1. First we have a note.
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2. Then we have a tune.
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3. Then we have a melody.
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4. Beethoven wrote this when
he first discovered he was going deaf.
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5. All that rage and fury,
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6. out of which, something beautiful.
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7. Am I boring you, Henry?
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8. It's just a bit stuffy.
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9. Can't you play
something more exciting, sir?
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10. There is one thing you might like.
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11. It's called the Devil's chord.
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12. Tell me more, sir.
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13. It was banned by the church
in medieval times
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14. in case it allows
the Devil to enter the room.
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15. Makes you shiver, doesn't it?
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16. Technically, it's known as a tritone,
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17. but, uh, put it in context and, uh...
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18. Oh! Gosh.
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19. Oh, goodness me. Uh—
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20. What?
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21. Is someone playing a game?
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22. Ta-da!
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23. Henry, get away from him.
Them.
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24. What?
- Me.
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25. What?
- I'm them.
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26. - You're who?
- "You're who?"
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27. Nice to see you again, kiddo.
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28. You know each other?
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29. That's my daddy.
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30. Don't be ridiculous.
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31. You didn't look at my name, sir.
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32. Course I did.
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33. It's Henry— What was it? Henry...
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34. "Henry Arbinger". That's it.
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35. Harbinger.
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36. Think of him as my prelude.
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37. And now his song is sung.
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38. Wh— Who are you?
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39. My notation is Maestro.
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40. But what are you?
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41. I am...
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42. music.
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43. And you, Mr Timothy Drake,
you're a genius.
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44. Don't be ridiculous.
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45. You're the greatest composer
who ever lived.
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46. Clever enough to find the lost chord.
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47. But it's so sad, Timothy.
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48. You never had the luck.
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49. You never got that break.
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50. I did not.
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51. You're right.
No-Nobody ever understood me.
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52. All those melodies,
stifled and strangled inside you.
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53. All those songs you never sang,
they sit there still,
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54. wrapped around your heart, still beating.
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55. Wrapped so tight.
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56. Would you like me to set them free?
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57. I would love that, yes. Yes.
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58. Music, Maestro, please.
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59. Now.
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60. I wanna see
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61. The Beatles
recording their very first album.
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62. - Seriously?
- Well, you asked.
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63. If I could go anywhere in time and space,
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64. that's where I'd go because my mum,
she had a girlfriend, Claire.
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65. And I loved Claire,
and she was dead into vinyl.
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66. She had all The Beatles albums, so we
used to play 'em every day after school.
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67. Ten years old, I was.
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68. We had Revolver, the White Album—
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69. So, yeah, if I could go anywhere
then that's where I'd go.
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70. That is amazing.
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71. - Oh! Wait, seriously?
- Oh!
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72. People always say the Titanic.
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73. - Or Mars. Or Bethlehem.
- Oh!
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74. But The Beatles!
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75. Why have I never done that before?
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76. - Come on!
- Oh!
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77. Oh.
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78. February 11th, 1963.
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79. No way. Really?
- Mm-hmm.
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80. Whoo!
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81. Oh, wait, wait, wait.
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82. If we're in the '60s,
what about my clothes?
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83. Good thinking.
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84. Could give you go-go boots.
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85. Oh, I've got eyeliner!
- Oh, eyeliner!
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86. Oh, I want a beehive! I want a beehive!
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87. I've got wigs galore!
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88. 1963.
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89. Hey, hey, hey!
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90. Oh, no way!
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91. It's like the album cover!
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92. I am having the best time!
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93. Look at the cars.
- G— Oh, come on!
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94. Abbey Road Studios!
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95. Not called Abbey Road yet.
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96. Right now, in '63,
they are the EMI Recording Studios.
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97. Huh.
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98. And how do we get in?
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99. Won't they ask who we are?
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100. Oh! Oh, oh, oh, oh.
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101. Hi.
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102. Janet said we could take over,
so you can have ten minutes off.
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103. Oh, right. Thank you. Very kind.
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104. Yep. There's always a Janet.
And everyone wants a cuppa.
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105. Brilliant.
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106. Good morning.
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107. Cuppa tea?
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108. Uh, yeah.
Make it a strong one. Two sugars.
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109. Uh.
