1. Released By CPUL
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2. Kathy?
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3. Listen, your life
could depend on this.
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4. Don't blink. Don't even blink.
Blink and you're dead.
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5. They are fast.
Faster than you can believe.
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6. Don't turn your back,
don't look away and don't blink.
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7. Good luck.
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8. Hello?
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9. Bit freaked. Need to talk.
Making you a coffee.
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10. Sally Sparrow,
it's 1:00 in the morning.
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11. Do you think I'm going out
at 1:00 in the morning?
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12. No.
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13. I'm in the kitchen. What's that on
all those screens in your front room?
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14. Oh, God.
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15. Oh, God. Sally, you've met
my brother Larry, haven't you?
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16. - No.
- You're about to.
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17. Okay.
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18. Not sure,
but really, really hoping...
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19. - Pants?
- No.
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20. Put them on!
Put them on! I hate you!
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21. What are you thinking?
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22. Sorry. My useless brother.
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23. Sally? What's wrong?
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24. What's happened?
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25. Okay. Let's investigate.
You and me, girl investigators.
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26. Love it.
Hey! Sparrow and Nightingale.
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27. - That so works.
- Bit I I V.
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28. I know!
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29. What did you come here for anyway?
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30. I love old things.
They make me feel sad.
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31. - What's good about sad?
- It's happy for deep people.
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32. The weeping angel.
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33. Wouldn't
have that in my garden.
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34. - It's moved.
- It's what?
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35. Since yesterday.
I'm sure of it. It's closer.
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36. It's got closer to the house.
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37. How can my name be written here?
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38. How is that possible?
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39. Who'd come here?
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40. - What are you doing?
- It could be a burglar.
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41. A burglar who rings the doorbell?
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42. - Okay. I'll stay here in case of...
- In case of?
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43. - Incidents?
- Okay.
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44. I'm looking for Sally Sparrow.
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45. How did you know I'd be here?
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46. I was told to bring this letter on this date
at this exact time
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47. to Sally Sparrow.
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48. - Looks old.
- It is old.
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49. I'm sorry, do you have anything
with a photograph on it,
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50. like a driving license?
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51. No one knew I was coming here.
I didn't tell anyone.
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52. How could anyone have known?
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53. It's all a bit complicated.
I'm not sure I understand it myself.
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54. Yes. Sorry, I feel really stupid.
I was told to make absolutely sure.
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55. It's so hard to tell with these
little photographs, isn't it?
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56. Apparently.
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57. Well, here goes, I suppose.
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58. - Funny feeling after all these years.
- Who's it from?
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59. - Well, that's a long story, actually.
- Give me a name.
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60. Katherine Wainwright.
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61. But she specified I should tell you that,
prior to marriage,
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62. she was called Kathy Nightingale.
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63. Kathy?
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64. Kathy. Yes.
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65. Katherine Costello Nightingale.
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66. - Is this a joke?
- Joke?
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67. Kathy, is this you?
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68. Very funny. Kathy?
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69. - Kathy? Kathy?
- Please.
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70. You need to take this.
I promised.
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71. Excuse me. Where am I?
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72. I was in London.
I was in the middle of London.
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73. - You're in Hull.
- No, I'm not.
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74. - This is Hull.
- No, it isn't.
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75. - You're in Hull.
- I'm not in Hull. Stop saying Hull.
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76. Who are you? Why are you here?
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77. - I made a promise.
- Who to?
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78. My grandmother.
Katherine Costello Nightingale.
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79. Don't have that in London.
There's no call for it. It's all Hull.
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80. 1920?
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81. - Your grandmother?
- Yes.
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82. She died 20 years ago.
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83. Huh.
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84. - So they're related?
- Sorry?
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85. My Kathy, your grandmother.
They're practically identical.
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86. Where you going?
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87. My dearest Sally Sparrow,
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88. if my grandson has done
as he promises he will,
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89. then as you read these words,
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90. it has been mere minutes
since we last spoke.
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91. For you. For me,
it has been over 60 years.
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92. The third of the photographs
is of my children.
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93. The youngest is Sally.
I named her after you, of course.
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94. This is sick.
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95. This is totally sick.
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96. Kathy? Kathy!
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97. Kathy?
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98. No, wait. Hang on!
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99. I suppose, unless I live
to a really exceptional old age,
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100. I will be long
gone as you read this.
