1. "UNIT continues to hunt for the Master
- who is ruthlessly destroying all
who stand in his way.
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2. "The Doctor follows a clue to the circus
- and falls into the hands
of his enemies."
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3. This episode was first shown
on 9 January 1971,
and was seen by 8 million viewers.
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4. The laboratory window
is made of sugar glass.
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5. The BBC's executives scented controversy
when they discussed this episode
five days after it was shown.
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6. The previous week's ratings were in,
and they showed "a very good start".
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7. But there was a fly in the ointment:
It was "almost too frightening",
he told the meeting.
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8. We'll find out what his colleagues said
about that in a few minutes' time...
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9. The script calls for the Doctor
to examine Jo's eyes
and take her pulse whilst talking.
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10. "So people can shake
themselves out of it,"
responds Benton in the script.
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11. "Very rarely," says the Doctor.
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12. The end of this scene was trimmed.
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13. "Her mind's been subjected
to tremendous strain," says the Doctor.
"If I push her too hard, it might snap."
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14. It was scripted as an unpleasant,
liver-coloured piece of plastic.
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15. He is already having the moulds changed,
but has one last use
for the old product.
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16. Air is slowly pumped into the chair
through an enormous low-pressure valve
attached to a fire hose.
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17. McDermott is played by Belfast actor
Harry Towb (1925-2009).
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18. A notable recent television role
was as Judd the armourer
in Callan (1970).
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19. The Master was scripted
to tell McDermott
the name of the new plastic:
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20. Polynestene.
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21. Robert Holmes introduced
the character of McDermott
for one purpose and one purpose alone.
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22. You are about to see
what that purpose was...
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23. This sequence was pre-recorded
and played back in reverse
using a videodisc machine.
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24. Harry Towb is performing
backward death throes
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25. while the effects boys
inflate the chair around him.
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26. So this is how he started off.
Press reverse to see it as first shot!
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27. The effects budget wouldn't quite run
to what the script describes:
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28. The plastic changes shape,
moulding itself onto McDermott's body
to wrap him from the waist up,
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29. Later on, it is clear
that the police have been summoned
to investigate the death,
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30. but the Master tells Farrel
not to worry: "I can handle them."
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31. The script calls for Jo
to be weeping here.
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32. Now it's back to the executives'
13 January programme review meeting.
Was this episode too frightening?
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33. John Grist
Said his family found it alright.
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34. Desmond Wilcox
Had been more frightened
than his children.
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35. This scene runs longer in the script.
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36. After he's finished questioning Jo,
the Doctor sends her to the sickbay
to be given a sedative.
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37. Then he has Yates arrange
for a discreet check
on all the factories Jo visited,
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38. and explains that the ECT machine
he used against the Nestenes last time
will no longer be effective:
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39. They are telepathic,
so they will know what happened,
and will have devised a defence.
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40. ranging from Ernest
the officious policeman
to the grumpy Mr Grouser.
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41. He ended his career in a newer medium,
as a reader of audiobooks ranging
from Thomas Hardy to Catherine Cookson.
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42. This was Stephen Jack's
unscripted contribution.
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43. This is the car park at the front
of the Thermo Plastics factory
in Dunstable.
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44. In the 1960s,
the Danish company Dam Things exported
thousands of troll dolls to Britain.
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45. Robert Holmes disliked them,
and this inspired what Farrel Senior
is about to receive.
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46. It is even more disgusting
in the storyline: It has three eyes.
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47. In the script, it's still in its box
when the Master proffers it.
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48. It was a six-part serial
scheduled for broadcast from 2 May 1970.
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49. Plans changed soon after
Barry Letts took over as producer.
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50. It was to be a seven-part serial
shown between
2 January and 13 February 1971.
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51. But after five months in post,
he had rethought the series format.
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52. First episodes usually pulled in viewers
who then drifted away
during the run of the serial,
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53. On 28 April, Robert Holmes was briefed
to write a storyline,
which was due for delivery on 12 May.
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54. It actually came in on 8 June,
and four days later the production team
commissioned the scripts.
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55. He then went off for a week's
seaside holiday in Broadstairs,
telling Holmes,
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56. "I shall solace myself with the thought
of your unrelenting toil."
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57. In the storyline,
the Doctor has no objection
to taking Jo with him,
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58. but thinks "UNIT types"
will be too conspicuous.
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59. Captain Yates was created
with a view to giving the series
a stronger focus of romantic interest.
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60. The plan is to circulate them
as prizes given away at the fairground.
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61. That's why Philips was sent to the fair:
To distribute batches of the trolls
to the sideshow owners.
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62. This also gives UNIT a lead:
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63. The fair leaves a trail of death
in its wake as the trolls come to life
and kill their lucky winners.
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64. Doctor Who wasn't the only BBC series
to receive help from Robert Brothers
in September 1970.
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65. The man the Doctor approaches
is circus owner Bobby Roberts.
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66. He and Pertwee already knew one another,
and socialised in the evening
after filming.
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67. The interested strongman
was scripted as a staring clown.
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68. It was common practice for BBC sets
to incorporate stock elements
from the scenery store.
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69. Here's the round window from
the set of the pre-school series
Play School.
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70. Robert Brothers provided facilities
to a lot of BBC programmes at this time
because of a long-term company ambition.
