1. "The Doctor faces the unknown dangers
of an alien planet."
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2. This episode was first broadcast
on 10 April 1971 and was watched
by 7.6 million viewers.
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3. A little lower than
the previous week's episode,
despite being shown an hour later.
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4. We open with a model shot.
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5. "Not Earth, although an Earth-type
planet with swirling cloud formation,"
says the script.
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6. It's the as yet unnamed planet
of the Time Lords. Or "a simple set made
to appear large by CSO backing".
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7. The seated character is identified
in the script and credits
as the Third Time Lord.
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8. This is the Second Time Lord.
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9. And here's the First.
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10. Remember who's who.
We'll identify the actors later.
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11. The dematerialisation circuit prop was
constructed for 'Terror of the Autons'
at the start of the season.
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12. The Doctor's jewellers' eyeglass
was introduced in the same story.
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13. As will be a regular occurrence
in late stories, this is a different
Lab set from those seen previously.
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14. The Master had featured in the three
previous stories of the 1971 season.
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15. At the end of the previous story,
'The Claws of Axos' he had regained
the use of his own Tardis.
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16. The impressive door
in the background here
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17. was sold off in a sale of BBC sets
and props at the end of 1971.
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18. Nicholas Courtney
Was contracted for the entire 1971
season on 8 April 1970.
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19. The contract indicated that
he might not appear in every episode
of the 25-episode run.
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20. As of 6 January 1971, this first episode
was to have been his only appearance
in 'Colony in Space',
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21. but by the 27th of the month
he gained an additional appearance
at the end of the story.
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22. This is an in-joke reference
to the career of Roger Delgado,
the actor playing the Master.
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23. His Spanish ancestry and Mediterranean
looks often caused him to be cast
as swarthy foreigners.
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24. These included the Spanish Ambassador
in the ITC swashbuckler
Sir Francis Drake (1961-2).
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25. He also played a similar role in Queen's
Champion, the BBC's 1958 serial set
on the eve of the Spanish Armada.
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26. The serial's cast also featured
a jobbing actor named Barry Letts,
who was now Doctor Who's producer.
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27. Inside the blue box was a tatty cupboard
full of cigarette ends,
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28. but the actors moved to a new set
during a recording pause.
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29. Malcolm Hulke just invented
this new "explanatory" phrase.
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30. You may be wondering why the console
appears a nice pale green colour.
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31. In April 1971, most TV viewers
were still watching in monochrome.
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32. The take off sound was scripted
to appear as soon as the column moved.
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33. Cut to Camera 2 on Tardis.
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34. The "popping" can be explained by
the fact that the ship is being operated
by the Time Lords. Or as a mistake.
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35. This dialogue was to have been said
as the Tardis noise began...
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36. Look behind the Doctor: There's
a horizontal join in the wall flat.
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37. The photographic background photo flat
had been used since the mid-1960s.
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38. In the background we can hear the Tardis
flying sound being played in live
from a grams record.
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39. This is a filmed insert
of swirling light patterns.
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40. This is the same planet we saw earlier
on the Time Lord screen.
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41. It's spelt in the script as "Uxarieus".
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42. The robot you will see in a moment
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43. was made by the special prop contractor
Magna Models.
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44. Remember the device fitted to the back.
You won't see it again.
Later we'll explain why not.
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45. It was envisaged by Malcolm Hulke
as a man-shaped robot holding a device
similar to mine-sweeping equipment.
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46. It was actually based on a JCB excavator
and cost £450.
The wheels buckled when it was moved.
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47. Visual effects man lan Scoones
was inside the robot on location.
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48. The scanner is a 22-inch colour monitor
hired from Radio Rentals of Wembley.
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49. It's where they were, anyway.
It was a caption slide taken
during the location work.
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50. We are about to hear what happens when
they fade down the sound effects record.
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51. You may care to note Jo's very vogue
1971 false eyelashes.
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52. The first petrol-driven motor car
dated from 1885.
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53. In the early 1970s, the Doctor used
a different switch every time
he opened the doors.
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54. There is a small set built
outside the doors.
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55. The camera angle avoided
showing it earlier.
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56. He says "stranded on one planet"
in the script.
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57. This is Jo's first trip in the Tardis,
but Doctor Who has travelled
in time too.
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58. The rest of the season was shown at 6.10
instead of 5.15 p.m.
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59. but also to reach out towards
a slightly older audience.
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60. In the script, he takes Jo's hand
and leads her outside.
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61. Talking of comic strips... Readers of
the Radio Times were already familiar
with the events of this episode so far,
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62. including the scripted fact that
"alternate petals of the flower
are different colours".
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63. Stuntman Dinny Powell is playing
this Primitive.
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64. This whole sequence was the first filmed
for the story, around 9 a.m.
On Wednesday 10 February 1971.
