1. And who are you?
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2. Morris Gibbons,
UNIT's scientific adviser.
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3. In this episode,
we've got Lenny Rush.
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4. He's a genius.
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5. So the complete opposite of me.
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6. Did you spot it or miss it?
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7. We've got the full reveal
on Susan Triad.
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8. It's tapping into, like,
a very old part of Doctor Who,
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9. which is the Doctor's
granddaughter, Susan.
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10. We've got the heated return
of UNIT.
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11. Darling, it's very hot and
sweaty in here. It's too much.
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12. That is the Vlinx.
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13. We've got an interview
with the Vlinx.
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14. There's a real man in there.
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15. And spoiler alert -
we've got an exclusive clip
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16. from the season-ending finale.
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17. Welcome to Doctor Unleashed.
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18. Give me the loving!
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19. So, we are back on the set
of UNIT
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20. for quite a big day
here in the Whoniverse
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21. because this is the opening
scene of episode seven,
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22. but because we're filming seven
and eight at the same time,
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23. this is basically the start
of the end of the series.
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24. So there's a real fun
atmosphere on set.
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25. This is it.
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26. This is it.
This is it, yeah.
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27. And you're very close now
to a long time
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28. on a beach somewhere. I am.
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29. It's also really hot.
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30. Cos it's June, it's sweaty.
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31. You can probably hear that fan
in the background.
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32. People are
stripping layers off.
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33. Darling, it's very hot and
sweaty in here. It's too much.
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34. So it's the start of the end,
then, I guess, in a weird way.
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35. How do you feel about that?
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36. It's exciting. It's exciting
to get to the finale
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37. because it wraps up
the whole season.
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38. Obviously, it's like
the most heightened action,
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39. but, like, you gain all
the answers that you've been
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40. asking questions for
throughout the whole season.
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41. What? What is it? What?
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42. Right on cue.
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43. Susan Triad, IT genius.
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44. And today she's releasing
her software
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45. free of charge worldwide,
a gift from S Triad Technology.
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46. It's exciting to get into
this moment where, like...
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47. The climax. It's the climax.
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48. Don't you see?
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49. It is an anagram.
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50. S Triad spells...
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51. .. TARDIS.
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52. Quite, like, an ensemble cast
for this one, isn't it?
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53. Is that fun?
Yeah. No, it's very fun.
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54. It's very fun having everyone in,
because obviously
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55. it's normally just
me and Millie. And so, like...
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56. Just the two of you. Yeah.
It's just the two of us.
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57. When we get a gang in,
it's very lively.
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58. I hope every time we come here,
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59. there'll be revolving staff
and new people and new faces
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60. and old familiar faces.
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61. In about ten years' time,
the whole place will be packed
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62. with recurring actors
piling up on all the desks.
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63. Bonnie Langford,
"What about me?"
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64. "All right, Bonnie, come in,
come in, come in."
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65. So that's the plan.
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66. The ensemble is a mix of
new characters
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67. and familiar faces.
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68. We last saw Rose Noble,
played by Yasmin Finney,
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69. in the 60th anniversary
specials.
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70. I want to go home.
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71. Yeah.
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72. I know that feeling.
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73. The last time we were here
on this set,
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74. it was a different Doctor. Yes.
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75. This time, of course,
it is Ncuti,
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76. and you know each other anyway.
What's it been like
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77. to work together?
It's been really fab.
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78. Yeah.
Because it's my first time
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79. seeing him as the Doctor,
and I'm shocked, I love it.
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80. I think it's fab. And...
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81. Is it weird seeing him
as the Doctor?
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82. Because you're used to him
as Ncuti
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83. and now he's the Doctor.
I always knew
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84. he was, like...
Even in... You know,
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85. when I met him
for the first time,
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86. I knew he'd be, like, something
big. Like, it's just obvious.
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87. He's so talented
and he's so vibrant.
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88. And, yeah,
I'm just really blessed
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89. to be a part of his world.
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90. The last time we saw
Kate Lethbridge-Stewart
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91. was in 73 Yards. Go, go, go.
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92. Do not talk to her.
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93. Do not look her in the eyes.
Do not engage with her
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94. in any way. Just bring her in.
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95. Jemma's back today!
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96. Jemma was here
on my first day of filming,
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97. and she's back now,
and it's fantastic to have her.
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98. Positions.
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99. Helipad doors to open.
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100. Jemma, I'm actually
quite jealous of your fan.