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101. Don't feel sorry for me.
I have led a good and full life.
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102. I've loved a good man
and been well loved in return.
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103. You would have liked Ben.
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104. He was the very first person I met in 1920.
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105. - Are you following me?
- Yeah.
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106. - Are you going to stop following me?
- No, I don't think so.
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107. To take one breath in 2007
and the next in 1920
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108. is a strange way
to start a new life,
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109. but a new life is exactly
what I've always wanted.
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110. 1902.
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111. You told him you were 18,
you lying cow.
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112. My mum and dad are gone by your time,
so really there's only Lawrence to tell.
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113. He works at the DVD store
on Queen Street.
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114. I don't know
what you're gonna say to him,
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115. but I know you'll
think of something.
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116. Just tell him I love him.
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117. Excuse me,
I'm looking for Lawrence Nightingale.
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118. In the back.
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119. Hello?
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120. - Martha!
- Sorry.
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121. Quite possibly.
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122. Afraid so.
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123. Oh. Hello.
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124. - Can I help you?
- Hi.
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125. 38.
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126. Just a moment.
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127. Hang on.
We've met, haven't we?
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128. It'll come to you.
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129. - Oh, my God.
- There it is.
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130. Sorry. Sorry,
again, about the whole...
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131. - Message from your sister.
- Oh, okay.
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132. What? What is it?
What's the message?
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133. - She's had to go away for a bit.
- Where?
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134. Just a work thing.
Nothing to worry about.
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135. - Okay.
- And...
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136. - And... And what?
- She loves you.
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137. She what?
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138. She said to say...
She just sort of mentioned it.
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139. She loves you.
There, that's nice, isn't it?
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140. - Is she ill?
- No! No.
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141. - Am I ill?
- No.
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142. - Is this a trick?
- No. She loves you.
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143. People don't understand time.
It's not what you think it is.
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144. - Who is this guy?
- Sorry, the pause thing keeps slipping.
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145. - Stupid thing.
- Last night at Kathy's,
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146. you had him on all those screens,
that same guy.
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147. Talking about, I don't know,
blinking or something.
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148. Yeah, the bit
about the blinking's great.
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149. I was just checking to see
if they were all the same.
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150. What were the same?
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151. - What is this? Who is he?
- An Easter egg.
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152. - Excuse me?
- Like a DVD extra, yeah?
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153. You know how on DVDs they put extras,
you know, documentaries and stuff?
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154. Sometimes they put on hidden ones
and they call them Easter eggs.
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155. You have to go looking for them,
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156. follow a bunch of clues
on the menu screen.
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157. Complicated.
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158. Sorry.
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159. It's interesting, actually.
He is on 17 different DVDs.
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160. There are 17 totally unrelated DVDs
all with him on,
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161. always hidden away, always a secret.
Not even the publishers know.
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162. I've talked to the manufacturers, right?
They don't even know.
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163. He's like...
He's a ghost DVD extra.
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164. Just shows up
where he's not supposed to be.
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165. - But only on those. Those 17.
- Well, what does he do?
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166. Just sits there,
making random remarks.
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167. It's like we're hearing half a conversation.
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168. Me and the guys are always trying
to work out the other half.
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169. When you say you and the guys,
you mean the internet, don't you?
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170. - How'd you know?
- Spooky, isn't it?
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171. Very complicated.
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172. - Lawrence, need you.
- Excuse me a sec.
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173. People assume that time is
a strict progression of cause to effect,
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174. but actually, from a non-linear,
non-subjective viewpoint,
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175. it's more like a big ball
of wibbly-wobbly, timey-wimey stuff.
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176. It started well, that sentence.
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177. It got away from me, yeah.
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178. Okay, that was weird.
Like you can hear me.
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179. Well, I can hear you.
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180. Okay, that's enough.
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181. I've had enough now. I've had a long day
and I've had bloody enough.
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182. Sorry, bad day.
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183. - Got you the list.
- What?
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184. The 17 DVDs.
I thought you might be interested.
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185. Yeah. Great. Thanks.
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186. Go to the police,
you stupid woman.
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187. Why does nobody ever just go
to the police?
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188. Look, I know how mad I'm sounding.
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189. Shall we try it from the beginning
this time?
