1. Honey, I'm home.
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2. Whoa! There she
is, Caroline Foxworth.
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3. Who could resist
beauty like that?
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4. She has it all.
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5. A perfectly smooth complexion,
with just a hint of a nose,
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6. The kind of aqua scales
a guy could get lost in
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7. and a tail that wraps
right around my heart.
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8. I mean, I've asked
girls out before,
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9. but how do you approach
a reptilian goddess?
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10. Huh?
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11. - Ha!
- Ohh!
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12. - Ha!
- Pardon me.
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13. The name's Sinclair.
Robert Sinclair.
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14. Nah. That bites.
She'd see through that.
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15. It's gotta be something
more real, more believable.
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16. Yeow!
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17. 'Ello, gorgeous.
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18. Me and the lads are headin'
back to trash the hotel room.
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19. Like to come?
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20. Waaah!
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21. Ohh... Oh!
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22. Oh... My goodness.
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23. Are you OK?
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24. Oh, yeah, I'm fine. I, uh...
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25. Good.
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26. Dropped my... racket.
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27. Well, it's a start.
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28. I talked to her. She
knows who I am.
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29. Yeah, everybody knows.
You're a complete idiot.
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30. Hey! It's OK To make
mistakes. It's part of growing up.
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31. Yeah, it's part of growing
up a complete idiot.
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32. OK, you're so smart,
what do you say to girls?
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33. How do I know? I'm you.
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34. Huh?
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35. Unfortunately I'm all booked
up for Friday and Saturday night,
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36. but, uh, how about
the Sunday matinee?
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37. Oh, oh, Spike!
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38. Apparently, that's
what you say to girls.
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39. Yeah, but that's
Spike, you know.
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40. He's sleazy, slimy...
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41. Hey! He's booked
up for the weekend.
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42. But I'm much better
looking than him.
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43. Hey! No argument here.
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44. What am I doing?
She's making me crazy!
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45. I'm talking to my locker!
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46. Ohh! I got to forget
about Caroline Foxworth.
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47. Forget about girls.
Who needs 'em?
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48. I'll have more time for
studying, my friends, my family.
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49. - Wussy!
- Huh?
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50. Puppets!
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51. To which Lord
Burlington replied,
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52. "Madam, that is not my
wife. That is the archbishop!"
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53. That would explain
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54. his reluctance to
dance with me, yes.
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55. That and his
dreadful taste in hats.
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56. Oh dear!
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57. Hey, Franny, you got
to see this puppet show.
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58. It's terrific.
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59. Earl, that's for kids.
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60. You'd think that
because they're puppets,
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61. so it seems to have
a children's aesthetic,
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62. yet the dialogue is
unquestionably sharp-edged, witty,
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63. and thematically
skewed to adults.
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64. Oh, look.
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65. Here comes our
neighbor, Mr. Argyle.
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66. Ahh! Good day to
you, lassie and laddie.
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67. Where's that athletic
son of yours, eh?
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68. Well he's...
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69. Hello, Mummy and Daddy.
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70. He's here.
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71. Look who I brought
home for dinner.
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72. Oh! Don't you bring that
pair of hose into this house!
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73. I'm tellin' you, Fran, this
show works on two levels.
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74. They look like puppets.
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75. I'm not watching.
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76. Hello, Mom. Hello, Dad. It's
good to be home. How are you?
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77. We're fine, dear.
How was your day?
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78. Fine! And it wasn't
humiliating, it wasn't degrading,
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79. and it certainly wasn't
emasculating, OK?
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80. OK!
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81. That's not what I heard.
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82. What did you hear?
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83. I don't think Robbie
would want me to tell.
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84. - It's pretty embarrassing.
- I understand.
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85. So here's what happened.
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86. Robbie's got the hots
for Caroline Foxworth.
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87. She's totally out of his league.
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88. So today he tried
to ask her out.
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89. That meant he had to put
a few sentences together
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90. and, of course, that
was the end of that.
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91. Ha!
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92. Earl, I think he may
need a father-son talk.