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101. That's very good, isn't it?
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102. It's always good
to have one fan.
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103. Yeah!
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104. I suppose your episodes
do tend to have
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105. those ensemble moments in it
with lots of different characters.
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106. You can bounce off
the other actors or things.
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107. Do you enjoy that?
I do. It's lovely.
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108. I'm part of a team.
And, I mean,
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109. acting is a team sport anyway.
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110. Hello.
Sorry, I didn't get your name.
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111. Harriet. Harriet.
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112. New to Who is Genesis Lynea.
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113. This is an episode that's
a big sort of ensemble cast.
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114. Yeah. There's loads of you.
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115. Do you like those sorts of,
you know, episodes and stuff...
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116. Yeah. .. rather than sometimes
it was just you on your own
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117. or you with one other person?
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118. Yeah, it does get quite lonely.
And also, you know,
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119. actors, we like to tell stories
with other people, you know?
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120. Yeah.
More like a relay race thing.
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121. Very technical,
isn't it, a show like this?
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122. It's all...
Oh, my God, yeah.
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123. I'm not saying being on
the Who set's boring.
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124. No, we're not saying that.
We're not saying that.
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125. Never. But if I were to
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126. rephrase that and sort of say,
"There's some downtime,
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127. "isn't there?"
There's a lot of downtime.
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128. I've got my book. Yeah.
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129. Got my Duolingo app on the go.
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130. Oh, have you? What are you learning?
I'm learning French. Are you?
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131. Yes, don't ask me anything.
I was gonna ask you!
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132. That's exactly what
I was gonna ask you.
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133. Look at that!
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134. So Doctor Who's fantastic for,
you know, your career,
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135. but also for your French? Yeah.
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136. That's good. I can say,
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137. "Je m'appelle Steffan."
Very good.
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138. "Dans... habite la maison."
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139. You live in a house?
I live in a house.
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140. Fantastic. Yeah.
That's good. Uh, that's...
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141. That's all I've got.
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142. And there's another new face
on the UNIT set.
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143. A new, but somehow
familiar face.
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144. As Unleashed revealed
earlier in the series,
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145. award-winning actor Lenny Rush
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146. was due to voice Baby Eric
in Space Babies.
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147. Boys, I've got to tell everybody.
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148. Mummy and Daddy are here!
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149. And so he came along
to our read-through.
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150. He'd been so good
as a space baby voice
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151. that at that read-through,
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152. we kind of sat there and went,
"It's a shame.
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153. "It's a shame it's just a voice
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154. "and we're not going
to actually see Lenny."
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155. So this chance came along to
cast a new scientific adviser
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156. and I was like, "Oh, my God,
let's get Lenny!"
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157. And who are you?
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158. Morris Gibbons.
UNIT's scientific adviser,
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159. thank you very much.
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160. Now, Lenny, last time we met
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161. on a set of Doctor Who... Yeah.
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162. .. there was green, slimy
sludge everywhere.
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163. Snot bogies. Yes.
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164. This time you're a bit more
well turned out.
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165. Yes. Less bogies.
Complete opposite.
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166. Complete opposite.
How are you feeling about that?
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167. Yeah, I mean, I'm happy
because it was only
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168. going to be a voice part,
and now I'm properly in the show.
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169. I'm very excited.
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170. That, Lenny, is why you are
the king of taking notes.
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171. Well, thank you.
Nice one. Well done.
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172. Thank you.
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173. So, you know, when they said,
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174. "Listen, we want you
to come back..."
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175. Yeah.
"But for you to come back,
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176. "it means that you can't...
You're not going to be
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177. "voicing that stuff
you've already done..."
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178. What was that emotion like?
Was it... What did you feel?
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179. I think being in the show
is a better experience.
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180. Yeah. But Mum...
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181. Mum told me
in the worst possible way.
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182. She come in and she said,
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183. "Lenny, they've cut your role
from Doctor Who."
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184. I'm like, "What? What?"
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185. And then she went,
"They got you a bigger part!"
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186. I was like, "Oh!"
But, yeah, I'm very happy.
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187. Morris Gibbons?
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188. Yes, Doc?
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189. So, tell me about
your new character, then,
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190. your latest Doctor Who
character. Yeah.
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191. He's Morris Gibbons
and he's a genius.
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192. Yeah.
A 13-year-old genius.
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193. So the complete opposite of me,
basically.
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194. Oh, hey, come on, you've done
that one before, Lenny.
