Death Note 1x27

Directed by Tomio Yamauchi

A new investigator steps forward-Near, a central figure in the SPK, an organization that is trying to catch Kira without relying on L. Near is aware of the existence of the Death Notes and wants to get his hands on one.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. DECEMBER 2007

2. What did you say, Roger?

3. Say it again!

4. I is dead.

5. Dead?

6. Why?

7. Did Kira kill him?

8. Is that it?

9. Probably…

10. He said that he would get Kira executed

11. but he was killed?

12. Is that what you're saying?

13. Mello…

14. If you can't beat the game…

15. If you can't solve the puzzle…

16. You're nothing but a loser.

17. Me or Near? So, which one of us did L…?

18. Neither one of you yet.

19. He can't choose

20. if he's dead.

21. Mello. Near.

22. How about the both of you work together?

23. Sure. Sounds good.

24. That's impossible, Roger.

25. You know that Near and I don't get along.

26. We've always competed against each other.

27. Always!

28. It's fine, Roger.

29. Near should succeed I.

30. Unlike me,

31. Near will solve this unemotionally, like a puzzle.

32. I'm going...

33. to leave this institution.

34. Mello!

35. I'm almost fifteen, anyway.

36. I'll live my life my own way.

37. MARCH 5, 2012

38. A police officer in the vicinity when Higuchi was arrested

39. heard that if you write the name of someone you know in the notebook,

40. that person will die.

41. Are you saying that's what the notebook of death is?

42. Yes. The Japanese police should have it right now.

43. A YOUNG MAN NAMED NEAR PRESENTS EVIDENCE ON THE KIRA CASE

44. WHICH HE'S GATHERED BY HIMSELF OVER THE LAST THREE YEARS.

45. HE MEETS WITH THE PRESIDENT, ACCOMPANIED BY THE DIRECTOR OF THE FBI.

46. Mr. President, the current L

47. is one that the Japanese police have created to avoid confusion.

48. I is dead.

49. Director Mason…

50. Who... is this?

51. Well…

52. Let's just say, this...

53. is L's true successor.

54. THE UNITED STATES OF AMERICA

55. CREATES THEIR OWN INVESTIGATION TEAM INDEPENDENT OF I TO GO AFTER KIRA.

56. THE SPK (SPECIAL PROVISION FOR KIRA)

57. IS COMPOSED OF HAND-PICKED FBI AND CIA AGENTS ALONG WITH NEAR.

58. ABDUCTION

59. But…

60. It's impossible to censor the internet,

61. and the Kira case has hit a dead end recently.

62. Maybe those who show people they want killed on the internet

63. should be killed.

64. But Kira gets some of his information from the internet,

65. so he won't kill them.

66. Matsu, your idea is full of contradictions.

67. If only people wouldn't do bad things,

68. or rather, the world's become a good place for the innocent.

69. I suppose there are people who might believe that.

70. Look who's talking.

71. No. Soon everyone will think that way.

72. Are you talking about that again?

73. Please stop.

74. Dear, and Light.

75. I'm home.

76. Welcome back!

77. Welcome home, Sayu.

78. Light, Misa.

79. It's unusual for both of you to be here. Welcome.

80. Pardon the intrusion.

81. Mr. Matsuda, wasn't it?

82. Oh, yes!

83. It's been a while.

84. Thank you for taking care of my father.

85. S— Sayu…

86. Y— You've grown up and you're so pretty.

87. When I last saw you, you were like this...

88. Matsu's bright red!

89. Huh? No I'm not!

90. There's no way I'm letting Sayu marry a detective.

91. - Huh? - That's right.

92. I definitely don't want that.

93. What? No way!

94. I never even got to propose, or even confess that I love her.

95. Mom and Dad.

96. - Mo—! - Da—!

97. Well, I think you're wonderful.

98. What…? R— Really, Sayu?

99. Yes. I might have considered going out with you

100. if you were a little younger.

101. Good one, Sayu!

102. Really. She's more mature than Matsu.

103. But Light, you haven't changed one bit

104. and you're as wonderful as when I first met you.