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93. How come I always
have to do those?
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94. There are times when a boy
needs a strong male influence.
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95. - Now get in there!
- Whoa!
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96. Yes, dear.
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97. Son, your mother thinks it's
time we had a father-son talk.
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98. So... if we just sit here
quietly for a few minutes
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99. and move our mouths
we'll both be off the hook.
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100. That's fine with me.
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101. And now back to Love Confession.
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102. So, Sandra, tell us
about your date with Bob.
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103. Well, Chuck, he
picked me up at eight
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104. and he wasn't very good-looking.
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105. He tried to kiss me,
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106. - and he was a bad kisser.
- Huh?
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107. I don't think he'd ever
been out with a girl before.
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108. He kept telling jokes
that weren't funny at all.
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109. To tell the truth, Chuck,
I felt sorry for him.
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110. Well, Sandra, let's see how
Bob felt about the evening.
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111. Oh...
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112. Maybe we should talk.
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113. Dad, when you were my age,
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114. did you have a lot of
experience with girls?
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115. Hey! When it came
to sowing wild oats,
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116. I was quite the seamstress.
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117. So, what do girls want anyway?
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118. Ahh, the age-old question.
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119. What do girls want?
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120. Um...
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121. Well, first of all, you can
forget anything we want,
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122. which basically
leaves... curtains.
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123. Curtains?
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124. It's inexplicable, Son,
but that's what they want,
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125. and they want 'em in every room.
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126. But, if we have nothing
in common with them,
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127. why do we spend our whole
lives letting them drive us crazy?
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128. I've often asked that myself.
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129. After all, males are most at home
in the company of other males.
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130. Take Roy for example.
He's my best friend.
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131. We have a lot in common,
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132. but whenever I see him at night,
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133. when the moonlight bathes
his face in a soft, romantic glow...
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134. it sends me running
home to your mother.
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135. Yeah. So how did you
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136. approach a female
on your first date?
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137. Aah, first one?
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138. Well, I'll have to think back.
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139. Oh, yeah! I remember.
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140. I went up to her and I said,
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141. "Hi, Fran. Want to go out?"
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142. And she said yes.
Then I proposed,
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143. so I'd never have to
go through that again.
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144. I said yes because
your father has
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145. what females are most
attracted to in a male...
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146. Sensitivity.
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147. Sensitivity? Huh.
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148. Aw, jeez.
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149. Robbie, are you OK?
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150. Oh, it's just something
I heard in science class.
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151. The continents,
they're drifting apart,
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152. and I feel that
somehow it's my fault.
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153. I guess I'm just
a little... sensitive.
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154. Robbie, I've never seen
this side of you before.
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155. - Yeah.
- It's really pathetic.
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156. Huh?
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157. Hmmm.
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158. Nice technique. You learn
that one from your mommy?
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159. Hey, I'm doin' OK here. She'll
come around. Give her time.
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160. I don't know, kid. You want her
to come around in this lifetime,
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161. you might want to try
something that, uh, works...
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162. Just for a change of pace.
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163. Oh, and you have
all the answers?
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164. Oh, I think I know
enough to get you...
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165. oh, like, how about
any girl you want?
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166. Yeah? Like how?
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167. Listen, skippy, I
have a busy schedule.
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168. - Time is money.
- What do you want from me?
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169. Money.
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170. You expect me to pay you?
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171. You expect me to talk to you?
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172. That's crazy! I don't
need your help that bad.
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173. Oh, "The continents are
drifting apart." That's very good.
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174. All right, all right. Uh...
Ten dollars to start OK?
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175. Hmm. All right, that pays
for the last five minutes.
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176. OK, this is a very
popular young female,
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177. so you have to move
in on the competition.
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178. Now, have you seen her
talking to any other males?
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179. You mean like boyfriends?
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180. Any other males!
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181. She was just talking to
Mr. Pullman, the science teacher.
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182. Kill him.
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183. But couldn't I do
something more romantic?
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184. Ah! Hearts are romantic.
