1. SAM GARNER". "New York,
the city of a million stories.
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2. "Half of them are true, the other half
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3. "just haven't happened yet.
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4. "Statues, the man said."
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5. "Living statues that moved in the dark."
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6. So, will you take the case,
Mr Garner?
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7. Sure. Why not?
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8. Because you don't believe me.
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9. For $25 a day plus expenses,
I'll believe any damn thing you like.
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10. But you don't believe
that statues can move.
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11. (CHUCKLES) And you're right, Mr Garner.
They can't.
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12. Of course they can't...
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13. when you're looking.
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14. Good night, Mr Grayle.
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15. GARNER'. "The address Grayle gave me was
an apartment block near Battery Park.
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16. "He said it was where the statues lived.
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17. "I asked him
why he didn't go look himself.
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18. "He didn't answer.
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19. "Grayle was the scariest guy I knew.
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20. "If something scared him,
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21. "I kind of wanted to shake its hand."
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22. Hello?
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23. Hello?
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24. What the...
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25. Hello? Anyone home?
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26. Hello?
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27. Who are you?
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28. They're coming for you.
They're going to send you back.
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29. Who's coming? Back where?
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30. In time. Back in time.
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31. I'm you.
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32. I'm you.
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33. You got to be kidding me.
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34. DOCTOR". "New York growls at my window,
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35. "but I was ready for it.
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36. "My stocking seams were straight,
my lipstick was combat-ready,
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37. "and I was packing cleavage
that could fell an ox at 20 feet..."
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38. Doctor, you're doing it again.
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39. - I'm reading!
- Aloud. Please, could you not?
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40. There's something different about you,
isn't there?
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41. - What's the book?
- Melody Malone.
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42. She's a private detective
in old town New York.
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43. She's got ice in her heart
and a kiss on her lips
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44. and a vulnerable side
she keeps well-hidden.
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45. Oh, you've read it?
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46. You read it, aloud,
and then went, "Yowzah!"
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47. You know, only you
could fancy someone in a book.
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48. I'm just reading. I just like the cover.
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49. Ooh! Can we see the cover?
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50. No. No, I'm busy.
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51. It's your hair. Is it your hair?
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52. Oh, shut up. It's the glasses.
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53. I wear reading glasses now, on my nose.
See? There you go.
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54. I don't like them.
They make your eyes look all liney.
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55. No, actually. Sorry. They're fine.
Carry on.
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56. Okay. I'm going to go and get us
some more coffee. Who wants more coffee?
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57. - Me, too. I'll go.
- Rory?
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58. Do I have
noticeable lines on my eyes now?
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59. - Yes.
- No.
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60. You didn't look.
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61. I noticed them earlier...
Didn't notice them.
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62. I specifically remember
not noticing them.
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63. You're welcome on the firepit,
Centurion.
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64. Do I have to come over there?
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65. You can if you like.
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66. - Well, we have company.
- I'll get a babysitter.
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67. Do you know, it is so humiliating
when you do that.
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68. - Coffee?
- Coffee.
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69. Can I have a go?
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70. Oh.
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71. Actually, that is much better.
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72. That is exciting.
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73. Read to me.
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74. I thought you didn't like
my reading aloud.
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75. Shut up and read me a story.
just don't go, "Yowzah!"
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76. Why did you do that?
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77. I always rip out the last page
of a book, then it doesn't have to end.
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78. I hate endings.
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79. "As I crossed the street,
I saw the thin guy.
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80. "But he didn't see me.
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81. "I guess that's how it began."
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82. "I followed the skinny guy
for two more blocks before he turned
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83. "and I could ask
exactly what he was doing here.
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84. "He looked a little scared,
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85. "so I gave him my best smile
and my bluest eyes."
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86. Beware the yowzah.
Do not, at this point, yowz.
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87. Doctor? What did the skinny guy say?
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88. He said, "I just went to get coffees
for the Doctor and Amy.
