Curb Your Enthusiasm 7x10

1. I'VE BEEN DREADING WHOLE MADOFF THING.

2. OH, WELL—

3. FOR LOSING ALL OUR MONEY.

4. I'M LIVING WITH JERRY.

5. WE'RE WIPED OUT.

6. ACTUALLY, I'M FINE, GEORGE.

7. FINE?

8. RIGHT AFTER WE GOT DIVORCED.

9. - YOU WHAT? - I STILL HAVE MY HALF.

10. WAIT A SECOND.

11. - IS THAT RIGHT? - IT'S GOOD, YEAH.

12. IT'S GOOD. KEEP GOING.

13. - OKAY. - WHY DID YOU TAKE IT OUT?

14. WITH THE COLLAR UP.

15. IT JUST CREEPED ME OUT.

16. ALL MY MONEY OUT.

17. THAT'S— THAT'S MY MONEY!

18. YOU HAVE MY MONEY!

19. OF THE STATE OF NEW YORK.

20. BRINGS THE CHECK.

21. - NO, LET ME. - I GOT IT.

22. - I GOT IT. - I GOT IT.

23. - I GOT IT. GET THE CHECK!

24. OKAY, JEEZ.

25. TO THE CASH MACHINE.

26. CUT. THAT'S IT FOR SCENE 8.

27. WE'RE RIGHT BACK HERE TOMORROW.

28. THAT'S A WRAP.

29. THAT WAS GREAT. REALLY FUNNY.

30. I DON'T KNOW. OF THAT RIGHT?

31. - NO, IT WAS PERFECT. IT WAS REALLY GOOD.

32. THAT WAS SO FUNNY, THAT ENDING.

33. IT'S REALLY GOOD. IT'S REALLY GOOD.

34. I'M DONE. I'M GONNA GO TALK TO THE PROP GUY.

35. ARE A LITTLE OFF.

36. - OKAY. - THANKS, CHERYL. SEE YOU TOMORROW.

37. - OKAY. - OKAY, GOOD JOB.

38. - FANTASTIC. - NO, BE HONEST WITH ME.

39. I'M BEING HONEST. YOU WERE FANTASTIC.

40. I AM NOT FANTASTIC.

41. YOU ARE. AND THEY LIKE YOU.

42. - THEY LIKE YOU. - WHO LIKES ME?

43. JASON LIKES YOU. JERRY LIKES YOU.

44. JULIA LIKES YOU. THEY ALL LIKE YOU. MICHAEL.

45. I LIKE YOU.

46. - ARE YOU HAVING FUN HERE? - YEAH, IT'S GREAT.

47. - IT'S LIKE YOUR THING. - I KNOW, I'M HAVING A GREAT TIME.

48. IT'S LIKE YOU'RE THE MAN, YOU KNOW?

49. - NO BIG DEAL. - IT'S THE "SEINFELD" REUNION.

50. - I KNOW. - THAT'S A BIG DEAL.

51. - IT'S ACTUALLY HAPPENING. - AND YOU'RE IN IT.

52. YEAH.

53. - HEY, HOW'S MICHAEL DOING? - HE'S DOING GREAT.

54. - HE IS? - YEAH, THE GROAT'S DISEASE CAME BACK NEGATIVE.

55. - SO HE DOESN'T HAVE GROAT'S? - NO, HE DOESN'T HAVE IT.

56. - HE'S FINE. - OH, THAT'S GREAT. THAT'S GOOD NEWS.

57. - YEAH. - WHAT ARE YOU DOING LATER?

58. I WAS— I'M STILL—

59. I'M TRYING TO FIND.

60. - REALLY? - I DON'T KNOW, I THOUGHT

61. OR SOMETHING.

62. SURE, YEAH.

63. JULIA'S BOOK PARTY FOR JASON?

64. DEFINITELY.

65. - THAT'D BE GREAT. - I'LL COME OVER RIGHT AFTER THE BOOK PARTY.

66. - TERRIFIC. - IT'S A GOOD PLAN.

67. - OKAY. - ALL RIGHT.

68. - Larry: IS THAT JASON'S CAR? - YEAH.

69. WHAT'S WITH THE TINTED WINDOWS?

70. HIS PRIVACY.

71. YOU KNOW,

72. WHAT IS HE, GEORGE CLOONEY? I MEAN, COME ON.

73. WITH THE SUN.

74. PROBABLY GETS HOT IN THERE.

75. BOY, YOU KNOW A LOT ABOUT THIS GUY.

76. BETWEEN TAKES.

77. - TALKING ABOUT THE KITCHEN. - HEY, LARRY. HEY, CHERYL.

78. - HEY, MOCHA JOE. - HOW YOU GUYS DOING?

79. VANILLA DECAF LATTE.

80. - I DON'T KNOW WHAT HE DOES. - A LITTLE SECRET.

81. - Larry: YOU GOT SOME SECRETS, MOCHA JOE? - YEAH YEAH.

82. - I'LL TELL YOU ABOUT IT SOMEDAY. - OKAY.

83. HEY, WHERE YOU GOING WITH THIS?

84. TO THE PRODUCTION OFFICE.

85. - OUR OFFICE? - YEAH, YOUR OFFICE.

86. - COULD YOU DO ME A FAVOR? - YEAH, SURE.

87. JUMPER CABLES TO TIM KAISER?

88. - I'VE GOT TO RETURN THEM. - YEAH, SURE.

89. - REALLY? - ALL RIGHT, COOL.

90. - THANKS, MOCHA JOE. - THAT'S IT, RIGHT?

91. TO THE PRODUCTION OFFICE? - GIVE THEM TO TIM KAISER.

92. - YEAH, NO PROBLEM. - THANKS.

93. TALK TO YOU LATER. ABOUT THE COFFEE.

94. - YEAH. - OKAY.

95. ALL RIGHT, I'LL SEE YOU IN A LITTLE WHILE.

96. YOUR HAIR LIKE THAT.

97. - OKAY, I'LL SEE YOU LATER. - I'LL SEE YOU LATER.

98. WE'VE JUST BEEN GETTING ALONG SO GREAT.

99. TONIGHT TO GO OVER LINES.

100. - REALLY? - YES.

101. - IT'S UNBELIEVABLE. - WOW.

102. SO IT'S LIKE A DATE, I GUESS.

103. MAKE A MOVE TONIGHT.

104. - NAH. - YEAH.

105. - WHAT? - MAKE A MOVE.

106. I CAN'T.

107. - YOU SEE IT A MILE AWAY. IT'S LIKE A POKER TELL. - NO NO NO.

