1. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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2. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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3. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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4. Easy easy banzai Easy easy banzai
Easy easy banzai Human
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5. Wanna get them mad? Get them mad?
Get them mad? People
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6. Wanna get them mad? Get them mad?
Get them mad? People
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7. Wanna get them mad? Get them mad?
Get them mad? People
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8. Wanna get them mad? Get them mad?
Get them mad? People
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9. What's up? Full of causes for concern
Crime won't disappear Forever
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10. What's up? Full of causes for concern
Crime won't disappear Forever
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11. What's up? Full of causes for concern
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12. What's up? Full of causes for concern
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13. What's up? Full of causes for concern
Crime won't disappear Forever
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14. What's up? Full of causes for concern
Crime won't disappear Forever
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15. What's up? Full of causes for concern
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16. What's up? Full of causes for concern
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17. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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18. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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19. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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20. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
Copy !req
21. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
Copy !req
22. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
Copy !req
23. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
Copy !req
24. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
Copy !req
25. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
Copy !req
26. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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27. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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28. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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29. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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30. Hey Hey! A hymn to humanity
Love has gone People, are you worried?
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31. Hey Hey! Subservient People!!
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32. Hey Hey! Subservient People!!
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33. WHAT'S UP, PEOPLE?!!
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34. WHAT'S UP, PEOPLE?!!
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35. WHAT'S UP, PEOPLE?!!
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36. WHAT'S UP, PEOPLE?!!
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37. WHAT'S UP, PEOPLE?!!
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38. WHAT'S UP, PEOPLE?!!
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39. WHAT'S UP, PEOPLE?!!
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40. WHAT'S UP, PEOPLE?!!
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41. Are you worried?
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42. Are you worried?
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43. December 2007
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44. What did you say, Roger?!
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45. Say it again!
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46. L is dead.
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47. Dead?! Why?
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48. Did Kira kill him?
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49. Is that it?
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50. Probably...
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51. He said that he would get Kira
executed... and was killed...!
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52. Is that what you're saying?!
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53. Mello...
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54. If you can't beat the game...
If you can't solve the puzzle...
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55. You're nothing but a loser.
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56. Me or Near?
So which one of us did L...?
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57. Neither one of you yet...
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58. He can't choose...if he's dead.
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59. Mello...Near...
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60. How about the both of you
work together...
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61. Sure. Sounds good.
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62. That's impossible, Roger.
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63. You know that Near and
I don't get along.
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64. We've always competed
against each other...
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65. Always...
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66. It's fine, Roger.
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67. Near should succeed L.
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68. Unlike me, Near will...
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69. solve this unemotionally,
like a puzzle.
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70. I'm leaving...this institution.
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71. Mello!
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72. I'm almost fifteen, anyway.
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73. I'll live my life my own way.
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74. A police officer who happened to be
nearby when Higuchi was arrested...
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75. March 5, 2012
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76. heard that if you write
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77. the name of someone you know in
the notebook, that person will die.
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78. Are you saying that's what
the notebook of death is?
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79. Yes. The Japanese police
should have it right now.
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80. A young man
named Near
presents
evidence
on the
Kira case
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81. which he has
gathered
by himself
over the
last three
years.
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82. He meets
with the
president
accompanied
by the
director
of the FBI.
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83. Mr. President, the current L is one
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84. that the Japanese police have
created to avoid confusion.
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85. L is dead.
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86. Director Mason... Who is he-?
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87. Well...
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88. He is, shall we say...
L's true successor.
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89. The United
States of
America...
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90. creates their own
investigation team
independent of L
to go after Kira.
The SPK
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91. is composed of
hand-picked FBI
and CIA agents
along with Near.
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92. But...
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93. It's impossible to censor
the internet and...
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94. the Kira case has slowed to
a dead-end lately...
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95. Maybe those who show people
they want killed on the internet
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96. should be killed.
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97. But Kira gets some of his information
from the internet,
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98. so he won't kill them.
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99. Matsu, your idea is full
of contradictions.
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100. If only people wouldn't do bad things...
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101. Or rather...the world's become
a good place for the innocent.
