1. "What is the secret legacy of Dexeter's
research? How does the Doctor give
evolution a small nudge? E-Space
which way out?" (Radio Times)
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2. This episode was first shown
on 15 November, 1980.
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3. It was seen by 5.5 million people.
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4. This final episode of 'Full Circle'
was the most heavily edited of all:
A number of scenes were cut entirely,
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5. whilst others had some significant trims
made to them.
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6. In 1980, Madame Tussauds,
the famous waxworks museum in London,
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7. mounted 'The Doctor Who Experience'.
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8. This display was based mainly on
characters from the most recent series.
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9. Amongst the exhibits were a Foamasi,
K9, Davros, a Dalek, a Sontaran
and a Nimon.
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10. There were also two versions
of Tom Baker, one as the Doctor
and the other in his prickly
Meglos form,
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11. which became a newsworthy event,
as it was the first time that a person
had appeared twice in the museum.
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12. Tying in with 'Full Circle' were
waxworks of a Marshman and Lalla Ward
as Romana,
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13. replicating this hand-to-hand pose.
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14. Before this scene of the Marshmen
making their way into the Starliner,
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15. there was to have been a brief shot
of Romana running down a corridor
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16. towards the second floor deck
where she opens the other hatch.
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17. A cutaway in this scene would have
made us aware of the vague shadows
of the Marshmen before Varsh hears them.
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18. "What's that?" says Varsh.
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19. "Keara and Tylos hear it too,"
says the script, "but the Foreman
in charge of the party gives them a look
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20. "which commands them to pay attention
to the lesson.
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21. "All eyes revert to the manuals
as the party gathers round
an inspection hatch."
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22. Suddenly they spin round to find
themselves surrounded by Marshmen.
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23. 'Full Circle' was made over
three separate recording
and filming blocks.
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24. First came the location filming
in Black Park, shot over three days
from 23-25 July, 1980.
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25. This was followed by
two studio recording blocks
at Television Centre in London.
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26. The first block was recorded in
Studio 3 on 7 and 8 August, 1980.
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27. It involved all the TARDIS interior
scenes, the lower decks and passage
of the Starliner and the Outlers' cave.
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28. The second recording block was held in
Studio 6 between 21 and 23 August, 1980.
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29. During this block the scenes in
the Science Unit, the Great Book Room,
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30. the Boarding Area and various corridors
and passageways were recorded.
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31. Also recorded in this block were
the model shots of the Starliner,
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32. as well as a number of scenes in
the Outlers' cave that were
not completed in the first block.
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33. The angle of Tylos' body means
you can't quite see that his face
has been painted with the same
Marshman-like veins as Romana.
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34. Cut from the scene at this point is
the Doctor's response, "Please don't
hit me with that. It's irreplaceable."
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35. The Marshman seems to react
to the Doctor by backing away.
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36. The Doctor then reaches forward
and snatches K9's head.
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37. During rehearsals, Tom Baker started
to make woofing sounds
as he hid behind K9's head.
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38. The veins on Lalla Ward's face were
coloured blue so that they could be made
to "throb" using
Colour Separation Overlay,
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39. as you can see here.
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40. Andrew Smith felt that aspects
of the plot became a little obscured
by the changes to his script,
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41. especially in relation to the history
of the Starliner and its crew.
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42. Basically, this is how Smith had
envisioned what had happened
in the distant past.
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43. The Starliner had set out from Teradon
120,000 years earlier
on a stellar cruise.
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44. It crashed on Alzarius,
way off its intended flight path.
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45. When Mistfall came, the Marshmen entered
the Starliner and killed the crew
before they could fight back.
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46. However, when the mists ended,
a number of Marshmen were trapped
in the Starliner,
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47. sustained by the remnants of Mistfall
that were locked within the spaceship.
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48. Whilst many of the Marshmen died,
some managed to adapt to
the Starliner's atmosphere.
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49. They began to evolve
into different creatures.
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50. As they developed,
they read the Starliner manuals,
learning Teradonian culture,
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51. as well as the technicalities
of the Starliner itself.
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52. As time passed, the new species
largely forgot their origins,
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53. and to make sure it stayed that way,
control was passed to three Deciders.
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54. Only the First Decider would fully know
all their ancestral secrets.
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55. Every new Teradonian baby
would have its brain
analysed and classed accordingly.
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56. A 'Norm' would receive
minimal education.
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57. An 'Elite' would receive
superior education.
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58. Only the Elite would go on to become
Deciders in the community.
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59. Any two Deciders could overrule
the third,
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60. except when information from
the System Files came into play,
then the First Decider would have
the ultimate say.