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65. The script indicates that here
we were supposed to have
the Doctor's view of a small hillock.
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66. It's the one the film crew are now
standing on behind the camera.
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67. They are all standing inside
the Old Baal Pit,
near St Austell in Cornwall.
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68. One of the things excavated there
was raw clay.
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69. All the outside scenes were to be
recorded there over a five-day period.
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70. The door looks a bit wobbly.
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71. The rocket and dome are both models
brought to the location.
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72. It's a forced perspective shot: The top
of the mountain is actually only
around 15 feet above ground level.
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73. The script notes that the rock
is veined with minerals.
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74. "His gun is a kind of
advanced rocket rifle."
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75. It's not too clear, but we are inside
the big cliff-top dome with the rocket
beside it.
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76. The photo on the desk is presumably
the late wife of the colony leader,
Robert Ashe.
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77. It's actually a publicity photo
of the actress Susan Jameson, of whom
we shall hear more in the next episode.
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78. David Winton is described in the script
as "one of the younger colonists".
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79. The dome was scripted as one big open
space with stairs to a higher level.
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80. Plastic crates of stores were to be
dotted around inside the plastic dome.
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81. Perhaps by accident, the open area
rather resembles the main prison set in
'The Mind of Evil', two stories earlier.
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82. "I am not a professional mineralogist,"
he should have said.
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83. As scripted, he was to say
"mining companies".
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84. "Combines" implies a much bigger
and more profit-based enterprise.
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85. John Line (playing Martin in the
previous scene) was a busy actor
who appeared in many well-known series:
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86. Emergency Ward 10 (1962-64), Z Cars
(1965), Out of the Unknown (1965),
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87. The Onedin Line (1971), Colditz (1973),
and Secret Army (1978).
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88. He acted opposite John Ringham
Twice more.
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89. First in Moody and Pegg (1974) and
again in A Tale of Two Cities in 1980.
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90. The latter was also directed by Michael
Briant and produced by Barry Letts.
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91. The rather confined nature
of many of the sets in this story
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92. leads to a number of boom microphone
shadows being apparent on screen.
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93. Here's one on the Doctor's hair.
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94. Then it moves away
to catch Leeson's next line.
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95. The script indicates that
he breaks Leeson's grip on his arm.
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96. It's one way of doing it...
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97. Leeson's line was scripted
to be said by Ashe.
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98. This episode was recorded
on Friday 5 March 1971 in Studio 4
at BBC Television Centre.
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99. It was a short recording session
from 8:30 to 10 p.m.
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100. There was a brief recording "Pausette"
next, to set up the film insert.
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101. The four Primitive extras here were:
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102. Terry Walsh, Dinny Powell, Alf Joint
and Mike Horsburgh.
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103. "A simple canteen-like area.
With one or two trestle tables."
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104. What looks like tomato soup replaces
the thin gruel that Hulke suggested.
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105. The dialogue in the background
was scripted to take place separately
after Jane leaves.
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106. This couple are Mr and Mrs Martin.
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107. Their vision of a bleak and grey future
Earth will be returned to many times
in the next few years,
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108. particularly in 'Day of the Daleks'
and 'The Mutants'
And 'Frontier in Space' (1973).
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109. The set was scripted with a serving
hatch, rather than being "self-service".
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110. Note how she carefully takes only
a little soup - they are running low
in supplies.
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111. At this point some of you will probably
be thinking, "Oh look,
it's Gail from Coronation Street".
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112. Mary Ashe is a pre-Gail role for
Helen Worth, but it was far from being
her earliest television appearance.
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113. 2 March 2472 will actually be
a Wednesday, unless something unexpected
happens to the Gregorian calendar.
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114. As scripted, she presses a button
and a fully made-up bed slides out
of the wall.
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115. Nutrient-rich cover crops like peas
and beans are planted to encourage
other plants to grow in difficult soil.
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116. The first home microwave oven
went on sale in 1967,
though they were still a rarity in 1971.
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117. David Webb was a frequent face
on television, seen in The Avengers
,
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118. Pennies From Heaven (1978), Blake's 7
, Minder (1984)
And roles through to the 21 st century.
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119. Jane Leeson was Sheila Grant's
second part in Doctor Who.
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120. She had previously provided the Quark
voices in 'The Dominators' (1968).
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121. And now..."The low growl of a monster."
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122. The same fate befell the indigenous
population in America's mid-west
in the 19th Century.
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123. We'll discover later
why the "giant" lizard looks like
a small gecko in close-up.
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124. The effect was recorded at the end of
the studio day using a blue CSO screen
to overlay Leeson onto the film.
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125. The listless lizard was pre-filmed
at Ealing film studios.
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126. Despite the apparent danger,
there doesn't seem to be much urgency
in her manner.
