within the Time Vortex,

348. and obviously inside the TARDIS was CG,

349. because it was the impossibly large TARDIS interior,

350. and then the Time Vortex is CG as well.

351. So, combining practical sets, puppets,

352. a 91-year-old actor and state-of-the-art VFX,

353. it all added up to a dramatic Sutekh send-off.

354. Huge ending, full of complexity.

355. We don't normally do this much VFX.

356. It was unlike any other creature and character

357. that had been attempted before.

358. Still to come on Doctor Unleashed,

359. my last work experience of the series...

360. This is a what's what if you're a...

361. If you're a Whovian.

362. .. Ruby hangs up her time-travelling boots...

363. It's a parting of the ways, but it's not.

364. They're not being torn apart

365. like Doctors and companions often are.

366. Their lives are just going in a separate direction.

367. .. and spoiler alert - we've got a special

368. Unleashed announcement to make

369. at the end of the episode. But first...

370. In this episode, the Doctor found himself

371. in the remembered TARDIS.

372. It may not be as big on the inside

373. as his current model, but what it lacks in space

374. it makes up for in memories.

375. It's a treasure trove covering 60 years of time travel,

376. where every object conjures a past adventure.

377. One of my favourite things about this whole show

378. are the sets - how they make them,

379. how they're put together, how they're being built.

380. That one's being made right now,

381. and I'm really excited because

382. I'm going to get a chance to sort of help out myself.

383. Hello, Lois. How's it going? You all right?

384. Hello, are you OK? Nice to see you.

385. Busy at work?

386. Yes, yes, we're just making some elements

387. to go on the consoles.

388. When you look at a box of old screws

389. and... I don't even know what these are,

390. but they look great. How do you know?

391. Does it just come with experience?

392. "Oh, this will go next to that

393. "and that looks like a switch or a button."

394. How do you...? I don't even know where to start.

395. I feel like I'm drowning in bits of metal.

396. I think it's... Ironically,

397. you have to think quite outside the box.

398. I see what you've done there.

399. Yeah. Very good. That's really good, Lois.

400. Lois, how do you find yourself here in a giant studio,

401. surrounded by old bits of aeroplane

402. and plumbing equipment, creating a set for Doctor Who?

403. How does that even happen?

404. I was quite lucky. I went to university in Cardiff.

405. Yeah. I did set design

406. for TV and film at the University of South Wales,

407. and then after university, my old lecturer

408. had heard they were looking for trainees on the last series

409. of Doctor Who, um, in a few different areas,

410. and I happened to be like, "Oh, do you know what?

411. "I'm just going to send an email and my CV off."

412. Yeah. "I don't have crazy amounts of experience,

413. "but I'll just send it,"

414. and then managed to get on

415. as a graphics trainee. Wow.

416. And now I'm more like an assistant to the set dec.

417. I love coming to work.

418. So I'm here to help. OK.

419. What can I do?

420. So in our set over here, we've got about 100 shelves

421. that are being filled with

422. things that the TARDIS has remembered over its journey.

423. We've got some shelves that still need filling.

424. Well... We'd love if you could

425. give us a hand filling them. Absolutely.

426. So, in the words of the 10th and 14th Doctor, allons-y!

427. This is just an absolute dream for Doctor Who fans, isn't it?

428. I mean, that's Matt Smith's Cyberman mate, isn't it?

429. Yeah, you've got a Cyberman there.

430. Don't you worry, Handles. You're just dreaming.

431. Sun's coming up very soon.

432. You just hang on in there.

433. This was in Jodie's series.

434. This was Vinder's mobile phone.

435. Oh, right.

436. If you need my help,

437. I could certainly do with yours.

438. So, time to get shelf-stacking.

439. Here we go. I'm definitely going here, then,

440. straight away.

441. So, yeah, this is a what's what if you're a...

442. .. if you're a Whovian.

443. Look at that!

444. Right. Er...

445. Picnic at Asgard.

446. Have we done Asgard yet?

447. Some of Amy Pond's old mismatched Doctors there.

448. These are some screwdrivers just knocking around.

449. This has got to go in. DT wore this, didn't he?

450. If you are the Beast, then answer me this.

451. Which one? Hmm?

452. Because the universe has been busy since you've been gone.

453. The next challenge is getting it in

454. without knocking everything else off.

