Curb Your Enthusiasm 2x1

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2. A Division of TIME WARNER ENTERTAINMENT COMPANY, L.P.

3. Here's Amber, everybody, Amber, come on out.

4. LARRY?

5. HEY.

6. JUST, JUST MOVE, JUST A LITTLE BIT?

7. WHEN I GOT BACK.

8. WELL, I'M—

9. SINCE I LEFT THIS MORNING?

10. YES, OF COURSE, WHAT ARE YOU TALKING ABOUT?

11. I GOT UP, I GOT UP TO TIP ROOM SERVICE.

12. COME ON, THAT'S FUNNY.

13. NO, IT'S NOT FUNNY.

14. A WEEK AGO,

15. BUT ENOUGH IS ENOUGH.

16. YOU'RE JUST SITTING HERE

17. YOUR COOKIES AND WATCHING...

18. MAURY.

19. YOU KNOW, LISTEN,

20. WE'VE GOT TO MEET THAT WOMAN IN A FEW MINUTES.

21. SO, YOU NEED TO GET DRESSED SO WE CAN GO LOOK AT THAT HOUSE.

22. LET ME JUST FINISH.

23. NO, YOU NEED TO GET DRESSED NOW.

24. NO, BECAUSE THEY'RE GONNA

25. GET REHABILITATED.

26. GET UP, PLEASE GET UP.

27. AND THEY CRY.

28. AND THEN WHEN THEY'RE DONE WITH THE BOOT CAMP,

29. THEY'RE ALL BETTER.

30. AND THIS IS WHAT YOU'RE GONNA DO

31. AND YOU'RE NEVER GOING TO WORK AGAIN?

32. OF COURSE I'M GONNA WORK AGAIN!

33. WHEN? I DON'T KNOW!

34. YOU'RE IN THE PRIME OF YOUR LIFE!

35. I'M GONNA WORK THAT I WANT TO DO.

36. SO WE CAN GO LOOK AT THIS HOUSE.

37. FINE, THANK YOU. FINE.

38. Alright, here's Britney, Britney, come on out.

39. COME OUT, LOOK.

40. YOU DON'T KNOW ME, YOU DON'T KNOW ME!

41. YEAH, YOU ALL GO FUCK YOURSELF!

42. THAT'S RIGHT, YEAH, COME ON!

43. COME ON, COME ONE, YEAH, FUCK YOU, FUCK YOU!

44. NO, FUCK YOU!

45. IT'S BIG.

46. BOY, IT'S REALLY BIG.

47. I THINK IT'S A LITTLE TOO BIG.

48. LOOK AT THE SIZE OF THIS PLACE, ARE YOU KIDDING ME?

49. IT'S PERFECT.

50. PERFECT? YEAH.

51. FOR THE OSMONDS, THIS PLACE.

52. I DIDN'T KNOW WHY HAD TO SELL THE OLD PLACE.

53. JUST 'CAUSE OF THE WIRE?

54. WAS MAKING ME CRAZY.

55. THAT'S NOT A REASON TO MOVE.

56. THAT IS A REASON TO MOVE, WHEN YOU CAN'T GET RID OF IT.

57. OH, THERE'S THE REAL ESTATE AGENT.

58. HI.

59. HI.

60. I DON'T KNOW WHY WE HAD TO LEAVE THE HOTEL.

61. I LOVE THE HOTEL.

62. I CANNOT LIVE THERE ANY LONGER, IT'S NOT A HOUSE.

63. YOU GET THE ROOM SERVICE, THE WAKE-UP CALLS.

64. THE WAKE-UP CALLS?

65. YOU NEVER LEAVE.

66. NAPS.

67. OH, MY GOD.

68. HELLO. HI.

69. HELLO, HELLO, ISN'T THIS BEAUTIFUL?

70. YES, WE WERE JUST—

71. IT'S AWFULLY BIG.

72. IT'S VERY EXCITING, YOU'RE GOING TO LOVE IT.

73. SO, HERE'S THE SCOOP.

74. MOTIVATED SELLERS.

75. I THINK THIS ONE'S A SLAM DUNK.

76. IF YOU LIKE IT, WE'LL GO BACK AND WRITE AN OFFER.

77. ABOUT THE CASH.

78. TO A CASH OFFER.

79. SO, THAT IS THE ABSOLUTE BEST.

80. YEAH? YEAH.

81. SO, YOU COULD MAYBE BE IN HERE IN DAYS.

82. DAYS, HOW'S— WHAT, DAYS?

83. OH, THEY BOUGHT ANOTHER HOUSE.

84. SO, THEY ARE #sSSO READY TO MOV.

85. HELLO, HI, SUSAN.

86. HI, HOW ARE YOU?

87. GOOD, HOW ARE YOU?

88. BARBARA SCHNEIDER, CHERYL AND LARRY DAVID.

89. HELLO, HI.

90. OH, MY GOSH, IS THAT THE OCEAN?

91. OH, YEAH.

92. IN TWO DAYS.

93. COME ON IN.

94. OH, THIS IS GORGEOUS.

95. YEAH, IT'S GREAT, ISN'T IT?