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102. I suppose there are people
who might believe that.
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103. Look who's talking.
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104. No...Soon everyone will
think in that way...
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105. Are you talking about that again?
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106. Stop it...
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107. Dear, Light.
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108. I'm home...
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109. Welcome back!
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110. Welcome home, Sayu.
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111. Light, Misa.
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112. It's unusual for both of
you to be here. Welcome.
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113. Pardon the intrusion.
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114. Mr. Matsuda, wasn't it-?
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115. Oh, yes!
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116. It's been a while.
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117. Thank you for taking care
of my father.
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118. S-Sayu...
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119. Y-You've grown up and
you're so pretty...
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120. When I last saw you,
you were like this...
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121. Matsu's bright red!
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122. Huh? No way...
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123. There's no way I'm letting
Sayu marry a detective.
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124. Huh?
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125. That's right. I definitely
don't want that.
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126. What? No way!
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127. I never even got to propose...
or even confess that I love her...
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128. Mom and Dad.
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129. - Mo...?
- Dad?!
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130. Well... I think you're wonderful.
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131. What-? R-Really, Sayu?
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132. Yes. I might have considered
going out with you
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133. if you were a little younger.
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134. You've sure learned how to talk.
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135. Really. She's more mature
than Matsu.
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136. But Light,
you haven't changed one bit
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137. and you're as wonderful
as when I first met you.
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138. Light, you've already found a career...
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139. So stop just living together in secret
and get married already.
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140. That sounds good...!
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141. What an unfortunate
and heart-warming family...
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142. How interesting!
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143. What is it, Aizawa?
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144. Yes.
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145. Yes. Yes. All right.
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146. Matsuda, Light, come with me.
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147. A kidnapping-?
Who kidnapped whom?
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148. Director Takimura of the NPA...
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149. I don't know by whom.
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150. Damn! As if the current situation
with the Kira case wasn't enough...
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151. Deputy Director
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152. Are you sure?
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153. I got the phone call at 6:12.
45 minutes ago.
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154. We determined it was from
the director's cell phone.
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155. Did the kidnappers make
any demands?
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156. Well...
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157. They wanted to trade the director...
for the killer notebook...
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158. Who-? For what purpose-?
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159. Do you suppose it's Kira?
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160. Well, if the existence of
the Death Note was leaked,
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161. countless people would want it...
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162. Dad, how much does
the director know?
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163. We tried to keep the knowledge
of the notebook within our group.
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164. That's right. I never discussed it
with the director.
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165. The existence of the Death Note...
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166. Someone knows that the NPA
has it and they've come to take it...
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167. Notify every bureau of the NPA only
about the director's kidnapping.
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168. Yes.
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169. Is it a call from the culprit?!
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170. No. There's someone who wants
to meet Director Takimura.
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171. What?
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172. I'm John MacEnrow,
an agent with the FBI.
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173. Of course, this is an alias.
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174. Since what I am doing concerns Kira.
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175. Please forgive me.
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176. Kira...
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177. The Director is out
at the moment.
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178. If it's all right, I'll listen to what
you have to say.
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179. Well, that's fine.
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180. Excuse me for going straight
to the point,
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181. but the Japanese police
are unreliable.
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182. In order to solve the Kira case,
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183. we want you to hand over
the notebook to our country...
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184. So it was the FBI!
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185. Where have you taken
our director?!
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186. W-What are you talking about?
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187. Don't act like
you don't know!
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188. This is a brazen
criminal offense!
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189. What would we gain by hiding
the director of the Japan's NPA-?
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190. Then how do you know...
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191. - about the notebook?!
- What's going on?
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192. It seems that the director of the NPA
has been kidnapped by someone.
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193. Someone who wants
the notebook...
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194. Commander Rester.
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195. Hmm?
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196. Suggest to him that we'd like to help
rescue the director
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197. and apprehend the culprit.
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198. We'll take the notebook when
we have the chance.
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199. All right.
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200. Can you hear me?
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201. This is headquarters.
These are your orders.
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202. Did he say anything?
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203. The Japanese police have begun
to wimp out on Kira.