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61. Adric was amongst the highest
of the Elite class
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62. and would have become a Decider
had the Doctor not appeared.
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63. Andrew Smith had begin his
writing career in his mid-teens,
contributing to Week Ending
and Not the Nine O'Clock News.
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64. He went on to contribute to
the comedy shows Three of a ind
and ick Up The Eighties,
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65. as well as a television play called
Thieves starring Michael Sheard
and a radio drama entitled Goal.
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66. It was this latter work
that brought Smith to the attention of
Doctor Who's scriptwriter, Eric Saward.
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67. But more on that later!
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68. The beginning of this scene was cut
during recording.
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69. In the script, the Doctor enters
the Science Unit followed by Adric,
Varsh and Keara.
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70. The Doctor says, "Dexeter hinted he was
on to something... I didn't care for his
methods, but he was certainly thorough."
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71. The Doctor roots around amongst
the bottles and instruments looking for
clues about Dexeter's line of research.
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72. "We can't do anything useful in here,"
says Varsh.
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73. "Oh, but we can, Varsh," the Doctor
responds. "Life isn't all running up
and down like demented whippets.
Not for us or the Marshmen."
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74. "What do you mean?" asks Adric.
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75. "Lock that door and barricade it!" says
the Doctor. "They haven't come out of
their marsh just for the exercise."
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76. Finding a bottle he continues,
"Reverse transcriptase! I thought so.
There's probably a centrifuge round here
somewhere..."
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77. The scene continues as transmitted
with the Doctor saying,
"Dexeter's been doing DNA analysis."
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78. Just before this scene, another was cut
set in the Boarding Area.
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79. Romana is still by the TARDIS but
"something about her manner gives us
the impression that the effects of
the crab-spiders might be wearing off.
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80. "She reaches out and touches the TARDIS,
and we see her trying to form the word
with her lips.
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81. "She hears a sound, and turns to see:
A bulkhead closing to shut off
the passage.
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82. "Obviously incensed,
she turns in the other direction.
There too a bulkhead closes.
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83. "Romana is trapped. Anger blazing
in her eyes, she approaches
a ventilation grill:
And rips it out of its housing."
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84. Originally, Smith had not given
the Teradonian spaceship a name.
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85. In their first script meeting,
Christopher Bidmead said that they would
need to give it a title.
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86. Off the top of his head, Smith suggested
calling it "The Starliner".
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87. The young rebels didn't originally have
a collective title either.
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88. It was Bidmead who decided to call them
"Outlers" in his initial rewrite
of the scripts.
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89. As recorded, the previous scene
continued with the Science Unit doors
giving way and three Marshmen entering.
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90. "Don't let them touch you!"
Says the Doctor,
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91. as the Outlers retreat
behind the Time Lord.
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92. Watch the space between
the Doctor and Adric.
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93. Matthew Waterhouse suddenly notices
a camera pushing between them!
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94. As the pure oxygen is released
from the cylinders,
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95. it was originally intended that
the Marshmen would begin to foam
at the mouth.
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96. Along with 'The Keeper of Traken',
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97. 'Full Circle' was chosen as one of
the two stories that would be repeated
in the summer of 1981.
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98. The story was shown over four
consecutive weekday evenings,
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99. between Monday 3 and Thursday 6 August.
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100. The repeats achieved ratings of 4.9,
4.2, 4.6 and 6.4 million respectively,
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101. which means that this episode was
watched by almost a million more viewers
on its repeat than on
its original transmission.
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102. Karyotype is a word used to describe
the visual profile of the chromosomes
in any given species.
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103. Karyotypes are usually prepared in
the metaphase stage of cell division,
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104. when duplicated chromosomes become
aligned along the centre of the cell,
rendering them easily visible
under a microscope.
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105. Electrophoresis is the technique of
sorting proteins according to
their response to an electric field.
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106. In the script, the citizens on board
the spaceship are sometimes referred to
as the "Starliners".
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107. This part of the scene ends with Varsh
fighting back the Marshman,
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108. but originally it concluded with
the sequence we'll see in a moment,
of Varsh being pulled under
the descending bulkhead.
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109. Adric sees what's happening
and rushes back to help,
but the hatch closes between them.
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110. With Adric's cry in his ears,
Varsh turns to see the Marshman
descending on him.
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111. The original version of this scene
begins with Adric returning with
the Doctor, Keara and Login.
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112. He bangs helplessly
on the closed bulkhead.
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113. Opening the door, the Doctor talks
to Login about getting more oxygen,
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114. and then he kneels by the body of Varsh
before looking up grimly to Adric.