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195. That's a good line. Yeah.
I have said that one before.
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196. Yes, come on. Yeah.
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197. So you're a child genius
who loves the old...
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198. I tell you what,
you've inspired me
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199. to go and get a set. Oh!
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200. Oh, actually, don't do that
too much. You'll hurt yourself.
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201. But, yeah, they're very nice. Yeah.
Very hot, though, in this weather.
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202. Yeah, I know.
It's sweaty, isn't it?
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203. Yeah.
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204. Do your mates like
Doctor Who?
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205. You know, when you...
Because obviously at the moment
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206. we're filming this
and you can't tell anybody...
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207. No.
..you're actually in it.
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208. Which is annoying. Yeah.
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209. I think it's getting released
that I'm in it tomorrow.
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210. Oh, is it?
So then I can actually
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211. let everyone know. Yeah.
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212. Finally. Yeah, I've got some...
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213. I've got friends that are,
like... Big fans. .. massive fans.
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214. Yeah. So that will be cool.
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215. Oh, that'll be amazing. Yeah.
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216. This thing is running
way beyond maximum.
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217. Should we stop? No way.
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218. Lenny Rush.
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219. Hm! What was it like
working with Lenny?
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220. Uh, it's amazing
working with Lenny.
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221. It's... He really
puts you to shame...
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222. Doesn't he just?
.. with how good he is.
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223. He's so good.
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224. Ruby, this is Morris Gibbons.
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225. Good to meet you.
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226. 13. Come on.
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227. Such a talented actor.
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228. Name - anagram, TARDIS.
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229. Probability of a trap -
95%, and rising.
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230. I just think it's funny
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231. having this child,
like, super genius
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232. advising one of the biggest
governmental bodies in...
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233. ..in the world.
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234. I thought it was just so cool.
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235. Tell us about the Segway that helps
you get around set.
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236. So I had...
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237. I had my own Segway that I use.
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238. Yeah.
And now I've got one for the show.
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239. They put all
fancy lights on it,
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240. they put laser guns.
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241. Is there?
So, like a little...
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242. It's a little box.
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243. You take it out... Yeah.
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244. .. and you can magnet the guns
to them.
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245. It looks very cool.
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246. Lenny, absolute pleasure
to see you again.
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247. Try not to be too much of
a child genius
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248. in your real life, you know,
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249. because it can rub people up
the wrong way, can't it?
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250. Trust me, it won't happen.
You'll be fine.
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251. Yes!
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252. Long-time Whovians
will know that Russell T Davies
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253. is the master
of the teaser subplot -
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254. a storyline that he will seed
surreptitiously
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255. over many episodes,
with most of us not even noticing.
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256. And then it will reach
a climactic finale
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257. and viewers will turn around
and be like,
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258. "How did I not notice that?"
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259. When Russell rebooted
Doctor Who in 2005,
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260. the long-game tease
was Bad Wolf...
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261. The Big Bad Wolf.
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262. ..a phrase that
companion Rose Tyler
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263. saw appearing
throughout the series.
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264. I keep hearing those words
everywhere we go.
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265. Bad Wolf.
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266. It even appeared in Welsh.
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267. Blaidd Drwg. Bad Wolf.
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268. In the series finale,
The Parting Of The Ways,
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269. it turns out that Bad Wolf
is Rose herself,
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270. and that she's been
sending herself
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271. warning messages
through time and space.
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272. I am the Bad Wolf.
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273. I create myself.
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274. I take the words.
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275. I scatter them
in time and space.
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276. A message to lead myself here.
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277. And throughout this series,
Russell's been at it again.
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278. Back in 2023, in The Giggle,
Donna Noble asks Mel Bush...
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279. Mel, is this static or dynamic?
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280. Dynamic. We're using Triad.
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281. "We're using Triad" -
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282. the first hint of the Triad
plotline unfolding now.
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283. Then, in The Church
On Ruby Road,
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284. look at the advert on the bus
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285. that Ruby gets off
with her Christmas shopping.
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286. He's a sneaky, cheeky one,
is RTD.
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287. But the biggest clue to
the mystery beginning to unfold
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288. in The Legend Of Ruby Sunday
is this person -
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289. Susan Triad,
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290. played by the fabulously named
Susan Twist.
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291. So, come on, then,
cross your heart -
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292. or should that be hearts -
and hope to die,
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293. how many of you noticed
that Susan Twist had appeared
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294. in every single episode
of this series?
