1. This episode was broadcast at 6.10 p.m.
On 30th October, 1976.
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2. The Radio Times listing
for this week promised:
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3. "Death strikes in the dark cloisters
of the Time Lord Capitol.
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4. "The Doctor, alone now, is
a hunted fugitive in the city
that was once his home..."
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5. This sequence was shot
on 15th August, 1976.
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6. The location was Studio 3,
BBC TV centre.
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7. That's the cloister set behind
the dry ice.
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8. This roller-caption opening is unique
in Doctor Who history.
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9. And it came a whole year
before Star Wars (1977)!
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10. These point-of-view shots were achieved
using a fish-eye lens.
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11. This is the wooden "secondary" TARDIS
control room, designed by Barry Newbery.
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12. It appeared in each story from
'The Masque of Mandragora' (1976)
Until 'The Robots of Death' (1977).
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13. The Doctor is on his own for once.
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14. Sarah Jane Smith left at the end of
the previous story,
'The Hand of Fear' (1976).
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15. Tom Baker was keen to try out
a story solo. He wondered if he could
carry the series on his own.
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16. Writer and script editor Robert Holmes
thought a solo story would show Baker
why he needed a companion.
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17. Without a companion, the story wouldn't
"branch off" naturally into
separate strands.
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18. And who would the Doctor talk to?
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19. "Can't I talk to myself?" asked Baker.
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20. Pravda's Eastern European accent meant
that he was often cast in spy thrillers.
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21. His work included Thunderball (1965),
The remlin Letter (1970)
And Firefox (1982).
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22. He appeared in two other Doctor Who
'The Enemy of the World' (1967)
And 'The Mutants' (1972).
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23. A castellan is the keeper of a castle,
and this castellan is named after part
of an architectural arch.
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24. In the script, Hilred adds,
"Safety buttons off."
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25. The script: "The Doctor opens a cupboard
and takes out a cardboard box.
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26. "With 'Cash and Carry, Constantinople'
written on it.
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27. "From the box he takes a pack of
Turkish Delight and a gaudily elaborate
hookah."
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28. Hookahs, or water pipes, were popular
in the Ottoman Empire (1299-1922).
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29. Constantinople - now called Istanbul -
was called the seat
of the Ottoman Empire.
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30. Hence the Doctor's comment about
a Constantinople cash and carry.
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31. The trick the Doctor plays on the guards
is similar to one of
Sherlock Holmes's ruses.
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32. In 'The Adventure of the Empty House'
(1903), Sherlock uses a dummy
to fool a sniper.
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33. The guard here is played by Doctor Who
veteran Pat Gorman.
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34. Remember his face, despite his
early death, he'll turn up again
in Part 2!
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35. They're talking about the Doctor's trial
at the end of 'The War Games' (1969).
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36. The Celestial Intervention Agency
is named after the
American Central Intelligence Agency.
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37. Robert Holmes and producer
Philip Hinchcliffe wanted to make
this story a conspiracy thriller.
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38. They were influenced by the 1962 film
of Richard Condon's 1959 novel,
The Manchurian Candidate.
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39. Another source of inspiration was
the assassination of President Kennedy
in 1963.
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40. Holmes had introduced a more cynical
take on the previously god-like
Time Lords over the past two years.
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41. He, therefore, decided Gallifrey would
be the best setting for a thriller based
on conspiracy and corruption.
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42. Fifty three storeys - remember that.
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43. The "Prydonian Seal" used at the end
of this letter was designed
by Roger Murray-Leach.
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44. It was also used as the Vogan symbol
in 'Revenge of the Cybermen' (1975).
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45. Bernard Horsfall plays Chancellor Goth.
He'd worked with director David Maloney
on Doctor Who before.
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46. He appeared in 'The Mind Robber' (1968),
'The War Games' (1969),
and 'Planet of the Daleks' (1973).
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47. Maloney decided Horsfall had the range
and toughness he was looking for
in Goth.
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48. Horsfall's other credits include
On Her Majesty's Secret Service (1969)
And Enemy at the Door (1978-1980).
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49. Spandrell commits less of a faux pas
in the scripted version: He adds
"With all due respect."
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50. There wasn't enough room to fit both
TARDIS and Panopticon sets into
the studio at the same time.
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51. The Doctor's responses to the TV
broadcast were shot on the first day
of studio recording, 15 August, 1976.
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52. Runcible's report was recorded
the next day.
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53. Runcible was named after a nonsense word
coined by Edward Lear in
The Owl and the Pussycat (1867):
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54. "They dined on mince and slices
of quince / Which they ate with
a runcible spoon."
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55. Holmes describes him as
"a self-important dot far below".
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56. The script: "Runcible scowls after them,
then turns with a winning smile."
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57. In the script, the Doctor just gives
"an irritated grunt".
