1. This episode was broadcast on
13th November, 1976 at 6.05 p.m.
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2. The Radio Times listing read:
"'You were a fool to enter my domain! '
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3. "The odds are all against the Doctor
in his desperate battle for survival
with a faceless enemy."
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4. This episode is
one of the most controversial
in Doctor Who's history.
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5. Doctor Who was always aimed at
a family audience, rather than
being a children's programme.
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6. But the violent content of this episode
upset a right-wing pressure group,
self-styled the National Viewers'
and Listeners' Association (NVALA).
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7. Leaving the controversy
to one side for now, this was
an innovative episode, technically.
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8. Outdoor, dialogue-free film sequences
make up about 80% of its running time.
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9. This unusually high quota of
outdoor filming
made the most of the summer weather.
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10. It was also a cost-effective way to use
the programme's film allocation budget.
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11. The autumn and winter
recording schedules would be used
for more studio-bound stories.
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12. As the script puts it,
"the landscape shimmers,
splits into horizontal lines
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13. "and then reassembles
into a vista of condensers
and geometric solid state circuitry."
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14. This episode was filmed
between 26th and 30th June, 1976.
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15. This bird is taken from
stock footage, however.
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16. The script reads: "Doggedly the Doctor
struggles up... he clambers down
rocks to sand. He is thirsty.
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17. "He hears the sound of trickling water.
He scrapes away some sand to reveal
a clown's face in a mirror."
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18. Bernard Horsfall plays the clown.
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19. This scene of the biplane attack
is reminiscent of a famous sequence
in Alfred Hitchcock's
North by Northwest (1959).
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20. The Hitchcock movie,
starring Cary Grant, evokes a similar
paranoid feel to this episode.
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21. This plane is a 1949 Stampe SV4C.
This model was designed
as a training aircraft.
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22. The aircraft, G-AWXZ,
is something of a movie star
in its own right.
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23. It's appeared in Indiana Jones
and the Last Crusade (1989)
And The Mummy (1999).
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24. Biplane footage was filmed at
Redhill aerodrome,
with close-up work done on the ground.
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25. The gunshots were supervised by
Dave Goody, the BBC armourer
we saw as the soldier earlier on.
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26. The gun was supplied by Bapty's,
an armoury company.
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27. They supplied weapons for other
Doctor Who stories,
including 'The Invasion' (1968).
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28. The script: "Bullets cut up the earth,
furrowing towards the Doctor
as he dives headlong into the gully.
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29. "The plane blasts overhead
as the Doctor rolls in a cloud of dust."
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30. The masked pilot (but not his laugh)
Was played by Chris Jesson.
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31. The scripted description of
the Doctor's injury is more graphic
than the filmed version.
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32. "His left leg is dangling awkwardly.
Blood is soaking darkly
through the cloth of his trousers."
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33. The location work was filmed
out of sequence.
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34. The Doctor's increasingly ragged
appearance made continuity a challenge.
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35. This "fight or flight response"
was first described by
the American physiologist
Walter Cannon in 1914.
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36. It's triggered by danger
and mediated by the hormone adrenaline.
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37. This increases the heart rate,
raises blood pressure,
and diverts blood supply
preferentially to the muscles.
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38. At the age of sixteen, Robert Holmes
joined the Queen's Own
Cameron Highlanders and fought in Burma.
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39. He reportedly lied about his age
to get into the army.
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40. It's possible that this experience
of tropical warfare inspired the scenes
in the second half of this episode.
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41. Holmes specifically refers to the
swamp trees as "mangroves",
a tropical species found in Burma.
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42. The Hunter is described by Holmes as
"a lean, sinister figure,
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43. "his face invisible beneath
a jungle hat and camouflage net
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44. "The Hunter carries a telescopic rifle
and all the lethal accoutrements
of the combat specialist."
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45. The giant spider is
another of Len Hutton's models.
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46. The script seems to offer it
as a visual metaphor
for the Doctor's entrapment.
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47. The spider's appearance
is immediately followed by a description
of the Hunter "crawling forward".
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48. The Doctor's search for water was filmed
in the middle of a real drought.
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49. Rainfall recorded at Kew between
October 1975 and August 1976
was 43% of the long-term average.
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50. Temperatures topped
32 degrees centigrade
in southern England.
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51. The Hunter's haversack contains
"spare magazines, night-sights,
a hand-grenade
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52. "plastic explosive,
detonators, K-rations..."
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53. The jungle and swamp sequences
were filmed in Gatton Park gardens
in Surrey.
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54. They were shot
on days 3 to 5 of location filming.
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55. Gatton Park has a long history,
having at one point been tended by
the legendary "Capability" Brown.
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56. During World War II,
it was requisitioned by the army
from its owners,
a family of mustard tycoons.
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57. After the war, it was left untended
and became overgrown.
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58. The script for this section has
various last-minute changes
that add tension.