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295. Well, the Doctor's cottoned on.
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296. I need your help.
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297. Everywhere I land,
a woman appears. Look.
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298. But when exactly has Susan Twist
snuck onto our screens?
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299. Well, she first appeared
in Wild Blue Yonder
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300. as Isaac Newton's housekeeper.
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301. Well, don't come back
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302. until you've had
a very good idea, sir.
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303. Cropped up
as a Christmas heckler...
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304. Can you do Gaudete?
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305. In episode one of this series,
she was a comms officer.
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306. In episode two, a tea lady.
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307. Two cups of tea, my darlings.
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308. Episode three, an ambulance.
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309. Episode four, a hiker.
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310. In episode five,
she's Lindy's mum.
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311. Episode six, she was a portrait.
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312. With the final twist
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313. about Susan Twist
still to be revealed,
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314. I sat down with Russell
and Susan to get the lowdown
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315. on the highlights so far.
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316. Russell, I suppose the obvious
first question is to you,
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317. which is, where did the idea
come from?
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318. Was this a happy coincidence
or was it a master plan?
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319. It is not true that I cast
Susan Twist for her name.
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320. I think it is.
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321. But the name helped.
Truth is, I've known Susan
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322. for a long time.
I've known of Susan.
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323. Did I actually phone you up
and explain this?
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324. Yes. That was...
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325. ..a bit mad, wasn't it? I...
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326. Calling me and saying,
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327. "There's all these
different people," and I...
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328. I was just listening
and then I said,
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329. "And are they aware
of each other?"
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330. Yeah. And you said,
"No, they're not."
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331. No.
"They're all independent
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332. "and separate." Yeah.
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333. Did that evolve over time?
In terms of, like, what
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334. the roles that Susan
was doing and...
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335. It was. When I first
spoke to her,
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336. we hadn't written all of them,
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337. so I didn't know what you were going
to do in every episode... Right.
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338. .. and I didn't exactly know
what the ending was.
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339. I said... We kept on saying,
"You'll have a big part in...
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340. "..at the end."
Seven and eight, yeah.
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341. "You'll appear properly
in seven and eight."
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342. Of all the characters
we've had in...
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343. ..you've played
in this series,
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344. if I was to push you, Susan -
I don't like
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345. to push you, but...
Oh, don't ask. Which one?
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346. ..it's part of my job -
which one?
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347. Which one? Which one?
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348. I love the hiker.
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349. Hello, there!
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350. I'm being the hiker today.
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351. We're on the beautiful cliffs
just off Tenby.
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352. Last time I was Mrs Merridew
and I...
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353. I don't know,
I'm sworn to secrecy.
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354. I loved Susan Triad, of course.
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355. Let's face it,
she's got the most lines.
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356. She's the most... Well...
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357. Also...
That's the one you like best.
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358. And the nicest frocks.
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359. Hi! Hello.
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360. If I may say, I think one
of your favourite performances
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361. is the ambulance, actually.
Oh!
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362. Cos that's actually
one of those moments where
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363. you really get the genre.
Combat detected.
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364. Patient acquired.
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365. Which then makes the rest of
the season very interesting
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366. cos the Doctor and Ruby
very clearly see the ambulance.
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367. Yeah. Yeah.
So, from that, which is great
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368. for me, because then
from that point onwards
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369. they're going, "Hold on,
have I seen you before?
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370. Right.
And yet you can't be
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371. an ambulance on
a far-flung planet. Right. "What?"
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372. Well, the fans are definitely
picking up on it already,
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373. which is interesting. Yes.
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374. They're starting to. There's also
a lot of people not noticing.
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375. Yeah. They're all excited
by Anita Dobson,
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376. because at the same time
there's a sleight-of-hand
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377. with Anita Dobson
being overtly mysterious. Yes.
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378. Never seen a TARDIS before?
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379. It's very much kind of
internet-age storytelling where...
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380. Was that deliberate? Yes.
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381. You just hope
it will generate content.
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382. It's actually... It's kind
of proved to be very popular.
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383. People are really
taking off with it.
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384. And, I mean, behind the scenes
in our offices,
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385. people are very interested
in this Susan.
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386. Oh, I love that storyline.
I mean,
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387. I love the part of it
where she plays
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388. a different character
every episode.
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389. I just think that's such
a clever thing to do,
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390. because it's the character
that you kind of go,
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391. "What did she just say?
Anyway..."
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392. Who is that?
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393. The Duke's late mother.
