1. "A mysterious arrival at a circus...
sabotage at a deep space research
centre...
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2. "and the Doctor is warned that his
most deadly enemy has arrived on Earth.
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3. This episode was first shown
on 2 January 1971,
and was seen by 7.3 million viewers.
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4. Scriptwriter Robert Holmes originally
envisaged a travelling funfair
rather than a circus.
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5. Rossini doesn't feature in that version
- except as a sketchily drawn fairground
owner who only appears in Part 2.
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6. The script makes it clear that big,
florid Rossini doesn't actually see
the horsebox materialise:
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7. He looks away to light his cigar,
and when he looks back, there it is.
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8. The Master is carrying an attache case
in the script.
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9. "He stares about him with a confident,
almost imperious manner.
Behind him the door closes silently."
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10. Script editor Terrance Dicks
suggested this sequence, though
he imagined it rather differently.
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11. He is also a gypsy, and resents
the way society treats his people:
"Harried, moved on, not wanted".
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12. The Master establishes influence
over him by somewhat prosaic means:
Threats and bribery.
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13. Hypnosis was Robert Holmes's idea,
though he imagined the Master using more
than just sheer force of personality,
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14. and gave him a "mind-dominating ray"
to subjugate his victims.
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15. The Doctor's song was originally
recorded by the Ink Spots in 1941.
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16. These opening moments were improvised
in rehearsal.
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17. The scripted scene starts here.
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18. Jo's introductory scene
was partly written by Terrance Dicks.
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19. but she also had to be someone
who might plausibly be attached
to a secret organisation like UNIT.
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20. In practice, this made for a tension
between two aspects of the character.
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21. Jo is a "girl next door" -
or, in Jon Pertwee's words,
a "swinging teenager".
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22. But she is also a "junior secret agent",
a descendant of the Avengers ladies.
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23. They were the Lammarians in the script.
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24. He means they are literally "all thumbs"
- even though it's Jo
who's the ham-fisted one.
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25. Coming up is an example
of that ham-fistedness which arose
by serendipity in the studio.
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26. Katy Manning was extremely myopic,
so she relied on thorough rehearsals
to establish her precise movements.
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27. Katy found herself doing this.
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28. On the first camera rehearsal,
she demolished the equipment
as her hand went through.
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29. "A" Level studies
were taken at school by Sixth Formers
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30. One of the production team's objectives
for Jo was that she shouldn't be
too bright, scientifically speaking.
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31. Her predecessor,
a Cambridge research scientist,
was thought to be overqualified
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32. for a role whose dramatic function
is to have things explained to her
for the viewers' benefit.
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33. In the storyline, the energy unit
had been transferred to the
Ministry of Research and Development,
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34. which is also, conveniently,
home to a radio telescope,
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35. Cut from the Doctor's next scripted
scene is an altercation with
the Brigadier about the energy unit.
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36. The Doctor also asks him a favour:
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37. "Keep that ridiculous child
out of my hair, will you?
She's been driving me crazy."
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38. The Ministry of Technology was set up
by Harold Wilson's government in 1964.
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39. Terrance Dicks imagined the setting
as the University of Manchester's
giant radio telescope at Jodrell Bank,
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40. but that's in Cheshire,
too far from London
to be a practical option for filming.
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41. Director Barry Letts
cast Andrew Staines, who plays Goodge,
in three other Doctor Who serials:
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42. 'The Enemy of the World' (1967-8),
'Carnival of Monsters' (1973),
and 'Planet of the Spiders' (1974).
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43. Goodge's egg rant goes on for longer
in the script:
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44. "When you've seen one boiled egg,
you've seen them all," he insists.
"Don't you agree, Professor Philips?"
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45. The script calls for the Master
to be seen as a dark shadow staring down
through the control cabin's glass roof.
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46. Goodge was scripted to sigh
and stare at the boiled eggs
with "gloomy hatred".
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47. The script calls the Master's device
a "compression tube".
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48. "As his finger tightens
on the impulse button, there is a flash
and a sound like sizzling fat."
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49. The Doctor later explains,
in a deleted conversation with Jo,
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50. that the manner of Goodge's death is
"one of the Master's
nasty little jokes":
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51. Rather than being exploded,
he has been imploded
with a "compression ray".
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52. The script contains
more expository background
about the Master's presence on Earth.
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53. The Time Lords' tribunal,
recognizing his "destructive genius"
decided to imprison him.
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54. But he escaped -
"not without help" - before his Tardis
could be "de-energised".
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55. The energy unit is powered
by internal batteries which ran out
after about thirty seconds.
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56. The shaft angle encoder supplies data
about the orientation
of the radio telescope dishes.
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57. A quasar is a type of astral body
which emits extremely high levels
of light and radio waves.
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58. In practice, much of the character
was left to be developed
by Katy Manning herself.
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59. Katy drew on her own personal qualities,
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60. In the script, Jo sees the Brigadier,
crashes to attention like a soldier
on parade, and salutes him.
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61. Originally she was given
an official UNIT rank:
Lieutenant Josephine Grant.
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62. with its "familiar office politics
and a general air of suffused charm".
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63. In the storyline, it is assumed
that the missing scientists
have stolen the energy unit.
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64. The film camera
is on one of the relay station's pylons.
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65. played a vampire in a feature film,
The House that Dripped Blood,
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66. and done a summer season of cabaret
at Butlins holiday camp in Clacton.
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67. Jo's disappointed waggle was
a spur-of-the-moment performance choice
by Katy Manning.