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89. "Hello, River."
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90. Hello, Dad.
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91. Where am I?
(WHISPERS) How the hell did I get here?
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92. I haven't the faintest idea.
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93. But you'll probably
want to put your hands up.
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94. Melody Malone?
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95. You're Melody!
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96. Get in.
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97. What's River doing in a book?
What's Rory doing in a book?
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98. He went to get coffee. Pay attention.
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99. He went to get coffee and turned up
in a book. How does that work?
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100. I don't know. We're in New York.
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101. What is going on?
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102. Where did you get this book?
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103. - It was in my jacket.
- How did it get there?
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104. How does anything get there?
I've given up asking.
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105. Date, date. Does she mention a date?
When is this happening?
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106. Yes. Hang on. Uh...
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107. Ooh! April 3rd, 1938.
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108. You didn't come here
in the Tardis, obviously.
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109. - Why?
- You couldn't have.
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110. Couldn't have?
What does she mean, "couldn't have"?
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111. This city's full of time-distortions,
be impossible to land the Tardis here,
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112. like trying to land a plane
in a blizzard.
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113. Even I couldn't do it.
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114. Even who couldn't do it?
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115. Don't you two fall out.
She's only in a book.
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116. (CHUCKLES) 1938. Easy one.
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117. What was that?
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118. 1938. We just bounced off it.
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119. Well, how did you get here?
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120. Vortex manipulator.
Less bulky than a Tardis.
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121. A motorbike through traffic.
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122. YOU?
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123. I'm... not sure.
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124. The Weeping Angels.
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125. That makes sense.
Makes what?
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126. That's what happened to Rory.
That's what the Angels do.
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127. It's their preferred form of attack.
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128. They zap you back in time,
let you live to death.
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129. Well, we've got a time machine.
We can just go and get him.
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130. Well, tried that, if you've noticed,
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131. and we are back where we started
in 2012.
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132. We didn't start in a graveyard.
What are we doing here?
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133. Don't know. Probably causally linked,
somehow. Doesn't matter.
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134. Extractor fans on!
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135. Well, we're going to get there somehow.
We're in the rest of the book.
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136. I'm what?
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137. Page 43,
you're going to break something.
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138. I'm what?
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139. "Why do you have to break mine?"
I asked the Doctor.
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140. He frowned and said, "Because Amy read
it in a book and now I have no choice."
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141. Stop! No, no. Stop!
You can't... You can't read ahead.
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142. - You mustn't, and-and you can't do that.
- But we've already been reading it.
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143. Just the stuff that's happening now,
in parallel with us.
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144. - That's as far as we go.
- It could help us find Rory.
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145. And if you read ahead
and find that Rory dies?
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146. This isn't any old future, Amy,
it's ours.
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147. Once we know what's coming, it's fixed.
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148. I'm going to break something because
you told me that I'm going to do it.
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149. - No choice now.
- Time can be rewritten.
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150. Not once you've read it.
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151. Once we know what's coming,
it's written in stone.
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152. Well, early Chin Dynasty,
I'd say.
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153. Correct.
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154. Are you an archaeologist
as well as a detective?
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155. Okay. Landing a plane
in a tiny-winy blizzard.
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156. I could push through,
but if I'm out by a nanosecond,
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157. the engines will phase
and I'll shatter the planet.
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158. - I need landing lights.
- Landing lights?
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159. Yes. I need a signal to lock on to.
What did she say? Early what dynasty?
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160. Early Chin, just as you say.
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161. You're very well-informed.
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162. And you're very afraid.
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163. That's an awful lot of locks
for one door.
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164. River, I'm translating.
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165. It's a gift of the Tardis,
it hangs around.
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166. This one,
put him somewhere uncomfortable.
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167. - Oh, great.
- With the babies, sir?
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168. Yes. Why not?
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169. Give him to the babies.
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170. Ah-ah-ah!
