1. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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2. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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3. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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4. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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5. Wanna get them mad? Get them mad?
Get them mad? People
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6. Wanna get them mad? Get them mad?
Get them mad? People
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7. Wanna get them mad? Get them mad?
Get them mad? People
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8. Wanna get them mad? Get them mad?
Get them mad? People
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9. What's up? Full of causes for concern
Crime won't disappear Forever
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10. What's up? Full of causes for concern
Crime won't disappear Forever
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11. What's up? Full of causes for concern
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12. What's up? Full of causes for concern
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13. What's up? Full of causes for concern
Crime won't disappear Forever
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14. What's up? Full of causes for concern
Crime won't disappear Forever
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15. What's up? Full of causes for concern
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16. What's up? Full of causes for concern
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17. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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18. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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19. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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20. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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21. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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22. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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23. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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24. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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25. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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26. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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27. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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28. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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29. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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30. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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31. Hey Hey! Subservient People!!
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32. Hey Hey! Subservient People!!
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33. WHAT'S UP, PEOPLE?!!
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34. WHAT'S UP, PEOPLE?!!
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35. WHAT'S UP, PEOPLE?!!
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36. WHAT'S UP, PEOPLE?!!
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37. WHAT'S UP, PEOPLE?!!
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38. WHAT'S UP, PEOPLE?!!
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39. WHAT'S UP, PEOPLE?!!
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40. WHAT'S UP, PEOPLE?!!
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41. Are you worried?
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42. Are you worried?
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43. Nice to see you.
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44. Thank you for taking care
of my father.
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45. S-Sayu...You've grown up...
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46. This is Yagami.
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47. Mr. Deputy Director?
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48. About the trade between
the chief and the notebook...
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49. It's canceled.
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50. What?!
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51. We'll now trade you the notebook...
for Sayu Yagami.
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52. At any rate, bring the notebook
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53. to Los Angeles,
by yourself in two days.
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54. Nice to meet you L Number Two.
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55. I am the center of SPK...
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56. I guess I would be... N.
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57. N-? Is he joking?
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58. But what's with this strange feeling-?
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59. N...he's similar...
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60. This feeling...is like L...
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61. I said I wouldn't rely on L...
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62. That means that the CIA and FBI
rely on me rather than L
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63. to make their decisions.
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64. However, the murder of
the Director of the Japanese NPA
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65. is an unforgivable crime...
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66. I think there is a possibility
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67. that this case could lead
to the arrest of Kira...
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68. So I will lend you my full support.
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69. Lead to the arrest of Kira?
Who does he think he is?
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70. This confidence...
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71. What's wrong, L?
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72. N-Nothing.
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73. Actually, after the director was murdered...
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74. Deputy Director Yagami's daughter
was kidnapped by someone...
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75. who we believe to be the same person
who killed the director.
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76. They contacted us to make
a deal in Los Angeles.
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77. A deal? In exchange for
the notebook, right?
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78. That's right.
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79. I understand.
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80. I'll gather as many investigators as I can
in Los Angeles
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81. without telling them the details...
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82. And use a satellite to
monitor the L.A. area.
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83. No...
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84. I'll let you have
total authority on this, L.
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85. Thank goodness.
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86. We make the decisions.
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87. But what was that about the Americans
not trusting L anymore?
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88. Near, are you sure about leaving
this to a fake L
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89. who hasn't succeeded
in catching Kira?
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90. So much the better.
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91. It means that there's a chance
we can take advantage of him.
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92. Of course, peoples' lives
are our first priority.
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93. But as the SPK, our goal is...simply...
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94. to get the notebook and capture Kira.
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95. Light...
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96. I don't care if it costs me my life.
Please...just save Sayu...
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97. Don't say such foolish things.
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98. You may be satisfied with that...
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99. but do you know how painful it would be
for everyone you'd leave behind?!
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100. You cannot die in front of Sayu.
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101. You may lose contact with me.
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102. So if you ever come across a situation where
you have to make a decision by yourself...
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103. do whatever you need to do to
make sure that both you and Sayu live.
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104. Promise me that.
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105. Light...
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106. What? No way!
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107. I can really go with you?!
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108. Yeah. I may need your eyes
this time.
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109. All right!
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110. Thank you!
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111. I've got to start packing immediately!
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112. Hmm... I can't decide...
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113. Say, Light...
Which do you like?
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114. If things get bad,
I'll have to kill Sayu...
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115. Dad...
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116. I'll go on ahead to Los Angeles
and make preparations.
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117. Mr. Ide and the rest of you,
please come after us.
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118. We'll take different planes.
So just in case, Mr. Aizawa...