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204. It seems that the only ones
who are working with L are...
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205. Soichiro Yagami, Kanzo Mogi,
and Touta Matsuda.
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206. Isn't that right?
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207. Yeah...
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208. There was another called Ukita,
but he died...
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209. Even though you were
the director of the NPA...
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210. you didn't know about
the notebook?
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211. The Japanese police really suck.
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212. The highest-ranking of the three
is Yagami,
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213. who was the chief detective
of the task force, right?
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214. Yeah...
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215. I think there are two notebooks.
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216. Kira has one...
The NPA has the other.
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217. We'll take both.
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218. There's no mistake if
Mello says so.
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219. Has he ever been wrong since
he joined us a year and a half ago?
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220. But why is the guy who brought us
the head of a mafia boss Kira couldn't kill...
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221. so fixated on the notebook?
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222. I don't just want the notebook.
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223. I want to kill everyone
who stands in my way...
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224. And be number one!
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225. By whatever means necessary,
before Near does...
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226. B-Boss!
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227. What is it? Be quiet.
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228. Sorry. Eddie and I were
just talking...and
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229. Takimura hung himself
with his necktie-!
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230. You idiot!
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231. What good is a dead hostage?!
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232. No, that's fine.
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233. If Kira is responsible for this...
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234. He can't touch us since
he doesn't know our names or faces.
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235. Thus he went after Takimura.
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236. Which means...
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237. Kira is someone who knows
about this kidnapping...
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238. What are you going to do, Mello?
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239. Kidnap Soichiro Yagami's daughter,
Sayu Yagami next.
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240. There are still no clues about...
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241. the director or the kidnappers...
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242. Aside from that,
why haven't they said anything
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243. since they kidnapped him?
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244. Light, there's no mistake
that the real name
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245. of the FBI agent who calls himself
John MacEnrow, is really Larry Conners.
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246. Is that so? Thank goodness.
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247. He's a real agent...
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248. The director of the FBI also said
that he would help us
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249. rescue director Takimura.
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250. I think we can trust him.
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251. The director should
already be dead...
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252. Why don't they say anything?
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253. Would they give up on
the deal just because he died?
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254. I didn't think we were dealing
with such weaklings...
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255. Dad... No, everyone here
should be careful.
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256. The director may not know
about the notebook,
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257. but he knows who was
working with L.
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258. If that gets out, there's a chance...
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259. - that they'll come after us-
- Light!
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260. I'll be a good girl tonight and
go to sleep alone, okay?
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261. Yeah, good night.
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262. Good night-!
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263. Then I'll stay here...
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264. We're not the only ones in danger.
Our families and...
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265. The director's cell phone...
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266. It's from the kidnappers!
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267. Aizawa!
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268. Yes, tracing!
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269. This is Yagami.
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270. Mr. Deputy Director-?
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271. About the trade of the director
for the notebook...
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272. It's canceled.
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273. Takimura is dead.
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274. What?!
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275. W-Why you...
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276. However, it's only canceled
with respect to the director.
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277. We'll now trade the notebook...
for Sayu Yagami.
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278. You're the deputy director
of the NPA.
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279. It would be ridiculous to expect
you not to tell the police.
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280. But I want you to move
by yourself.
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281. I'll kill your daughter if I see
the police do anything big.
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282. That's right...
as swiftly as we killed the director,
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283. I'll send you a picture of
Takimura's corpse.
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284. Take a good look.
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285. I'll contact you tomorrow.
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286. H-Hey!
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287. They got me...
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288. They used the death of the director
as an opportunity to get Sayu...
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289. Light, things have gotten
interesting again.
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290. Sir...
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291. Why would they
go this far-?
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292. Damn...!
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293. Yagami
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294. Yes, yes.
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295. Dear, you never call from
your work phone...
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296. Huh? Sayu?
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297. Who knows-?
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298. Come to think of it, she's late.
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299. Sayu...
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300. Big Brother
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301. Dad, are you all right?
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302. I think that it was Kira
who killed the director,
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303. not the kidnappers.
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304. - Huh?
- What?!
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305. He probably doesn't want
the notebook to be passed to criminals.
