1. "Imprisoned on the Moon,
the Doctor plans his escape.
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2. This episode was first shown on
10 March, 1973, when it was seen by
7.5 million people.
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3. Watch the gun as it fires.
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4. to take over a part
which had been played by another actress
in a previous episode.
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5. This time round,
she lost her only lines when
this scene was truncated in editing.
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6. To Sheila, it's schoolroom history
come to life.
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7. This is history too: A student riot
at the University of Tokyo in 1969.
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8. It was the best available footage
to match the Peking incident
mentioned earlier.
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9. This whole scene was a late addition:
As the episode was scripted,
the action cuts directly
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10. from the film sequence where the Doctor
is apprehended to the studio scene
where he is mind-probed.
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11. "I was political aide
to one of the senators.
John was a young officer then.
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12. "and suddenly we saw
a Draconian vessel approaching.
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13. "that the whole peace meeting
was a trap to destroy Earth's leaders."
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14. "Their power source exploded."
The Draconians were "totally destroyed.
From then on, we were at war."
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15. At the time, she believed that
Williams was at fault, but maturity
has brought understanding.
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16. The set wall is painted
to match the grim concrete
of the location exteriors.
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17. The first plan was to install
a small monitor on a stand
as the probe screen.
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18. Paul Bernard then considered
having a yellow CSO screen on the wall.
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19. The President is sympathetic,
wants to help her, and suggests that
she has been "misled" by the Doctor.
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20. "He's admitted that they're both
in the pay of the
Draconian Secret Service."
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21. The prisoner's dilemma trick
fails to get a similar admission
out of Jo, obviously.
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22. Mind probes don't work on the Doctor,
she insists. "And even if it did,
he'd still tell you the same story."
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23. Jo is taken away and Williams demands
that they should now use
the mind probe on her.
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24. The President won't permit it:
"She's hardly more than a child."
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25. Instead, she will use kindness
to induce Jo to talk:
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26. "We must separate her from the man.
It's his influence
that's making her stick to her story."
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27. She hopes to make the Doctor see reason,
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28. The Doctor means that
Jo's prison clothes
look like a karate suit.
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29. The costume change was a late decision:
Originally Jo was to have
kept her jeans.
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30. "Why else would they send the Ogrons
to fetch us?"
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31. "We know that you are
a Draconian agent,"
says the President in the script.
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32. "Madam," he replies, "I am not
a Draconian agent. There probably aren't
any Draconian agents."
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33. She offers the Doctor money, freedom,
and "a new identity
on one of the colony planets".
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34. "I've no real use for money,"
he replies, "and as for identities,
I'm quite happy with my old one."
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35. He also suggests asking the Draconians
about their war plans.
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36. "The public trial of a Draconian agent
will only increase the existing demand
for war with Draconia," she says.
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37. "You're probably right there," he says,
and she replies, astonished,
"I'm glad you approve."
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38. "No doubt your Draconian masters
will continue their provocation,"
remarks Williams.
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39. "You really do have a one-track mind,"
says the Doctor,
"even for a military man."
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40. In the storyline, the Doctor and Jo
are not separated: They send her
to the Moon along with him.
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41. The lunar surface
is a painted cyclorama.
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42. Patel was originally named Doughty,
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43. but then they cast the
Anglo-Indian actor Madhav Sharma
to play him.
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44. For example, he played an
Indian conjuror in The Moonstone (1972),
and a maharajah in The Regiment (1973).
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45. Back in the future, he returned to
a Barry Letts version of the Moon
as a semi-regular in Moonbase 3 (1973).
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46. Cross "looks, and is, a criminal type"
says the script.
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47. Cross was scripted to eat
the confiscated confectionery.
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48. George Orwell's novel
Nineteen Eighty Four (1949) features
a similar prison regime
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49. which differentiates "politicals"
from "common criminals",
giving the latter positions of trust.
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50. The script gives the Governor's name:
Stevens.
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51. He spent much of his career
in the theatre, but his notable
small-screen roles included
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52. unsuccessful lovers like Menelaus in
La Belle Hélène (1951) and Hortensio in
The Taming of the Shrew (1952),
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53. a stupid doctor in Out of the Unknown
(1969), and a knight of the realm in
Paul Temple (1970).
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54. Dale is loosely based on the British
philosopher and peace campaigner,
Bertrand Russell (1872-1970).