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127. Note that she says "who are you?",
rather than "what are you?"
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128. There is now a studio recording break
so that Camera 1 can move over
to the Main Dome entrance.
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129. Take a look at the map.
It shows a very rough approximation
of the location in Cornwall.
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130. The "Main Dome" towards the left
is approximately where the Leesons' dome
was erected.
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131. There appear to be 24 surrounding domes,
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132. and, at the centre of the map,
the ruined buildings
we shall see in Episode 3.
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133. As the first trip away from Earth
in two years, this was seen as something
of a relaunch for Doctor Who.
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134. Let us now recall the Time Lords
we saw at the start of the episode.
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135. All three have Doctor Who pedigrees
outside this episode.
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136. Peter Forbes-Robertson
In 'The Power of the Daleks' (1966),
and as the Chief Sea Devil in 1972.
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137. John Baker returned as the
servant Ralph in 1982's 'The Visitation'
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138. Graham Leaman also appeared
in 'The Macra Terror' (1967),
'Fury from the Deep' (1968),
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139. played the Ice Warrior Grand Marshal
in 'The Seeds of Death' (1969),
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140. and another Time Lord
in 'The Three Doctors' in 1972-3.
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141. There was now a recording break.
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142. Recording continued after that break
with another scene on the dome set,
to save moving the cameras.
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143. The set has been wrecked as though
it had been attacked by clawed monsters.
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144. The triangular pattern of the walls
is a 1948 design by Buckmaster Fuller.
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145. He called this linked modular design
a geodesic dome.
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146. A survival dome of this nature
was erected at the US scientific base
in the South Pole in 1975.
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147. It was the director's suggestion to use
this design, instead of the tents
that were originally scripted.
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148. He was scripted to hold up
some smashed furniture.
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149. Imperial weights and measures,
including feet and inches,
were still in use in 1971.
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150. It is now the next morning.
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151. This is the scene recorded out
of sequence, mentioned a moment ago.
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152. Standing in the back and muttering
in this scene are:
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153. Charles Pickess, Ken Halliwell,
Bob Blaine,
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154. Alan Peters, Brian Gilmar,
and John Ceasar.
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155. One of them is wearing a spacesuit
left over from
'The Ambassadors of Death' (1970).
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156. In the 1971 series, it became possible
for the first time to post-dub sound
onto a finished master tape.
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157. Previously all effects and music had
to be recorded in advance
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158. and played into studio live
during recording.
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159. This episode was dubbed on 5 April,
a month after recording.
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160. The Doctor's urge to kill
is a little worrying.
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161. Omitted was his insistence that
they should not "run like children
from terrors in the night".
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162. Some dialogue in Ashe's next speech
was slightly revised for recording.
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163. Originally he urged them
to "keep pulling together".
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164. "The Doctor here will help us
with the agricultural problems..."
But he was cut off early.
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165. The new arrival is "emaciated, in rags,
wild-eyed", says the script.
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166. Since 1965, BBC-1 had featured
a regular Saturday-night Western movie,
often of some vintage.
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167. Ten minutes and one Tom and Jerry
cartoon after this episode, you could
see Tribute to a Badman (1956):
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168. The story of a young man who has headed
west in search of a new life,
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169. and a bad man who will ultimately
realise the error of his ways
and change sides...
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170. If you stay with this story,
you will see similar things happening.
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171. Curiously, the next five weeks' Westerns
will be similarly prescient...
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172. We now ramble towards
another recording break,
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173. as recording moves to
the Leeson dome set to shoot some scenes
we've already watched.
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174. The first of the looting primitives
has found part of a broken radio.
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175. The second was scripted to find
a tin opener, but he seems
more engrossed in a hardback book.
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176. These two studio primitives are played
by Pat Gorman and Les Clark.
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177. Remember the name Pat Gorman:
You'll be reading it again.
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178. Four days after this episode,
viewers could see Jon Pertwee being
surprised by another imposing figure.
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179. He was the subject of ITV's
This is Your Life programme
on 14 April 1971.
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180. He was tricked into attending
a last-minute pre-filming session
for this story on 3 March.
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181. Katy Manning was in on the plot,
but Pertwee was furious
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182. when Eamonn Andrews, the host of
This is Your Life, arrived in one of the
IMC buggies, apparently ruining a take.
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183. Pertwee was then whisked away to
an ITV studio to have family and friends
say nice things about him.
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184. The Doctor is about to cut a sliver
of wood from the broken furniture to
take it away in a test tube for testing.
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185. The ending of this episode
was slightly revised for recording.
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186. As Malcolm Hulke wrote it, the Doctor
hears a mechanical sound and looks up.
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187. "A section of the plastic wall is torn
down from outside." (As scripted, we're
in a large plastic tent, remember.)