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306. Kira is acting as an icon of justice,
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307. so he doesn't want the notebook
to fall into criminal hands.
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308. If Kira killed the director...
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309. it's possible that he
has methods to obtain information
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310. within the police department.
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311. It's best if we were
the only ones to investigate.
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312. If not...
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313. Kira will try to kill
the hostage again.
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314. That's right.
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315. Near.
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316. The kidnapped director of
the Japanese NPA was killed.
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317. By whom?
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318. By whom?
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319. By the kidnappers...
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320. It would be interesting
if it was Kira.
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321. That's true...
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322. They can't get the notebook
if their hostage is dead.
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323. Also, if it was Kira...
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324. I can narrow down the suspects.
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325. By the way, Commander Rester...
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326. Have you tracked his whereabouts?
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327. Well... We're sure that he left the
institution 4 years ago as you said,
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328. but we don't know anything
else after that.
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329. Then it's decided.
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330. Mello...You always overlook
the most important things
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331. because you become too emotional.
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332. Or maybe you're not involved
in this case at all?
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333. How could you leave your picture
at the orphanage?
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334. This is Yagami.
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335. Your daughter has finally
arrived here.
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336. Here?
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337. You have a pretty good idea
of where this is, don't you?
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338. We'll do the exchange here.
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339. At any rate, bring the notebook
to Los Angeles,
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340. by yourself in two days.
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341. I won't do the exchange unless
I make sure my daughter's safe.
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342. Let me hear her voice!
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343. All right. All right.
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344. I'll send you another picture.
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345. Sayu!
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346. Sir, we've narrowed them
down to Fifth Street in Los Angeles.
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347. The TV show on in the background...
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348. is definitely being
broadcast right now.
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349. They showed us that on purpose
to let us know she's all right...
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350. T-Thank goodness...
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351. At least, she's alive...
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352. I'm taking the notebook
to Los Angeles.
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353. As the deputy director of the NPA
and as Sayu Yagami's father!
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354. I'll make all the decisions
and take full responsibility!
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355. Dad! We have to make a plan first.
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356. That's right, Deputy Director.
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357. But I have to be in Los Angeles
within two days...
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358. We have no time...
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359. So you're saying that it was Kira
who killed Takimura,
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360. not the kidnappers?
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361. I'm just saying that
it's a possibility.
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362. If so, it means Kira gained information
from the Japanese police...
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363. Yes?
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364. This is L.
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365. It's L...the current one.
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366. Director, I've heard what
Agent John MacEnrow...
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367. no, Larry Conners had to say
from Deputy Director Yagami.
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368. Will you help us with NPA Director
Takimura's murder investigation?
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369. Well...
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370. Pass me the phone...
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371. Nice to meet you, L Number Two.
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372. Number Two?
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373. What do you mean by that?
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374. Who are you?
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375. It's useless to try and hide it.
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376. We are a new organization,
the SPK,
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377. established to capture Kira
without the help of L.
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378. Seven of our top members
know of L's death.
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379. L's death-? From whom-?
From where-?
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380. And I am at the center of the SPK...
I guess I would be... N.
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381. N-? Is he joking?
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382. But...what's...
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383. this strange feeling?
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384. This single page Forever depressing
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385. A fleeting tactic in the eyes
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386. Without petition evil against the law
chain it in prison
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387. Poison the notebook fear the lust
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388. Delusion of being deceived
perpetually drooling
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389. Judgement is "crime control" they driveled
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390. Who has the Rx for that?
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391. A decriminalized world
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392. A sanctioned word
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393. Taking in heat
Just like "Pirates of Death"
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394. Atone with the game of laws
Billy in despair
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395. Now, it's time for ethics
Now, the unstoppable Eraser Rain
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396. Billy in despair
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397. Now, it's time for ethics
Now, the unstoppable Eraser Rain
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398. The unstoppable Eraser Rain
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399. Damn! What's going on?!
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400. I checked the crew of today's
flight ahead of time.
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401. There wasn't anyone suspicious.
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402. I can still make it.
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403. At this rate, is my only option
to kill...Sayu?
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