108. BECAUSE I'M THINKING ABOUT IT, MY CONVERSATION GETS VERY STILTED.

109. SHE INVITED YOU. YOU MUST MAKE A MOVE.

110. I'M SO HAPPY JUST TO BE GOING OVER THERE,

111. BEING CLOSE WITH HER, I DON'T EVEN CARE ABOUT THE MOVE.

112. ARE COMING TRUE?

113. IS COMING TO FRUITION. - YES, I KNOW.

114. - AH, THE ACTOR PREPARES. - YEAH.

115. - Jerry: WHAT DO YOU THINK? - WOW.

116. I LOVE THE FACE. DON'T YOU LOVE THE FACE?

117. - THE BURNING INTENSITY, YES. - YEAH.

118. THE LET'S-CUT-THE-CRAP, YOU KNOW?

119. IT'S NOT SO MUCH AS A BOOK

120. AS A PAMPHLET, YOU KNOW?

121. KIND OF ON THE THIN SIDE, ISN'T IT?

122. HE'S SAYING "ACTING WITHOUT ACTING."

123. SO IF YOU'RE NOT GONNA ACT THERE'S NOT MUCH LEFT TO SAY.

124. "ACTING WITHOUT ACTING."

125. - Jerry: YEAH, EVERYTHING IS WITHOUT. - YEAH.

126. WITHOUT RAISING THEM.

127. IS KIND OF ANNOYING?

128. SAYING, "HAVING SAID THAT"

129. THEY SAY NOW? - YES.

130. "HAVING SAID THAT, LET ME SAY THIS."

131. - RIGHT RIGHT. YOU SAY WHAT YOU REALLY WANT TO SAY... - YEAH.

132. AND THEN YOU NEGATE IT.

133. NOW HAVING SAID THAT. SO WHAT IS THAT? SO YOU WIN EITHER WAY.

134. A COMEDIAN GOES UP ON STAGE,

135. "YOU PEOPLE ARE A BUNCH OF MORONS.

136. HAVING SAID THAT, I'M VERY HAPPY TO BE HERE."

137. HEY, I TALKED TO YOUR BUDDY MOCHA JOE A MINUTE AGO.

138. YOU KNOW, HE'S A LITTLE UPSET THAT YOU DIDN'T

139. CABLES TO TIM KAISER.

140. - HE SAID SOMETHING TO YOU? - YEAH, HE DID.

141. - WHAT?

142. BOY, IT TAKES A LOT TO GET A TIP OUT OF THAT GUY.

143. I ASKED HIM TO DO ME A FAVOR. I DIDN'T SAY I WANT TO HIRE YOU.

144. - I SAID DO ME A FAVOR. - THAT'S WHAT A TIP IS.

145. A TIP IS MONEY FOR A FAVOR.

146. NO, A FAVOR IMPLIES NO TIP.

147. SOMEONE THAT'S SUPPOSED TO BE TIPPED WAS NOT TIPPED. YOU'D BETTER TIP HIM.

148. - SALUTATIONS, ME LADS. - HEY, LOOK AT THAT.

149. HOW ARE YOU? NICE TO SEE YOU.

150. YOU'RE REALLY CUTTING THE FIGURE THESE DAYS.

151. WELL, THANK YOU VERY MUCH.

152. - CONGRATS. - THANK YOU VERY MUCH.

153. - THIS IS REALLY SOMETHING. - THANK YOU VERY MUCH.

154. - HOW LONG DID THIS TAKE? - THAT'S ABOUT A YEAR AND CHANGE OF MY LIFE.

155. - REALLY? - YEAH. YEAH YEAH YEAH.

156. YET IT'S VERY CONCISE.

157. YEAH, I TRIED TO GET IT DOWN TO THE ESSENTIALS.

158. YEAH, I'LL READ IT WITH DINNER.

159. YEAH, WHAT DOES "ACTING WITHOUT ACTING" MEAN?

160. YOU DON'T WANT TO SEE THE ACTOR AT WORK.

161. - RIGHT. THE TECHNIQUE.

162. IT'S ACTING. IT'S DOING THE JOB. IT'S THE CRAFT.

163. THE ACTOR'S EFFORT. - BUT HE'S STILL ACTING.

164. - YEAH, OF COURSE YOU'RE ACTING. - RIGHT.

165. "ACTING WITH ACTING."

166. - THAT COULD BE A TITLE TOO. - Larry: YEAH.

167. HAVING SAID THAT, A TERRIFIC TITLE.

168. - THANKS. - HEY, LAR. LAR.

169. JUST FOR A SEC? - OH, SURE.

170. IT IS WITHOUT ACTING. IT'S HIDING THE ACTING.

171. RIGHT, IT'S HIDING THE ACTING AND YET IT'S ALL ACTING.

172. - MOST OF IT. - YEAH.

173. UH, WERE YOU SITTING HERE?

174. - MM-HMM. - EARLIER? YOU WERE?

175. TO USE A COASTER?

176. - LOOK. - OH.

177. FOR GENERATIONS, OKAY? AND LOOK AT IT.

178. YEAH, BUT I DIDN'T PUT MY GLASS DOWN THERE.

179. - I HELD ONTO IT. - NO NO NO, BUT YOU WERE HERE.

180. YEAH, I KNOW, BUT THE GLASS NEVER LEFT MY HAND.

181. WHEN I'M IN SOCIAL SITUATIONS I ALWAYS HOLD ONTO MY GLASS.

182. AND SECURE AND I DON'T HAVE TO SHAKE HANDS.

183. LISTEN, ONE OF THESE FRIENDS OF JASON TOLD ME,

184. "OH, LARRY DAVID DID THAT. HE WAS JUST SITTING HERE."

185. - WHO SAID THAT? - I DON'T KNOW WHAT HIS NAME IS.

186. I DON'T KNOW WHO ANY MY HOUSE, BY THE WAY.

187. WHERE IS HE? WHICH FRIEND?

188. WELL, LOOK IT, YOU SAY YOU

189. WOODEN TABLE.

190. - NO, IMPOSSIBLE. - ALL RIGHT, I BELIEVE YOU.

191. HAVING SAID THAT,

192. I DON'T REALLY THINK I'M BUYING YOUR LINE OF BULLSHIT.

193. - MOCHA JOE. - OH, HOW YOU DOING, LARRY?

194. THAT I DIDN'T

195. CABLES TO THE OFFICE.

196. - IS THAT TRUE? - I'M NOT UPSET,

197. BUT I'M A LITTLE DISAPPOINTED.

198. MOCHA JOE, I ASKED YOU TO DO ME A FAVOR.

199. - THAT'S A FAVOR. - YEAH, BUT YOU TIP FOR A FAVOR, LARRY.