455. Might take a while.

456. It's weird, though, right?

457. Because you want people to notice your set decoration,

458. but also you don't want it to be so out there

459. that it takes the attention away from the actors, right?

460. It's ironic, really, because those in the art department,

461. those in set dec, graphics,

462. the best jobs they can do is when they're least noticed.

463. Yeah. That's funny, isn't it?

464. If someone starts to notice that it looks like a set,

465. that's not always a good thing.

466. Put that there.

467. Happy? What do you think of that?

468. I don't want to overfill it. No.

469. That's a solid nine out of ten there.

470. Nine out of ten.

471. So I'm happy with that.

472. Well, listen, Lois, thank you so much for showing me around.

473. That's OK. I hope my box makes it onto the set.

474. I'll try and give a word to the DoP.

475. Right. Let's get out of everybody's way, I think.

476. Oi, Lois, hang on.

477. Helmet's there.

478. But where's my shelf?

479. From her very first appearance as a foundling

480. at the church on Ruby Road, Ruby Sunday

481. has been on a parallel journey

482. trying to discover who her biological parents are.

483. In this episode, all was revealed

484. and she finally found her mum.

485. The obvious place to start with you on this episode

486. is obviously finding your mum,

487. bringing that part of, you know, Ruby's journey to an end.

488. What was that like when, you know...

489. It was quite an emotional moment, I suppose.

490. What was it like performing that?

491. It was really emotional to even say the words,

492. and I think to see everyone in the room

493. watching this ending sort of come together and...

494. Yeah. .. making its arc.

495. So, yeah, it was really emotional

496. doing that side of things.

497. You left me by a church.

498. 19 years ago.

499. Oh, my God.

500. You left me where I was safe.

501. And I just want to say thank you.

502. I'm sorry. I'm so, so sorry. No, no, it's OK.

503. Because it's funny... This is an interesting period,

504. because it's the start of the end, isn't it?

505. This is like less than a month left

506. of this whole major thing you've been part of,

507. which has been a big part of your life. Yeah, exactly.

508. It's been a weird eight months.

509. It's been a magic eight months, but really hard work,

510. and it's just been nonstop.

511. I'm a bit like, "How the hell has this all..."

512. Yeah. ".. happened so quick?"

513. But, yeah, it's fun.

514. And Ruby had a decision to make.

515. Stay with her new-found family

516. or travel with the Doctor.

517. Not for the first time,

518. the Doctor and a companion faced parting.

519. Till we meet again, Sarah.

520. Bye, fam.

521. Over

522. It's over now

523. It's over, it's over

524. Goodbye.

525. The whole thing builds towards a final scene in the TARDIS

526. between the Doctor and Ruby, between Ncuti and Millie,

527. that is the heart of the show, really.

528. That's what it's always about.

529. You can have all your monsters battling in the Time Vortex

530. and gods of death and destroyed planets and all that stuff,

531. but in the end, it's kind of always

532. a love story between two people,

533. between the Doctor and companion.

534. Won't be long. We're just going to have

535. a catch-up and a pizza,

536. and Mum's set up a bed in Gran's room

537. so Louise can stay the night.

538. And then we can head off, you and me.

539. Where to?

540. Wherever you want.

541. Ruby goes off to live her life,

542. and, you know, it's something that she's been

543. wanting to do for ever.

544. Oh, my God.

545. They think they've found him.

546. My dad, William.

547. She has the answers to her puzzle.

548. The missing pieces of, like, her jigsaw.

549. It turns out his mum and dad still live at the same address,

550. but she never told him, my mum, my real mum.

551. The Doctor, as hard as he finds it,

552. knows that that is... You know,

553. when you love something, you let it go.

554. I'm sorry.

555. And that's where he's at.

556. And Ruby is at the start of a very new, exciting adventure.

557. Don't be sorry.

558. It's a parting of the ways, but it's not.

559. They're not being torn apart like Doctors and companions

560. often are. Their lives are just going in a separate direction.