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110. Boys, do you want anything?
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111. I'm all right for now.
Maybe something stronger later on.
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112. - What do you think, John?
- Now you're talking, Paul, lad.
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113. I just want a good night's sleep.
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114. You keep playing like that,
we'll all have a good kip.
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115. All right. Let's take it from the top.
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116. I thought the chorus—
Don't slide in the harmonies. Just hit it.
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117. Whatever you say, boss.
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118. Hurry up then, George.
Only getting paid seven quid a day.
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119. Uh, good luck.
Thanks, love.
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120. Roll to record.
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121. And a three, two, one.
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122. Hi. Don't mind us.
Just a cuppa tea.
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123. Okay.
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124. Going from the second chorus.
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125. Playing in the last four bars
of the verse.
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126. Good luck, Cilla.
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127. Don't let me down, Cilla.
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128. And a three, two, one.
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129. Oh, Cilla.
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130. Don't mind us.
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131. Roll to record.
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132. Look at them.
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133. Everything's gone dull.
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134. No one hums. No one whistles.
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135. No one taps their feet.
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136. I don't get it though.
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137. Music isn't...
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138. Like, you can't lose it
or steal it or kill it.
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139. It's just natural.
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140. You get music
when the wind blows through the trees.
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141. It's called aeolian tones.
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142. The music—
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143. Music is the highest form of thought.
If you take that away...
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144. Finland? That never happened.
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145. If music is gone,
that means everything is changing.
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146. The whole human race
is taking a different path.
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147. Okay, so what do we do?
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148. You take John Lennon.
I'll take Paul McCartney.
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149. Find out what happened
and when it happened.
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150. Two cups of tea, my darlings.
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151. That's half a crown. Ta very much.
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152. How much?
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153. - That is outrageous.
- Outrageous.
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154. Take it or leave it, sweetheart.
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155. That is daylight robbery.
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156. Ooh. That's me.
Margaret Lockwood in The Wicked Lady.
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157. Now there was a woman.
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158. Statuesque.
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159. Uh, excuse me. Hold on, Paul.
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160. Um, could I just have a word?
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161. I've got a cup of tea for you.
Mr Epstein sent me.
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162. Okay. Um—
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163. Y-You are writing songs
for the band, yeah?
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164. They're not very good, are they?
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165. Oh. Uh.
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166. No. No.
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167. Great.
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168. That's great, lad.
That's how it should be.
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169. It's not like the old days when we had
waltzes and fandangoes and all that.
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170. But waltzes used to exist.
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171. When did they start becoming wrong?
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172. Don't know. Way back. '20s? '30s?
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173. Why? What happened?
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174. We started seeing sense.
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175. What we're doing here today
is the last gasp.
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176. If I can make a bit of money
out of cheap, old rhymes,
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177. then I can settle down
and get a proper job.
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178. It's embarrassing, singing.
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179. Just wanna finish the album, get back
to Liverpool and... ... forget it.
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180. But you can't do that.
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181. Wh— We need ya.
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182. What for? I'm no good at anything.
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183. But, Paul,
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184. see when it's just you on your own,
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185. don't you think
that there must be better songs?
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186. You know, songs that lift you
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187. and devastate you and-and make you soar.
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188. Songs that are-are tucked away somewhere
in-in secret in the back of your mind?
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189. How do you know that?
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190. I— I just wanna go home.
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191. Forget this life.
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192. Just have me tea and go to bed
with a woman of me own, you know?
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193. It's all I want.
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194. But then, why do I wake up crying?
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195. It's like, sometimes, late at night,
I get this thought.
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196. Like, it's so far away, but it's a note.
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197. A single note.
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198. And then a second.
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199. And a third and fourth and fifth.
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200. And you put them together, and it feels
like the most holy thing on this earth.
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201. Like a G, then an E.
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202. And a G, maybe twice.
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203. And then C.
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204. And if you put words to it,
words right from your heart...
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205. Don't waste me time.
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206. Do you know what you are
with your ideas, pal?
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207. Disgusting. You are disgusting.
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208. What the hell was that?
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209. Yeah, that's it, Vinnie. Nice and safe.
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210. I want that installed on the rooftop
like it is precious china.
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211. Easy, boys. Don't hit the wall.