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119. will follow my father and ride
the same plane as him.
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120. All right.
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121. As a disguise,
I'll cut my hair.
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122. Okay everyone, I'm counting on you.
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123. Mr. Yagami.
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124. Who are you?
Are you one of the kidnappers?
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125. You will take flight SE333.
I have your ticket.
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126. Hurry. It's Gate 18.
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127. All right.
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128. A man has intercepted him at Narita!
Should I arrest him?
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129. Mr. Aizawa, calm down.
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130. It won't do us any good
if you arrest him right now.
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131. At any rate, don't lose sight of him.
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132. Oh, no.
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133. The Deputy Director got
on a different flight with that man
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134. than the one
he was supposed to catch...
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135. This is an emergency.
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136. - I'm going to get on as a police officer...
- Calm down, Mr. Aizawa.
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137. If you do that, it will be as bad
as if you were discovered.
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138. Do you know where it's going?
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139. Umm...Oh...
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140. It's going to Los Angeles too.
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141. Impossible, they even have a plane?
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142. This is bad...
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143. Flight SE333, Flight SE333,
can you hear me?!
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144. You are off course!
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145. This is Flight SE333,
I can hear you.
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146. We are not off course.
I changed course.
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147. W-What are you talking about?
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148. What's wrong? Are you joking?
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149. This is not a hijacking.
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150. We're just going to take a little detour
and drop off a passenger.
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151. You can track me by radar.
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152. But if you do anything to interfere...
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153. I will not hesitate to crash this plane
and take all the passengers with me.
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154. Light... I mean, L.
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155. The plane that the Deputy Director is on
has gone
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156. on a different course than to Los Angeles.
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157. Someone's going to be
dropped off somewhere...
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158. It's probably the Deputy Director...
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159. Damn! What's going on?!
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160. I checked the flight crew ahead of time.
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161. There wasn't anyone suspicious.
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162. The pilot is a veteran of
over fifteen years.
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163. There's no problem with
the co-pilot, either.
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164. So the enemy is powerful enough to
control even normal people like them.
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165. Damn. I've got no choice...
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166. Director, this is L. Get me N...
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167. Yes.
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168. N, I think you know the situation.
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169. Can you notify the airlines, police
and military not to make a move yet?
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170. What is L doing? How unreliable...
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171. All right... L.
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172. We'll figure out where he'll land...
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173. and keep surveillance over
the area by satellite.
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174. If there's anything else we can do,
please let me know.
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175. Take this PDA...
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176. Place the wireless earphone
in your ear.
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177. Yagami, only you can hear my voice.
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178. Listen closely.
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179. I'm the one who kidnapped
your daughter.
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180. I have no interest in the lives
of you or your daughter.
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181. At this moment, the only thing
I want is...
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182. just the notebook.
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183. If you do as I say,
I won't kill either of you.
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184. I've even arranged
an exchange procedure
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185. that you'll be satisfied with.
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186. Do not fight me.
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187. I am trading the killer notebook
for my daughter's life
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188. with an unknown person...
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189. When that time comes,
what should I do?
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190. As a police officer...
as a human being...as a parent...
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191. L, we have pinpointed
where they have landed
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192. with our satellite cameras.
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193. I'll send you footage of
what we are watching.
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194. Dad...
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195. What's going on?
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196. How is he going to make
the exchange there?
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197. You see it, don't you, Yagami?
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198. Enter from there.
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199. Underground, huh?
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200. This is interesting...
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201. Damn. Underground, huh-?
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202. That means he predicted that
there'd be satellite surveillance...
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203. Now I can't watch him...
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204. It's bulletproof glass. You understand.
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205. A certain syndicate used this place
up until a few years ago...
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206. to make shady deals.
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207. We've made some modifications.
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208. Slide the notebook through here.
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209. When you slide it in,
I'll release this handle.
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210. We'll step back and
spin the glass door.
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211. The notebook will
be passed this way
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212. and your daughter that way.
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213. If you don't go through with the trade,
I'll shoot your daughter from here...
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214. L, do you have a plan?
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215. Or do you really think it's all right
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216. to let the notebook fall into the
hands of someone you don't know?
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217. Y462, begin.
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218. Now open the notebook
and slide it into...
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219. the slot in the glass door
to the left.
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220. Damn. I'm being set back even further...
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221. I've just arrived in L.A.
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222. I'm not in any situation
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223. to be giving orders to the police
agencies around the world as L...
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224. At this rate...the notebook will...
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225. Light, what's wrong?
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226. Are you all right? You're pale...
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227. Misa, shut up and just do as I say!