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59. This low shot of the Hunter pacing
across the jungle floor
is a late addition.
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60. Terry Walsh usually doubled for
Tom Baker in stunt scenes.
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61. However, his resemblance to
Bernard Horsfall meant that
in this episode he played Goth.
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62. Stuntman Eddie Powell, meanwhile,
doubled for Tom Baker.
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63. The hypnotised guard, Solis,
is played by Peter Mayock.
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64. Minus uniform, and plus fez and beard,
he had played Ibrahim Namin
in 'Pyramids of Mars' (1975).
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65. Don't worry - no fish were harmed
in the filming of this sequence.
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66. They are another Len Hutton creation.
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67. In the script, the Doctor comes closer
to being poisoned:
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68. "He flings himself down...
dipping his hands
eagerly into the water,
cupping it towards his mouth.
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69. "The scooping action
causes a little current.
A small dead fish drifts out...
white belly upwards.
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70. "The Doctor looks at it,
the water almost to his mouth."
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71. Realistic blood was rarely seen
in 1970s Doctor Who.
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72. Robert Holmes told the Daily Express
that the programme featured
"fantasy deaths".
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73. He added that this meant
"No blood, no petrol bombs".
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74. Ironically, the NVALA's complaints
about Doctor Who focused on
the violence in this story.
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75. Another source of grievance
was the petrol bomb scene in
'The Seeds of Doom', earlier in 1976.
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76. Holmes was keen, however,
to point out that Doctor Who
was not a children's programme.
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77. He stated that he wouldn't let children
under ten watch it.
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78. Tom Baker told BBC radio's Woman's Hour
that the horror was mitigated by the
"domestic context" of Doctor Who.
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79. "Children like to be terrorised,"
he added
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80. Philip Hinchcliffe defended
the violent scenes in this episode
by stressing the fantasy setting.
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81. He pointed out that the Doctor
was actually fighting a battle of minds.
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82. Whilst this is true,
there is certainly a contrast
in this episode
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83. between the early surreal scenes
and the grim fight to the death
of the closing minutes.
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84. David Maloney's realist style in
Genesis of the Daleks (1975)
Had already caused controversy.
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85. Later in his career,
he would take a break from fiction
in favour of documentary films,
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86. notably Art of Darkness (1987),
relating British cultural heritage
to the slave trade.
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87. The Doctor's use of a poison dart
reflects this episode's theme
of the hunter and the hunted.
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88. Archaeological evidence suggests
that the earliest use of poison
was by hunters.
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89. Hunters would coat their weapons
with toxins to kill their prey.
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90. In the script, The Hunter walks
"with a stiff, lop-sided movement".
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91. This is due to
"the knife wound in his thigh".
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92. Presumably, the scene in which
the Hunter receives a knife wound
was cut from the final draft.
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93. In the script, the thorn's
"band of virulent green"
betrays the presence of poison.
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94. Studio work for this episode
was carried out during
the second block of recording.
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95. This took place on
1 st and 2nd September, 1976.
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96. Studio 8 at BBC TV Centre was used.
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97. The final fight scenes between
Goth and the Doctor took up
virtually all of day four
of the location shoot.
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98. The sequence was completed on the
fifth and final day, 30th July, 1976.
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99. The action that ends this scene
changed between script and screen.
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100. Spandrell originally shot Solis
at the controls,
rather than pulling him away.
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101. "His hand blurs like a Hollywood
cowboy's as his staser
comes from its holster.
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102. "He shoots past the startled Engin.
Solis, his hand on the plug,
is flung back by the staser blast."
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103. Marsh gas is methane,
produced by plants decomposing in water.
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104. This flammable gas is
colourless and has a sweet, oily odour.
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105. "The Hunter pushes on into the swamp,
the rifle ready, eyes searching
the undergrowth ahead..."
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106. Originally, the Hunter was to give
"a crazy laugh" as he spoke.
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107. The marsh fire effect was supervised
by effects designer Peter Day.
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108. A ring of gas pipes was used
to create a circle of fire.
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109. The final minutes of this episode
proved the most controversial.
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110. The NVALA's complaint focused on
the "drowning" cliffhanger.
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111. It was alleged that the scene
had given a five-year-old boy
the idea of mimicking Goth's behaviour.
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112. BBC Director General Sir Charles Curran
investigated and replied personally.
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113. He conceded that it may have been
appropriate to cut out
"a few more frames" of the action.
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114. The episode was repeated
in August, 1977.
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115. For the repeat, the last few seconds
of the episode were cut.
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116. The footage was erased from
the BBC's master tape of the programme.
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117. It has been restored from an
off-air recording for this DVD edition.
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118. This episode attracted
13 million viewers,
the highest figure yet for Doctor Who.
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119. You could have seen Tom Baker
again later that evening on BBC Two.
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120. He appeared in a TV movie adaptation of
Henry James's The Author of Beltraffio.
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