105. Light, you've already found a career.

106. So, stop just living together in secret and get married already.

107. That sounds good!

108. What an unfortunate and heart-warming family.

109. How fun!

110. What is it, Aizawa?

111. Yes.

112. Yes. Yes.

113. All right.

114. Matsuda, Light, come with me.

115. A kidnapping?

116. Who was kidnapped? By whom?

117. Director Takimura of the NPA.

118. I don't know by whom.

119. Damn it! As if the current situation with the Kira case wasn't enough.

120. DEPUTY DIRECTOR

121. Are you sure?

122. I got the phone call at 6:12. Forty-five minutes ago.

123. We determined it was from the director's cell phone.

124. Did the kidnappers make any demands?

125. Well…

126. They wanted...

127. to trade the director for the notebook of murder.

128. Who? For what purpose?

129. Do you suppose it's Kira?

130. Well, if the existence of the Death Note was leaked,

131. countless people would want it.

132. Dad, how much does the director know?

133. We tried to keep the knowledge of the notebook within our group.

134. That's right.

135. I never discussed it with the director.

136. The existence of the Death Note…

137. Someone knows that the NPA has it and they've come to take it.

138. Notify every bureau of the NPA only about the director's kidnapping.

139. Yes.

140. Is it a call from the perp?

141. No. There's someone who wants to meet Director Takimura.

142. What?

143. I'm John MacEnrow,

144. an agent with the FBI.

145. Of course, that's an alias,

146. since what I am doing concerns Kira.

147. Please forgive me.

148. Kira…

149. The Director is out at the moment.

150. If it's all right, I'll listen to what you have to say.

151. Well, that's fine.

152. Excuse me for getting straight to the point,

153. but the Japanese police are unreliable.

154. In order to solve the Kira case,

155. we want you to hand over the notebook to our country.

156. So, it was the FBI!

157. Where have you taken our director?

158. - W— What are you talking about? - Don't act like you don't know!

159. This is a brazen criminal offense!

160. What would we gain by hiding the director of Japan's NPA?

161. - So how do you know about the notebook? - What's going on?

162. It seems that the director of the NPA has been kidnapped by someone.

163. Someone who wants the notebook.

164. Commander Rester.

165. Hmm?

166. Suggest to him that we'd like to help rescue the director

167. and apprehend the perpetrator.

168. We'll take the notebook when we have the chance.

169. All right.

170. Can you hear me?

171. This is headquarters.

172. These are your orders.

173. Did he say anything?

174. Seems the Japanese police are so afraid of Kira,

175. that the only ones who are working with I are:

176. Soichiro Yagami, Kanzo Mogi, and Touta Matsuda.

177. Isn't that right?

178. Yeah.

179. There was another called Ukita, but he died.

180. Even though you were the director of the NPA,

181. you didn't know about the notebook?

182. The Japanese police really suck.

183. The highest-ranking of the three is Yagami,

184. who was the chief detective of the task force, right?

185. Yeah.

186. I think there are two notebooks.

187. Kira has one.

188. The NPA has the other.

189. We'll take both.

190. There's no mistake if Mello says so.

191. Has he ever been wrong

192. since he joined us a year and a half ago?

193. But why is the guy

194. who brought us the head of a mafia boss Kira couldn't kill,

195. so fixated on the notebook?

196. I don't just want the notebook.

197. I want to kill everyone who stands in my way...

198. and be number one!

199. By whatever means necessary,

200. before Near does…

201. B— Boss!

202. What is it?

203. Be quiet.

204. Sorry.

205. Eddie and I were just talking and...

206. Takimura hung himself with his necktie!

207. You idiot!

208. What good is a dead hostage?

209. No, that's fine.

210. If Kira is responsible for this,

211. he can't touch us since he doesn't know our names or faces.

212. That's why he went after Takimura

213. which means…

214. Kira is someone who knows about this kidnapping.

215. What are we going to do, Mello?

216. Kidnap Soichiro Yagami's daughter, Sayu Yagami, next.

217. There are still no clues about

218. the director or the kidnappers.

219. Aside from that,

220. why haven't they said anything since they kidnapped him?

221. Light, there's no mistake

222. that the real name of the FBI agent

223. who calls himself "John MacEnrow" is really Larry Conners.

224. Is that so? Thank goodness.

225. He's a real agent.

226. The director of the FBI also said

227. that he would help us rescue director Takimura.

228. I think we can trust him.

229. The director should be dead by now.

230. Why don't they say anything?

231. Would they give up on the deal just because he died?

232. I didn't think we were dealing with such weaklings.

233. Dad.

234. No, everyone here should be careful.

235. The director may not know about the notebook,

236. but he knows who was working with I.

237. If that gets out, there's a chance

238. - that they'll come after us. - Light!