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185. You could tear his
out and give it to her.
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186. Uh, I was thinking something
more like an ID bracelet.
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187. Oh, no! This civilization thing
has got you whipped good.
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188. Yeah, but isn't
that what girls like?
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189. First of all, platehead, she's
not a girl, she's an animal.
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190. You're an animal,
so act like an animal.
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191. So what am I supposed
to do, grunt at her?
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192. - Ah! Breakthrough.
- Yeah.
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193. Hey, there she is again.
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194. Here's your chance, sparky.
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195. What do I do, just growl?
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196. Growl, give her a good sniff.
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197. You're an animal. Just
do what comes natural.
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198. OK.
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199. Yeah.
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200. Go on.
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201. Robbie! What are you doing?
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202. Uh...
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203. Oh!
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204. Hey! Hey! Congratulations!
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205. You made a very big impression.
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206. - She hit me!
- You got yourself some tail!
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207. Hmm? Yeah. Maybe I did.
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208. You're on your way,
kid. Good luck. Bye-bye.
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209. Uh... Wait! Wait! I could
use some more advice.
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210. Hmm. What a coincidence.
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211. I could use some more money.
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212. OK.
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213. OK, this is her house,
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214. this is her yard, this is
her shrubbery. We're here.
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215. Yeah, all right, so... So I
throw pebbles at the window,
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216. she looks out, and then
you hide behind the tree
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217. and whisper poems for me to say?
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218. Grow up, scooter.
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219. Did you drink the
water like I told you to?
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220. Yeah. Eight glasses. I
sure could use a bathroom.
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221. That is why we're
here, Sinclair.
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222. When a young male
wants to claim a female,
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223. he stakes his claim
by marking her territory.
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224. So... go ahead,
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225. knock yourself out.
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226. Um... OK.
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227. Uh...
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228. OK, OK, OK.
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229. Hey, I can't do this!
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230. Think about what's at stake.
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231. Think about Caroline.
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232. Think about... putting your
hand in some warm water.
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233. Ooh... Ooh... Ooh!
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234. Now what's the matter?
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235. I can't mark territory when
somebody's watching me.
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236. Fine. So start on the
other side of the house.
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237. Oh, OK.
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238. And don't hit your shoes,
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239. or you're walking home alone.
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240. Gotcha.
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241. Attention! This is the police!
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242. Hey, we got company, Sinclair!
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243. Shake a leg!
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244. Oh, boy.
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245. Hey! You there! Somebody
put a lot of love in that garden!
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246. You cut that out!
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247. I don't think I can.
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248. Hmm? All right!
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249. Eh?
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250. Come on out of there!
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251. Evening, Officer...
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252. The fun's over, boys.
You're under arrest.
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253. Come on!
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254. Hey! OK, OK.
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255. George, grab that
bush. It's evidence.
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256. Huh? You grab it!
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257. Hey! Excellent work, Sinclair.
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258. Huh?
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259. You got her attention.
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260. Uh...
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261. Yeah, yeah, yeah!
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262. Ohh!
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263. Come on!
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264. But they're just boys, Officer.
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265. That may be, Mrs. Sinclair,
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266. but the commission of a number
one is a very serious offense.
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267. Mm-hm.
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268. Let me handle this.
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269. Uh... Officers, my
wife doesn't understand
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270. the intricacies of the
criminal justice system.
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271. I'm sure there's some sort of
arrangement we could come to...
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272. just between us, that's to
everyone's mutual benefit.
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273. - Are you trying to bribe us?
- No!
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274. - Because we think you should.
- Yeah.
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275. Oh. So, what, I just
hand you the cash?
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276. Right.
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277. And we hand you these tickets
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278. to a charity event
that was never held.
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279. Thank you. I'm sure
I had a good time.
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280. Good night. Bye!
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281. - Thank you.
- Bye.
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282. Bye!
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283. Crooks.
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284. Oh, boy. What a day.
Well, good night, everybody.
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285. - Sit down!
- Oh.
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286. From this point on you will
speak only when spoken to.