200. A FAVOR I WOULD SAY YES.

201. I WOULDN'T EXPECT ANY MONEY IN RETURN.

202. THE GOODNESS OF MY HEART. - REALLY?

203. OF THE GOODNESS OF YOUR HEART? - OF COURSE I WOULD.

204. AND WE'RE EVEN.

205. - WHAT'S THE FAVOR?

206. TO STERN BROS. COFFEE FOR TOMORROW.

207. MOCHA JOE, THAT'S INSANE.

208. OF WHERE I LIVE.

209. YOU KNOW WHAT, LARRY? YOU DON'T DO THE FAVOR, WE GOT NOTHING TO TALK ABOUT.

210. - NOW GET AWAY FROM MY CART. - ALL RIGHT, MOCHA JOE.

211. - NO, THERE'S NOTHING TO TALK ABOUT, LARRY. - YOU KNOW WHAT?

212. I JUST REALIZED SOMETHING. I JUST REALIZED SOMETHING.

213. ABOUT NOT TIPPING YOU.

214. - OH REALLY? UP TO YOU RIGHT NOW.

215. - OKAY. - I WANT TO TIP YOU NOW.

216. - NO. - FORGET THIS FAVOR.

217. - NO NO NO NO. - NO, I'LL TIP YOU. I'LL GIVE YOU A TIP.

218. NO, YOU SAID YOU WOULD DO ME THE FAVOR.

219. NOW YOU'RE GOING BACK AND YOU WANT TO PAY ME OFF?

220. - I WANT TO GO BACK IN TIME... - GO BACK IN TIME?

221. - ... GIVE YOU THE TIP YOU DESERVED... - YEAH.

222. FOR TAKING THE JUMPER

223. GOING THERE AND I'LL I SHOULD HAVE GIVEN YOU.

224. NO GOING BACK IN TIME.

225. WOULD DO ME A FAVOR. NOW DO ME A FAVOR.

226. OKAY, MOCHA JOE.

227. I'LL GO TO HOLLYWOOD.

228. I'LL PICK UP YOUR BEANS, OKAY?

229. HERE'S THE CARD FOR STERN BROS. COFFEE, WEST HOLLYWOOD.

230. PICK UP THAT COFFEE FOR ME. BRING IT TO THE STUDIO TOMORROW.

231. - THAT SQUARES US? - YEAH, THAT'LL SQUARE US.

232. SEE YOU TOMORROW, LARRY.

233. - OH. - OH, HI.

234. TO TALK TO YOU.

235. - I KNOW. - SO I'LL SEE YOU LATER?

236. - SEE YOU LATER. - GREAT.

237. WHAT? WE'RE WORKING. WE'RE DOING SOME WORK.

238. WE ARE. WE'RE WORKING TOGETHER.

239. GOD DAMN IT!

240. - Cheryl: Hello? - HEY, IT'S ME.

241. - Hey. - UM, LOOK,

242. I THINK I'M GONNA BE LATE.

243. I'M IN BAD TRAFFIC.

244. I'VE GOT TO GO INTO HOLLYWOOD FOR MOCHA JOE.

245. What are you doing? You're picking up beans?

246. IT'S A LONG STORY. I'M GONNA BE LIKE AN HOUR LATE.

247. Oh my God. I thought you were on your way over.

248. I AM. I MEAN, I CAN, YOU KNOW.

249. - IT'S ONLY AN HOUR. - I know, but you're gonna take an hour?

250. I think we should just do— we'll do it another time.

251. - Okay? - ALL RIGHT. OKAY.

252. Okay. I'll see you tomorrow.

253. ALL RIGHT. SEE YOU TOMORROW.

254. All right, thanks, Larry. Bye.

255. BYE.

256. HEY!

257. FUCKING MOCHA JOE!

258. SO HOW'S IT GOING WITH CHERYL?

259. - REALLY GOOD. - SHE GOT ANYTHING?

260. YEAH. YEAH, SHE'S GOOD.

261. - I LIKE WHAT SHE'S DOING. - REALLY?

262. EASY TO WORK WITH. AT HER PLACE.

263. - OH REALLY? - CHERYL CALLS ME UP, SHE SAYS COME ON OVER.

264. - I GO OVER, WE WORKED FOR LIKE TWO HOURS. - WOW.

265. AN ACTRESS DONE THAT? - SO WHICH SHIRT DO YOU LIKE?

266. PICK ONE OUT.

267. HEY, LAR. LAR.

268. THE GUY CAME,

269. AND IT'S GONNA COST 500 BUCKS TO FIX THAT TABLE.

270. THE RING.

271. - I... - YES, YOU DID.

272. COME ON, MAN. YES, YOU DID.

273. PLEASE DON'T PLAY THIS GAME WITH ME.

274. IF I LEFT IT.

275. I RESPECT WOOD. I REVERE WOOD.

276. I'M CONSIDERATE OF WOOD.

277. LAR, I HAVE KNOWN YOU SINCE 1983.

278. - WHATEVER IT IS. - FOUR. YEAH, FOUR.

279. I KNOW WHEN YOU ARE LYING.

280. AND RIGHT NOW YOU'RE DOING WHEN IT'S LIKE...

281. REALLY? SERIOUSLY?

282. I DON'T EVEN CARE ABOUT THE MONEY, LARRY. JUST FESS UP, MAN.

283. IF YOU DIDN'T DO IT, WHO DID IT?

284. - YOU'RE THE PERSON— - I'M GOING TO FIND OUT.

285. - OH, PLEASE.

286. YOUR DRESSING ROOM SOON.

287. - OH, MAN. - OKAY, SCENE "S" IS UP.

288. WE'RE IN JERRY'S APARTMENT. IT'S GEORGE AND AMANDA.

289. WE'RE RIGHT HERE.

290. THAT MAYBE THERE'S ANOTHER SIDE TO YOU.

291. DOZENS.

292. HOW ABOUT THAT? HOW ABOUT THAT?

293. - SO WHY DON'T WE SIT DOWN? - SIT DOWN.

294. YEAH, COME ON. WOULD YOU LIKE SOME POPCORN? BECAUSE I MADE IT.

295. - WAIT, IS THAT IN THERE? - UH-HUH, "I MADE IT."

296. I KNOW, BUT I DON'T SAY I MADE IT.

297. - NO, I SAY "I MADE IT." - I KNOW, IT WAS SO CONVINCING.

298. I'M PLAYING GEORGE.

299. - I DON'T UNDERSTAND THIS BIT. - IT'S GREAT.

300. FIGHT OVER THE POPCORN.

301. - IS IT LIKE A WRESTLE? - NO NO, IT'S NOT WRESTLING.