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190. Okay, there's this house, a big, old house,
been empty for years,
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191. falling apart, Wester Drumlins,
out by the estate.
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192. You've probably seen it.
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193. - Wester Drumlins?
- Yes.
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194. - Could you just wait here for a minute?
- Oh.
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195. Okay. Cracking up now.
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196. Hi. DI Billy Shipton.
Wester Drumlins, that's mine.
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197. Can't talk to you now,
got a thing I can't be late for,
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198. so if you could just...
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199. - Hello.
- Hello.
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200. Er, Marcie, can you tell them
I'm going to be late for that thing?
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201. - All of them?
- Over the last two years, yeah.
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202. They all still have personal items in them
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203. and a couple still had
the motor running.
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204. So over the last two years,
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205. the owners of all of these vehicles
have driven up
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206. to Wester Drumlins house,
parked outside and just disappeared?
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207. - What's that?
- Ah.
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208. The pride of
the Wester Drumlins collection.
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209. We found that there, too.
Somebody's idea of a joke, I suppose.
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210. But what is it?
What's a police box?
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211. Well, it's a special kind of phone box
for policemen.
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212. They used to have them all over,
but this isn't a real one.
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213. The phone is just a dummy
and the windows are the wrong size.
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214. Can't even get in it.
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215. Ordinary Yale lock,
but nothing fits.
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216. But that's not the big question.
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217. See, you're missing the big question.
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218. Okay, what's the big question?
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219. - Will you have a drink with me?
- I'm sorry?
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220. Drink? You, me, now?
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221. Aren't you on duty,
Detective Inspector Shipton?
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222. Nope. Knocked off before I left.
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223. - Told them I had a family crisis.
- Why?
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224. Because life is short
and you are hot. Drink?
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225. No.
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226. - Ever?
- Maybe.
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227. - Phone number?
- Moving rather fast, DI Shipton.
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228. - Billy. I'm off duty.
- Aren't you just?
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229. - Is that your phone number?
- Just my phone number.
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230. Not a promise, not a guarantee, not an IOU,
just a phone number.
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231. - And that's Sally...
- Sally Shipton.
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232. Sparrow! Sally Sparrow.
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233. - Ah.
- Okay, going now. Don't look at me.
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234. - I'll phone you.
- Don't look at me.
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235. - Phone you tomorrow.
- Don't look at me.
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236. - Might even phone you tonight.
- Don't look at me.
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237. Definitely gonna phone you,
gorgeous girl.
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238. Definitely better.
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239. Ordinary Yale lock,
but nothing fits.
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240. Welcome.
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241. - Where am I?
- 1969.
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242. Not bad, as it goes. You've got
the moon landing to look forward to.
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243. Oh, the moon landing's brilliant!
We went four times.
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244. - Back when we had transport.
- Working on it.
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245. - How did I get here?
- Same way we did.
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246. Touch of an angel. Same one, probably,
since you ended up in the same year.
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247. No, no, no. Don't get up.
Time travel without a capsule, nasty.
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248. Catch your breath,
don't go swimming for half an hour.
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249. I don't... I can't...
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250. Fascinating race,
the weeping angels.
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251. The only psychopaths in the universe
to kill you nicely.
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252. No mess, no fuss, they just zap you
into the past and let you live to death,
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253. the rest of your life used up
and blown away in the blink of an eye.
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254. You die in the past
and in the present
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255. they consume the energy
of all the days you might have had.
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256. All your stolen moments.
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257. They're creatures of the abstract,
they live off potential energy.
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258. What in God's name
are you talking about?
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259. Trust me, just nod
when he stops for breath.
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260. Tracked you down with this.
This is my timey-wimey detector.
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261. Goes "bing" when there's stuff.
Also, it can boil an egg at 30 paces.
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262. Whether you want it to or not, actually,
so I've learnt to stay away from hens.
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263. It's not pretty
when they blow.
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264. - I don't understand. Where am I?
- 1969, like he said.
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265. Normally, I'd offer you a lift home,
but somebody nicked my motor.
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266. So I need you to take
a message to Sally Sparrow.
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267. And I'm sorry, Billy,
I am very, very sorry.
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268. It's gonna take you a while.
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269. Hello?
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270. Billy, where are you?
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271. Where?
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272. Billy?
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273. It was raining when we met.
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274. It's the same rain.
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275. - She looks nice.