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287. I have things to say to you
and your hoodlum friend.
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288. - Do we have to listen to this?
- Hey!
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289. Don't stop him. This is great.
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290. The mommy-daddy
ritual, reading the riot act,
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291. putting your parental foot down.
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292. It's a beautiful thing.
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293. Do your stuff.
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294. This is how you choose
to spend your evening?
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295. Breaking the law? Making
a nuisance of yourself?
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296. Excuse me.
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297. I gotta stop you
there, Mr. Sinclair.
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298. Tonight's exploits were, in
fact, not young Robert's fault.
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299. Oh?
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300. He's the victim
of peer pressure.
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301. He's fallen in with
a bad influence.
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302. Mm-hm. Mm-hm.
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303. I filled his head with a
lot of questionable ideas.
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304. Can I get anybody anything?
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305. - A brewski, Mr. Sinclair?
- Oh, thank you.
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306. Earl! The police just
brought your son home.
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307. Let the male of the household
handle this one, Fran.
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308. You go upstairs.
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309. Things could get pretty rough in
here when I lay into these boys.
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310. Yeah. Yeah.
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311. Right.
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312. Hey, you want a glass with this?
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313. Oh, appreciate it.
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314. Uh, now! Uh... Uh...
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315. Where was I?
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316. You were pointing the
fatherly finger of blame.
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317. And even though
young Robbie was caught
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318. with his pants
down, so to speak,
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319. he was merely pursuing
the female of the species.
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320. And I'm sure even
you, as a youth,
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321. fell prey to a well-turned tail.
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322. Am I right?
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323. Well, I may have
played love's fool
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324. once or twice.
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325. Ow! Oof!
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326. That's what happened to me, Dad!
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327. Caroline Foxworth's
on my mind all the time.
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328. I can't think straight.
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329. It's the ladies, Mr. Sinclair.
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330. We males are just the victims.
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331. They weave their spells.
They confuse our minds.
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332. They break our hearts,
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333. and who ends up in
trouble with the police?
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334. We do!
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335. Oh, you're right!
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336. - Yes.
- Yes.
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337. Upsy-daisy there, sir.
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338. Uh... Glad to be of help.
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339. Thank you.
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340. I see it all now.
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341. It's all so clear.
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342. Earl, is everything all
straightened out now?
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343. - You bet it is. It was you!
- Me?
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344. You foul temptress,
weaver of spells!
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345. What?
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346. Don't try to cloud my mind.
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347. These boys are mere victims
of the treachery of you females.
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348. Where's Spike?
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349. He's right...
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350. Did you let Spike just
walk out of this room?
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351. Well, I...
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352. Did you lose control
of the entire situation?
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353. Lose control? I'm the
mighty megalosaurus!
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354. Yes, dear.
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355. Robbie, go to your room.
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356. But Dad said...
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357. I don't care what he
said! You're grounded.
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358. Yes, ma'am. Yes,
ma'am. Yes, ma'am.
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359. - Grouch!
- Franny?
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360. You know, I'm sure
Robbie didn't notice,
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361. but it's kind of embarrassing when
you undercut my authority like that.
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362. You're making that
noise again, sweetheart,
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363. just like the last
time you were right
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364. and I was really, really wrong.
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365. I'm on the couch
again tonight, aren't I?
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366. I can't believe...
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367. Night-night.
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368. Doh!
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369. Ahh, jeez!
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370. - Open up.
- I don't like that.
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371. What?
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372. I don't like that.
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373. I don't like that.
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374. Eat this!
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375. - OK. Ahh.
- Ahh.
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376. All right, now look.
Be a good baby brother
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377. and fall asleep or something.
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378. How come you're the baby-sitter?
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379. Because I got grounded.
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380. - I'm your punishment?
- Yep.
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381. I like that.
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382. I'm happy you're happy.
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383. Why did you get grounded?
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384. Because of this girl Caroline.
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385. She nice?
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386. Yeah, she's pretty hot.
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387. - Hot! Don't touch!
- No.