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394. You spend
the whole season being like,
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395. "Who is this woman
that keeps popping up?
Copy !req
396. "She's definitely... OK,
she's definitely your mum, Ruby.
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397. "Or she's definitely..."
Copy !req
398. Like, you just get
so many conspiracies.
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399. And here's Russell
to add to the mix.
Copy !req
400. It's also tapping into, like,
a very old part of Doctor Who,
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401. which is the Doctor's
granddaughter, Susan.
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402. Grandfather!
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403. He once had a granddaughter
on Earth
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404. who went, left him,
played by Carole Ann Ford.
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405. I mean, that's a huge story
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406. that has barely been mentioned
since.
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407. She cropped up
in the 20th anniversary story.
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408. And it's now 41 years later,
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409. and she still hasn't been seen
or mentioned.
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410. So I wanted to do a story
Copy !req
411. that tapped right back
into 1963.
Copy !req
412. If you've got a granddaughter,
that means you've got kids.
Copy !req
413. Well, not quite.
Copy !req
414. Do you think Susan Triad is her?
Copy !req
415. Mm?
Copy !req
416. Do you want it to be?
Copy !req
417. But at the end of the episode,
Copy !req
418. Bad Triad
appears to nix that theory.
Copy !req
419. Did you think I was family,
Doctor?
Copy !req
420. Or does she?
Who is Susan Triad really?
Copy !req
421. It's all to play for in
the upcoming season finale.
Copy !req
422. Still to come on
Doctor Unleashed,
Copy !req
423. I unmask the secrets of
the death masks...
Copy !req
424. Hey. That looks good.
Copy !req
425. Voila.
That looks really nice.
Copy !req
426. I discover how one of these
turned this...
Copy !req
427. .. into this.
Copy !req
428. And spoilers -
Copy !req
429. we've got an exclusive clip
from the season finale.
Copy !req
430. But first...
Copy !req
431. In the 60th anniversary special
The Giggle,
Copy !req
432. we were introduced
to the Vlinx...
Copy !req
433. Hello, the Vlinx.
Copy !req
434. .. the robot that heads up
UNIT's comms.
Copy !req
435. Fast-forward to this episode,
and we're back
Copy !req
436. at a familiar-looking UNIT,
but with one main difference.
Copy !req
437. That is the Vlinx.
Copy !req
438. The Vlinx has had a glow-up.
Copy !req
439. Nice upgrade.
Copy !req
440. Hot metal, Doctor.
Copy !req
441. There's a real man in there
Copy !req
442. that's really speaking
and talking and moving.
Copy !req
443. He was like a robot octopus.
Yeah.
Copy !req
444. I just wondered how he was able
to do that for so long.
Copy !req
445. Well, let's go and ask him.
Copy !req
446. Inside this AI tin can
is actor Aidan Cook,
Copy !req
447. who's quite literally cooking.
Copy !req
448. Aidan, it is possibly
one of the hottest days
Copy !req
449. of the year so far. Yeah.
Copy !req
450. It's the middle of June
and you are in all black,
Copy !req
451. looking a bit like a ninja,
if you don't mind me saying.
Copy !req
452. Yes. Yeah, yeah.
And then being... ensconced?
Copy !req
453. What's the word? I don't know.
Copy !req
454. Yeah. Stuck in there.
Copy !req
455. Yeah.
How are you feeling?
Copy !req
456. Entombed. Entombed!
Entombed is a good word.
Copy !req
457. Into the Vlinx. Yeah, yeah, yeah.
Copy !req
458. Aidan spends
up to 12 hours a day
Copy !req
459. in his rubber and metal tomb.
Copy !req
460. The basic unit
underneath all of that pipework
Copy !req
461. is a 5mm wet suit.
Copy !req
462. So I don't know if you've ever
got into a wet suit
Copy !req
463. on a hot day... Yeah.
Copy !req
464. .. but the first thing you want
to do when you get into
Copy !req
465. a wet suit
is run into a cold sea.
Copy !req
466. Yes. Unfortunately,
Copy !req
467. I don't have a cold sea
to run into,
Copy !req
468. so I just sit there sweating.
Copy !req
469. He can't hear,
he can't see, he can't speak.
Copy !req
470. He can't... It's such
a difficult job to do
Copy !req
471. and he does it all day.
I don't know how he does it.
Copy !req
472. I can move my head,
my upper body a little bit
Copy !req
473. and my arms,
and the rest of it
Copy !req
474. is completely immobilised.