96. WE HAVE VAULTED CEILINGS.

97. VERY SPACIOUS.

98. BEAUTIFUL.

99. WHAT ABOUT THIS FURNITURE, IT'S FANTASTIC, ISN'T IT?

100. YEAH, IT FITS PERFECTLY IN THIS ROOM.

101. BEAUTIFUL.

102. BEAUTIFUL HOUSE.

103. REALLY BEAUTIFUL.

104. THANK YOU, AND THIS IS OUR AMAZING VIEW.

105. BREAKFAST EVERY MORNING, SUNRISE.

106. OH, I LOVE THE SEA.

107. MY FATHER WAS A FISHERMAN, AN ITALIAN FISHERMAN.

108. YEAH, FROM THE OLD COUNTRY.

109. YOU KNOW, THIS MORNING, YOU'RE GOING TO LOVE THIS.

110. I SAW A WHALE BREACH.

111. I'VE NEVER SEEN THAT HERE BEFORE, IT'S VERY RARE.

112. FROM THE TERRACE?

113. WHAT?

114. 'CAUSE I LIKE TO HAVE BLUBBER FOR BREAKFAST.

115. DON'T PAY ATTENTION TO HIM.

116. NO, PAY ATTENTION.

117. OKAY.

118. THE NEW SUCKERS?

119. LARRY DAVID, JAY SCHNEIDER.

120. WHEN YOU WERE AT "SEINFELD".

121. THE WILLIAM MORRIS AGENCY.

122. AND PITCH MY CLIENTS.

123. HOW YOU DOING? JAY SCHNEIDER.

124. HI, I'M CHERYL.

125. NICE TO MEET YOU.

126. YOU'RE NOT GONNA BELIEVE THIS, I JUST SIGNED JASON ALEXANDER.

127. YOU'RE KIDDING, REALLY?

128. TWO MONTHS AGO, WE'RE TWO MONTHS INTO IT.

129. HE'S PHENOMENAL, I'M A LUCKY GUY.

130. A TREMENDOUS ACTOR.

131. UNBELIEVABLE.

132. HOW'S HE DOING?

133. HONESTLY, HE'S KIND OF STRUGGLING RIGHT NOW.

134. IS THAT RIGHT?

135. GEORGE COSTANZA.

136. YOU KNOW WHAT, HE'S NOTHING LIKE GEORGE.

137. HE'S NOTHING AT ALL LIKE GEORGE.

138. HE'S THE ANTITHESIS, 'CAUSE JASON IS BRILLIANT,

139. AND GEORGE IS AN IDIOT, JUST AN IMBECILE AND, YOU KNOW.

140. IT'S JUST TOUGH TO BRANCH OUT WITH THAT.

141. THIS GUY CAN DO.

142. HE'S AN IDIOT, HUH?

143. IT'S THE CLASSIC BARNACLE.

144. BUT, YOU KNOW, EVERY SITCOM NEEDS THAT.

145. BEEN UP TO?

146. NOTHING.

147. YEAH, I BET.

148. YOU GOT ANY IDEAS? DOWN THE PIKE?

149. I'VE GOT IDEAS, BUT I CHOOSE NOT TO CARRY THEM OUT.

150. YOU AND JASON AGAIN.

151. LET'S GET YOU GUYS IN A MEETING.

152. YOU SHOULD CALL HIM.

153. YOU'RE NOT DOING ANYTHING, LET'S TAKE A MEETING.

154. YEAH, YOU'RE NOT DOING ANYTHING.

155. LET'S SIT DOWN AND JUST KICK AROUND,

156. SOME IDEAS.

157. I THINK IT'S A GOOD IDEA.

158. DON'T WANT TO PUSH.

159. NICE SWEATER.

160. THANK YOU, THANK YOU, IT'S CASHMERE.

161. REALLY?

162. IT'S NOT FOR SALE.

163. THAT'S CASHMERE?

164. 100%.

165. IT'S NICE, YEAH.

166. WELL, LET'S GO SEE THE REST OF THE PLACE.

167. YEAH, YEAH, LET'S SEE THE REST OF IT.

168. I LOVE IT.

169. I REALLY, I THINK IT'S PERFECT.

170. LARRY, DID YOU LOVE IT?

171. I LIKED IT.YOU THK IT'S PERFECT?

172. I REALLY LIKE IT, IT'S A NICE HOUSE.

173. IT'S BIG, BUT I LIKE IT.

174. ALRIGHT, THAT'S ALL I NEEDED.

175. BEDROOM?

176. THE MASTER BEDROOM.

177. I LOVE THE DOWNSTAIRS, I LOVE THE FIREPLACE.

178. LET ME ASK YOU SOMETHING,

179. 100% CASHMERE?

180. THERE'S NO WAY THAT SWEATER'S 100% CASHMERE.

181. IT'S, LIKE, MAYBE 35, 40, 50 AT THE MOST,

182. BUT 100?

183. THAT CAN'T BE—

184. SOONER THE BETTER, I'M READY TO—

185. WAIT A SECOND, I MEAN,

186. 'CAUSE THE GUY'S LYING ABOUT A CASHMERE SWEATER.