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55. He was the first president of the
Campaign for Nuclear Disarmament,
from 1958,
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56. but resigned two years later to form
the Committee of 100, which advocated
using civil disobedience as a tactic.
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57. In 1961, at the age of 89, Russell was
imprisoned for his part in planning a
"Ban the Bomb" demonstration in London.
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58. The peace movement appropriated
Winston Churchill's two-fingered
"V for Victory" gesture,
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59. which Jon Pertwee and Madhav Sharma
incorporate, unscripted, here.
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60. Recording broke here to give Jon Pertwee
time to change into prison clothes.
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61. The script calls for old-fashioned
paper documents rather than
an on-screen display.
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62. The Dominion was first scripted as
Aldebaran Four.
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63. Aldebaran is a star in the constellation
of Taurus, on the opposite side of Orion
from Sirius.
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64. The Special Commissioner has a name
in the script.
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65. Unsurprisingly, it's Masters.
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66. The Master is "dressed in the uniform
of a high-ranking diplomat
of the Earth Empire," says the script.
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67. The script describes the prisoners
holding tiny black boxes, each with
a wire to an earpiece: "audio books".
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68. The prisoners have less time
on their hands in the storyline.
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69. The entire Moon has been turned into
a forced labour camp, where "prisoners
toil in underground workshops".
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70. The angled walls in the background
are free-standing flat scenery pieces.
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71. The design of this prop was influenced
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72. by the three-dimensional chessboard
seen in several early episodes
of Star Trek.
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73. The political structure of
Earth's interplanetary empire
reflects that of the British Empire,
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74. In the storyline,
the Master doesn't pose as a diplomat.
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75. He's a colonel
in Earth's security forces,
and arrives on the Moon with a warrant
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76. authorising him to bring the Doctor
and Jo back to Earth
"for further interrogation".
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77. This was changed to sidestep
a logical inconsistency: Why send them
to the Moon in the first place?
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78. The meal was scripted as bowls of soup.
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79. As we change shot, keep your eyes on
the prisoner in the background,
played by Jean St Louis.
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80. She takes a swig of her drink,
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81. but it seems to have gone
down the wrong way.
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82. Dale is played by Harold Goldblatt
(1899-1982).
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83. After he moved to England, his
television parts included a scientist in
Pathfinders in Space (1960).
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84. His last role was, rather fittingly,
Time in the 1981 BBC production of
The Winter's Tale.
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85. Jo is asleep in the script
and the Master wakes her
with a gentle shake of her shoulder.
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86. This episode was recorded on
16 October, 1972, two days after
Katy Manning's birthday.
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87. "There's nothing like a war
for a bit of excitement, is there?"
Says the Master in the script.
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88. Jo refuses to go with him:
"I'll tell them all you're a fake.
They can check up, you know."
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89. "You sent the Ogrons
to try and kidnap us," she says.
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90. He claims that he is rescuing them
on "a kindly impulse".
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91. The Master's colloquialism here
was Roger Delgado's rehearsal adaptation
of a more formal scripted line.
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92. Jo's parting shot was
Katy Manning's unscripted contribution.
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93. The scripted discussion was truncated.
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94. "We thought the War Party
at the Draconian Court had gained
the upper hand," says Patel.
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95. "And they probably thought
the same about Earth," adds the Doctor.
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96. Dale explains that, if war
did break out, "It would be suicide.
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97. "But what's the use of a lot of
ruined planets?" asks Patel.
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98. "Terrified survivors,
who'd work for anyone who let them."
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99. Because he was trained as a designer,
Paul Bernard's first response
to a script was usually a visual one.
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100. He also made thumbnail drawings of
how he envisaged particular shots,
often on his copy of the script itself.
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101. The next scene was cut: A model shot
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102. showing the Master's spaceship
landing beside a simple dome, "all that
is above ground of the space port".
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103. It was one of the scenes Paul Bernard
sketched in his draft camera script.
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104. The Earth is seen in the sky above
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105. and the dome is rounder
and more geodesic,
with a panelled surface.
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106. Commissioned on 4 May, Malcolm Hulke
was asked to complete scripts
for the six episodes by 1 July.
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107. He was known as a reliable writer
who would produce viable scripts
to deadline and so it proved.
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108. The scripts were delivered in pairs,
starting a month early
with the first two episodes on 1 June.