Copy !req
475. Aidan is no stranger to
Copy !req
476. contorting his body
for Doctor Who.
Copy !req
477. He's played the Crooked Man...
Copy !req
478. Well!
Copy !req
479. Hello again, you old Romeo,
you.
Copy !req
480. ..a Cyberman...
Copy !req
481. ..a mummy...
Copy !req
482. .. and a Zygon.
Copy !req
483. We want the world.
Copy !req
484. He's the most fabulous actor
Copy !req
485. and the most patient man
I have ever met
Copy !req
486. in my entire life.
Copy !req
487. And he never complains
Copy !req
488. and then comes in with his line
perfectly.
Copy !req
489. Analysis confirms life form.
Copy !req
490. Although how he manages this
is miraculous.
Copy !req
491. From the Abzorbaloff
to the Zygons,
Copy !req
492. the A to Z of Doctor Who
villains and monsters
Copy !req
493. is fast hurtling
towards the 500 mark.
Copy !req
494. Whatever far-flung part
of the Whoniverse
Copy !req
495. they've evolved from,
a large percentage of them
Copy !req
496. share one common DNA trait -
prosthetics.
Copy !req
497. Susan Triad
and Harriet Arbinger's
Copy !req
498. bony-faced baddies
are the latest
Copy !req
499. to join this legion.
Copy !req
500. So, for this episode's
work experience,
Copy !req
501. I've come to Millennium FX
Copy !req
502. to discover just how they make
those ghastly death masks.
Copy !req
503. Beth, thank you very much...
That's OK.
Copy !req
504. .. for allowing me into...
Is this your lair? Is that fair?
Copy !req
505. Kind of. Like a little...
Copy !req
506. Or space?
A little silicone space,
Copy !req
507. doing everything, yeah.
Copy !req
508. Uh, these are all very cool.
Copy !req
509. But what are they
and what are we doing?
Copy !req
510. So, essentially, we're going
to be making a prosthetic
Copy !req
511. for Susan Twist.
Copy !req
512. Yeah. So how did you end up
in a place
Copy !req
513. where you're making skull
prosthetic masks for a living?
Copy !req
514. How does that happen?
Copy !req
515. I just really liked
film and TV.
Copy !req
516. Yeah. I found it really interesting
Copy !req
517. and kind of liked
the behind-the-scenes aspect
Copy !req
518. of it... Yeah.
Copy !req
519. .. and how you're able to make
these types of monsters
Copy !req
520. and creatures on TV.
I just found it fascinating
Copy !req
521. and really wanted
to get into it.
Copy !req
522. So, do you...?
Is there a course,
Copy !req
523. how to make monster faces?
Copy !req
524. There is a few!
Copy !req
525. There's surprisingly a few.
Is that what you did, yeah?
Copy !req
526. Yeah, yeah, yeah, I did a degree,
which was really handy.
Copy !req
527. So you could kind of
learn everything about...
Copy !req
528. Ah, OK.
.. this type of industry.
Copy !req
529. Yeah.
Copy !req
530. Um, and then managed to
kind of get stuck into work,
Copy !req
531. which was really exciting.
Copy !req
532. Yeah. Yeah.
Copy !req
533. So, this is our mould of Susan.
Yeah.
Copy !req
534. You can see that this is a face
Copy !req
535. and this is basically
a scan of her.
Copy !req
536. Then this has been sculpted
on top of and it's created
Copy !req
537. this kind of negative.
Copy !req
538. So that will end up flipping
over and slotting into here.
Copy !req
539. Oh, right.
Copy !req
540. What happens next?
So, the first thing
Copy !req
541. before we even start
throwing silicone into it...
Copy !req
542. Yeah.
.. we've got to make sure
Copy !req
543. the mould is released
Copy !req
544. and make sure it's got
cap plastic on it.
Copy !req
545. Is that cat or cap plastic?
Copy !req
546. Cap. Cap.
Copy !req
547. Is it like something you put
on your head? Yeah. OK.
Copy !req
548. And you have this nice
cap-plastic edge
Copy !req
549. so then it looks like
it's part of her.
Copy !req
550. Right.
So, the cap plastic
Copy !req
551. is kind of the first step.
Copy !req
552. I'll show you
how to do it first.
Copy !req
553. Right, I'll put on the extraction
just so there's...
Copy !req
554. ..health and safety.
Copy !req
555. And then now you probably
can't hear anything.