187. WITH THAT?

188. WE'RE NOT BUYING A SWEATER, WE'RE BUYING A HOUSE.

189. OKAY, LISTEN, WE HAVE TO TALK ABOUT HOW MUCH TO OFFER.

190. ABSOLUTELY...

191. IN HIS SWEATER?

192. YOU KNOW, UH, FAKE CASHMERE AND ALL,

193. I DO THINK IT'S A GOOD IDEA FOR YOU TO WORK WITH JASON.

194. I JUST, YOU KNOW, I LOVE JASON.

195. I JUST DON'T WANT TO GO BACK AND DO TV NOW.

196. OH, COME ON, TV's A GREAT MEDIUM.

197. TOO MUCH WORK.

198. TOO MUCH WORK? YOU HAVE TO WORK.

199. IT'S A PAIN IN THE ASS, I CAN'T DO IT.

200. NO, YOU NEED TO WORK, YOU NEED TO WORK.

201. I'M MARRIED, THAT'S PLENTY OF WORK.

202. OKAY, BUT YOU NEED TO START WRITING.

203. JUST, YOU KNOW, I THINK FOR YOUR OWN GOOD, FOR YOUR OWN SANITY.

204. WHY, I'M NOT INSANE.

205. YOU THINK I'M INSANE?

206. LISTEN, RICHARD LEWIS WANTS ME TO MANAGE HIM.

207. REALLY.

208. YEAH, BUT I NEED YOU TO BE HONEST WITH ME.

209. OH, SURE.

210. NO, REALLY HONEST WITH ME.

211. OKAY.

212. MAINTENANCE GUY?

213. WHAT, ARE YOU KIDDING?

214. SO, HIS ACT IS

215. WELL, YEAH, BUT SO WHAT?

216. I'M GONNA SIGN HIM, THAT'S COOL, YOU LIKE THAT.

217. OH, GOOD.

218. I CAN'T BELIEVE HE DIDN'T EVEN MENTION THAT TO ME.

219. HEY, TOM.

220. HOW ARE YOU, MAN?

221. JEFF, HI, GOOD TO SEE YOU.

222. GOOD TO SEE YOU, TOO.

223. TOM CLARK, LARRY DAVID, LARRY DAVID, TOM CLARK.

224. LARRY DAVID, NICE TO MEET YOU.

225. TOM, SIT DOWN, MAN.

226. MY TOYOTA SEQUOIA.

227. OH, TOYOTA OF HOLLYWOOD?

228. TOYOTA OF HOLLYWOOD, YEAH.

229. SO, YOU'RE A CAR, YOU'RE A CAR DEALER?

230. DEALER, YEAH.

231. TO SELL, TOO.

232. DO YOU?

233. SOMEBODY SPECIAL COMES IN, A BIG WIG...

234. HE'S A BIG WIG?

235. YEAH, HE MANAGES.

236. THAT'S GOOD, I'M MANAGED BY A BIG WIG.

237. WHAT DO YOU DRIVE?

238. I DRIVE A PRIUS.

239. YOU'RE HAPPY WITH THE PRIUS, THOUGH.

240. VERY HAPPY, AND THE PRIUS IS EXTREMELY HAPPY WITH ME.

241. LET ME ASK YOU A QUESTION.

242. BECOME A CAR SALESMAN?

243. TO DO SOMETHING LIKE THAT?

244. IT WAS IN MY BLOOD, YEAH.

245. TO BE A CAR SALESMAN.

246. YOU KNOW, I ALWAYS FELT I COULD BE A GREAT SALESMAN.

247. WELL, YOU GOTTA HAVE THE GIFT.

248. BELIEVE ME, I COULD TALK ANYBODY INTO ANYTHING.

249. EXCEPT WOMEN INTO SEX, THAT'S THE ONLY THING I CAN'T DO.

250. BUT OTHER THAN THAT, I KNOW HOW TO MANIPULATE PEOPLE, I'M VERY GOOD AT IT.

251. ARE NOT BULLSHIT.

252. NO, OF COURSE, THEY'RE NOT.

253. WE'RE AN HONEST PACK, BETWEEN OURSELVES ESPECIALLY.

254. BUT TO BE HONEST WITH YOU, I LIKE TO MAKE MONEY.

255. BUT I LOVE TO SELL CARS, I REALLY DO.

256. FOR ONE DAY...

257. SELL CARS.

258. YEAH, JUST FOR A DAY.

259. HUH?

260. I DON'T THINK SO.

261. IF I COULD DO IT.

262. 'CAUSE I ALWAYS THOUGHT THAT I'D BE GREAT AT IT.