- Her name was Sally, too.
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276. - Sally Shipton.
- Sally Shipton.
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277. I often thought about looking for you
before tonight.
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278. But apparently it would have torn a hole in
the fabric of space and time
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279. and destroyed
two thirds of the universe.
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280. Also, I'd lost my hair.
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281. Two thirds of the universe?
Where'd you get that from?
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282. There's a man in 1969.
He sent me with a message for you.
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283. - What man?
- The Doctor.
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284. - And what was the message?
- Just this,
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285. - look at the list.
- What does that mean?
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286. - Is that it? Look at the list?
- He said you'd have it by now.
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287. A list of 17 DVDs.
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288. I didn't stay
a policeman back then.
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289. Got into publishing,
then video publishing.
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290. Then DVDs, of course.
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291. You put the Easter egg on.
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292. Have you noticed what all 17 DVDs
have in common yet?
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293. I suppose it's hard for you in a way.
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294. How could the Doctor have even known
I had a list?
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295. - I only just got this.
- I asked him how,
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296. but he said he couldn't tell me.
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297. He said you'd understand it one day,
but that I never would.
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298. Soon as I understand it,
I'll come and tell you.
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299. No, gorgeous girl. You can't.
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300. There's only tonight.
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301. He told me all those years ago,
that we'll only meet again
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302. this one time.
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303. On the night I die.
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304. Oh, Billy.
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305. It's kept me going.
I'm an old, sick man.
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306. But I've had something to look forward to.
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307. Ah, life is long and you are hot.
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308. Look at my hands.
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309. An old man's hands.
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310. How did that happen?
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311. I'll stay.
I'm gonna stay with you, okay?
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312. Thank you, Sally Sparrow.
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313. I have till the rain stops.
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314. - Bantos.
- They're mine.
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315. What?
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316. The DVDs on the list, the 17 DVDs,
what they've got in common is me.
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317. They're all the DVDs I own.
The Easter egg was intended for me.
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318. - You've only got 17 DVDs?
- Do you have a portable DVD player?
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319. - Of course. Why?
- I want you to meet me.
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320. Where?
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321. Wester Drumlins.
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322. I knew you would live
in Scooby Doo's house.
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323. For God's sake,
I don't live here.
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324. Okay. This is the one
with the clearest sound.
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325. Slightly better picture quality
on this one,
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326. - but I don't know...
- Doesn't matter.
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327. Okay.
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328. There he is.
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329. - The Doctor.
- Who's a doctor?
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330. - He's the Doctor.
- Yup, that's me.
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331. - Okay, that was scary.
- No, it sounds like he's replying,
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332. - but he always says that.
- Yes, I do.
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333. - And that.
- Yup. And this.
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334. He can hear us.
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335. - Oh, my God. You can really hear us.
- Of course he can't hear us.
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336. Look.
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337. I've got a transcript, see?
Everything he says.
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338. "Yup, that's me."Yes, I do."
"Yup, and this." Next, it's...
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339. Are you gonna read
out the whole thing?
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340. Sorry.
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341. Who are you?
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342. I'm a time traveler. Or I was.
I'm stuck in 1969.
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343. We're stuck.
All of space and time, he promised me.
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344. Now I've got a job in a shop.
I've gotta support him!
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345. - Martha!
- Sorry.
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346. I've seen this bit before.
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347. Quite possibly.
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348. - 1969, that's where you're talking from?
- Afraid so.
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349. But you're replying to me.
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350. You can't know exactly what I'm gonna say
40 years before I say it.
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351. 38.
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352. I'm getting this down.
I'm writing in your bits.
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353. - How? How is this possible? Tell me.
- Not so fast.
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354. People don't understand time.
It's not what you think it is.
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355. Then what is it?
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356. - Complicated.
- Tell me.
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357. - Very complicated.
- I'm clever and I'm listening.
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358. And don't patronize me
because people have died
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359. and I'm not happy. Tell me.
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360. People assume that time is
a strict progression of cause to effect,
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361. but actually, from a non-linear,
non-subjective viewpoint,
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362. it's more like a big ball
of wibbly-wobbly, timey-wimey stuff.
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363. Yeah,
I've seen this bit before.
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364. You said that sentence
got away from you.
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365. It got away from me, yeah.
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366. Next thing you're gonna say is,
"Well, I can hear you."