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171. The lights are out.
You'll last longer with these.
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172. What do you care?
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173. (SCOFFS) It's funnier.
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174. Hello?
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175. Ah. Hello. Yes.
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176. Special permission from the Emperor.
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177. Hello, sweetie!
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178. Let's see.
Crime boss with a collecting fetish.
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179. Whatever you don't want anyone else
to see has got to be your favourite,
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180. or possibly your girlfriend.
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181. So, girlfriend, then.
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182. - (DEVICE BLEEPING)
- What are you doing?
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183. Oh, you know, texting a boy.
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184. Landing lights.
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185. We have a signal. Locking on.
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186. These things are all over
and people don't seem to notice.
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187. It never moves while you're looking.
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188. - Oh, I know how they work.
- So I understand.
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189. Melody Malone,
the detective that investigates Angels.
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190. - Badly damaged.
- I wanted to know if it could feel pain.
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191. You realise it's screaming?
The others can hear.
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192. Is that why you need all the locks?
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193. You're going to tell me
all about these creatures.
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194. And you're going to do it quickly.
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195. Hello, is someone there?
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196. Come on. Oh, come on!
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197. The Angels are predators.
They're deadly.
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198. What do you want with them?
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199. I'm a collector.
What collector could resist these?
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200. I'm only human.
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201. That's exactly what they're thinking.
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202. What's that? What's happening?
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203. Is it an earthquake?
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204. What is it?
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205. Oh, you bad boy.
You could burn New York.
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206. What does that mean?
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207. It means, Mr Grayle,
just you wait till my husband gets home.
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208. Come on!
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209. Just a moment. Final checks.
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210. Since when?
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211. Rory?
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212. Rory?
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213. Rory?
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214. Sorry I'm late, honey.
Traffic was hell.
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215. CHUCKLES)
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216. Shock.
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217. - He'll be fine.
- Not if I can get loose.
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218. So where are you now, Dr Song?
How's prison?
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219. Oh, I was pardoned ages ago.
And it's Professor Song to you.
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220. - Pardoned?
- Mmm.
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221. Turns out the person I killed
never existed in the first place.
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222. Apparently there's no record of him.
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223. It's almost as if
someone's gone around deleting himself
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224. - from every database in the universe.
- Mmm, you said I'd got too big.
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225. And now no one's ever heard of you.
Didn't you used to be somebody?
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226. Well, aren't you the woman
who killed the Doctor?
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227. - Doctor who?
- Ha.
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228. She's holding you very tight.
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229. At least she didn't
send me back in time.
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230. I doubt she's strong enough.
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231. Well, I need a hand back.
So which is it going to be?
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232. Are you going to break my wrist or hers?
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233. Oh, no. Really?
Why do you have to break mine?
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234. Because Amy read it in a book.
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235. And now I have no choice.
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236. - You see?
- Well, what book?
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237. Your book.
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238. Which you haven't written yet,
so we can't read.
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239. I see. I don't like the cover much.
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240. But if River's going to write that book,
she'd make it useful, yeah?
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241. Well, I'll certainly try.
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242. But we can't read ahead,
it's too dangerous.
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243. I know, but there must be something
we can look at.
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244. What, a page of handy hints,
previews, spoiler-free?
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245. Chapter titles.
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246. Hmm?
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247. - He's in the cellar.
- Give me.
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248. Doctor?
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249. Doctor, what is it?
What's wrong? Tell me.
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250. Doctor? Doctor, what is it? Tell me.
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251. Okay. I know that face. Calm down.
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252. - (GRUNTING) No!
- Calm down! Talk to me!
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253. - Doctor?
- No!
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254. You get your wrist out.
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255. You get your wrist out
without breaking it.
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256. - How?
- I don't know. Just do it!
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257. Change the future!
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258. Rory?
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259. - No! They're Angels.
- (EXCLAIMS)
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260. Baby Angels.
