Death Parade 1x2

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A black-haired woman awakens in an unfamiliar place, unable to remember even her own name. She is taken by a girl named Nona to Quindecim, where she is told that she will be an assistant, and is instructed as to the purpose of the bar's existence.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. Good morning.

2. Who are you?

3. Nona. And you?

4. I am...

5. Huh?

6. It's all right.

7. You don't have a name.

8. Shake up your wishful-thinking fantasies,

9. stir up your reality, and let your individuality shine

10. That's one more down from your armful of problems

11. From top to tail, it's our life's entertainment

12. The future that's unfurled isn't dead yet

13. Kick off from the ground and soar even higher

14. Everybody put your hands up

15. Now we're flyin', be your own wings

16. I'd like to see you get carried away

17. We're still growing, off into a new world

18. Everybody put your hands up

19. Now we're flyin', keep that imagery

20. I'm sure you can be who you want to be

21. Find yourself, you're the one, up on the big stage

22. (Flyin') There among all your (Flyin') forgotten memories,

23. listen to the pounding of your heart once again

24. Say, where are we going?

25. The 15th floor.

26. This way.

27. Clavis!

28. Terribly sorry to keep you waiting.

29. You're late.

30. I'll be more careful in the future. Where to today?

31. Decim's place.

32. Okay!

33. Oh, hi.

34. Hi there.

35. See you later!

36. Miss Nona, thank you.

37. Welcome to Quindecim.

38. I am the bartender, Decim.

39. Nice to meet you.

40. Um, what is this—

41. This is where the deceased come.

42. The deceased?

43. You mean the dead?

44. Yes.

45. There will be two deceased coming here.

46. We're going to have them play a game with their lives at stake.

47. Uh-huh...

48. We pass judgment on the deceased,

49. based on their life memories,

50. as well as the extent of the humanity they display during all this.

51. We are arbiters.

52. Arbiters?

53. My, you look like this comes to you as a surprise.

54. Anyway, before the deceased get here,

55. the memories of our guests are compiled and sent to the arbiters.

56. Compiled?

57. Yes.

58. Kind of like hocus-pocus.

59. Sort of a kaleidoscope of images.

60. Understand?

61. More or less.

62. Um, am I—

63. Just a moment.

64. Quin, we're ready.

65. Okay, sending memories.

66. Now the performance should go faster.

67. Decim, if you would?

68. Very well.

69. Over this way.

70. Excuse me!

71. Hmm?

72. What is it that I do here?

73. Oh, sorry.

74. I forgot.

75. You're an assistant.

76. In here.

77. They're dummies.

78. It's Decim's pastime.

79. Don't pay them any mind.

80. They're disgusting.

81. It's an awful pastime, isn't it?

82. Right now, on the other side,

83. Decim is persuading our guests to play a game.

84. On the other side?

85. Yes.

86. Eyes forward.

87. And sit very still, okay?

88. Our star players this time are these two—

89. Takashi and Machiko.

90. Newly wed, and newly dead.

91. "Death Reverse"

92. Those two are dead?

93. The shock of dying makes everyone forget that they are even dead.

94. That's why it won't do for them to realize it.

95. Why not?

96. If they knew they were dead,

97. why would they play a game with their lives at stake?

98. But the act of risking your life on a game itself seems...

99. Yes.

100. Normally, they wouldn't.

101. That's why we have to prompt them.

102. Huh?

103. We make them think that they might die if they don't play the game.

104. That's the present situation.

105. He's in the process of intimidating them?

106. That's right.

107. So don't move.

108. Let's just do what he says for now.

109. There's no telling what he might do if we go against him.

110. Prompting successful.

111. Why would you go this far?

112. It's necessary for their verdict.

113. In our experience, the best way to create extreme conditions

114. is to have people risk their lives over some contest.

115. Extreme conditions?

116. The state of extreme tension that comes during the game.

117. Mentally speaking, mainly.

118. Okay, onto the next phase.

119. Wait.

120. What is it?

121. When you say the verdict requires extreme conditions...

122. We can't judge people on their memories alone.

123. Once they reveal as much as possible of the darkest parts of their souls,

124. the arbiters take it all in.

125. That's when we first pass judgment.

126. The darkest parts of their souls?

127. Still not convinced?

128. Do you know what the most primitive emotion people have is?

129. Not really.

130. It's fear.

131. The dummies in here are wearing clothes.

132. Pay no attention.

133. Instead, look down there.

134. The game is darts?

135. Yes, this time.

136. Machiko!

137. —Huh? What happened?

138. —That's not possible!

139. This game involves pain.

140. Huh?

141. He hit the shoulder target,

142. so Machiko's shoulder started to hurt.

143. What is this?

144. Honey!

145. Does it really hurt?

146. This time, it was the lungs, I'd say.

147. The game is one where they each throw seven darts at targets,

148. which are linked to organs within their bodies.

149. Almost as though they were stabbing each other.

150. This is over the edge.

151. You'll soon get used to it.

152. Oh, I get it.

153. They can just miss.

154. Decim told them about that.

155. But what will they do?

156. Huh?

157. The scores.

158. If they keep on missing like this, Machiko will be the winner.

159. That's fine, isn't it?

160. Perhaps from where you're sitting.

161. But not for those who are playing.

162. They think that if they lose, they might be killed.

163. But nobody ever—

164. You're right.

165. Nobody said so.

166. Still, they get to thinking...

167. "What happens if I lose?"

168. Nobody wants to go down a dangerous path.

169. After all, it's scary.

170. Oh, no!

171. I'm sorry, Machiko!

172. My hand slipped!

173. Sure enough.

174. It was intentional?

175. All we can tell comes from the kaleidoscope of their memories.

176. We can only guess at what they are thinking right now.

177. Then it's a hunch?

178. Well, you might call it that,

179. but it takes experience and observation to make a judgment.