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68. The camera zooms in,
but the background remains static,
so it looks as if he's flying forwards.
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69. Actually, 29,000 light years
isn't all that far in galactic terms.
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70. He's played by David Garth.
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71. His other roles included King Charles I
in The Further Adventures
of the Musketeers (1967)
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72. And a brace of solicitors
in You Can't Win (1965)
And Doctor Who (1966-7).
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73. This sequence didn't impress
the television critic
of the Daily Mirror, Matthew Coady.
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74. Coady liked Doctor Who
to take itself seriously and to show
"pride in its inventiveness",
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75. He was also underwhelmed
by the little he saw of the Autons
in this episode:
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76. "Those faceless plastic dummies
may have had a nightmarish quality
when they first appeared,
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77. Terrance Dicks proposed
that the Master intended the booby-trap
for the Senior Time Lord.
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78. The script also calls it an
"Androgian canister".
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79. Door-activated booby traps go back
at least to the 1920s,
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80. In a higher-tech earlier draft,
the control cabin was reached
by a lift rather than stairs.
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81. Holmes also imagined
a more futuristic control room,
with a glass dome instead of a ceiling.
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82. But the control cabin's rusty walls show
how Doctor Who's vision
of the near future was changing.
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83. Holmes was thinking of the gleaming,
technological research centres
of the 1970 series,
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84. but instead there's an untidy,
almost ramshackle quality
to lan Watson's set.
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85. Lan Watson had previously
designed a brighter Doctor Who future
in 'The Space Pirates' (1969).
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86. His pre-production estimate
for this serial, made on 19 August 1970,
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87. was 1,600 man-hours and £800
for six main sets,
plus £1,100 for props.
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88. The Director tells him it was
"some positional measurements
in the twenty centimetre band".
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89. Boom mike alert!
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90. Did you notice anything peculiar
about Goodge's shadow in the lunchbox?
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91. This episode is Captain Yates's
first appearance in Doctor Who. ;
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92. the character hadn't even been thought
of when the previous Nestene serial,
'Spearhead from Space', was made.
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93. Barry Letts had originally
wanted lan Marter (1944-86)
To play Captain Yates.
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94. Marter had to withdraw
because he wouldn't be free to appear
in subsequent serials:
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95. He had prior commitments in the theatre,
notably Abelard and Heloise
in the West End.
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96. Richard Franklin became Yates
after Letts saw him on stage,
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97. and told his casting problem
to the person sitting next to him -
who happened to be Franklin's agent.
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98. "They can't do much harm
with only one energy unit,"
says Jo in the script.
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99. In the script,
the Doctor has little confidence
in Jo's investigatory skills:
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100. "She'll probably get herself lost,"
he says.
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101. Someone had cloth ears:
It was supposed to be
a "pressure gauge".
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102. Head of Drama Shaun Sutton
had one serious complaint to make,
about the Radio Times.
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103. The cover promoted the new series
with a large picture of the Master.
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104. Some of the executives inferred
that the Doctor was now being played
by Roger Delgado.
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105. One person who was especially displeased
by the cover was Jon Pertwee.
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106. The Master is interested in the computer
because it controls the mix of plastic
for the factory's production line.
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107. These scenes really were filmed
at a Dunstable plastics factory,
on 23 September 1970.
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108. The site was later offered
for development
after the firm ceased trading in 2008.
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109. In the storyline,
Jo is given nothing to do
in this episode after her first scene.
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110. So this sequence was requested
by Terrance Dicks, to beef up the role.
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111. What is Roger Delgado doing
while the camera is on Katy Manning?
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112. Pulling silly faces at her.
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113. The end of the scene was cut:
Jo comes to and says goodbye to Farrel,
but evidently cannot see the Master.
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114. "Quite a pretty little thing,"
comments the Master.
"A pity I couldn't keep her."
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115. A cut 7-second film sequence then showed
Benton and his men doing just that.
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116. The scripted scene began earlier
in the conversation, with McDermott
complaining of a day's lost production.
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117. Farrel can't understand why McDermott
has never met Colonel Masters:
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118. He's the firm's biggest customer,
and they've been dealing
with him for years.
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119. When the serial was retitled
'Terror of the Autons',
a problem became apparent:
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120. There weren't any Autons
in this episode.
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121. "Maybe there was nothing to find. If
that energy unit is still in its box..."
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122. The Doctor thinks that's
"highly improbable", but gives orders
for the zinc box to be brought in.
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123. In the finished version, she tries
to open the box in obedience to
the Master's post-hypnotic suggestion.
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124. What Dicks proposed, however,
was over-confident disobedience.
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125. The Doctor has told her
to leave it alone,
but she flatly ignores his instructions.
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126. She is sure she can open it, and then...
well, she came top
in her bomb disposal course.
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127. What's more, part of her "secret agent"
equipment is a set of skeleton keys.
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128. But take a closer look...
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129. They're just ordinary Yale keys!
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130. In the storyline, with no hypnotised Jo,
the Doctor suspects a trap
and opens the box by remote control.
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131. There is a shattering explosion,
and the end credits roll!
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132. Also seen in this episode were:
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133. Billy Horrigan
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134. Tom O'Leary
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135. Uncredited production
contributors included:
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136. Linton Howell Hughes
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137. Jennie Betts
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138. Sybil Cave
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139. Peter Pegrum
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140. Alan Rixon
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141. Ray Hider
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142. Shirley Coward
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143. Bruce Best
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144. Maurice Watson
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145. Sarah Newman
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