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261. Did they get Rory?
Where is he? Did they take him?
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262. Yes, I think so. Yes.
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263. So, is this what's going to happen?
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264. We just keep chasing him back in time
and they keep pulling him further back?
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265. - (DEVICE CHIMES)
- He isn't back in time.
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266. I'm reading a displacement
but there are no temporal markers.
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267. He's been moved in space
but not in time
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268. and it's not that far from here,
by the look of it.
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269. You got out.
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270. So, where is he?
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271. Come on, come on, come on. Where is he?
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272. If it was that easy,
I'd get you to do it.
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273. But how did you get your wrist out
without breaking it?
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274. You asked. I did. Problem?
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275. You just changed the future.
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276. It's called marriage, honey.
Now, hush. I'm working.
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277. She's good, eh?
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278. Oh! Have you noticed?
Really, really good.
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279. Ah. Wherever it is,
it's within a few blocks.
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280. There's a car out front.
Shall we steal it?
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281. Show me!
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282. Okay. Um, when all those numbers
on both units go to zero,
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283. that's when we've got a lock, okay?
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284. - That's how we find Rory.
- Got it.
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285. Why did you lie to me?
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286. When one's in love with an ageless god
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287. who insists on the face
of a 12-year-old,
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288. one does one's best to hide the damage.
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289. - (SOFTLY) It must hurt. Come here.
- Yes.
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290. The wrist is pretty bad, too.
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291. (EXCLAIMS) No. No, no.
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292. Stop that. Stop that. Stop it!
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293. There you go.
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294. How's that?
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295. Well...
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296. Let's see, shall we?
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297. That was a stupid
waste of regeneration energy.
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298. Nothing is gained
by you being a sentimental idiot!
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299. - River!
- No! You embarrass me.
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300. River!
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301. Tell you what.
Stick to the science part.
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302. Okay. Why did you lie?
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303. Never let him see the damage.
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304. And never ever let him see you age.
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305. He doesn't like endings.
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306. There you are.
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307. Got it!
He's in a place called Winter Quay.
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308. The car. Yes, let's go.
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309. Why would they send him here?
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310. Why not zap him back in time
like they normally do?
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311. We'll know that
when we know what this place is.
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312. Winter Quay.
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313. - Rory?
He's close.
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314. Rory!
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315. - Rory.-
- Amy..
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316. Doctor.
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317. Look at this.
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318. Why's it smiling?
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319. Amy. Rory!
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320. Get out of here.
Don't look at anything. Don't touch...
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321. Who's that?
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322. Amy.
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323. Amy, please...
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324. Amy.
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325. Please.
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326. Please.
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327. Rory?
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328. He's here.
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329. Amy.
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330. Would someone please tell me
what is going on?
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331. I'm sorry, Rory.
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332. But you just died.
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333. This place is policed by Angels.
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334. Every time you try to escape,
you get zapped back in time.
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335. So, this place belongs to the Angels?
They built it?
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336. Displacing someone back in time
creates time energy.
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337. And that is what the Angels feed on.
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338. But normally, it's a one-off,
a hit-and-run.
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339. If they could keep hold
of their victims,
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340. feed off their time energy
over and over again...
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341. This place is a farm. A battery farm.
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342. How many Angels in New York?
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343. It's like they've taken over
every statue in the city.
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344. Yeah, the Angels take Manhattan
because they can.
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345. Because they've never had
a food source like this one.
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346. The city that never sleeps.
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347. What was that?
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348. I don't know.
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349. But I think they're coming for you.
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350. What does that mean?
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351. What is going to happen to me?
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352. What is physically going to happen?
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353. The Angels will come for you.
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354. They'll zap you back in time
to this very spot,
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355. 30, 40 years ago.
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356. And you will live out
the rest of your life in that room
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357. until you die in that bed.
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358. And will Amy be there?
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359. - No.
- How do you know?