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212. Right, let's head on up.
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213. Thing is, without music,
dance must be gone.
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214. No one dances anymore.
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215. I mean, can you dance without music?
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216. I mean, you can, but do you want to?
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217. And think about it, Ruby. Love songs.
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218. There are no more love songs anymore.
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219. Oh, my God!
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220. There's no more love songs
in the whole wide world.
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221. Ooh.
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222. Old London Town!
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223. Oh, is that smog?
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224. I thought they got rid of that
in the '50s.
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225. We had really bad smog
in December '62, but this?
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226. It's more like a darkening.
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227. The world is darkening.
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228. I live over there.
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229. You do what?
- I live over there.
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230. - What do you mean?
- Shoreditch.
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231. I'm there right now.
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232. Okay, you're gonna have to start again.
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233. In the past, right now,
I live in a place called Totter's Lane.
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234. 1963, I parked the TARDIS in a junkyard,
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235. and I live there
with my granddaughter, Susan.
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236. Ah. Wh—
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237. - Okay?
- Your what?
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238. - My granddaughter.
- Susan?
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239. We could go and have a look but,
you know, timelines.
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240. - Wh— You-You've got children?
- I did have.
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241. I will have.
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242. Time Lords get a bit complicated.
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243. Yeah, but you've got a granddaughter?
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244. Like, now? Like, today?
Back in our time? My time.
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245. Where is she?
- I don't know.
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246. How do you not know?
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247. The Time Lords were murdered.
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248. Genocide rolled across time and space
like a great, big cellular explosion.
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249. Maybe it killed her too.
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250. Doctor. God.
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251. There we go, Doc.
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252. Hey, Vinnie!
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253. Thank you very much.
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254. Come on.
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255. Bit of luck,
I'll have you whistling by sundown.
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256. Can't bear whistling, Doc.
All those horrible tunes. No, thanks!
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257. Well, all right.
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258. It's all yours, honey.
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259. Oh, no, no, no, no, no. I'm—
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260. I'm not that good.
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261. Uh, you are, sweet. I've seen you.
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262. December '23. King's Arms.
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263. You opened with "One More Sleep"?
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264. Oh, I can't believe you were there.
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265. Ah. It all comes back to Christmas
with you, doesn't it?
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266. I need you to play again.
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267. But what for?
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268. At this moment in time, Ruby Sunday,
you are the only music in the world.
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269. Let's see what happens
if you bring music back.
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270. It's just— No pressure.
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271. Okay.
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272. I wrote this for my friend Trudy
when a girl broke her heart.
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273. Mmm.
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274. Mmm.
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275. No!
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276. No!
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277. You called?
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278. That was the Giggle!
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279. Hide!
Uh, do what?
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280. We've gotta hide!
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281. You never hide!
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282. I can't fight this thing.
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283. Okay.
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284. I heard music!
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285. Who was playing that piano?
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286. The chorus of ancient songs calls me...
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287. Maestro.
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288. And who...
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289. are you?
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290. Because I heard music.
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291. And music...
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292. is mine!
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293. What?
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294. What?
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295. Sound and vision.
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296. Music.
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297. Wh-Who was that?
Were they inside the piano?
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298. - How can they be inside the piano?
- Okay.
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299. - The piano wouldn't work.
- Okay. Okay, okay, okay.
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300. Okay.
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301. You're scaring me now.
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302. That thing must be part of the Pantheon.
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303. Oh, God.
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304. Oh, Ruby, there are...
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305. vast powers beyond the universe.
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306. I told you, when we first met,
I said-I said, "The Toymaker",
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307. and defeating him took everything.
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308. - It ripped me in half.
- But you survived.
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309. It literally— It tore my soul in half.
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310. I can't survive that again.
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311. The Toy— The Toymaker said— He said—
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312. He warned me.
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313. He said, "My legions are coming."
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314. "My legions are coming."
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315. - He said, "My legions are coming."
- But you made that silence with the sonic.
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316. - That worked, didn't it?
- Yeah.
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317. One trick. Once. That's all you get
with the gods.
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318. - Okay, so what do we do?
- I don't know.
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319. I don't know, Ruby. That is the point.
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320. - I don't know. I—
- No, but you always know.