263. BUT YOU CAN'T DO IT, YOU'RE A WRITER.

264. WHAT DO YOU DO?

265. WHO HE IS?

266. THAT'S LARRY DAVID, HE CREATED "SEINFELD".

267. OH.

268. OKAY?

269. FORGET THAT, I JUST WANT TO TRY IT FOR A DAY.

270. WOULD BE GREAT.

271. WORK FOR ME.

272. MAYBE I'LL DO IT FOR TWO OR THREE DAYS.

273. WHAT'RE YOU DOING?

274. WHAT ARE YOU TALKING ABOUT?

275. WAIT A SECOND, WHAT DO YOU CARE?

276. WHAT DO I CARE?

277. WHAT IF I'M GOOD AT IT?

278. WHAT IF YOU'RE GOOD AT IT?

279. YEAH.

280. YOU'RE NOT GONNA SELL A CAR THE FIRST DAY.

281. LET ME TELL YOU SOMETHING,

282. ANYBODY IN YOUR SHOWROOM,

283. GUARANTEE IT.

284. YOU WON'T SELL A CAR THE FIRST DAY.

285. THE FIRST DAY.

286. YOU'LL SEE, OKAY, FINE.

287. YOU KNOW WHAT, I'LL TELL YOU WHAT.

288. COME BY, GET SOME BROCHURES, YOU KNOW WHERE WE ARE.

289. I'LL GET THE BROCHURES, I'LL STUDY UP

290. AND I'LL LEARN EVERYTHING, DON'T WORRY ABOUT IT.

291. I'LL HAVE IT DOWN WHEN I GET THERE.

292. UH, COME BY ON MONDAY?

293. APPRECIATE THIS,

294. A LITTLE FANTASY THAT I HAVE.

295. THIS'LL BE GREAT, MONDAY MORNING.

296. YOU GOT IT.

297. OKAY, GREAT.

298. THANK YOU.

299. I'M PRETTY EXCITED.

300. OH, MY GOSH, THAT'S WONDERFUL.

301. NO, NO, THAT IS NO PROBLEM.

302. OH, LARRY JUST WALKED IN, CAN'T WAIT TO TELL HIM.

303. OKAY, BYE.

304. YOU'RE NOT GONNA BELIEVE THIS.

305. THE HOUSE ON MONDAY.

306. REALLY?

307. YEAH, IT'S ALL DONE.

308. SO FAST?

309. YEAH, IT WAS A CASH DEAL, THERE WAS NO ESCROW.

310. THEY'VE ALREADY MOVED THEIR STUFF OUT, WE'RE READY.

311. OH, SO, MAKE SURE THAT YOU ARE CLEAR ON MONDAY,

312. WHICH I'M SURE IS NOT GOING TO BE A PROBLEM FOR YOU.

313. I ACTUALLY CAN'T DO IT ON MONDAY.

314. WHY?

315. I GOT A JOB.

316. YOU DID?

317. OH, WELL, THAT'S GOOD, DID YOU CALL JASON?

318. I'M SELLING CARS.

319. WHAT?

320. A TOYOTA SHOWROOM.

321. SOME CARS AND, UH...

322. SO, NOW YOU'RE GOING TO BE A CAR SALESMAN?

323. YEAH, YOU KNOW, HE SAID I COULD TRY IT.

324. WITH YOU?

325. WHY? WHAT?

326. YOU'VE COMMITTED TO THIS?

327. IT'S ONLY FOR, LIKE, A COUPLE OF DAYS.

328. I WANT TO DO IT, YOU KNOW.

329. WELL, YOU CAN'T DO IT ON MONDAY.

330. WELL, I HAVE TO DO IT ON MONDAY.

331. FOR MY FIRST DAY AT WORK.

332. WHAT, AM I SUPPOSED TO CALL IN SICK?

333. THAT'S NOT GONNA FLY.

334. PRIUS, HUH? THAT'S OURS, THAT'S EASY.

335. UH, CAN I HELP YOU?

336. WHAT DO YOU THINK?

337. UH, EXCUSE ME, SIR,

338. WOULD INTEREST YOU.

339. AND WE HAVE, UH, COROLLA, CANOLA,

340. AND, UH, RAVE, IS IT RAV?

341. THIS IS SO STUPID.

342. WHY IS IT STUPID?

343. IT'S INSANE.

344. SOME PEOPLE, THEY RUN IN MARATHONS,

345. IF THEY CAN DO THAT.

346. OTHER PEOPLE, WHAT, THEY SWIM THE ENGLISH CHANNEL.

347. A SHOWROOM FOR A LITTLE WHILE.