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360. Because he was so pleased
to see you again.
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361. Okay.
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362. Well, they haven't taken me yet.
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363. What if I just run?
What if I just get the hell out of here?
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364. - Then that never happens.
- It already happened, Rory.
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365. You've just witnessed your own future.
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366. Doctor, he's right.
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367. No, he isn't.
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368. If Rory got out,
it would create a paradox.
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369. - What is that?
- This is the Angels' food source.
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370. The paradox poisons the well.
It could kill them all.
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371. Oh, this whole place
would literally un-happen.
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372. It would be almost impossible.
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373. Loving the "almost".
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374. But to create a paradox like that
takes almost unimaginable power.
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375. What have we got, hey? Tell me.
Come on. What?
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376. I won't let them take him.
That's what we got.
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377. Whatever that thing is,
it is getting closer.
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378. Rory.
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379. Even if you got out, you'd have to
keep running for the rest of your life.
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380. They would be chasing you forever.
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381. Well, then, better get started.
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382. Husband, run!
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383. - River, I'm not sure this can work.
- Husband, shut up.
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384. - Up.
- What good's up?
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385. Better than down.
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386. - We can't keep doing this.
- Any ideas?
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387. Yeah, the usual.
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388. Run!
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389. Um, okay. Fire escape.
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390. I always wanted to visit
the Statue of Liberty.
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391. I guess she got impatient.
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392. What? What is it? What?
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393. Just keep your eyes on that.
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394. - Oh, God.
- Is there a way down?
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395. Uh...
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396. No. But there's a way out.
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397. What are you doing?
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398. Oh.
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399. Rory, what are you doing?
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400. Rory?
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401. - Stop it. You'll die.
- Yeah. Twice.
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402. In the same building, on the same night.
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403. Who else could do that?
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404. Just come down, please.
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405. This is the right thing to do.
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406. This will work.
If I die now, it's a paradox, right?
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407. The paradox killed the Angels.
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408. Tell me I'm wrong.
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409. Go on.
Please, because I am really scared.
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410. Great.
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411. It's the one time you can't manage it.
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412. Oh, God.
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413. Amy.
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414. I'm going to... need a little help here.
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415. - No. just stop it.
- No, just think it through.
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416. This will work.
This will kill the Angels.
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417. - It will kill you, too.
- Will it?
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418. River said that this place would be
erased from time, never exist.
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419. But if this place never existed,
what did I fall off?
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420. You think you'll just come back to life?
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421. - When don't I?
- Rory.
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422. And anyway, what else is there?
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423. Die of old age downstairs,
never seeing you again?
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424. Amy, please,
if you love me, then trust me
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425. and push.
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426. - I can't.
- You have to!
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427. Could you?
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428. If it was me, could you do it?
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429. To save you,
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430. I could do anything.
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431. Prove it.
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432. - No, I can't take you, too.
- You said we'd come back to life.
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433. Money where your mouth is time.
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434. - Amy, pl...
- Shut up.
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435. Together
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436. or not at all.
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437. What the hell are you doing?
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438. Changing the future.
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439. It's called marriage.
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440. Amy!
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441. Amy!
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442. Amy!
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443. Doctor!
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444. What's happening?
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445. The paradox. It's working.
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446. The paradox is working!
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447. - Where are we?
- Back where we started.
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448. You collapsed the timeline.
The paradox worked.
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449. We all pinged back where we belong.
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450. What? In a graveyard?
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451. This happened last time.
Why always here?
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452. Does it matter? We got lucky.
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453. We could have blown New York
off the planet.
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454. I can't ever take
the Tardis back, though,
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455. the timelines are too scrambled.
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456. (SIGHS IN RELIEF)
I could have lost you both.
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457. Don't ever do that again.
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458. What did... What did we do?
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459. We fixed it. We solved the problem.
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460. I was talking to myself.
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461. It could do with a repaint.
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462. - I've been busy.