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188. After that cliffhanger, recording
for the day concluded with the effects
shot of Leeson with the giant lizard.
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189. The credit for "voice"
is a billing error.
some sleep.
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190. Sleep? How do you expect me to...
Doctor!
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191. I repeat, Leeson's dome.
Do you read me?
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192. I read you. We're on our way.
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193. Be careful.
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194. How long did you say you'd been
on this planet?
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195. Just over a year.
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196. And you found no sign
of these creatures then?
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197. There's no animal life,
just a few birds and insects.
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198. Well, there is now.
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199. Robert, there's nothing
you could have done.
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200. They were both dead when we got here.
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201. Did you see the creatures?
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202. We caught a glimpse of one
as we arrived.
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203. Everyone blazed away like mad.
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204. - And what happened?
- Nothing.
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205. It didn't even seem to notice.
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206. - You must have missed.
- What, all of us?
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207. We tried to get in closer
but it just disappeared,
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208. vanished into the darkness.
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209. It'll be daylight soon,
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210. perhaps we shall be able to pick up
some tracks or bloodstains.
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211. I doubt it.
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212. Come and take a look
at these claw marks, gentlemen.
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213. Well, what about them?
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214. Are you trying to tell me these were
made by a giant lizard, Winton?
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215. Yes, it must have been at least
20 foot high.
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216. - 20 foot high?
- Yes.
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217. Then will you kindly tell me
how a creature 20 feet high
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218. came through that door?
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219. Why can't you admit defeat, Ashe?
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220. We've got to get back to Earth.
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221. If we go back to Earth, we'll be
worse off than we were before.
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222. All our savings have gone into this.
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223. Then we must move on to another planet.
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224. If we stay here, we'll be dead.
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225. I'm not sure that we can move on.
Our spaceship was old when we bought it.
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226. It may not survive another trip.
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227. Oh, Robert, why won't you admit
your mistakes?
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228. We've invested a year of our lives
in this place.
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229. We've got the beginnings of a colony.
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230. Our food stocks are getting lower
all the time.
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231. We can't even support ourselves.
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232. All right, we've got problems,
but they can be overcome.
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233. Ashe is perfectly right.
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234. There is no reason why this planet
should not support a thriving colony.
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235. I suppose you're
an expert in agriculture?
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236. Yes. Yes, as a matter of fact, I am.
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237. Then why won't my crops grow?
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238. Because they are being inhibited
by some unnatural force.
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239. We must track it down and overcome it.
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240. But two people have been killed,
or have you forgotten that?
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241. Killed by creatures that vanish
without trace?
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242. Look, we saw something.
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243. Whatever it was you saw
can be destroyed.
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244. This colony is our only hope.
If we leave, we'll have nothing.
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245. If we stay, we may have a future.
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246. - Why won't you...
- He's right.
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247. We've put too much work
into this place to leave.
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248. What if these animals attack again?
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249. - We fight back.
- Good.
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250. Now, what about the rest of you?
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251. Are you willing to give it another try?
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252. Well, if there really is a chance.
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253. There is if we stick together.
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254. Now, what we've got to do
is to organise patrols for the domes.
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255. The Doctor here will help us...
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256. Robert, wait!
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257. One of the patrols found him wandering
in the South Sector.
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258. Get some water, somebody. Quickly!
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259. Where are you from?
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260. Can you understand what I say?
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261. It's all right, old chap.
You're amongst friends now.
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262. Who are you?
Where did you come from?
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263. Colony.
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264. Come from colony.
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265. What colony?
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266. Long way from here.
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267. You mean there's another colony
on this planet?
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268. I've been wandering
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269. long time...
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270. Months.
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271. These other colonists, where are they?
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272. Dead.
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273. All dead.
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274. Giant lizards.
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275. Lizards?
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276. Came from nowhere. Killed everything.
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277. I'm the only one left.
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278. I hope you find
what you're looking for, Doctor.
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279. - I certainly hope you're right.
- No!
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280. No.
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281. He is our friend.
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282. These are ours. You must leave them.
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283. Do they have a language of their own?
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284. I've never heard them speak,
but they seem to understand what I say.
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285. Extraordinary.
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286. It must be some
rudimentary telepathic ability.
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287. Are they friendly?
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288. Depends on how you treat them.
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289. We had two colonists killed
when we first moved here.
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290. You must go now.
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291. Just what are you looking for, Doctor?
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292. I have no idea.
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293. Possibly some evidence to convince
your colonists to stay.
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294. Yes, I thought I'd won them over
until that man turned up.
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295. Now I don't know how long
I can hold them.
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296. - Just play for time.
- Yes.
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297. Well, I'd better get back there
to see what's happening.
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298. Can you find your own way back?
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299. Yes.
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300. Oh, yes. Of course.
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301. Right, I'll leave you to it, then
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302. and be careful.
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