180. My eyes!

181. People are fascinating.

182. Even after all that I've seen,

183. there are yet many things I don't know about how the mind works.

184. Incidentally, as to the way they died...

185. They died in an accident during their honeymoon,

186. because Takashi suspected Machiko of being unfaithful.

187. That's terrible...

188. Your child...

189. Why didn't you say something?

190. I was planning to surprise you during our trip.

191. I still haven't told anyone.

192. I wanted you to be the first to know.

193. Oh, yeah?

194. Thank you, Machiko.

195. At last, I'm going to be a father.

196. Their memories are coming back.

197. Huh?

198. It's set up so that they're stimulated during the game.

199. We don't know what they'll remember,

200. but the memories deal with their deaths.

201. They've forgotten them from the shock of dying,

202. so we forcibly evoke them.

203. Congratulations.

204. Ms. Machiko is the winner.

205. The game is hereby at an end.

206. Both of you, please move over this way.

207. Just a minute!

208. Please, wait just a minute!

209. Just one more!

210. It's no use!

211. What?

212. None of this...

213. is any use now.

214. Machiko...

215. Tell me, we're...

216. dead now, right?

217. Yes.

218. The two of you have already passed on.

219. Following their deaths,

220. people are sent either to Heaven or to Hell.

221. Heaven or Hell?

222. It's easy for people to picture that, so that's what we call them.

223. More precisely, they're divided between reincarnation and the void.

224. Reincarnation and the void?

225. If reincarnated, their soul will inhabit another person.

226. If they are sent to the void, their soul is lost,

227. and they plunge into a deep darkness.

228. They are judged to determine the destination of their souls...

229. Yep.

230. That is the role of an arbiter.

231. And so, this is the tribunal of the soul.

232. It's not my child!

233. Then, whose child do you think it is?

234. Someone else's, of course!

235. Takashi...

236. I promise you...

237. I will make you a happy woman.

238. I want you to marry me.

239. Yes.

240. I most sincerely accept.

241. You're right about that.

242. You see, there's someone else I love.

243. I mean, there'd have to be, right?

244. Who do you think would ever fall in love with you?

245. What are you, brain-damaged?

246. Obviously, I was after your money!

247. You... really were making all of it up?

248. Of course it was all a lie!

249. I mean, your child?

250. Why, you dirty bitch!

251. All right, off you go.

252. Nice job.

253. Thank you very much.

254. What did you think?

255. Hmm...

256. It was awful.

257. You'll soon get used to it.

258. Where did each of them end up going?

259. Takashi's soul was sent for reincarnation,

260. and Machiko's was sent into the void, right?

261. Yes.

262. I see...

263. Um...

264. There's something I'd like you to tell me.

265. So in short, Ms. Machiko had another man.

266. Yes.

267. You look like you're not convinced.

268. I'm sure it could have been just a one-time thing, couldn't it?

269. Why do you think so?

270. A hunch.

271. And...?

272. It was bothering her all this time...

273. I think the baby inside her was Takashi's.

274. But she said herself that it wasn't.

275. Ms. Machiko was very sorrowful when she said that.

276. I think it's clear that she was lying.

277. Lying?

278. Why would there be any need for that?

279. I think she used her own child in order to save Mr. Takashi.

280. Used, you say?

281. To lessen his grief over the news that he had killed his own child,

282. if even only a little bit.

283. Even if it meant he would resent her.

284. It was all an act?

285. That's what it would mean.

286. That's incomprehensible.

287. After all, they were already dead.

288. I believe it's because they were dead.

289. I can only imagine it,

290. but when she knew they were really about to go their separate ways,

291. maybe she felt she wanted to respect her own feelings.

292. Her own feelings?

293. How do you not get this?

294. Her fondness for him!

295. You're talking about love?

296. In that case...

297. I have to say, though, Matchy really does play to win.

298. Matchy?

299. —But now that you mention it...

300. —Do they mean Machiko?

301. If he hadn't gotten the wrong idea, the two of them...

302. should have had a happy life.

303. Ms. Nona, could I have...

304. Everyone makes mistakes.

305. But then, people's feelings often get expressed in random ways.

306. You're an arbiter; don't just brush them off.

307. I-I am terribly sorry.

308. Don't forget.

309. Yes, ma'am.

310. All right then, the usual.

311. Very well.

312. This is your usual?

313. What?

314. They're good.

315. As fantastic as always!

316. You're right.

317. It's delicious.

318. Thank you very much.

319. With Decim, it's drinks and seriousness.

320. Other than those, he has no saving graces.

321. He's stony-faced, and his hobby is building mannequins.

322. Uh-huh, I know.

323. Well, you can take it from here.

324. Huh? You say I'm an "assistant," but what do I do?

325. Hmm, well, just keep doing what you're doing.

326. How did she do?

327. Not bad, I'd say.

328. Huh?

329. What?

330. It's rare that you don't put them down.

331. Happy?

332. Matchy?

333. Do they mean Machiko?

334. That was not just a simple misunderstanding.

335. That man was someone who could not trust others.

336. There's no way he would have found happiness, is there?

337. Actually, I take that back.

338. Huh?

339. She has a way to go.

340. I look forward to working together.

341. As do I.

342. Also, I apologize for earlier.

343. Huh?

344. I have respect for people who live fulfilled lives.

345. I was an unfit arbiter in this instance.

346. Oh.

347. One other thing...

348. What is it?

349. Here.

350. Make me another, please.

351. Very well.

352. Mm-hmm, I see.

353. Thank you very much.

354. Look, I get it, all right?

355. The term is only for three months.

356. Episode 3: "Rolling Ballade."

357. "Rolling Ballade"