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109. They were formally accepted on 6 June,
and Hulke delivered the next pair
on 15 June.
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110. These too were accepted on 20 June,
the same day as Hulke delivered
the last two episodes,
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111. In the script, he can tell it's empty
by its weight rather than by
looking at the gauge.
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112. Also seen in this episode were:
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113. Lan Yardley
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114. Leslie Bates, Richard King,
Steve Tierney
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115. Nancy Gabriele, Nelly Griffiths,
John Hughman
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116. David Layton, Fred Looker,
George McFarlane
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117. I sympathise with your position.
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118. But my government has sought
these criminals throughout the galaxy.
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119. They are now prisoners
of the government of Earth.
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120. That's good enough.
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121. With the greatest respect,
General Williams, I must disagree.
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122. They are citizens of Sirius 4.
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123. Part of Earth's empire.
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124. Yes, but it has been granted
dominion status.
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125. He has a point, General Williams.
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126. Once a colony has been raised
to dominion status,
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127. it enjoys certain autonomous rights,
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128. including the right to try
and punish its own citizens.
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129. Exactly. But I feel sure that
once these two have come to trial,
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130. my government will be only too happy
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131. to send them back to you
for further interrogation.
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132. But, meanwhile, my orders are clear.
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133. I must take them back
with me to Sirius 4.
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134. I will not hand over vital prisoners
to some tin-pot colony!
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135. As the commissioner has
pointed out, General Williams,
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136. Sirius 4 is no longer a colony.
It is a dominion.
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137. Your request is granted.
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138. Madam President, I am most grateful.
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139. Heaven help you if you let them escape!
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140. You may rest assured, General Williams,
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141. they will be perfectly safe with me.
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142. Right, keep it moving!
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143. Is this all we get?
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144. It contains all the elements
to support life.
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145. Mmm, and absolutely nothing
to make it enjoyable, eh?
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146. You get used to it after a month or two.
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147. Anyway, it's all we ever get.
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148. - Keep moving!
- You heard him, move!
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149. Not exactly friendly, are they?
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150. One gets used to it.
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151. What time do we get to bed?
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152. Anytime. There's no day or night here.
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153. No. Uh, tell me, Professor, when...
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154. When do you plan to escape?
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155. No one escapes from here.
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156. But you're going to try?
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157. For all I know,
you could be a spy for the Governor.
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158. If I were, I'd hardly be
drawing attention to myself
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159. quite so quickly, now would I?
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160. No, a valid point of logic.
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161. I wonder if I can trust you?
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162. You've little
or no alternative, Professor.
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163. We're all in this sector together.
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164. Whatever you do, I shall know about it.
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165. Yes, but we don't know you.
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166. Why did they send you here?
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167. Oh, I was sent here at the express wish
of a certain General Williams.
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168. We have no proof of that.
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169. We have no reason to tell you anything.
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170. I'll tell you something.
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171. There is a conspiracy to start a war
between Earth and Draconia.
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172. There are warmongers on both sides.
We are aware of that.
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173. But there's also
a third party, Professor,
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174. who's plotting to set the two empires
at each other's throats.
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175. No, I'll see her alone.
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176. Penny for them, Miss Grant?
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177. You! What are you doing here?
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178. To coin a phrase,
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179. I've come to take you
away from all this.
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180. - What are you talking about?
- Well, surely you don't want to spend
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181. the rest of your life in here, do you?
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182. Well, I'm not going anywhere with you,
that's for sure.
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183. Oh, but you are, you know.
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184. Believe it or not,
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185. I am a fully accredited commissioner
from the planet Sirius 4
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186. and you and the Doctor
are two dangerous criminals
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187. being handed over into my custody.
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188. So it was you!
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189. You ordered those Ogrons
to attack the ships
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190. and pretend they were Draconians!
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191. But, of course!
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192. Those lumbering idiots
could never have thought up
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193. such a brilliant scheme by themselves.
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194. Why did you want to start a war?
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195. Now, come on, Miss Grant, be reasonable.
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196. You want to see
the Doctor again, don't you?
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197. - Where is he?
- He's in another prison, on the Moon.
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198. We're going to collect him.
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199. How do I know you're telling the truth?
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200. You don't.
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201. And the only way you'll find out
is by coming with me.
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202. Well?
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203. How did you know
we were here in the first place?