561. Honey, your adventure is just beginning.

562. But you could come...

563. .. and see my dad.

564. They just play that so subtly and so beautifully.

565. I'm just proud to work with those two.

566. The moment had come for Ruby Sunday to step off the TARDIS.

567. I love you.

568. I remember when we were doing that scene,

569. I said, in the line run, I said,

570. "I'm not going to say that last line because I want

571. "to keep it as fresh as possible."

572. So on the take, it's the time I actually finally say,

573. "I love you," to Ncuti.

574. How do you think

575. the Doctor is going to cope without Ruby?

576. You know, it's a lovely end of her journey.

577. Yeah, yeah.

578. Very emotional. Yeah.

579. What's it going to be like moving forward without

580. your sidekick? Oh, it will be difficult.

581. It'll be very difficult to do it without Mills

582. because we found our characters together.

583. We were on this crazy journey together,

584. so it's going to feel very weird.

585. But that's the show, isn't it?

586. It's constant regeneration.

587. But, uh, she's my little partner in crime.

588. And so it's going to be...

589. .. interesting to see what the new dynamic in the TARDIS is.

590. So that's goodbye to Ruby Sunday

591. and goodbye to Millie Gibson, except it's not!

592. You'd have to be mad to say goodbye to talent like that

593. and a character like that. This is a pause.

594. I genuinely felt Ruby's story paused there.

595. She couldn't get all that information about her family,

596. all that emotional overload, and run off in the TARDIS.

597. It pauses there. She's coming back.

598. Everyone, just stay inside. Call your friends,

599. your family, and just tell them to stay indoors, all right?

600. Sorry, love. Who put you in charge?

601. Or go and get some fresh air, big man. See what happens.

602. A new companion is coming in,

603. but you'll see the three of them together.

604. Three people in this TARDIS fighting evil.

605. There's good stuff to come.

606. There's really crucial stories for Ruby to come,

607. and her family -

608. the story of that family hasn't finished yet -

609. that will all make sense when you see it.

610. So, more to come.

611. So, here we are, then, approaching the end

612. of an often emotional, sometimes explosive

613. and always adventurous series -

614. which means there's just one more thing left to say.

615. That's a wrap.

616. On a season of Doctor Who. Whoo!

617. That's a wrap!

618. That's a wrap!

619. It's a wrap!

620. The wrap of a whole show is a big thing.

621. People have worked on this...

622. Some people have worked on this for years.

623. There's a lot of people who worked on this for six months.

624. When I say worked, they've worked the weekends.

625. They worked all hours. It's quite a thing

626. sometimes in showbiz to have a final wrap

627. and to make a moment of it.

628. In this case, it was lucky we happened to be shooting

629. on the TARDIS with our two lead stars

630. on the very last day, the very last moment,

631. the very last shot, the very last scene.

632. And what tends to happen - it's a bit of a tradition -

633. if you can, all the crew come in,

634. and not just that. The people in the office,

635. the drivers come in, everyone involved with the production.

636. And it's a real celebration. It's a job well done.

637. It's lovely for everyone to be there, look at their hard work

638. and say, "That's a wrap."

639. That's a wrap.

640. That's a wrap.

641. That's a wrap.

642. That's a wrap!

643. And that's a wrap.

644. And finally, we've got a bit of an announcement for you.

645. Unleashed is going to be back

646. with a brand-new series next year.

647. And so to celebrate, we've got a special episode.

648. Unseen is going to be on BBC Three

649. and on the iPlayer

650. straight after this, so don't go anywhere.

651. It is jam-packed with exclusive and unseen footage

652. from across the whole series, from this...

653. I'm Amol Rajan. I usually present the Today programme

654. on Radio 4 and University Challenge.

655. But today, for one day only, I'm Amol Rajan

656. in, I think, the year 2046.

657. .. this...

658. Welcome to Doctor Unleashed.

659. That's really close to the floor!

660. .. and even this.

661. 0-1-0.

662. No!

663. Oh, not yet. In a bit.

664. No! That's so cool.