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388. This is the kinda hot
you want to touch.
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389. I don't get it.
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390. Neither do I.
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391. I'm ho-ome!
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392. Who ca-ares?
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393. Uh, can I get you
something? Juice? Milk?
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394. Eight glasses of water?
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395. Eat tar and die.
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396. Be nice, or I won't tell
you who I saw at the mall.
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397. Who cares?
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398. Not interested in Caroline
Foxworth anymore?
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399. She's hot! Wanna touch!
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400. Spike thought so. He
was, like, all over her.
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401. What?
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402. I upset you? What
was I thinking?
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403. Oh, now I remember.
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404. Spike and Caroline talking
together at the same table.
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405. - I'm sure it was innocent.
- That back-stabbing lizard!
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406. Taking advantage of the
situation to move in on my girl!
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407. Don't be ridiculous. It's not
his fault you're grounded.
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408. - Oh, wait. It is.
- I can't believe this!
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409. Shame you got to sit here
all night long worrying about it.
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410. Good night!
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411. I don't get it.
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412. I heard you got thrown
out of your old school
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413. because you ate the principal.
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414. I have a little
problem with authority.
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415. Hey! You got a bigger
problem than that.
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416. You talking to me, squirt?
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417. I don't see any
other back-stabbing,
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418. bottom-feeding, scum-sucking
maggot in this hall.
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419. Oh! Such language.
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420. You kiss your mommy
with that mouth?
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421. Oh! You're good.
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422. You got me grounded,
then you moved right in.
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423. Pardon me a minute, my lovely.
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424. The boy needs a
little adult supervision.
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425. Don't you need to get home
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426. and rotate the tires on
your scooter, scooter?
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427. Oh, yeah? Rotate this!
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428. All right, all right.
How's this for primitive?
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429. Impressive. Now toss me on
the floor and kick me in the ribs.
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430. What?
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431. You wanted the girl,
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432. I'm getting you the girl.
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433. Now come on.
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434. Show her you're
an animal. Kick me.
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435. Uh...
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436. Take that! And this!
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437. - And that!
- Jeez!
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438. - And that!
- Nice.
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439. - I think you've had enough.
- Agreed.
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440. Just stay away from
my female from now on!
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441. You got it.
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442. - Ha!
- Thanks.
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443. Sorry you had to
see that, little lady.
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444. So am I. That was
unbelievably immature.
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445. - What?
- What?
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446. You acted like a
couple of wild animals.
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447. It was disgusting.
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448. Girls like that. You're supposed
to want to go out with me now.
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449. If you want to go out with me,
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450. why do this all this
phony, macho posturing?
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451. Why don't you just ask me out?
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452. Well, do you want to go out?
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453. No.
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454. Huh?
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455. She blew me off.
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456. Well, situations like
this happen, scooter.
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457. No one's to blame...
certainly not me.
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458. I want my money back.
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459. A fine display of male
aggressiveness like that,
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460. and she walks away.
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461. I tell you, Sinclair,
civilization is killing romance.
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462. Hey, buddy, I want
my money back.
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463. Look, we both know
that's not going to happen.
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464. But for your investment so far,
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465. I'm prepared to offer
you the following.
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466. - Huh?
- You get to hang out with me.
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467. Why would I want to?
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468. You didn't deliver. You
didn't get me the girl.
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469. Hey, look, scooter, I always
get the girl. I never miss.
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470. I hang out with you, I miss.
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471. You're trouble for me. You're
bringing my average down.
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472. What you think we ought
to do about that? Huh?
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473. - You never miss?
- Nope.
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474. - Not once?
- Ask around.
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475. Maybe I just need to
hang around with you more.
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476. Could be.
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477. I don't have any more money.
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478. - Got any food in your house?
- Yeah.
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479. Well, we'll talk.
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480. Oh, Spike. Where you going?
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481. I was going to your house.
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482. - What kinda food you got?
- All kinds.
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483. - Got any girls there?
- No.
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484. You're supposed
to find me girls.
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485. Oh, yeah. That's what I do.
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