302. YOU'RE FIGHTING WITH YOUR HANDS, OKAY?

303. - YEAH. - Jerry: LET IT GO. WHEREVER IT GOES.

304. IT'S REHEARSAL. IT'S EXPLORATORY.

305. SO DO YOU WANT SOME POPCORN? I MADE IT.

306. RELATIONSHIP I'VE EVER SEEN YOU HAVE ON THE SHOW.

307. BEEN THIS HAPPY.

308. I'M WATCHING RICHARD BENJAMIN AND PAULA PRENTISS HERE.

309. - THIS IS FANTASTIC. - SHE'S UNBELIEVABLE.

310. - Jerry: I REALLY BELIEVE THIS. - Cheryl: THANK YOU.

311. OKAY, THAT'S LUNCH FOR A HALF.

312. WE'RE FEEDING ON 19. WE'RE RIGHT BACK HERE AFTER LUNCH.

313. - WHAT DO WE GOT, LIKE A HALF HOUR? - TAKE WHATEVER YOU WANT.

314. - THAT IS GOLD. - YOU WANT TO HAVE SOME LUNCH?

315. - DON'T CHANGE ANYTHING THOUGH. - YOU WANT TO GO OFF THE LOT?

316. - LAR. HEY, LAR. - ONE SECOND.

317. - NO, LAR, WAIT A SECOND. - HOW YOU DOING?

318. - YOU KNOW WHAT? I'VE GOT TO GET GOING. - ONE SECOND.

319. TO PICK UP THOSE BEANS? I'M REALLY LOW ON COFFEE.

320. YOU KNOW, I WENT OF TRAFFIC.

321. I WENT ALL THE WAY OVER THERE,

322. SO I COULDN'T GET 'EM.

323. SO YOU DIDN'T GET THE BEANS?

324. NO, I DIDN'T GET THE BEANS.

325. SO YOU DIDN'T DO ME THE FAVOR?

326. TO DO YOU THE FAVOR.

327. I TRIED TO DO YOU THE FAVOR. WHAT ARE YOU TALKING ABOUT?

328. - AN ATTEMPT IS NOT A FAVOR. - WHAT?

329. IT IS A FAVOR. IT IS A FAVOR. THAT'S AS GOOD AS A FAVOR.

330. - THE EFFORT WAS THERE. WITH, THOUGH?

331. WELL, THE STORE WAS CLOSED.

332. IS NOT A FAVOR.

333. THE JUMPER CABLE,

334. OR TO YOUR OFFICE?

335. FOR YOUR SUPPOSED FAVOR.

336. - I KNOW. - YOU HAVE JUMPER CABLES. WHAT HAS HE GOT?

337. - EXACTLY. - HE'S GOT A GUY WHO HAS A STORY ABOUT TRAFFIC.

338. - THANK YOU, JERRY. - YOU'RE WELCOME, MOCHA JOE.

339. COME ON, I DID A LOT FOR MOCHA JOE.

340. MOCHA JOE DOESN'T NEED PEOPLE DRIVING AROUND FOR HIM.

341. - HE NEEDS COFFEE. "E" FOR EFFORT, JERRY?

342. "E" FOR EFFORT! YOU PEOPLE THINK ABOUT THAT.

343. "E" FOR EFFORT!

344. "F" FOR FAVOR!

345. "C" FOR COFFEE.

346. THE TINTED WINDOWS.

347. WHO KNOWS WHAT'S GOING ON WITH THOSE TINTED WINDOWS?

348. GOING ON IN THAT CAR.

349. WINDOWS AT LUNCH.

350. THAT'S YOUR PROOF? THEY'VE GOT TINTED WINDOWS?

351. IT'S NOT ONLY THAT.

352. AND ALL THAT.

353. HE WAS AT HER HOUSE.

354. I'M SORRY, BUT YOU SOUND CRAZY.

355. YOU DIDN'T SEE THEM. YOU WOULDN'T SAY THAT.

356. JUST LET THIS BLOW OVER.

357. THIS IS NOTHING. AND JUST GO BACK TO WORK.

358. COME ON. I'LL SEE YOU LATER.

359. ALL RIGHT.

360. OH.

361. - HMM. - WHAT?

362. ON YOUR TABLE.

363. - REALLY? - THAT'S INTERESTING.

364. WHAT? WHAT'S INTERESTING ABOUT A RING STAIN?

365. WAIT A SECOND.

366. - YEAH?

367. AT THE PARTY.

368. RIGHT BY THAT TABLE.

369. - HEY, JEFF. - YEAH?

370. OH, HI, LAR. JEFF, DID YOU CALL THE SPRINKLER GUY?

371. - BECAUSE IT'S NOT WORKING. - NOT YET.

372. - YOU TOLD ME 10 MINUTES AGO. - HEY.

373. - I'LL CALL HIM. - WHAT?

374. RING STAIN ON YOUR TABLE.

375. I KNOW. I NOTICED THAT.

376. - HOW'D THAT HAPPEN? - I DON'T KNOW.

377. - NO IDEA? - NO.

378. DO YOU RESPECT WOOD, SUSIE?

379. UH, YES, I DO RESPECT WOOD. WHY?

380. YOU'VE DEMONSTRATED FOR WOOD AS I SEE IT.

381. I DON'T KNOW WHAT YOU'RE GETTING AT. I DON'T KNOW WHAT THIS IS ABOUT.

382. I'LL TELL YOU WHAT I'M GETTING AT.

383. ON YOUR TABLE. - YEAH.

384. OVER JULIA'S ANTIQUE TABLE WITH A DRINK.

385. - YEAH, THEREFORE? - OKAY? I'M PUTTING TWO AND TWO TOGETHER.

386. STAIN ON JULIA'S TABLE.

387. SO DON'T TELL ME YOU RESPECT WOOD.

388. OH, I RESPECT WOOD, LARRY.

389. I'D BEAT THE SHIT OUT OF YOU WITH IT, OKAY?

390. - MMM. OF HERE, ALL RIGHT?

391. OKAY.

392. - WHAT IS HE DOING, JEFF? - I DON'T KNOW ANYMORE.

393. YOU'RE LOOKING FOR FUCKING

394. DON'T TOUCH MY BOOKS! GET OUT!

395. GET THE FUCK OUT!

396. CALL THE SPRINKLER GUY!

397. OH, JEEZ. IT'S BRIGHT OUT HERE.

398. - HEY. TO YOUR WINDOWS?

399. I GOT THEM TINTED.

400. - JASON'S GUY GAVE ME A GREAT DEAL. - OH, HIS GUY?

401. - YEAH. - REALLY?

402. I'M TELLING YOU, IT MAKES A BIG DIFFERENCE WITH THE SUN.

403. - IT'S SO BRIGHT. THE OTHER NIGHT?