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228. I want you to take more care than usual
in killing the criminals in Japan.
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229. He's investigating Kira.
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230. You know something bad
will happen
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231. if the punishing gets delayed,
don't you?
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232. Okay... But who's "he"?
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233. Just do as I say!
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234. You're just taking out
your anger on her.
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235. I-I can still make it...
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236. At this rate,
is my only option to kill Sayu?
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237. Now then...
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238. I shall test the notebook.
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239. Test?!
You're going to kill someone?!
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240. - That's...
- Hey, hey...
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241. We can't trade
without testing it out.
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242. Do you want
your daughter to die?
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243. It's no good-!
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244. Only the police know
about this case.
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245. I can't blame Sayu's death on Kira...
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246. What's wrong?!
Are you all right, Miller?!
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247. That's what you get when you steal and
sell our drugs behind my back.
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248. He was a worthless guy,
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249. but this is the first time
he's been useful.
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250. Y462, the target is dead.
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251. It seems the notebook is real.
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252. Now let go.
We'll exchange it for your daughter.
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253. Sayu...Dad...
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254. Oh, they've been saved.
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255. The perpetrator is headed
for a helicopter.
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256. We can assume that
that's his means of escape.
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257. This means that the notebook
was definitely exchanged.
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258. I still don't know what
I'm going to do afterwards.
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259. Follow their helicopter the best
you can until it lands.
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260. Don't let it out of
your satellite's view...
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261. You sure give difficult orders easily.
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262. All right. I'll try my best...
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263. It's no good. We've been tricked, L.
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264. A missile-?!
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265. Woah!
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266. That's one that can't
be tracked by radar.
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267. The notebook is on a missile-?
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268. The missile's been launched!
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269. The helicopter or the missile?
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270. Which one is the notebook on?
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271. Boss, I'm sure you were watching.
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272. I did everything as
you told me perfectly.
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273. Yeah, good job.
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274. So now my past mistakes
will be wiped clean, right...?
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275. Yeah, I'll wipe them clean...
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276. Do it!
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277. Near, the helicopter has...
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278. I thought so...
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279. This means that the notebook
was definitely on the missile-!
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280. The missile can't be tracked-!
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281. I've completely lost sight of the target...
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282. It won't be difficult
to retrieve the missile
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283. if it falls in an
unpopulated area.
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284. He should be getting his hands on
the notebook right about now...
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285. When he does, I have a good idea
of what he'll do first.
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286. L.
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287. Yes?
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288. They got us.
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289. Got you?
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290. Yes.
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291. Most of the members of the SPK
have been killed.
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292. L... you helplessly handed over
the notebook.
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293. N... Are you saying that if
you were in command
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294. that you wouldn't have
handed it over?
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295. No, with that kind of preparation,
it would have been taken either way.
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296. There's no point in us quarreling.
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297. Let's help each other and
tell each other what we know.
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298. I have some idea of who
the culprit may be.
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299. I think a person who goes by
the name Mello is behind this.
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300. The name...Mello...?
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301. I don't have his photograph and
I don't know his real name.
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302. I only know that until four years ago
he was at an orphanage...
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303. called Wammy's House
in Winchester, England...
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304. Wammy's House-?
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305. That was the institution
Watari established...
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306. I think that Mello is playing
a game with me.
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307. To see who can catch the last boss,
Kira, the fastest...
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308. Armo Justin...
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309. It's Armonia Justin.
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310. I went to the old man, the king,
to report that I lost my notebook,
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311. but when I described what it looked like...
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312. he said that Ryuk said it was his and
that he dropped it, and took it...
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313. What should I do in this case?
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314. In this case, you've got to
get it back from Ryuk.
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315. I thought so...
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316. So I have to...
go the Human world, huh-?
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317. Yeah...you have to go...
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318. I see...
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319. This single page Forever depressing
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320. A fleeting tactic in the eyes
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321. Without petition evil against the law
chain it in prison
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322. Poison the notebook fear the lust
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323. Delusion of being deceived
perpetually drooling
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324. Judgement is "crime control" they driveled
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325. Who has the Rx for that?
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326. A decriminalized world
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327. A sanctioned word
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328. Taking in heat
Just like "Pirates of Death"
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329. Atone with the game of laws
Billy in despair
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330. Now, it's time for ethics
Now, the unstoppable Eraser Rain
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331. Billy in despair
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332. Now, it's time for ethics
Now, the unstoppable Eraser Rain
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333. The unstoppable Eraser Rain
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334. Please calm down and listen.
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335. On November 10, 23:59,
all the Mafia will die.
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336. This moment is your best chance
to get back the notebook.
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