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71. Every year since 1947,
a circus was part
of the BBC's holiday output.
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72. The contract was held
by Billy Smart's Circus,
a major rival of Robert Brothers.
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73. Eventually Robert Brothers did
indeed oust Billy Smart from the BBC,
but not until 1978.
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74. "Dr John Smith" is the regular alias
used by the Doctor
during his exile on Earth.
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75. Jon Pertwee adds an unscripted joke.
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76. Tony the strongman is played
by Jamaican actor Roy Stewart
(1925-2008).
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77. But he did need to beef up,
so in 1954 he founded his own gymnasium
in Kensington.
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78. "Roy Stewart's Gym",
as it was known, was notable for
its multi-racial membership policy.
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79. He later played the boatman
Quarrel Junior, James Bond's ally,
in Live and Let Die (1973).
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80. Rossini is played
by John Baskcomb (1916-2000).
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81. He was best known as a Forsyte uncle
in The Forsyte Saga (1967).
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82. He had recently played Cardinal Wolsey
in The Six Wives of Henry VIII (1970).
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83. His next role was
the Mayor of Walmington-on-Sea
in the 1971 film version of Dad's Army.
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84. The view through the phone box windows
is an electronic effect.
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85. A blue screen
is "keyed out" of the picture
and replaced with a still photograph.
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86. Other parts of the sets
are also not as they might seem.
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87. The "parquet" floor here
is actually artist-painted.
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88. Doctor Who even got
an unfavourable mention
in the House of Lords on 3 February.
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89. "because many children must have gone
to bed and had nightmares
after seeing the recent episodes."
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90. In the script, they're in a jeep,
along with "as many UNIT soldiers
as there's room for".
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91. tried to think of a gimmick or "hook"
that would attract attention.
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92. A two-day creative process followed,
developing the concept
of a "lapsed Time Lord".
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93. Dicks proposed that he should be called
the Master, partly for the overtones
of paranoia and domination,
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94. but partly also
because an academic master's degree
is lower than a doctorate.
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95. Even so, the original character outline
suggested that the Master's Time Lord
rank might be higher than the Doctor's.
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96. The red vase is made of wax.
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97. Christopher Burgess
Often worked with Barry Letts.
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98. Letts cast him in two other
Doctor Whos,
and in David Copperfield (1986).
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99. In the storyline,
it's a detonation capsule from
the planet Kastritis.
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100. The Master explains to Farrel
that he has no further use for Philips,
now that he has made the Autons.
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101. In the script,
the key's in the dead man's pocket,
not his hand.
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102. A shot was cut from here,
with Yates in the car watching
the commotion through field glasses.
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103. The effects team was briefed
to create a "wire micro-circuit"
for this scene.
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104. It wasn't really made of wire:
It was plastic.
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105. "Hand them over to the cops,
the dirty murderers,"
Rossini was scripted to say.
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106. It's more obvious in the script
that the Doctor's main concern
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107. is the safety of the dematerialisation
circuit he took from
the Master's Tardis.
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108. Meanwhile, Jo is worried
that they may be under arrest:
The policemen don't seem very friendly.
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109. Much of the police public relations
effort at this time
sought to encourage children
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110. to look on their local bobby
as someone they could trust.
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111. The upcoming cliffhanger resulted
in a letter of protest that Doctor Who
was undermining their efforts!
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112. The rubber mask was cast
to resemble stuntman Terry Walsh,
who plays the Auton policeman.
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113. The circus folk were:
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114. Mike Austin, Duke Dupree, Brian Gough,
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115. Gordon Howes, Mario,
Jack Murray, Mac Russell,
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116. Steve Sullivan,
E. Turner, Edward Vaughan
t murder.
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117. I must. He said I must!
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118. Now, wait.
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119. You just listen.
The Master is controlling your mind.
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120. You must resist him.
You can resist him.
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121. You are Professor George Philips of
the Radio Telescope Research Centre.
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122. You must resist him!
You must resist him!
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123. Down, Jo!
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124. JO: What happened?
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125. He tried to get rid of it.
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126. Poor chap.
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127. What are you doing?
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128. Shan't be a moment.
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129. All right! Spread out!
They can't have gone far!
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130. Hurry, Doctor!
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131. - Well, that didn't take long, did it?
- Long enough, I'm afraid.
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132. Now, wait a minute, listen to me.
Now, listen to me, all of you!
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133. Tried to rob my caravan and killed
one of the men with a bomb! Get 'em!
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134. Let me go!
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135. Here, wait!
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136. They're in the back, sir.
The Doctor and Jo.
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137. Better go and bail them out.
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138. Are you all right, Doctor? Doctor!
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139. Thank heavens. Nothing damaged.
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140. Speak for yourself.
I'm bruised all over.
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141. It's a good thing you chaps
turned up when you did,
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142. otherwise we might have been lynched.
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143. Lethbridge Stewart must have sent them.
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144. Well, it's nice to know he can
use his head once in a while.
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145. Yes, sir. I've checked with
County Headquarters. You were right.
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146. Then it's not a police car at all.
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147. No, sir. Definitely not.
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148. - Doctor!
- Careful.
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149. Where are they taking us?
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150. - Well, it certainly isn't Tarminster.
- It's some sort of a quarry.
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151. Excuse me, officer,
could I see your warrant card?
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