- Does the bulb on top need changing?
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463. - I just changed it.
- So, Rory and Amy, then.
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464. Yes, I know. I know.
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465. I'm just saying.
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466. They're going to get terribly bored
hanging round here all day.
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467. - Doctor.
- Ha!
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468. Look, next time,
can we just go to the pub?
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469. I want to go to the pub right now.
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470. Aren't there video games there?
I love video games.
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471. Right. Family outing, then.
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472. Amy.
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473. - Come and see this.
- What?
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474. There's a gravestone here
for someone with the same name as me.
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475. What?
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476. Doctor?
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477. Ah.
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478. Where the hell did that come from?
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479. It's a survivor.
Very weak, but keep your eyes on it.
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480. Where's Rory?
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481. I'm sorry.
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482. Amelia, I'm so, so sorry.
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483. No. No, we can just go and get him
in the Tardis.
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484. One more paradox.
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485. Would rip New York apart.
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486. - That's not true. I don't believe you.
- Mother, it's true.
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487. Amy, what are you doing?
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488. That gravestone, Rory's,
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489. there's room for one more name,
isn't there?
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490. What are you talking about?
Back away from the angel.
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491. Come back to the Tardis.
We'll figure something out.
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492. The angel, would it send me back
to the same time, to him?
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493. I don't know. Nobody knows.
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494. - But it's my best shot, yeah?
- No!
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495. Doctor, shut up! Yes. Yes, it is.
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496. - Amy...
- Well, then.
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497. - I just have to blink, right?
- No!
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498. It will be fine. I know it will.
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499. I'll be with him. Like I should be.
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500. Me and Rory together.
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501. Melody?
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502. Stop it! just, just stop it!
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503. You look after him.
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504. And you be a good girl
and you look after him.
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505. You are creating fixed time.
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506. I will never be able to see you again.
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507. I will be fine. I'll be with him.
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508. Amy, please.
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509. Just come back into the Tardis.
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510. Come on, Pond, please.
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511. Raggedy Man,
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512. goodbye,
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513. No!
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514. River.
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515. They were your parents.
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516. Sorry. I didn't even think.
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517. It doesn't matter.
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518. - Of course it matters.
- What matters is this, Doctor.
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519. Don't travel alone.
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520. Travel with me, then.
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521. Whenever and wherever you want.
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522. But not all the time.
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523. One psychopath per Tardis,
don't you think?
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524. Okay.
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525. This book I've got to write,
Melody Malone.
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526. I presume I send it to Amy
to get it published?
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527. Yes. Yes.
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528. I'll tell her to write an afterword.
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529. For you.
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530. Maybe you'll listen to her.
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531. The last page!
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532. AMY". "Afterward by Amelia Williams.
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533. "Hello, old friend.
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534. "And here we are. You and me.
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535. "On the last page.
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536. "By the time you read these words,
Rory and I will be long gone.
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537. "So know that we lived well
and were very happy.
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538. "And above all else,
know that we will love you always.
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539. "Sometimes I do worry about you, though.
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540. "I think once we're gone,
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541. "you won't be coming back here
for a while
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542. "and you might be alone,
which you should never be.
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543. "Don't be alone, Doctor.
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544. "And do one more thing for me.
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545. "There's a little girl
waiting in a garden.
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546. "She's going to wait a long while,
so she's going to need a lot of hope.
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547. "Go to her, tell her a story.
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548. "Tell her that if she's patient,
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549. "the days are coming
that she'll never forget.
Copy !req
550. "Tell her she'll go to sea
and fight pirates.
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551. "She'll fall in love with a man
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552. "who 'l! wait 2, 000 years
to keep her safe.
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553. "Tell her she'll give hope
to the greatest painter who ever lived
Copy !req
554. "and save a whale in outer space.
Copy !req
555. "Tell her this is the story
of Amelia Pond
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556. "and this is how it ends."
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