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58. Note a sneaky appearance by
the Master's TARDIS on the right!
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59. The Master's first appearance since
'Frontier in Space' (1973)
Wasn't kept secret.
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60. The BBC press release stated that
the new Master, Peter Pratt,
"is only ever seen wearing a mask".
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61. The Times interpreted this to mean
the production team had decided against
"making the Master change faces".
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62. This, they said, would "strain even
the most innocent viewer's credulity".
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63. They reported that the new Master
would be "a masked figure"
in order "to hide his identity".
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64. The Master's appearance would therefore
have come as a surprise
to Times readers!
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65. Now, fifty three storeys - but in
Time Lord buildings, as in England,
the ground floor isn't numbered.
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66. So there are 53 storeys,
but only 52 floors - a deliberate
"mistake" by Robert Holmes.
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67. The script describes
Spandrell's dyspeptic reaction
to the Doctor's escape.
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68. "Pain fills Spandrell's face.
He rubs his chest tenderly."
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69. And there's another shock for
his alimentary system coming up.
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70. On discovering the Gold Usher costume
is missing,
he "stifles a mournful belch".
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71. The Time Lord costumes were designed
by James Acheson, who would go on to
success in Hollywood.
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72. He won Oscars for The Last Emperor
(1987), Dangerous Liaisons (1988)
And Restoration (1995).
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73. He also worked on
Sam Raimi's Spider-Man movies.
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74. Acheson's ambition for
"a unity of design" on this story was
restricted by time and budget.
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75. He left the production,
returning briefly to cast
the fibreglass ceremonial collars.
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76. Acheson's designs endured,
influencing the Time Lords' portrayal
for over 30 years.
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77. The original collars were used during
the Gallifrey sequence in
'The Sound of Drums' (2007).
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78. The cameraman's demise
isn't seen in Holmes' script.
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79. Erik Chitty, who plays Engin,
was often cast as a comic old man.
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80. He played the geriatric Mr Smith
in the popular comedy series
Please Sir! (1968-1972).
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81. Other credits include
Casino Royale (1967), Bedazzled (1967),
and The Seven Per Cent Solution (1976).
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82. The script calls the rifle
"one of the light sporting types
used for Zorn-stalking".
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83. Holmes is specific about the gun sights:
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84. "Modern telescopic sights centre on
a luminous red dot rather than
the old crossed hairs.
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85. "Perhaps technically possible to use
a peak white dot?"
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86. The President's remark alludes
to Labour Prime Minister Harold Wilson's
controversial 1976 honours list.
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87. It included many wealthy businessmen,
not thought of as traditional Labour
material. In 1976, at least.
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88. Holmes's satire was up-to-the minute
- Wilson's honours list came only
a month before location filming started.
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89. Some speculated that this version
of Time Lord society was based
on the Roman Catholic church.
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90. Holmes denied this, saying that he saw
the Time Lords as a scholastic,
collegiate society.
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91. The Doctor originally answered,
"Three so far."
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92. The script: "The Doctor stares up.
His POV: The snout of a camera jutting
from a slot.
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93. "We zoom in on the barrel of a rifle
beside the camera."
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94. "He plunges towards the spiral staircase
leading to the service gallery.
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95. "Time Lords are knocked unceremoniously
aside as he plunges through them."
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96. This organ music was performed by
the classical musician Leslie Pearson.
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97. The organ in question was situated
in St Gabriel's Church, Cricklewood.
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98. As scripted, this episode ends in
"stop-frame motion".
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99. The President "twists round and pitches
forward onto his face".
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100. The inflexible collar rendered
this impossible, so a freeze-frame
was used.
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101. and, perhaps, get an answer
to this question.
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102. Cardinal Borusa,
if you can spare a moment, sir?
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103. - Yes?
- Public Register Video.
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104. - If I could ask you a few questions...
- Good gracious!
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105. - Runcible, is it not?
- Yes, sir.
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106. One of my old pupils at Prydon Academy.
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107. May I congratulate you, sir,
on your elevation to Cardinal?
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108. Thank you, Runcible. Good day.
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109. No, no, wait, sir, please, sir.
If I could ask you a few questions?
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110. Runcible, you had ample opportunity
to ask me questions
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111. during your mis-spent years
at the Academy.
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112. You failed to avail yourself
of the opportunity then
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113. and it is too late now. Good day.
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114. I'm afraid Cardinal Borusa cannot,
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115. at this present moment of the time band,
commit himself.
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116. However, it is certainly no secret that
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117. a very senior member
of the Prydonian chapter
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118. and the present number two
in the Time Lord Council,
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119. Chancellor Goth,
is the widely-fancied candidate.
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120. Oh, get off!
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121. There is no way this Doctor can enter
the Capitol from the tower, is there?