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204. Well, after they'd attacked
the cargo ships,
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205. the Ogrons returned to their planet,
taking their loot with them.
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206. Now imagine my surprise, and my delight,
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207. when I found that
they brought me the Doctor's TARDIS.
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208. And why are you taking us with you?
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209. Oh, need you ask?
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210. How could I leave two dear friends
in such dire straits?
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211. Oh, you don't seriously think that
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212. I'm going to believe that
you want to help us...
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213. Believe what you like, Miss Grant,
I have my reasons.
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214. Now, are you coming,
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215. or do you really wish to vegetate in
this hole for the rest of your natural?
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216. Very well. I'll come.
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217. Excellent!
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218. The prisoner and I
are ready to leave now, guard.
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219. Anywhere is better than here.
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220. Well, there you are.
There you have it.
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221. That's how I came to be here.
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222. It's fantastic!
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223. I mean, our people seeing Draconians,
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224. Draconians seeing Earthmen.
I can't believe it.
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225. Well, I can.
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226. Good grief.
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227. Do you know, sir, you're
the first person who's believed me?
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228. It would explain a great deal.
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229. After the stupidity of
the Draconian war,
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230. the bitterness eventually died down
and we had many years of peace.
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231. There were trade treaties,
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232. cultural exchanges and then,
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233. for no reason at all,
these sudden acts of hostility.
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234. Dale! Over here!
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235. - Yes, what is it?
- Spot check. You ought to know.
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236. If you'll excuse me,
one of our little prison rituals.
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237. This is it. There's a VIP landing
on this spaceship
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238. in 10 minutes' time, Bay 7.
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239. You can pinch it.
I've set up two spacesuits for you.
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240. I can't believe it.
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241. Well, I keep my promises,
now you keep yours.
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242. When you get back to Earth,
don't forget who your friends are.
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243. When the Peace Party takes over,
you will be given a free pardon,
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244. you have my word.
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245. Right, you're clean. Report to
Air lock 3 for maintenance work.
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246. You and one other.
You can choose him yourselves, okay.
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247. What is it? What's up?
- Oh, just a search.
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248. All part of the routine.
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249. Come on, Professor. Come on!
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250. You were giving off conspiracy
in waves over there.
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251. You can trust me, you know.
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252. The escape plan, it's now.
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253. We have to walk from the air lock,
across the Moon's surface.
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254. We're going to steal a spaceship.
They've left two spacesuits for us.
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255. Who are you taking with you?
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256. Well, I had planned
to take another member
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257. of the Peace Party committee
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258. but I'm afraid he'll have to
give up his place.
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259. Doctor, I want you to come with me.
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260. Well, that's very generous
of you, but...
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261. We must get you back to Earth
so that you can tell your story.
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262. Well, it was telling my story on Earth
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263. that got me sent here
in the first place.
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264. We have contacts everywhere,
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265. journalists, broadcasters,
even friends in the government.
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266. We'll make them believe you.
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267. Thank you, Professor.
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268. You don't know what it means to me
to have found allies at last.
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269. Well, we'd better be going, Doctor.
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270. This spaceship
will be landing any moment.
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271. Good! He's left it open.
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272. Excellent! Excellent!
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273. Come on, Doctor, we haven't got long.
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274. Take this one?
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275. We can't use the main entrance
to the spaceport.
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276. It's too well guarded.
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277. All we have to do is to walk
across the Moon's surface,
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278. about 10 minutes and we're there.
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279. Tell me, Professor,
why is Cross helping you?
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280. A kind of bribery, I'm afraid.
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281. I promised to get him a free pardon
once we get into power.
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282. That's extraordinary. I would have
thought he would have wanted something
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283. far more positive than promises.
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284. Oh, he's not a bad fellow
when you get to know him.
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285. I appealed to his better self.
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286. Now do hurry, Doctor.
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287. What's that?
I thought I heard something.
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288. Yes. Now, Doctor,
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289. clip my cylinder on the back of my suit
and then I'll fix up yours.
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290. All right.
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291. - Well, this one's empty.
- It can't be.
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292. Well, it certainly is.
Take a look for yourself.
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293. There, look at the gauge.
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294. Yes, and so is this one.
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295. They're both empty, Professor.
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296. The door, it's locked!
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297. - Listen.
- They're depressurising.
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298. Don't you understand, man,
they're pumping out the air!
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