Copy !req
556. Sorry, what was that?
Copy !req
557. Yeah.
Copy !req
558. So you just kind of want to
do that
Copy !req
559. and just spray it over in,
like, a methodical way.
Copy !req
560. OK.
You want to give it a go?
Copy !req
561. Nice, and then you can
turn it around.
Copy !req
562. Do you need to do
the bottom bit, as well?
Copy !req
563. Yeah, the whole thing.
Copy !req
564. Yeah, perfect.
Copy !req
565. What's next?
Copy !req
566. So, the next step is silicone.
Copy !req
567. That should be all good.
Copy !req
568. We're going to pick this up
and we're going to give it
Copy !req
569. a little bit of a rotation.
So you want that silicone
Copy !req
570. to come round to the edges.
Copy !req
571. I'm just going to pick this up
and pop it in.
Copy !req
572. Yeah.
Because it's quite heavy.
Copy !req
573. So I have bolts in the back
Copy !req
574. just because it makes it
a little bit easier
Copy !req
575. to try and pick it up.
Copy !req
576. So her face slots onto...
And then that goes right in there.
Copy !req
577. .. the mask, which is drawn
on the inside,
Copy !req
578. and her face is sitting on top
of the drawing of the mask.
Copy !req
579. Yes. With the silicone
Copy !req
580. and the cap in the middle. Yep.
Copy !req
581. The cast is left for 40 minutes
to set,
Copy !req
582. then has a lick of powder
to loosen it.
Copy !req
583. So, I'm just whanging
this everywhere? Mm-hm.
Copy !req
584. OK. Yeah.
Copy !req
585. Oh, yeah, getting there.
She is.
Copy !req
586. It's coming to life.
Copy !req
587. OK. Hey!
Copy !req
588. That looks good. Voila.
Copy !req
589. That looks really nice.
Copy !req
590. And then all of this
excess flashing will end up
Copy !req
591. being trimmed off to,
Copy !req
592. like, a really nice kind of
like half a centimetre,
Copy !req
593. and then it's ready to be used
on set.
Copy !req
594. But before it gets to set,
more masks are produced
Copy !req
595. and skilfully painted
to add deathly detail.
Copy !req
596. Then Millennium FX's
Rebecca Butterworth
Copy !req
597. adds some grisly flourishes.
Copy !req
598. And finally, it's time for
Susan Triad to scare
Copy !req
599. the living bejesus
out of us all.
Copy !req
600. I bring Sutekh's gift
Copy !req
601. of death.
Copy !req
602. Now, I know I keep banging on
about the sets on this show,
Copy !req
603. but they are amazing.
Copy !req
604. Every time I sashay down
this walkway,
Copy !req
605. I'm always seeing something new
and immense.
Copy !req
606. Oh, look, the space babies'
spaceship.
Copy !req
607. Abbey Road Studios.
Copy !req
608. A Kastarion crater.
Copy !req
609. An army encampment.
Copy !req
610. This place is paradise
for Whovians.
Copy !req
611. And for this episode,
the Who crew
Copy !req
612. have built another
mind-bending set,
Copy !req
613. but this time
added in-camera VFX.
Copy !req
614. And to find out how,
Copy !req
615. welcome to
the time window chamber.
Copy !req
616. The time window chamber is
Copy !req
617. a great device that UNIT
has had secretly hidden away.
Copy !req
618. We've never seen UNIT
travelling in time. It's funny,
Copy !req
619. they've never invested in it,
Copy !req
620. and we realise
through a bit of dialogue
Copy !req
621. that the Doctor's
always forbidden them.
Copy !req
622. Kate, do you have
a time window?
Copy !req
623. You expressly told us
in the 1970s
Copy !req
624. UNIT was absolutely forbidden
Copy !req
625. to experiment with any form
of time technology.
Copy !req
626. Do you have a time window?
Ten floors down.
Copy !req
627. It's a means
of looking into the past
Copy !req
628. without travelling there
by TARDIS.
Copy !req
629. For the Doctor,
it's kind of crude.
Copy !req
630. This is... This is rough.
Copy !req
631. Wow.
You have lashed this together.
Copy !req
632. The Doctor might think this was
lashed together, but actually
Copy !req
633. the time window chamber
Copy !req
634. is one of the most complicated
sets in the series.
Copy !req
635. The urge to pull
one of those levers down...
Copy !req
636. ..is really, really strong.