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367. Well, I can hear you.
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368. - This is impossible.
- No. It's brilliant!
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369. Well, not hear you, exactly,
but I know everything you're gonna say.
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370. Always gives me the shivers,
that bit.
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371. How can you know
what I'm gonna say?
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372. - Look to your left.
- What's he mean by "look to your left"?
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373. I've written tons about that
in the forums.
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374. I think it's
a political statement.
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375. He means you.
What are you doing?
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376. I'm writing in your bits.
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377. That way, I've got a complete transcript
of the whole conversation.
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378. Wait until this hits the Net.
This will explode the egg forums.
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379. I've got a copy of the finished transcript,
it's on my Autocue.
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380. How can you have a copy of
the finished transcript?
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381. It's still being written.
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382. I told you, I'm a time traveler.
I got it in the future.
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383. Okay, let me get
my head round this.
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384. You're reading aloud from a transcript
of a conversation you're still having.
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385. Wibbly-wobbly, timey-wimey...
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386. Actually, never mind that.
You can do shorthand?
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387. So?
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388. What matters is we can communicate.
We have got big problems now.
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389. They have taken the blue box,
haven't they?
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390. The angels have the phone box?
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391. "The angels have the phone box",
that's my favorite.
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392. - I've got that on a T-shirt.
- What do you mean, angels?
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393. - You mean those statue things?
- Creatures from another world.
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394. - But they're just statues.
- Only when you see them.
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395. What does that mean?
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396. The Lonely Assassins
they used to be called.
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397. No one quite knows where they came from,
but they're as old as the universe,
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398. or very nearly,
and they have survived this long
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399. because they have the most perfect
defense system ever evolved.
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400. They are quantum locked.
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401. They don't exist
when they're being observed.
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402. The moment they are seen
by any other living creature,
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403. they freeze into rock.
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404. No choice, it's a fact of their biology.
In the sight of any living thing,
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405. they literally turn to stone.
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406. And you can't kill a stone.
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407. Course, a stone can't kill you, either,
but then you turn your head away.
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408. Then you blink.
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409. And, oh, yes, it can.
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410. Don't take your eyes off that.
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411. That's why they cover their eyes.
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412. They're not weeping,
they can't risk looking at each other.
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413. Their greatest asset
is their greatest curse.
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414. They can never be seen.
Loneliest creatures in the universe.
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415. Well, I'm sorry. I am very, very sorry.
It's up to you now.
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416. - What am I supposed to do?
- The blue box. It's my time machine.
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417. There is a world of time energy in there
they could feast on forever,
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418. but the damage they could do
could switch off the sun.
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419. - You have got to send it back to me.
- How?
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420. How?
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421. And that's it, I'm afraid.
There's no more from you
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422. on the transcript,
that's the last I've got.
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423. I don't know what stopped you talking,
but I can guess. They're coming.
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424. The angels are coming for you.
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425. But listen,
your life could depend on this.
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426. Don't blink. Don't even blink.
Blink and you're dead.
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427. They are fast.
Faster than you can believe.
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428. Don't turn your back,
don't look away and don't blink.
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429. Good luck.
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430. No, don't. You can't!
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431. - I'll rewind him.
- What good will that do?
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432. - You're not looking at the statue.
- Neither are you.
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433. Keep looking at it.
Keep looking at it.
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434. It's just one, right?
It's just this one.
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435. We're okay if we just keep staring
at this one statue.
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436. - Everything's gonna be fine.
- There's three more.
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437. - Three?
- They were upstairs before,
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438. - but I think I heard them moving.
- Moving? Three of them?
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439. - Moving where?
- I'm gonna look around. I'm gonna check.
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440. You keep looking at this one.
Don't blink.
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441. Remember what he said.
Don't even blink.
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442. Who blinked?
I'm too scared to blink.
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443. Okay, we're going to the door.
Front door.
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444. Okay, we can't both get
to the front door
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445. without taking our eyes off that thing,
so you stay here.
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446. - What?
- I'll be just round the corner.
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447. You stay here.
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448. They've locked it!
They've locked us in.
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449. - Why?
- I've got something they want.
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450. - What?
- The key.
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451. I took it last time I was here.
They followed me to get it back.
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452. I led them to the blue box.
Now they've got that.
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453. Give them the key.
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454. I'm gonna check the back door.