348. SO, WHAT'S THE BIG DEAL? WHO'S MORE INSANE?

349. WHEN I COME HOME FROM WORK,

350. I'LL HELP WITH THE PICTURES

351. THE HOUSE WITH.

352. I'LL HELP WHEN I COME HOME.

353. BUT I'LL BE A LITTLE TIRED, TOO, PROBABLY.

354. YEAH, HEY, ALAN, GUESS WHAT.

355. JUST WALKED IN.

356. WHO YOU TALKING TO?

357. ALAN.

358. REALLY? YEAH.

359. SAY HELLO FOR ME.

360. OKAY, YOU TAKE CARE, I'LL TALK TO YOU LATER.

361. HEY, MAN, HOW YA DOING?

362. IT'S GREAT TO SEE YOU.

363. HOW COME YOU DIDN'T SAY HELLO?

364. THERE WASN'T AN OPENING.

365. BOY, YOU LOOK, GREAT.

366. OH, WELL, YEAH.

367. COME SIT DOWN, COME SIT DOWN.

368. YOU WANT, UH, WATER OR A COFFEE OR... ?

369. UH, NAW, I'M GOOD.

370. OKAY.

371. SO, SO, SO, L.D.

372. YEAH?

373. WHAT IT BE?

374. GOT US TOGETHER HERE.

375. RIGHT, SCHNEIDER, YEAH.

376. THEY SET US UP.

377. BUYING HIS HOUSE?

378. YEAH, WOW.

379. SO, THIS IS GOOD, HOW'S EVERYTHING GOING?

380. THINGS ARE, YOU KNOW, THINGS ARE GOOD.

381. I DON'T KNOW, I'VE GOT THIS SET UP AND, UH,

382. TRYING TO PRODUCE SOME STUFF.

383. YOU KNOW, THE ACTING THING IS, FRANKLY COMING A LITTLE HARD.

384. I'D LOVE TO GO BACK TO TV, THAT SEEMS GOOD.

385. BUT I CAN'T SHAKE THIS GEORGE THING.

386. AS GEORGE.

387. YOU'RE NOT EVEN CLOSE TO GEORGE.

388. TO PEOPLE ALL THE TIME.

389. YOU CAN'T IMAGINE WHAT A GREAT ACTOR THIS GUY IS.

390. LIKE THAT CHARACTER.

391. THANK YOU, THANK YOU.

392. I KNOW, AND, YOU KNOW,

393. AND WE, YOU KNOW, I TRY TO PRESENT DIFFERENTLY.

394. BUT THEY, UH, THEY SEE THE IDIOT,

395. THEY SEE THE SCHMUCK, SO, I DON'T KNOW.

396. WELL, WHAT DO YOU MEAN SCHMUCK, I DON'T GET THAT.

397. SCHMUCK?

398. THE YUTZ, THE IDIOT, THE, YOU KNOW.

399. YOU KNOW, YOU KNOW.

400. NO, FRANKLY I DON'T KNOW.

401. I DON'T KNOW WHY YOU CAN SAY HE'S A SCHMUCK AND A YUTZ AND AN IDIOT.

402. I DON'T SEE HIM THAT WAY AT ALL, I JUST SEE HIM AS FUNNY.

403. I MEAN, OF COURSE, IT WAS FUNNY.

404. BUT HE WAS THE FALL GUY, THE JACKASS ROLE.

405. WITH THE ENVELOPE, AND, UH, DOESN'T KNOW WHAT HE WANTS.

406. THAT'S FUNNY, THAT'S NOT SCHMUCKY, THAT'S FUNNY.

407. TO A GIRL'S HOUSE

408. HER ANSWERING MACHINE?

409. I WENT TO A GIRL'S HOUSE

410. AN ANSWERING MACHINE.

411. LARRY, HE'S EATING ECLAIRS OUT OF A GARBAGE CAN?

412. YEAH, SO WHAT, I ATE AN ECLAIR OUT OF A GARBAGE CAN!

413. AND, MASTURBATION CONTESTS,

414. MASTURBATION CONTEST!

415. SO, I'M A SCHMUCK FOR BEING IN A MASTURBATION CONTEST?

416. IT'S NOT AN INCREDIBLY NOBLE EXPERIMENT, WAS IT?

417. WELL, I'M SORRY THAT YOU HATE THE CHARACTER SO MUCH.

418. I DON'T HATE THE CHARACTER, I'M A LITTLE TIRED OF IT.

419. I MEAN, I'M AN ACTOR.

420. THAT I CAN PLAY.

421. TO THIS?

422. EVERYWHERE I GO ON THE STREET, "HEY, COSTANZA",

423. "HEY, JACKASS."