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321. I don't.
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322. The last time, I got lucky. Catch.
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323. One trick. Once.
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324. But this thing is stealing music.
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325. I mean, how the—
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326. How the hell is—
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327. I'm sorry.
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328. But the power of these creatures
is so vast,
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329. the whole world could slide into the pit.
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330. Doctor.
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331. I know you're clever.
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332. I know that.
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333. But I've got news for ya.
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334. The world did not end in 1963.
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335. - Right.
- No, but it didn't.
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336. Okay? I'm living proof.
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337. I was born in 2004...
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338. and all my life,
I've had Beyoncé and Sam Fender
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339. and Strictly and tap dancing
and raves and—
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340. Oh, my mum sings "Danny Boy" at Christmas,
when she's drunk, to my gran.
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341. And don't you see, Doctor?
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342. Music exists.
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343. Come with me.
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344. So when is it for you, back home?
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345. What time are you?
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346. June 2024?
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347. Uh, it's hard to keep track.
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348. But, yeah, I think so.
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349. June? July?
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350. Well, have we done it? Are we back?
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351. 2024. I've brought you home.
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352. This is what we're trying to stop.
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353. But this isn't real.
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354. This is—
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355. - It's just like a parallel universe.
- This is your time.
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356. This is your home
if Maestro isn't stopped.
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357. Where's my mum?
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358. I think without music,
the human race goes sour.
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359. Without any way of expressing
a broken heart,
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360. they go to war, without even knowing why.
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361. Then how am I still alive?
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362. Why don't I fade away?
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363. Because of me.
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364. Boo!
What?
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365. Maestro, the Doctor.
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366. That was you in '63, wasn't it?
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367. Sweet cheeks.
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368. You stepped from one time to another...
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369. like the Lord Temporal,
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370. who trapped my father
and bound him in salt.
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371. - Yes?
- The child of the Toymaker?
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372. I should thank you, Doctor.
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373. Daddy was so bad to me.
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374. If he was a living game,
you are the essence of music itself?
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375. But what's the point?
You've destroyed the world.
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376. Music is gone. How is that a win?
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377. Not gone!
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378. Darling, hush!
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379. The sound of a nuclear winter.
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380. The purest music of all.
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381. Aeolian tones.
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382. Music without the need of people.
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383. And every song that goes unsung feeds me.
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384. I get stronger and stronger.
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385. Until I can reach out...
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386. and steal the music of the spheres.
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387. Then the universe will stop turning.
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388. It'll keen in a minor key.
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389. Aeolian tones
across the whole of creation.
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390. And that lament will be
my symphony supreme.
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391. With all of life extinguished.
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392. I'm goin' solo.
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393. How did you enter this world?
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394. Oh.
That would be telling, babe.
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395. No, babes!
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396. Your father established
the rules of fair play!
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397. One thing that he would never do is cheat.
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398. So I have a right to know.
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399. A genius.
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400. A single, silly man
who found the lost chord.
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401. Which means a different combination
of notes would banish you?
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402. I said, "Genius".
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403. And you might be bright.
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404. And hot.
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405. And...
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406. "timey wimey".
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407. But genius?
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408. Oh, honey, I don't think so.
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409. What are you doing?
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410. Everything resonates, Doctor, dear.
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411. Every atom hums.
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412. And anything that plays a tune is mine.
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413. Sing along, Doctor.
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414. Everybody!
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415. What is it? What's hap—
- Maestro!
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416. Controlling the TARDIS.
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417. But I say never.
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418. Never!
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419. Ruby!
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420. - Are we flying?
- Only just.
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421. The only thing I can do
is take us back to 1963.
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422. - Where's Maestro?
- Composing.
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423. And the next tune might be deadly.
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424. I'm sorry.
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425. I'm sorry, I'm sorry.
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426. Don't hate me.
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427. Okay, come on.
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428. Come on. Come on, come on, come on.
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429. Come on. Okay.
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430. Strange.
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431. - Did you break it?
- No.
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432. No, no, no, no, no. That's something else.
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433. - Okay.
- Right.
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434. Okay. If we can record the right tune on
the sonic, we can use this as a weapon.
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435. - Right.
- Yeah?
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436. - No, no, no, no.