You wait here.
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455. Give them the key!
Give them what they want!
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456. - Sally, no! What if they come behind me?
- Hang on!
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457. God.
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458. - Oh, God.
- It's lockedl
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459. Sally! Sally!
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460. It won't open!
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461. Sally, please, I can't do this!
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462. Sally, hurry up!
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463. Where are you?
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464. Larry, they've blocked up the back door,
but there's a cellar.
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465. There might be a way out.
Delivery hatch or something.
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466. I'm coming! I can't stay here.
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467. Okay, boys.
We know how this works.
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468. You can't move so
long as I can see you.
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469. A whole world in the box,
the Doctor says.
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470. I hope he's not lying 'cause I don't see
how else we're getting out.
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471. Oh, and there's your one.
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472. Why is it pointing at the...
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473. light?
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474. Oh, my God,
it's turning out the light!
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475. - Quickly!
- I can't find the lock!
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476. Sally, hurry up!
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477. Get it open!
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478. - They're getting faster, Sally! Come on!
- It won't turn!
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479. - I can't turn it!
- Sally! Oh!
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480. Sally, hurry up! Come on!
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481. This is
Security Protocol 712.
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482. This time capsule has detected the presence
of an authorized control disc,
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483. valid one journey.
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484. Please insert the disc
and prepare for departure.
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485. Looks like a DVD player.
There's a slot.
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486. - They're trying to get in!
- Well, hurry up, then!
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487. - What's happening?
- Oh, my God, it's leaving us behind.
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488. Doctor, don't! You can't!
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489. Doctor!
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490. Look at them!
Quick, look at them!
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491. I don't think we need to.
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492. He tricked them.
The Doctor tricked them.
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493. They're looking at each other.
They're never gonna move again.
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494. Can you mind the shop?
I'm just nipping next door for some milk.
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495. Yeah, no worries.
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496. - What's this?
- Nothing.
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497. Sally.
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498. - Can't you let it go?
- Of course I can't let it go.
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499. This is over.
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500. How did the Doctor know where to write
those words on the wall?
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501. How could he get
a copy of the transcript?
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502. Where did he get
all that information from?
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503. Look, some things you never find out
and that's okay.
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504. No, it isn't.
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505. Ever think this might be getting in the way of
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506. other things?
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507. We just run a shop together.
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508. That's all it is, just a shop.
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509. Anyway. Milk.
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510. Back in a mo.
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511. - Right, it's definitely this way.
- Okay.
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512. - Doctor! Doctor! Doctor!
- Hello. Sorry, bit of a rush.
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513. There's a sort of thing happening.
Very important that we stop it.
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514. Oh, my God, it's you.
It really is you.
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515. Oh, you don't remember me, do you?
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516. Doctor, we haven't got time for this.
Migration's started.
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517. Look, sorry,
I've got a bit of a complex life.
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518. Things don't always happen to me
in quite the right order.
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519. Gets a bit confusing at times,
especially at weddings.
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520. I'm rubbish at weddings,
especially my own.
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521. Oh, my God, of course!
You're a time traveler.
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522. It hasn't happened to you yet, none of it.
It's still in your future.
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523. - What hasn't happened?
- Doctor, please! 20 minutes to hatching.
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524. It was me! Oh, for God's sake,
it was me all along.
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525. - You got it all from me.
- Got what?
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526. Okay, listen. One day, you're gonna
get stuck in 1969.
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527. Make sure you've got this with you.
You're gonna need it.
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528. - Doctor!
- Yeah! Listen, listen, gotta dash.
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529. Things happening. Well, four things.
Well, four things and a lizard.
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530. Okay, no worries. On you go.
See you around some day.
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531. - What was your name?
- Sally Sparrow.
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532. Good to meet you,
Sally Sparrow.
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533. Good bye, Doctor.
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534. Don't blink.
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535. Blink and you're dead.
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536. Don't turn your back.
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537. Don't look away.
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538. And don't blink.
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539. Good luck.
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540. We're going to
the end of the universe.
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541. The call came from across the stars,
over and over again,
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542. "Come to Utopia."
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543. - Doctor.
- Captain.
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544. It's a future time.
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545. Utopia is...
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546. The last of the humans,
scattered across the night.
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547. Humans are coming.
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548. Not even us Time Lords came this far.
We should leave.
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