424. I JUST HAD THIS, I JUST HAD THIS IDEA.

425. I DON'T KNOW, I'LL THROW IT OUT AT YOU, OKAY?

426. FOR A SERIES, AN IDEA FOR A SERIES, OKAY?

427. WHAT YOU'RE GOING THROUGH NOW.

428. IN OTHER WORDS,

429. MEGA-HIT SERIES,

430. LIKE A "SEINFELD" KIND OF SERIES,

431. AND NOW THIS ACTOR, AFTER THE SERIES GOES OFF THE AIR,

432. HE CAN'T

433. BECAUSE HE'S SO IDENTIFIED

434. THAT THEY WON'T LET HIM DO ANYTHING ELSE.

435. GROWS TO HATE THE CHARACTER.

436. THAT'S PRETTY FUNNY.

437. THAT'S PRETTY FUNNY.

438. YOU SONOFABITCH, YOU, THAT'S PRETTY DAMN GOOD.

439. ALRIGHT, LET'S DO IT, LET'S DO IT.

440. COME ON, LET'S GO, YOU WANNA DO IT?

441. I'D LIKE TO,

442. I'M KIND OF, I'M ACTUALLY WORKING.

443. YOU WORKING ON ANOTHER THING, ANOTHER SHOW OR SOMETHING?

444. UM, I'M SELLING CARS.

445. I START ON MONDAY.

446. HELLO?

447. BYE. BYE.

448. HEY, SEE YOU IN THE NEW HOUSE.

449. OKAY.

450. WISH ME LUCK.

451. GOOD LUCK.

452. YOU HAVE?

453. UM, IF I'M CLOSING IN ON SOMETHING, PRICE, ALWAYS COME TO YOU.

454. COME BACK AND TALK TO ME.

455. OKAY.

456. JUST, UM, HAVE FUN.

457. ALRIGHT, THANK YOU.

458. SELL THEMSELVES.

459. I'LL SEE YOU AT LUNCH.

460. HI, I'M LARRY.

461. HI, LARRY, ARCHIE.

462. YOU KNOW WHAT? MY WIFE'S NAME IS VERONICA.

463. SO, THIS IS THE, UH, CAMRY I HEARD ABOUT, HUH?

464. THIS IS THE BIG BOY, THE TOP OF THE LINE.

465. AS IT GETS.

466. YOU KNOW, YOU HEAR LEXUS, LEXUS, LEXUS.

467. WE DON'T HEAR CAMRY, CAMRY, BUT THAT'S WHAT YOU SHOULD BE HEARING.

468. WELL, TELL ME, WHAT'S IN THE ENGINE HERE?

469. WHAT'S IN IT?

470. BIG STUFF, BIG CHARGING, CRAZY PISTONS, NUTTY PISTONS.

471. IS IT TWIN CAM?

472. YEAH, TWIN CAM.

473. THIS IS A FUCKIN' WORK OF ART.

474. WHAT'S YOUR NAME?

475. SHIRLEY.

476. SHIRLEY, THAT'S MY MOTHER'S NAME.

477. UH, TILT WHEEL STEERING, WHICH I REALLY LIKE.

478. DOES THIS CAR HAVE THAT? IS IT STANDARD?

479. YOU KNOW, YOU DON'T HAVE THE NEED TO TILT IN THIS CAR.

480. I'VE NEVER HAD A TILTING NEED.

481. MY WIFE CALLS IT PEPPY, "ARE WE TAKING PEPPY?"

482. 'CAUSE WE HAVE TWO CARS, SHE SAYS, "LET'S TAKE PEPPY".

483. AM I GOING TO GET?

484. 52.

485. 52 IN THE CITY.