404. WHAT DO YOU MEAN?

405. TO COME OVER.

406. WORKING WITH JASON.

407. WELL, YOU SAID YOU WERE BUSY WITH YOUR BEANS,

408. FOR MOCHA JOE. - BUSY WITH MY BEANS?

409. I WASN'T BUSY WITH ANY BEANS.

410. THAT'S WHAT YOU SAID DOING SOMETHING WITH BEANS.

411. I WAS PICKING BEANS UP. I WASN'T BUSY WITH THEM.

412. THAT'S BUSY.

413. BUSY WITH BEANS? I DON'T THINK SO.

414. AND CLEARLY YOU WERE BUSY.

415. COME OVER TO MY HOUSE.

416. I WAS BUSY WITH BEANS, GO AHEAD AND THINK THAT.

417. THAT'S WHAT YOU SAID ON THE PHONE. WHY WOULD I MAKE UP BEANS?

418. DOING IN YOUR HOUSE?

419. - I'M JUST CURIOUS. - I NEED TO GET GOING.

420. - YOU'RE BEING WEIRD. - I'M NOT BEING WEIRD. I'M JUST CURIOUS.

421. HOW HE WOUND UP THERE.

422. DID HE CALL YOU? DID YOU CALL HIM?

423. I'M CURIOUS.

424. THIS IS ALL YOUR FAULT, MOCHA JOE.

425. - WHAT'S ALL MY FAULT? - EVERYTHING.

426. - WHAT ARE YOU TALKING ABOUT? - YOU BUSIED ME WITH YOUR BEANS.

427. I'M NOT GONNA FORGET THIS, MOCHA JOE.

428. A FAVOR.

429. I'LL BRING YOU BREAKFAST IN BED TOMORROW.

430. YEAH, GOOD. I'LL BE HUNGRY.

431. THAT MAYBE THERE'S ANOTHER SIDE TO YOU.

432. YEAH, NOT JUST ONE. DOZENS.

433. SHOULD WE SIT DOWN?

434. - OKAY. - YEAH.

435. I, UH— I MADE SOME POPCORN.

436. OKAY, YOU KNOW WHAT? I HAVE AN IDEA.

437. CHANGE THE BLOCKING. COME HERE FOR A SECOND.

438. - OKAY. - COME HERE.

439. TO SIT OVER HERE. - ALL RIGHT.

440. - JASON, SIT ON THE ARM. - Larry: I HAVE AN IDEA.

441. ON THE STOOL.

442. - OKAY? - Jerry: OVER THERE?

443. - YEAH. POPCORN THING.

444. YOU KNOW WHAT? FORGET THE STOOL. COME HERE.

445. - I GOT A BETTER IDEA. - LAR?

446. HERE'S WHAT WE'RE GONNA DO. YEAH, COME HERE.

447. - GO IN HERE. - Jerry: WHAT'S HE GONNA DO IN THERE?

448. YOU STAY HERE. YOU'RE GONNA DO THE SCENE IN THERE.

449. - HE'S GOT TO BE NEXT TO HER. - THAT'S FUNNY.

450. - THIS IS GONNA BE FUNNY. - NO.

451. THEM GET TOGETHER.

452. - Jason: JERRY? - NO NO NO.

453. - IS THIS WORKING FOR YOU? - THIS IS GONNA BE FUNNY.

454. THIS FOR A SECOND? I THINK, UM—

455. THAT'S A FIVE.

456. DID YOU GET THAT? I THOUGHT THIS WAS WORKING.

457. I DON'T GET THIS IDEA. THIS DOESN'T MAKE ANY SENSE AT ALL.

458. WHY? IT'S KIND OF QUIRKY THAT HE'S SAYING THIS STUFF FROM THE BATHROOM.

459. WHO ELSE WOULD DO THAT?

460. THE BATHROOM?

461. - SOMETHING'S UP HERE. - NO.

462. DID WE WORK TOGETHER?

463. WE WOULD GET SO TIRED,

464. HOURS TOGETHER.

465. PERSONAL LIVES, RIGHT?

466. - RIGHT. A WOMB, RIGHT?

467. - THAT'S HOW WE DID THIS SHOW. - RIGHT.

468. SO WHATEVER IT IS, YOU CAN TELL ME.

469. EVERYTHING'S FINE.

470. YOU'RE SURE?

471. YEAH.

472. COMPLETELY SURE?

473. YEAH.

474. ALL RIGHT.

475. THAT'S LUNCH. ONE HOUR.

476. HEY, LET'S GO WE USED TO GO TO.

477. WITH THE NOODLES?

478. - YEAH, I CAN'T DO IT RIGHT NOW. - COME ON.

479. - MAYBE WE'LL DO IT TOMORROW. - THE PEANUT SAUCE.

480. WHERE'S CHERYL?

481. SHE LEFT WITH JASON.

482. HEY, DID YOU SEE CHERYL?

483. SHE WENT THAT WAY.

484. CHERYL! AHA!

485. NO!

486. MOCHA JOE!

487. MOCHA JOE!

488. SOMEBODY HELP ME! OH SHIT!

489. OH NO! OW! OH NO!

490. OH, MOCHA JOE! MOCHA JOE!

491. THEY'RE GOING TO DESTROY MOCHA JOE WAS BITTEN.

492. - REALLY? - YES.

493. - HUH.

494. DROP THE CHARGES.

495. THEY'RE JASON'S DOGS.

496. THAT'S NOT MY FAULT HE'S GOT SOME KILLER DOGS IN THERE.

497. HIS CAR, BY THE WAY?

498. ISN'T THAT A LITTLE SUSPICIOUS?

499. WELL, I'M THINKING ABOUT

500. THE HEADROOM.

501. THEN YOU GO TO A SHOWROOM.

502. AND CHECK IT OUT. TALK TO A SALESMAN.

503. LOOK, THE POINT IS YOU CAN'T LET THE DOGS DIE.

504. - YOU JUST CAN'T. - REALLY?

505. YES, BECAUSE JASON

506. IN THREE DAYS.

507. OKAY FINE, I'LL GO TALK TO MOCHA JOE.

508. BUT YOU KNOW WHAT? IT'S NOT GONNA MAKE A DIFFERENCE.

509. HE DOESN'T WANT TO TALK TO ME.

510. I'M GONNA START TO WORK ON THIS "A" SCENE.

511. SEE IF WE CAN GET A BETTER OPENING.

512. WHAT IS THIS?

513. FROM COFFEE.

514. REALLY?

515. YEAH, I GOT A RING STAIN FROM SOME COFFEE. I PUT SOME COFFEE THERE.

516. LET ME ASK YOU A QUESTION.

517. ON JULIA LOUIS-DREYFUS'S TABLE?

518. - OH NO. I WOULD NEVER DO THAT. - HOW DID THIS GET HERE?