239. I'll be a good girl tonight and go to sleep alone, okay?

240. Yeah, good night.

241. Good night!

242. Then I'll stay here.

243. We're not the only ones in danger.

244. Our families and…

245. The director's cell phone.

246. It's from the kidnappers!

247. - Aizawa! - Yes! Tracing!

248. This is Yagami.

249. Mr. Deputy Director?

250. About the trade of the director for the notebook.

251. It's canceled.

252. Takimura is dead.

253. What?

254. W— Why you!

255. However, it's only canceled in regard to the director.

256. We'll now trade the notebook for Sayu Yagami.

257. You're the deputy director of the NPA,

258. so it would be ridiculous for me to tell you not to alert the police.

259. But I'd like it if you move on this on your own.

260. I'll kill your daughter

261. if I see the police making too much noise.

262. That's right,

263. just like we killed the director.

264. I'll send you a picture of Takimura's corpse.

265. Take a good long look.

266. I'll contact you tomorrow.

267. H— Hey!

268. They got me.

269. They used the death of the director as an opportunity to get Sayu.

270. Light, things are getting fun again!

271. Sir…

272. - Why would they go this far? - Damn it!

273. YAGAMI

274. Yes, yes.

275. Dear, you never call from your work phone.

276. Huh? Sayu?

277. Who knows?

278. Come to think of it, she's late.

279. Sayu…

280. BIG BROTHER

281. Dad, are you all right?

282. I think that it was Kira

283. who killed the director, not the kidnappers.

284. - Huh? - What?

285. He probably doesn't want the notebook to be passed to criminals.

286. Kira is acting as an icon of justice,

287. so he doesn't want the notebook to fall into criminal hands.

288. If Kira killed the director,

289. it's possible that he has methods to obtain information

290. within the police department.

291. It's best if we were the only ones to investigate.

292. If not…

293. Kira will try to kill the hostage again.

294. That's right.

295. Near.

296. The kidnapped director of the Japanese NPA was killed.

297. By whom?

298. "By whom?"

299. It would be interesting if it was Kira.

300. That's true.

301. They can't get the notebook if their hostage is dead.

302. Also, if it was Kira…

303. I can narrow down the suspects.

304. By the way, Commander Rester…

305. Have you tracked his whereabouts?

306. Well…

307. We're sure that he left the institution four years ago as you said,

308. but we don't know anything else after that.

309. Then it's decided.

310. Mello, you always overlook the most important things

311. because you become too emotional.

312. Or maybe...

313. you're not involved in this case at all?

314. How could you leave your picture at the orphanage?

315. This is Yagami.

316. Your daughter has finally arrived here.

317. "Here?"

318. You have a pretty good idea of where this is, don't you?

319. We'll do the exchange here.

320. At any rate,

321. bring the notebook to Los Angeles by yourself in two days.

322. I won't do the exchange unless I make sure my daughter's safe.

323. Let me hear her voice!

324. All right, all right.

325. I'll send you another picture.

326. Sayu!

327. Sir, we've narrowed them down to Fifth Street in Los Angeles.

328. The TV show that is on in the background

329. is definitely being broadcasted right now.

330. They showed us that on purpose to let us know she's all right.

331. T— Thank goodness.

332. At least, she's alive.

333. I'm taking the notebook to Los Angeles.

334. As the deputy director of the NPA and as Sayu Yagami's father!

335. I'll make all the decisions and take full responsibility!

336. Dad!

337. We have to make a plan first.

338. That's right, Sir!

339. But I have to be in Los Angeles within two days.

340. We have no time.

341. So, you're saying that it was Kira who killed Takimura,

342. and not the kidnappers?

343. I'm just saying that it's a possibility.

344. If so, it means Kira gained information from the Japanese police.

345. Yes?

346. This is I.

347. It's L… the current one.

348. Director, I've heard what Agent John MacEnrow,

349. no, Larry Conners had to say from Deputy Director Yagami.

350. Will you help us with NPA Director Takimura's murder investigation?

351. Well…

352. The phone please.

353. Nice to meet you, I Number Two.

354. "Number Two?"

355. What do you mean by that?

356. Who are you?

357. It's useless to try to hide it.

358. We are a new organization, the SPK,

359. established to capture Kira without the help of I.

360. Seven of our top members know of L's death.

361. L's death…?

362. From whom? From where?

363. And I am at the center of the SPK.

364. Let's see, call me… N.

365. N…?

366. Is he joking?

367. But… what is…

368. this strange feeling?

369. TO BE CONTINUED