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115. The image of Adric clutching
Varsh's belt
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116. is one that would be repeated
just before Adric's death in the final
episode of 'Earthshock'.
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117. At this point, a further scene with
the Doctor, Login and Garif in
the Boarding Area was cut.
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118. "All the oxygen valves are open,
Doctor," says Login.
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119. "Let's hope it's not too late,"
the Doctor replies.
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120. "What do you mean?" asks Login.
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121. The Doctor responds, "They've already
begun to adapt to the enriched air."
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122. "It might not kill them then?"
Garif asks.
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123. "Kill them?" says the Doctor.
"I certainly hope not.
But if we're lucky,
it'll drive them back to the marsh."
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124. "Shouldn't we open the doors, then?"
Romana replies.
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125. Cut from this scene was the direction
that when Romana opens the door
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126. she should be overcome
with a powerful sense of déjà vu.
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127. "Dismissing it with a shrug she returns
to her labours."
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128. Following 'Full Circle', Andrew Smith
continued to submit further story ideas
to the production office.
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129. Two months after 'Full Circle' had
finished recording,
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130. Smith was commissioned to submit
a four-part storyline with the working
title of 'The Torson Triumvirate'.
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131. This was delivered
on Tuesday 9 December, 1980.
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132. Later, in January 1984, when Doctor Who
had changed to 45-minute episodes,
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133. Smith was commissioned by Eric Saward to
write a scene-breakdown for a story
entitled 'The First Sontarans'.
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134. Set on Earth in 1872, the story
concerned three Kaveetch scientists
posing as humans.
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135. With their home world of Sontara invaded
by the Rutans,
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136. the Kaveetch had initiated
a rapid-cloning process
to produce a race of brutish
fighting warriors.
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137. After winning the war, the clones turned
on the Kaveetch and claimed Sontara
for themselves,
forcing the survivors to flee.
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138. Having developed a weapon to use against
the clones, the Kaveetch, the Sontaran
progenitors, hoped to reclaim
their planet.
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139. The climax was to have been a battle
between the Sontarans and Rutans
on board an ocean-going cargo ship.
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140. When all the aliens are destroyed,
it turns out that the vessel is none
other than the Mary Celeste.
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141. Neither story was developed any further.
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142. Andrew Smith disliked the fact that
the script was changed to the Doctor
very simply telling the Deciders how to
fly the Starliner.
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143. In his original script, a large part of
the final episode dealt with the Outlers
learning how to pilot the spaceship.
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144. Smith novelised his script, taking
the opportunity to expand
the televised story.
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145. However, producer John Nathan-Turner
exercised his editorial control to
remove an epilogue that Smith
had included,
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146. involving the Starliner crash-landing on
another planet soon after take-off,
starting the cycle all over again.
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147. The novelisation was published in
hardback by W. H. Allen and paperback
by Target in September 1982.
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148. According to the script, the image
on the scanner was to have been
of the Starliner.
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149. As the TARDIS is now showing negative
coordinate images of what's outside
the ship,
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150. there is no real reason why it should
display movement through E-Space
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151. At this point, it was scripted that
we should glimpse Adric watching as well
from the cover of his hiding place.
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152. Also appearing in the episode were:
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153. Peter Dukes, lan Ellis,
Tom Gandl
(Citizens)
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154. Robert Goodman,
Malcolm Harvey
(Citizens)
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155. Uncredited production contributors
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156. Stephen Jones (Floor Assistant),
John Bush (Properties Buyer),
Dave Child (Film Lighting)
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157. John Morris, lan Dabbs
(Film Camera Assistant),
Patrick Quirk (Film Sound Assistant)
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158. John Atkins, Roy Prichard,
Arabella Shaw, Tom Reeve,
Mel Freedman
(Dressers)
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159. Julie Shepherd, Caroline Gibbs,
Eve Barker, Christine Vidler
(Make-Up Assistants)
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160. Claire Tinsley
(Design Assistant)
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161. Production subtitles written
by Richard Bignell.
2:17,087 —> 00:22:20,875
- It works!
- Yes, unfortunately.
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162. - Negative coordinates.
- Yes, that settles it.
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163. We're out of our own time and space,
Romana.
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164. - Exo-Space?
- Yes. That thing we came through
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165. was a Charged Vacuum Embointment.
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166. - A CVE.
- Hmm.
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167. One of the rarest Space-Time events
in the universe.
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168. Doctor, look.
The Starliner is taking off.
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169. Well, they've made a decision.
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170. And we're trapped.
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171. Unless we can find another CVE.
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172. Affirmative.
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