519. THAT'S BETWEEN THE COFFEE AND THE WOOD.

520. - NO, YOU DON'T RESPECT WOOD. - I DO RESPECT WOOD.

521. THIS IS A LOW-GRADE WOOD.

522. OH, SO YOU DISCRIMINATE AMONGST WOOD?

523. I GUESS YOU COULD SAY THAT.

524. I RESPECT ALL WOOD. I RESPECT PINE.

525. I RESPECT WALNUT. I RESPECT OAK.

526. IT DOESN'T MATTER, OKAY? YOU DON'T.

527. WHAT ABOUT THE DOGS? NO RESPECT FOR THE DOGS?

528. BUT NOT FOR ACTUAL LIFE.

529. SO YOU GO TO A FUNERAL, YOU'RE MORE UPSET ABOUT THE COFFIN THAN THE DECEASED?

530. ON HER COFFEE TABLE, JERRY?

531. YOU'VE LOST YOUR MIND.

532. OKAY.

533. I'M NOT DONE WITH THAT RING STAIN SO FAST.

534. OH, LARRY DAVID, WOOD DETECTIVE.

535. - THANKS, MOCHA JOE. - THANKS, BUDDY.

536. - HI, MOCHA JOE. - WHAT DO YOU WANT, LARRY?

537. THE THING IS, MOCHA JOE,

538. GET PUT DOWN.

539. THAT'S RIGHT, LARRY. THOSE DOGS ARE GETTING GASSED.

540. I'D DO IT MYSELF IF I COULD. AND I'D HAVE IT TELEVISED.

541. WELL...

542. COULD DO ME A...

543. SOLID.

544. A SOLID, LARRY?

545. WORD FOR SOLID?

546. - FAV... - I CAN'T HEAR. WHAT, LARRY?

547. - FAVOR. - DID YOU SAY FAVOR, LARRY?

548. INVOLVE A TIP?

549. OKAY, MOCHA JOE.

550. I GUESS IT DOES.

551. THAT'S FOR ME CABLES TO YOUR OFFICE.

552. - OH, AND THANK YOU SO MUCH. - YOU'RE WELCOME.

553. - 'CAUSE I KNOW HOW DIFFICULT THAT WAS FOR YOU. - IT WAS.

554. - IT WAS HARD WORK. - LONG WALK.

555. THAT'S FOR NOT PICKING UP MY FUCKING COFFEE BEANS.

556. I WENT DOWN THERE, BUT THE STORE WAS CLOSED.

557. NOT MY FAULT.

558. ONE DOG LIVES.

559. HEY, I'M HERE FOR JASON ALEXANDER.

560. RIGHT, BLACK COFFEE NO SUGAR AND ONE VANILLA DECAF LATTE.

561. - GREAT. THANKS SO MUCH. - VANILLA DECAF LATTE?

562. - YEAH, A VANILLA DECAF LATTE. - ALL RIGHT.

563. THE DOGS, OKAY? ARE WE GOOD?

564. STAY OF EXECUTION.

565. HOW YOU DOING, LADIES?

566. - HEY. - HEY, COFFEE TIME. A LITTLE CAFFEINE.

567. - YES. - THANK YOU, I WILL GET IT WHERE IT'S GOING.

568. - ENJOY. - ALL RIGHT.

569. HEY, CHERYL, WHAT'S GOING ON IN THERE?

570. CHERYL, OPEN UP.

571. - HEY, WHAT ARE YOU DOING? - WHERE IS HE?

572. - WHAT? - HUH? WHERE IS HE?

573. LARRY, HEY!

574. THAT'S RIGHT! I SEE YOU!

575. - LAUGHING AT LAR? - LARRY!

576. SCAMPERING AND SCURRYING, I SEE YOU!

577. LARRY, WHAT ARE YOU DOING?

578. WHAT AM I DOING? WHAT ARE YOU DOING?

579. - WHAT'S GOING IN HERE? - NOTHING.

580. SOMETHING IS GOING ON, OTHERWISE HE WOULDN'T BE RUNNING AWAY.

581. WELL, YOU'RE INTIMIDATING HIM.

582. - REALLY? - YEAH, HE'S VERY SENSITIVE, BY THE WAY.

583. - OH, IS HE? - YES.

584. - JASON'S SENSITIVE? - HE'S SENSITIVE.

585. HE'S FUNNY. HE'S A LITTLE NEUROTIC,

586. - CAN GET UNDER HIS SKIN. - ARE YOU KIDDING?

587. - THAT'S GEORGE. THAT'S NOT JASON. - THAT'S JASON.

588. THAT'S GEORGE. THAT'S ALL GEORGE. THAT'S ME.

589. I WROTE THAT STUFF. YOU'RE NOT ATTRACTED TO HIM, YOU'RE ATTRACTED TO ME.

590. I'M GEORGE.

591. ON THIS WITH HIM?

592. I DIDN'T.

593. HE TOOK THE WHOLE THING APART.

594. - LAR, WHAT DID YOU DO? - WHAT?

595. - IT'S ALL DIFFERENT. - I MADE SOME CHANGES.

596. I CHANGED THE ENDING.

597. SHOW HERE.

598. SO GEORGE AND AMANDA, THEY'RE NOT GONNA END UP TOGETHER?

599. - NO. - OH, COME ON.

600. - OH MY GOD. - ARE YOU KIDDING?

601. IT WAS SO LAME. WHO'S GONNA BUY THAT?

602. WE DON'T DO ENDINGS LIKE THAT.

603. - THAT'S WHY IT'S SO FUNNY. - EXACTLY.

604. IT'S ALL BULLSHIT. IN THE END?

605. - YOU KNOW IT'S FANTASY CRAP. - IT DOESN'T MATTER.

606. LARRY, WE ALREADY SCREWED UP ONE FINALE. WE CAN'T DO ANOTHER.

607. WE DIDN'T SCREW UP A FINALE. THAT WAS A GOOD FINALE.

608. - LET'S TALK ABOUT THIS. - LARRY, THIS CHANGES THE WHOLE THING.

609. IN THAT STORY.

610. THAT STORY HAD A GREAT ENDING. THIS IS A WHOLE DIFFERENT THING.

611. WELL, THIS IS THE SHOW. THIS IS THE SHOW.

612. YOU KNOW WHAT? I'M NOT COMFORTABLE WITH THAT.

613. - ALL RIGHT. I'M SORRY, GUYS, I CAN'T. - JASON, COME ON.