486. DEPENDING ON THE CITY, OF COURSE.

487. DULUTH IS A CITY, IT'S CONSIDERED A CITY,

488. BUT IT'S NOT AS BIG AS BROOKLYN OR WHATEVER.

489. OKAY.

490. THAT'S MY BROTHER'S NAME.

491. OH, REALLY?

492. YEAH.

493. WHAT'S THE WHEEL BASE?

494. ABOUT A CAR BEING SOLID.

495. IT'S A THICK BASE, IT'S A THICK WHEEL BASE.

496. I HEARD THAT THESE, UH, SUVs,

497. THAT THEY, SOMETIMES THEY ROLL OVER RATHER EASILY.

498. ROLL OVER, ARE YOU KIDDING?

499. LOOK AT THIS THING, LOOK AT THIS.

500. DANA.

501. DANA, THAT'S MY MIDDLE NAME, LARRY DANA DAVID.

502. UH, I NOTICE THIS IS A GT,

503. THERE'S A MODEL CALLED THE GTS.

504. NOW, WHAT, WHAT IS THE GT AND THE GTS?

505. THE GTS IS "GUARANTEED TREMENDOUS SAFETY".

506. SO, WITHOUT THE "S", IT'S JUST "GUARANTEED TREMENDOUS".

507. HOW YOU DOING?

508. HI, CAN I HELP YOU FOLKS?

509. APHEON.

510. APHEON.

511. THAT'S MY STEP-BROTHER'S NAME, APHEON.

512. THAT MIGHT BE FOR ME, ONE SECOND.

513. NO, OKAY.

514. MORE ABOUT THE CAR.

515. DON'T BE ACTING LIKE

516. OF STUFF BACK HERE.

517. A BIG CAR FOR?

518. I DON'T NEED TO TALK MYSELF, I LIKE THIS CAR.

519. OKAY, COULD YOU EXCUSE US FOR ONE SECOND?

520. DOING OVER HERE?

521. YOU'RE FUCKING UP MY SHIT, MAN.

522. TO GET THIS, UH—

523. BECAUSE SHE LIKES THE CAR, SHE WANTS TO BE HAPPY IN THE CAR.

524. MAYBE SHE WON'T BE ABLE

525. OFF THE LOT.

526. HELP ME WITH THIS CAR?

527. LOOK, SIR, I'M SORRY, THANK YOU.

528. I'M REALLY NOT INTERESTED IN BUYING TODAY, OKAY?

529. WHAT? WHAT ARE YOU DOING? SHIRLEY?

530. THE "SEINFELD" SHOW?

531. YEAH.

532. I'M THE CO-CREATOR OF THE SHOW.

533. NO, IT'S TRUE.

534. PLEASE, BUY ONE, PLEASE?

535. YOU'LL SELL A LOT OF THEM, YOU'RE A GOOD SALESMAN.

536. CHERYL?

537. HI!

538. ISN'T THIS WEIRD, COMING HOME TO YOUR NEW HOUSE?

539. YEAH, HI.

540. OH, HEY, SO, HOW DID IT GO TODAY?

541. PRETTY GOOD.

542. REALLY?

543. YEAH.

544. A LOT OF CARS?

545. WELL, YOU KNOW, THAT'S NOT HOW THE BUSINESS WORKS.

546. NO?

547. NO, YOU KNOW, YOU DON'T JUST SELL THEM.

548. PEOPLE, THEY THINK ABOUT IT AND THEY'RE, YOU KNOW,

549. WITH THEM AND...

550. ARE YOU, UH, OVER IT NOW?

551. YOU KNOW, WHAT DOES THAT MEAN?

552. CAR SELLING THING.

553. NO, I'M NOT GOING TO QUIT JUST AFTER ONE DAY, YOU KNOW,

554. I WANT TO DO IT RIGHT.

555. I CAN DO IT.

556. OKAY.

557. BUT, I'LL TELL YOU, IT'S EXHAUSTING.

558. TELL ME, I HAVE BEEN UNPACKING ALL DAY.

559. THAN IT DID THE OTHER DAY.

560. YEAH, IT'S DEFINITELY DIFFERENT.

561. IT FEELS STRANGE, THAT'S ALL.

562. MAYBE AFTER WE, UH,

563. AND FINISH UNPACKING.

564. MAYBE, I DON'T KNOW.

565. WHAT'S THAT NOISE?

566. DO YOU HEAR A NOISE?

567. YEAH.

568. WHAT IS IT?

569. IT'S PROBABLY JUST A HOUSE SOUND OR SOMETHING.

570. A HOUSE SOUND?

571. YEAH.

572. WHAT'S A HOUSE SOUND?

573. YOU KNOW, NOISES THAT A HOUSE MAKES?

574. HOUSES MAKE NOISES?

575. YEAH, PLUMBING OR JUST, IT'S SETTLING.

576. WHAT? SETTLING?

577. I CAN'T, I CAN'T SLEEP WITH THAT.

578. YOU'LL GET USED TO IT, JUST IGNORE IT.

579. DIDN'T MAKE ANY SOUNDS.

580. YES, IT DID, YOU'LL GET USED TO THIS.

581. WELL, I DON'T KNOW, THIS IS COMING FROM SOMEWHERE.

582. I'M GOING TO BE UP ALL NIGHT WITH THIS THING.

583. IN THE MORNING.

584. TOLD YOU I DIDN'T TRUST THAT SCHNEIDER.

585. HE DIDN'T SAY ANYTHING ABOUT A HOUSE SOUND.

586. AND IT'S LIKE, IT'S LIKE YOU'RE DRIVING A BUS UP THERE.

587. YEAH, LOOKING OVER THE TRAFFIC.

588. DIDN'T YOU USED TO ENVY BUS DRIVERS?

589. OH, YEAH.

590. STEERING WHEEL LIKE THAT.

591. MAKES YOU, GIVES YOU A LITTLE EGO BOOST.

592. OVERSEE THE TRAFFIC.

593. YEAH, THAT'S RIGHT.

594. YOU'VE GOT A GREAT VIEW.

595. YOU KNOW WHAT? I THINK I'M READY TO BUY.

596. OH, NO KIDDING.

597. YEAH.

598. OH, GREAT.

599. YOU GET THE WOOD GRAIN, WE MIGHT DO THIS TODAY.

600. SOME WOOD GRAIN.

601. WHAT, WHAT'S SO HARD ABOUT GETTING WOOD GRAIN?

602. WOOD.

603. THAT'S WHAT I LIKE TO HEAR.

604. THIS IS A JOKE, RIGHT?

605. EXCUSE US FOR A MINUTE?

606. I'M TALKING TO SOMEBODY.

607. A PRACTICAL JOKE, RIGHT?