- Oh. Oh, okay.
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437. We need to find the Notes of Banishment.
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438. Ah, John Lennon's guitar!
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439. That's gotta be a good start.
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440. Okay.
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441. Okay, but don't you need to be a genius?
Uh—
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442. Oh, just— No offence.
Just a musical genius.
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443. Sometimes genius is just hard work.
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444. Yeah?
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445. If I can find the right notes.
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446. Wait a minute.
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447. There's 66 billion trillion
different tunes out there, but...
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448. No, but just wait.
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449. Can you hear that? That music?
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450. Whoa! No, no, no!
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451. Doctor!
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452. I thought that was non-diegetic.
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453. No, no, don't—
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454. Doctor!
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455. No, no, no, no, no, no,
no, no, no, no, no, no, no, no!
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456. No, no, no, no!
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457. Doctor!
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458. Wait! No, no, no, no!
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459. Put her down!
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460. Can't trick me twice, honey!
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461. Then fight me!
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462. Huh? Leave her alone!
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463. But she's the only human left
with music in her heart!
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464. Playing lovesick songs
for heartbroken lesbians,
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465. and that just makes me hungry
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466. for all those delicious songs.
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467. Let me go!
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468. That's right, pretty girl! Sing!
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469. Maestro.
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470. Maestro, I am asking you. Just—
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471. What?
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472. That's wrong.
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473. What do you mean?
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474. There's a hidden song
deep inside her soul.
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475. What is it?
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476. What?
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477. Ruby.
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478. What is this?
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479. Christmas.
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480. The music that was playing
the night that she was born.
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481. How could a song have so much power?
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482. And power like him?
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483. - Like who?
- The oldest one.
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484. On the night of her birth,
he can't have been there.
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485. What for?
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486. What for? What for? What for?
Who was there?
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487. Enough.
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488. Whoa!
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489. - You okay?
- Yeah, yeah.
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490. - I've got you. I've got you.
- Okay, okay.
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491. What was it? What happened?
- It's all right. All right? It's okay.
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492. This creature is very wrong.
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493. And this— this is very, very, very right.
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494. Do you know what this is?
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495. This is the famous Abbey Road piano.
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496. They call it the Mrs Mills Piano.
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497. Oho!
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498. Oh, she was a girl.
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499. We had some adventures, me and Mrs Mills.
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500. But this is the piano that The Beatles
will play on their greatest hits.
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501. "Penny Lane".
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502. "Lady Madonna". All from this.
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503. So I know that this piano is rattling
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504. with all the potential
to send you back to hell.
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505. Hmm.
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506. Music battle.
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507. Go on then.
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508. Do it.
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509. Can you find it?
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510. The lost chord?
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511. Are you enough of a genius?
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512. Oh, I would never call myself that,
Maestro.
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513. But I have lived, and I have loved.
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514. And I can only smile like this
because I have lost so much.
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515. I've experienced everything.
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516. Every single thing.
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517. And if that's where music comes from...
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518. I can find the chord to banish you.
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519. One more.
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520. Just one more.
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521. One more.
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522. Bum note.
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523. Whoa!
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524. Song time.
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525. Ruby, get the piano!
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526. Sorry to keep harping on.
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527. No, no, no, no, no, no. No, no, no, no.
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528. No, no, no, no,
no, no, no, no, no.
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529. You ain't no genius!
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530. I just wanna go home.
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531. But you can't do that.
We need ya.
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532. What for? I'm no good at anything.
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533. I can't breathe!
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534. And then a second.
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535. And a third and fourth and fifth.
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536. And you put them together, and it feels
like the most holy thing on this earth.
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537. Oh, no!
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538. No!
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539. The one who waits is almost here!
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540. Listen.
Listen, listen, listen, listen.
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541. Here it comes.
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542. Everywhere!
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543. They're making music.
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544. The whole city. The whole world.
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545. Yes. Yes. Yes.
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546. But there is one thing
that I should warn you about, Ruby,
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547. and this is really very serious.
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548. With all my adventures
throughout time and space,
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549. I have to tell you,
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550. there's always a twist at the end.
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551. Whew!
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552. Where are we?
In the middle of a war.
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553. One wrong move, and boom...
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554. Doctor!
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