614. NO, JASON. YOU'RE NOT WRONG, BUT WE CAN'T.

615. LARRY, DO WHAT YOU WANT TO DO. I QUIT, THANK YOU VERY MUCH.

616. - JASON. - I'M SORRY, MIKE.

617. - I'M SORRY, I CAN'T DO IT. - THIS IS WORKING OUT GREAT.

618. ALL RIGHT, OKAY. WITHOUT JASON?

619. IT'S JUST A SCRIPT, LARRY. THERE'S NO SHOW WITHOUT JASON.

620. HOW DO YOU EVEN HAVE THE SHOW? WHAT DO YOU HAVE?

621. GOAT HERE.

622. SO WHAT ARE WE DOING?

623. I DON'T KNOW. WE'RE NOT DOING ANYTHING.

624. LARRY, WHAT DO YOU WANT TO DO?

625. I'LL PLAY GEORGE.

626. - WHAT? - I'LL PLAY GEORGE.

627. - I'LL PLAY GEORGE. - WHAT?

628. YES, I CAN DO IT.

629. YOU'LL PLAY WHAT, GEORGE'S BUTLER? WHAT DO YOU MEAN?

630. NO, I WILL PLAY GEORGE COSTANZA.

631. I CAN DO IT. I KNOW I CAN.

632. I WROTE IT. IS BASED ON ME.

633. ON "BEWITCHED."

634. THAT SECOND DARREN.

635. - I DIDN'T CARE FOR THE SECOND DARREN. - BUT YOU BOUGHT IT.

636. - OH MY GOD. WHAT THIS IS?

637. IT'S ICONIC TELEVISION HERE.

638. THE SET'S AN ICON. HE'S AN ICON.

639. SHE'S AN ICON. HE WAS AN ICON.

640. ICON. NO-CON.

641. THERE'S NO JOHN, PAUL, GEORGE AND LARRY.

642. IT'S NOT WHAT THEY WANT.

643. WHAT ARE WE GONNA DO?

644. WELL, SOMEBODY'S GONNA HAVE TO GO GET JASON.

645. LET ME TRY IT. LET ME TRY IT.

646. LET ME DO ONE SCENE. WHAT HAVE YOU GOT TO LOSE?

647. ACTION!

648. SO I'M IN A BANK THE OTHER DAY. I'M ON THE LINE

649. IN FRONT OF HIM.

650. YOU KNOW, I CAN'T TAKE THAT.

651. - NO, YOU CAN'T TAKE THAT. - I'M THINKING,

652. "COME ON, TIGHTEN IT UP, DUDE. TIGHTEN IT UP."

653. - RIGHT.

654. OH, YOU'RE GONNA DO THING ON ME NOW?

655. THE BLACKBERRY PEOPLE?

656. CAN I JUST PICK UP A MAGAZINE,

657. WHILE YOU'RE TALKING? IS THAT OKAY TOO?

658. WAIT, WHAT MAGAZINE?

659. HEY, GEORGE.

660. ARE YOU HAPPY?

661. - WHAT? - HUH?

662. IF YOU'RE HAPPY.

663. YEAH, I'M REASONABLY HAPPY.

664. YOU HAD TO INTERFERE, DIDN'T YOU?

665. GEORGE, WHAT ARE YOU TALKING ABOUT?

666. DOING SOMETHING WRONG.

667. GEORGE, WOULDN'T IT BE EASIER JUST TO TALK TO AMANDA?

668. NO. NO.

669. NO. HO-HO.

670. GEORGE IS GETTING UPSET.

671. HUH? HUH? WHAT DO YOU THINK?

672. YEAH, I JUST QUIT. I DID.

673. AND THEY DIDN'T LIKE IT.

674. YOU KNOW WHAT? ENDING WITH JASON.

675. HE'S ALREADY ON HIS WAY BACK HERE.

676. I DON'T CARE.

677. WELL, YOU KNOW WHAT?

678. WHOLE THING WAS TO BE WITH HER,

679. TO WORK WITH HER, TO GET HER BACK.

680. BUT IF I CAN'T HAVE HER, WHAT'S THE POINT?

681. I DON'T CARE. I'M— I'M DONE.

682. I'M QUITTING.

683. But man wants to make his woman happy.

684. Wants to do it.

685. Doesn't know how to do it.

686. Sometimes we do it, don't know how we did it.

687. Can't ask, "What did I do?"

688. Looks like you don't know what you're doing.

689. Can't do nothing.

690. Woman says, "I can't believe you're doing this."

691. Man says, "Doing what?" Woman starts crying.

692. Man says, "I didn't do anything."

693. Woman says, "Exactly."

694. It's an unwritten rule of etiquette, George.

695. - Who says so? - No one knows.

696. THAT'S WHY IT'S UNWRITTEN.

697. IN A RESTAURANT.

698. WHY? THEY WASH IT.

699. IT'S JUST NOT DONE IN POLITE SOCIETY.

700. IT'S NOT DONE IN IMPOLITE SOCIETY.

701. DON'T DO IT.

702. YOU SNEEZED INTO A NAPKIN.

703. - THAT'S DIFFERENT. - HOW?

704. A SNEEZE IS INVOLUNTARY.

705. YOU HAVE 2.5 SECONDS BEFORE THAT BOMB GOES OFF.

706. WELL, I LIVE BY MY RULES. I DON'T LIVE BY YOUR RULES.

707. IN FRONT OF YOUR WIFE? - ALL THE TIME.

708. CAN'T FIGURE OUT WHY SHE LEFT YOU.

709. YEAH?

710. - It's Elaine. - COME ON UP.

711. HEY, GEORGE.

712. DID YOU SEE THIS?

713. - IT'S AN ARTICLE ABOUT BERNIE MADOFF. - KRAMER.

714. LOOK AT THIS. TO ALL HIS OFFICES.

715. - HERE'S WHERE HE WAS. - KRAMER, HE DOESN'T WANT—

716. YOU COULDN'T GET TO HIM. IT WAS A PONZI SCHEME.

717. ALL RIGHT, DO I NEED TO HEAR THIS?

718. I KNOW WHAT HAPPENED.

719. SO WHAT'S THE BIG DEAL? YOU LOST A COUPLE OF MILLION.

720. IT WAS MORE THAN A COUPLE.

721. WELL, IT WAS MORE

722. AN iPHONE APPLICATION

723. IN THE WORLD.

724. THE iTOILET.

725. AND I THOUGHT OF IT.

726. THAT WAS ONE KILLER APP.

727. WHY'D YOU HAVE TO GIVE IT ALL TO THAT CROOK MADOFF?

728. I DON'T KNOW.

729. FISCALLY IRRESPONSIBLE?

730. ALL OF IT, JERRY. ALL OF IT.

731. - MADOFF? - MADOFF!