608. A PRACTICAL JOKE? I'M SORRY, I'M SORRY.

609. FOR A SECOND?

610. I'M TALKING TO SOMEBODY HERE.

611. I'LL MEET YOU OUTSIDE.

612. EXCUSE WHO?

613. EXCUSE ME, JUST WAIT OUTSIDE, OKAY?

614. GO OUTSIDE, GO OUTSIDE, OKAY?

615. I'M WITH A CUSTOMER, DO YOU SEE I'M WITH SOMEBODY?

616. YOU'RE WITH A CUSTOMER, YOU'RE SELLING CARS TO THIS—

617. SIR, SIR!

618. I'LL COME BACK ANOTHER TIME.

619. FORGET HIM.

620. A CUSTOMER.

621. A CUSTOMER!

622. YOU COST ME A CUSTOMER.

623. I HAD HIM!

624. HOW CAN YOU HAVE A CUSTOMER?

625. INTO THE MANAGER'S OFFICE.

626. WHAT ARE YOU, FUCKIN' WILLY LOMAN?

627. DOING HERE?

628. I'M DOING BUSINESS IN HERE!

629. JEFF'S OFFICE.

630. HE TELLS ME YOU'RE DOWN HERE SELLING CARS,

631. WHICH I SAY, IT'S GOTTA BE A FUCKIN' JOKE.

632. BUT WHAT I'M REALLY FUCKIN' DOWN HERE IS FOR,

633. THAT I'M HIGH MAINTENANCE?

634. HE'S MY MANAGER NOW,

635. WHAT IF HE GOES TO A STUDIO,

636. AND TELLS STUDIO PEOPLE, LIKE, "I LOVE RICHARD BUT HE'S HIGH MAINTENANCE" ?

637. AND WHAT IF HE DOES?

638. I SPENT, LIKE, SEVEN YEARS

639. CAN THINK I'M LIKE A FUCKIN',

640. YOU KNOW, SEX MANIAC OR DRINKING AGAIN.

641. OH, NO, YOU WON'T GET THE REMAKE "FROM HERE TO ETERNITY".

642. PEOPLE, I THOUGHT I HAD DARK SECRETS?

643. IS THIS ALL ABOUT?

644. IT'S NOT A DARK SECRET.

645. IS NOT A DARK SECRET?

646. A CASHMERE SWEATER?

647. THE SAME ONE.

648. IT'S A CASHMERE SWEATER.

649. IS THAT 100% CASHMERE?

650. DOING HERE, LARRY?

651. IS THAT 100% CASHMERE?

652. WHAT, YOU DON'T BELIEVE ME?

653. IF I CHECK THE LABEL?

654. MY WORD'S NOT GOOD ENOUGH FOR YOU?

655. LET ME JUST TAKE A LOOK,

656. I DON'T LIKE PEOPLE TOUCHING ME.

657. I WON'T TOUCH YOU, I'LL JUST TAKE—

658. STOP IT!

659. I'M NOT HIGH MAINTENANCE.

660. IS GOING ON HERE?

661. THAT'S IT, LARRY, YOU'RE FIRED.

662. HAPPY?

663. OH, CHRIST.

664. I HAD THAT, I HAD THAT SALE.

665. I'M HAPPY FOR YOU, LARRY.

666. I HAD THAT GUY.

667. YOU'RE FIRED.

668. YOU COULD HAVE HEARD IT.

669. IT WAS BEAUTIFUL.

670. LEAVE.

671. HI.

672. HELLO!

673. HOME SO EARLY?

674. I GOT FIRED.

675. YOU DID?

676. I GOT THE BOOT!

677. WHY'D YOU GET FIRED?

678. I GOT 86'ed.

679. HE'S CHECKING FOR THE HOUSE SOUND.

680. YEAH, HI, I'M JIM.

681. HI, I'M LARRY.

682. UH, YEAH, I'VE CHECKED

683. AND I CAN'T FIND THE HOUSE SOUND THAT YOU WERE TALKING ABOUT.

684. SOUNDS LIKE AGAIN, LARRY.

685. IT'S LIKE A CAMERA WHIRRING.

686. YOU SURE IT'S NOT THE OCEAN?

687. IT'S NOT THE OCEAN, I KNOW THE OCEAN.

688. UM, SORRY, I JUST HAVEN'T FOUND ANYTHING.

689. YOU KNOW WHAT, YOU DON'T UNTIL AFTER 10:00 AT NIGHT.

690. YOU KNOW, WHEN WE'RE IN BED, THAT'S WHEN I HEAR IT.

691. I DON'T HEAR IT DURING THE DAY.

692. COME BACK TONIGHT?

693. WAIT, UH, WHAT?

694. YEAH, I COULD, YEAH, I JUST HAVE TO, UH,

695. GET A SITTER.

696. GREAT.

697. YEAH, IF IT'S TROUBLE.

698. IT'S NO TROUBLE.

699. CALL AND GET A SITTER.

700. YEAH, THAT'S NO PROBLEM, I CAN JUST DO THAT.

701. WELL, IT MAKES PERFECT SENSE TO ME.

702. WHY DON'T WE DISCUSS THIS AND WE WILL LET YOU KNOW, OKAY?

703. OKAY.

704. HEY, UM, I THINK I'M GOING TO CALL JASON ALEXANDER TOMORROW.

705. YOU ARE? OH, THAT IS GOOD NEWS.

706. YOU LIKE THAT?

707. WE'LL GO OVER THE SHOW, AND...

708. OH, THAT'S SO GOOD.

709. NETWORKS OR SOMETHING.

710. WHY NOT? LOOK AT YOU, BACK IN THE SADDLE.

711. MAYBE I'LL CALL HIM RIGHT NOW.

712. YOU CAN'T CALL HIM NOW, IT'S 10:45.

713. IT'S 45 MINUTES PAST THE CUTOFF.

714. SO WHAT, YOU GET LIKE AN HOUR DISPENSATION FOR GOOD NEWS.

715. WHO TOLD YOU THAT?

716. WHO TOLD ME THAT? IT'S COMMON KNOWLEDGE.

717. TALKING ABOUT?

718. OH, THAT'S COMMON KNOWLEDGE?

719. COMPLETE COMMON, EVERYBODY KNOWS THAT.

720. WELL, LOOK WHAT HAPPENS WITH DEATHS AND BABIES,

721. YOU GO ALL NIGHT.

722. WELL, THIS ISN'T A BABY.

723. WELL, IT'S STILL GOOD NEWS.

724. QUIET, QUIET, QUIET!

725. SORRY!

726. IT'S NEWS THAT CAN WAIT TILL THE MORNING.

727. Shut up, he's trying to work in there.

729. A Division of TIME WARNER ENTERTAINMENT COMPANY, L.P.

730. Captioned by