Copy !req
637. I presumed that the time window
Copy !req
638. would just be lots and lots
of green screen
Copy !req
639. and a snow machine -
as though that's easy -
Copy !req
640. but it's such a good
design team on this show
Copy !req
641. that they kind of wanted
to make it special.
Copy !req
642. So everyone thought they'd be
standing against green screen,
Copy !req
643. and actually they're standing
there amongst projections
Copy !req
644. of Ruby Road with the church
that's visible, and the snow,
Copy !req
645. and the lamppost appears.
Copy !req
646. And so I think
it's a phenomenal piece of design.
Copy !req
647. The time window chamber
comes in two parts -
Copy !req
648. a physical set built on stage six
Copy !req
649. and a surrounding three-sided
projection backdrop,
Copy !req
650. both dreamt up by production
designer Phil Sims
Copy !req
651. and his team.
Copy !req
652. Russell had written
it was this huge space
Copy !req
653. with huge technical bits
of equipment
Copy !req
654. that were projecting
Copy !req
655. an illusion of the time.
Copy !req
656. The reason the images
look the way they do
Copy !req
657. is because they're being
generated from a VHS tape.
Copy !req
658. A V-H what?
Copy !req
659. Video cassette recorders -
machines capable of
Copy !req
660. recording television sound
and pictures
Copy !req
661. in the domestic
and the industrial environment.
Copy !req
662. Back in the 1980s,
when Kate Bush
Copy !req
663. was first running up that hill,
you could record telly
Copy !req
664. off one of the three
available channels
Copy !req
665. onto tapes
the size of house bricks.
Copy !req
666. On many of the machines,
you'll be able to program
Copy !req
667. the recorder to switch itself
on and off
Copy !req
668. to tape your favourite
programmes
Copy !req
669. over the two weeks
you're on holiday.
Copy !req
670. It was the future.
Copy !req
671. Once.
Copy !req
672. When I saw a VHS tape
in the script,
Copy !req
673. I had a rough idea, um, because
of, like, the older films,
Copy !req
674. but I've never used one
Copy !req
675. and I don't know how to
use them, to be honest.
Copy !req
676. That's the church.
That's the church.
Copy !req
677. This is the house.
And that's the house.
Copy !req
678. And there's a couple of trees
there.
Copy !req
679. The key to it was that the VHS
nature of the image quality,
Copy !req
680. it meant we didn't need
really high-res LED screens.
Copy !req
681. We didn't need to have
pixel-perfect background.
Copy !req
682. We could create a fairly
low-res-looking background
Copy !req
683. that was beautiful
but could be ghostly.
Copy !req
684. Although you do need
big, powerful projectors
Copy !req
685. which need to be overlapped
and merged together
Copy !req
686. to create one continuous image.
Copy !req
687. It's a bit like putting four
monitors together on your desktop
Copy !req
688. and have one big image
across the four of them.
Copy !req
689. We did it! We brought it back!
Copy !req
690. And having gone this far
with the set,
Copy !req
691. what's the most Doctor Who
thing you can do next?
Copy !req
692. Blow it up.
Copy !req
693. OK. We're rolling.
Copy !req
694. We're filming the big explosion
scene today.
Copy !req
695. So this is the big pinnacle
Copy !req
696. when everything charges up
and all the screens
Copy !req
697. are going to explode
over the Doctor.
Copy !req
698. So that's what we're just
setting up for at the moment.
Copy !req
699. There's a little bit with
Morris, who's played by Lenny.
Copy !req
700. We're going to have
some little pyro sparks,
Copy !req
701. and I've let him design it on
his desk wherever he wants.
Copy !req
702. But everything else
is all going to be VFX.
Copy !req
703. There's one explosion up above.
Copy !req
704. There's one actually
on my control panel,
Copy !req
705. and then there's a load
at the bottom.
Copy !req
706. It'll be one, two
on the console.
Copy !req
707. Cool.
Number three will be
Copy !req
708. on the floor, and then four,
five with the top one.
Copy !req
709. Fire in three, two, one.
Copy !req
710. Scared the life out of me
at first.
Copy !req
711. Um, but I'm very, very excited.
Copy !req
712. And it looks very, very good.
Copy !req
713. Come on, then,
time window chamber.
Copy !req
714. Let's be having you.
Copy !req
715. And action!
Copy !req
716. Three, two, one, boom!
Copy !req
717. Get down!
Copy !req
718. Next time...
Copy !req
719. Open fire! All weapons.
Copy !req