732. WELL, I'LL NEVER MEET ANYONE ELSE AGAIN.

733. PROBABLY NOT.

734. - MEETING IS HARD. - MEETING IS HARD.

735. - WHY CAN'T YOU MEET? - CAN'T MEET. WHY IS THAT?

736. THEY WAKE UP IN THE MORNING.

737. AND YET WE'RE SURROUNDED BY PEOPLE.

738. THEY'RE RIGHT NEXT TO US ON THE BUS, ON THE STREET.

739. - BUT WE CAN'T MEET THEM. - WHY WON'T THEY MEET US?

740. HAVE A BAD REPUTATION.

741. THE REST OF US.

742. IT'S UNFORTUNATE.

743. OH, AMANDA.

744. TO TALK TO. - MMM.

745. COME THIS WAY AGAIN.

746. OH, HERE SHE COMES NOW.

747. Oh!

748. - George. - Hey.

749. How are you?

750. Pretty pretty pretty pretty pretty good.

751. - Well, you look good. - I am good.

752. - I'M GOOD TOO. - JERRY'S GOOD.

753. - YEAH. - GOOD.

754. Why don't you take a seat? Just having some coffee.

755. Okay.

756. So, what brings you here?

757. I'm meeting someone.

758. Dating?

759. Just sex.

760. She is easy to talk to.

761. WHAT'S GOING ON? VIRGINIA'S—

762. - DOING THE SHOW. - VIRGINIA'S DOING THE SHOW.

763. I KNOW.

764. I QUIT.

765. YOU QUIT?

766. WELL, YOU KNOW, VIRGINIA'S NECK GOT BETTER.

767. SHE SHOULD HAVE HAD THE PART. SHE WAS ORIGINALLY CAST.

768. AND I GOT IN A BIG FIGHT WITH JASON.

769. WITH JASON? - YEAH, BIG FIGHT.

770. - WHAT DID YOU FIGHT ABOUT? - I CALLED HIS BOOK A PAMPHLET.

771. A PAMPHLET?

772. - IT'S SO THIN. - IT IS, IT'S VERY THIN.

773. IT'S NOT A BOOK. I KNOW IT'S NOT A BOOK.

774. NO, IT'S NOT A BOOK.

775. AND THEN, I DON'T KNOW, AFTER YOU LEFT...

776. IT JUST, I DON'T KNOW.

777. - IT WASN'T THE SAME? - IT WASN'T THE SAME.

778. I'M WATCHING THE SHOW. COME ON IN.

779. - I GOT YOU A COFFEE. - YOU DID?

780. - YEAH, IT'S A MOCHA JOE'S. - MOCHA JOE?

781. YEAH.

782. Hey, you know what?

783. I have to call my mother in Florida

784. and tell her we're back together.

785. This could be the news that finally kills her.

786. Because of the shock or because she doesn't like me?

787. I'm fine either way.

788. What do I say if she asks me why?

789. Tell her that sometimes you have to be away from something

790. to really appreciate it.

791. That's how I feel about Cuban food.

792. WHEN I'M EATING IT I DON'T REALLY LIKE IT.

793. WHEN I'M AWAY I MISS IT.

794. - Well, they're back. - Who?

795. ARE GETTING BACK TOGETHER.

796. - GET OUT. - THAT'S RECIDIVISM.

797. IT'S THE SAME THING "PRISON LOCKDOWN."

798. GEORGE COULDN'T MAKE IT ON THE OUTSIDE.

799. HE DOESN'T HAVE THE TOOLS.

800. HEY, THANKS FOR GETTING THAT DOLL FOR ISABELLE.

801. - WAS SHE HAPPY WITH IT? - YEAH, SHE LIKED IT.

802. THAT HER DOLL IS NOW BLACK?

803. DIDN'T SAY A WORD EXCEPT,

804. "TELL DADDY THANK YOU."

805. DADDY.

806. - HEY! - HEY!

807. - IT'S EXCITING. - WELL DONE. WELL DONE.

808. - WHAT? - WHAT'S WRONG?

809. I'LL TELL YOU WHAT'S WRONG.

810. TO SIGN A PRE-NUP.

811. OH, SO IN CASE IT DOESN'T WORK OUT

812. YOU CAN'T GET TO THE MONEY THAT WAS YOURS TO BEGIN WITH.

813. SEE, THAT'S ANOTHER PONZI SCHEME.

814. SO, GEORGE, HER FOR YOUR MONEY?

815. None of your business, Elaine.

816. No!

817. - OH, YEAH. - THAT WAS SO GOOD.

818. - THAT WAS GREAT. - THAT WAS REALLY GOOD.

819. YEAH.

820. AND YOU KNOW WHAT?

821. THAN THE ONE THAT I WROTE,

822. - I HAVE TO SAY. - IT WAS.

823. YEAH, BECAUSE THEY BELONG TOGETHER.

824. REALLY?

825. DON'T YOU THINK?

826. ARE YOU SURE?

827. I'M ABSOLUTELY POSITIVE.

828. HMM.

829. OH, SORRY ABOUT THAT.

830. A RING STAIN?

831. DOWN ON THE TABLE.

832. A BAD HABIT? DOWN ON THE WOOD.

833. LOOK AT THAT STAIN YOU MADE. THIS IS A NEW TABLE.

834. WELL, WE'LL JUST SAND IT OFF OR SOMETHING.

835. DO YOU RESPECT WOOD?

836. I... GUESS SO.

837. YOU GUESS SO?

838. YOU DON'T KNOW IF YOU RESPECT WOOD?

839. ABOUT IT BEFORE.

840. I GUESS I DO.

841. OH MY GOD.

842. AT JULIA'S PARTY.

843. RIGHT BY THAT TABLE.

844. ON JULIA'S TABLE.

845. THE WHOLE TIME, BUT IT WAS YOU.

846. - YOU LEFT THE STAIN. - OKAY.

847. WELL, IT'S NO BIG DEAL.

848. YOU'RE RIGHT.

849. YOU'RE RIGHT, IT IS NO BIG DEAL.

850. HAVING SAID THAT,

851. THE RING STAIN. - I'M NOT CALLING JULIA.

852. YEAH, JUST TELL HER

853. ON THE ANTIQUE TABLE.

854. - HOLD IT ONE SECOND. - I'M NOT GONNA DO THAT.

855. - YEAH, COME ON. - I'M NOT DOING THAT.

856. - I WANT YOU TO TALK TO HER. - I DON'T WANT TO TALK TO HER.

857. - JUST HERE, HOLD IT. - NO, PLEASE.

858. - LARRY. - HEY, JULES.