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122. Not unless he's got the help of
an accomplice.
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123. From within?
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124. Perhaps he has gone to the tower
to shake off his pursuers,
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125. while somebody inside lifts the barrier.
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126. What an inventive,
suspicious mind you have, Spandrell.
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127. So this is an old Type 40.
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128. - Its shape was infinitely variable.
- Remarkably good condition.
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129. - What are you going to do with it?
- I hadn't thought.
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130. I was more interested in its operator.
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131. Well, I shouldn't leave it here,
in case he tries to sneak back.
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132. Transduct it into the Capitol.
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133. - Very well, sir.
- Oh, and
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134. keep me informed about
your progress on the conspiracy.
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135. Of course.
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136. Transduct this to the museum.
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137. What a way to travel.
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138. But which way the Panopticon?
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139. So, he is within the Capitol.
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140. All his actions are exactly
as you predicted, Master.
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141. I know him.
- He is resourceful.
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142. He will gain the Panopticon
without further help.
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143. Of course.
He knows he is entering a trap.
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144. But how can he resist such a bait?
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145. The hope of perfecting
an assassination.
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146. Quixotic fool.
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147. He will die quickly.
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148. Make certain he dies very quickly.
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149. Well?
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150. We checked the tower, Castellan.
Nothing.
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151. - Nothing?
- Fifty two floors, nothing.
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152. He never left the lift.
We think he doubled back.
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153. To the capsule?
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154. Out here. There is nowhere else for him.
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155. Come with me and bring the tracker.
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156. Castellan.
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157. Now he could get into the Panopticon.
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158. But everyone has to show a pass.
The door guards will never let...
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159. Do you think they will stop
a Gold Usher? Would you?
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160. Get over there and try to find him.
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161. - Very good, Castellan.
- And, Hilred, try to be discreet.
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162. You know, I remember
the inaugural of Pandak III.
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163. - Really?
- Yeah. 900 years, he lasted.
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164. Now there was a president
with some staying power, what?
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165. - What?
- Staying power.
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166. Where the Dickens is my gown?
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167. 900 years, eh?
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168. I could have sworn
it was here a second ago.
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169. - Here you are, sir.
- Oh, thank you. Most kind.
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170. Yes. Very different from
the fellows nowadays, what?
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171. They're chopping and changing
every couple of centuries.
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172. - You're not gold, are you?
- Not what?
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173. This isn't my gown.
That fellow's given me the wrong gown.
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174. What fellow?
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175. Oh!
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176. There may be something in his history.
Some clue.
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177. If only I could convince the Chancellor
the threat is serious.
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178. It would have to be very serious
before they'd delay the ceremony.
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179. The President must be on his way
to the Panopticon by now.
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180. Can I have the data, Castellan?
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181. This has been in the reader recently.
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182. - Surely not.
- No mica dust.
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183. What? There are millions of extracts
in the archives. It's hardly...
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184. I live with the dirt of the past,
Coordinator Engin.
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185. And I can tell you that the old crimes
besmirch the fingers.
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186. Well, if it has been withdrawn,
there'll certainly be a record.
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187. - I shall want to know who had it.
- Yes.
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188. - But let's see the extract first.
- Pleasure, Castellan.
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189. The innocent to the slaughter.
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190. - You have everything, sir?
- I think so.
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191. - The list?
- What?
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192. Oh, the resignation honours' list.
Yes, here it is.
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193. Some names here that will surprise them.
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194. Runcible, my dear chap,
how nice to see you.
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195. Oh, I don't believe we've...
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196. Oh, I say. Weren't you expelled
or something? Some scandal?
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197. Oh, it's all been forgotten
about now, old boy.
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198. - Oh, really?
- Yes.
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199. Well, where have you been
all these years?
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200. Oh, here and there, you know,
round and about.
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201. - Is there something the matter?
- No, no, just a twinge in the knee.
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202. Well, if you will lead
such a rackety life.
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203. - Have you had a facelift?
- Several, so far.
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204. Yes. Well, nice to have met you.
I must get on.
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205. I'm doing the PR videocast.
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206. Yes, and splendidly, too,
if I may say so.
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207. - Oh, do you think so?
- Oh, it's a gift.
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208. Somehow you have a wonderful way
of making the whole thing
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209. - come alive.
- Oh, that's very nice of you.
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210. Ah! That'll be the President now.
He's just arrived at the Panopticon.
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211. - You sure you're all right?
- What? Yes.
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212. - Come on, you stupid yoik.
- What?
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213. I should be getting a signal
from my camera technician up there.
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214. No!
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215. Let me go, let me go!
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216. Uh, a little disturbance here
in the Panopticon,
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217. as the President starts to ascend.
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218. Already the members of the High Council,
lead by Chancellor Goth,
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219. are moving forward
to greet His Supremacy.
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