1. Based on real events
from the autobiography
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2. of Roberto Gómez Bolaños.
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3. Some characters and events
are fictional.
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4. - NARRATOR: 1973 Mexico City.
- (WOMAN SCREAMING)
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5. Roberto! Calm down! Breathe!
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6. - Come on, man.
- Stay with me. Stay with me.
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7. - Breathe! Just hang in there!
- Come on. You're almost there.
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8. Somebody get help.
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9. - Come on. Come on!
- Move out of the way.
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10. Breathe, Roberto. Calm down.
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11. Move, move,
move, move, move. Come on!
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12. Don't fall asleep!
Don't fall asleep on me!
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13. Oh, Mommy! It hurts so much!
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14. The naval hospital's right
across the street.
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15. - (GROANS)
- Let's take him there.
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16. - (GROANS)
- Be careful.
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17. - (ROBERTO GROANS)
- Stay with me.
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18. - Get out of the way!
- Come on, come on, come on.
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19. You go by car,
and please update us.
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20. Everything's gonna be okay.
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21. Calm down!
Move it, move it, move it.
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22. The pistol cocked, and the shot
was fired at point-blank range.
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23. (GASPS) They won't take him
to the hospital,
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24. it's only for military
and marine personnel.
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25. No, don't worry, he'll be okay.
You'll see, he'll be okay.
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26. I'm impressed with what
fame can achieve.
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27. If you'd been any son
of a neighbor,
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28. you wouldn't have been
treated at that hospital.
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29. Well, my dad
was somebody's neighbor,
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30. so I guess in theory,
I'm actually a neighbor's son.
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31. (CHUCKLES) But so loved
and famous.
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32. - Yes, indeed. (KISSES)
- (GRACIELA KISSES)
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33. I'm right outside
if you need anything.
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34. Hmm. Thanks, honey bun.
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35. I'm just like I was
when I started.
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36. "Scene one."
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37. Not Really on Purpose.
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38. Seriously, Roberto,
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39. I'm worried that people
are only associating me
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40. with the Chilindrina character.
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41. And you know I'm an actress
who can do much more than that.
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42. I know.
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43. I don't want to be tied
to that fame.
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44. Success has to do
with other things for me.
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45. I understand.
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46. Look, I thank you with
all my heart for the opportunity
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47. you've given me
to work with you, but...
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48. I feel like Chilindrina already
gave what she had to give.
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49. That's clear to me now.
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50. You're free to go.
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51. It's so important
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52. for you to be exactly
where you want to be.
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53. And I'm gonna tell you
the same thing I told Rubén.
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54. With me, the doors
will always be open for you.
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55. Thank you. I mean it.
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56. And forgive me
for not staying longer,
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57. but I don't want
to burst into tears here.
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58. I don't want you
to have to see me cry either.
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59. Yeah. Yeah.
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60. We're gonna do that scene
before the other one, yeah.
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61. Right...
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62. Hello, good morning.
- Good morning.
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63. Good morning, Maggie.
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64. Look, your new chair seems
even too small for you.
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65. Maybe it was too big
for who used to sit here.
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66. It feels more like my size.
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67. Height is measured from the head
to the sky, you know?
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68. - Don't forget that, Maggie.
- I'm really gonna miss Toni.
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69. What's sad is she's gonna
miss out on the tour.
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70. Oh, damn. Which tour is that?
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71. You haven't told them yet?
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72. Well, you beat me to it,
brother.
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73. All right, well, family,
coming up
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74. we have our very first, grand,
magical international tour.
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75. - What?
Chespirito!
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76. - That is so damn cool!
- (CHUCKLES)
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77. I'm waiting for them to come.
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78. Have they arrived yet?
I think they've arrived.
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79. Roberto! Roberto!
Who are you?
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80. Jaime Almeida
with Stellar Television.
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81. - Hello, Jaime, how are you?
- Fine, fine. How are you?
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82. - Where are you going?
- Uh... Nicaragua.
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83. Roberto, and how many days
will this tour be lasting?
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84. We'll be back on Monday.
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85. And how did it happen
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86. that a character that many
would think is Mexican,
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87. like Chavo del Ocho,
has become so internationalized
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88. that you've made it
to even Nicaragua?
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89. Oh, well,
it's a very pleasant feeling
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90. to know that not only
is it Mexico,
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91. but that it has crossed borders.
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92. And Quico. Hey, Quico.
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93. How does it feel to be an
internationally renowned actor?
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94. Touring and everything?
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95. Well, I have been
since I was born.
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96. No, I'm truly very,
very excited.
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97. I, uh... I mean, Chespirito
and I were just talking,
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98. it's the first time
that we've gone
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99. to work outside of Mexico,
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100. so yes we are very excited
to go work abroad.
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101. (READING PROMPT)
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102. Thank you so much.
Thank you..
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103. Thank you so much, Quico.
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104. Did you notice that I said,
"Pay me the rent, Mr. Barriga"?
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105. You were so likable.
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106. I swear you were too,
Profesor Jirafales.
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107. - Okay, I'll see you guys soon.
- This is nuts, brother,
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108. - we're a sensation!
This was sheer madness!
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109. Truly something apotheotic.
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110. Come here. (KISSES)
- (ALL CHUCKLE)
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111. It's much more
than we expected.
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112. Much more than that, Roberto.
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113. - You're a genius, Roberto.
- We all are.
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114. Indeed,
but I want to say something
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115. in this precise second...
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116. (IN SING-SONG VOICE)
I'll go to the bathroom.
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117. Just don't clog it up,
Edgar, buddy.
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118. Pardon me, ladies.
- Congratulations.
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119. Marcos shouldn't act that way
with Margarita.
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120. I mean, he's married.
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121. She knows that too, honey.
She's not stupid.
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122. She's not even 25 years old.
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123. - Anyone sweeps her off her feet.
- (INDISTINCT CHATTER)
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124. - The poor thing.
- Yes, poor thing.
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125. - Nice to see you, Jacobo.
- Likewise.
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126. - Hello.
He's all yours.
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127. Look, I'd like you to meet
Jacobo Perez.
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128. He's an executive for Musicana,
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129. Musician Records
in Latin America.
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130. The Figueras record label.
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131. The boss sent me from Mexico
to meet you. (CHUCKLES)
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132. - Oh, what a boss!
- (LAUGHS)
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133. - Nice to meet you.
- The pleasure's all mine,
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134. and congratulations.
I know people loved your show.
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135. They were really excited,
weren't they?
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136. Although I do think
the whole thing needs music.
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137. Music? How so?
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138. How would you feel
about recording an album?
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139. The success of the neighborhood
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140. continues to sweep
through Latin America.
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141. Also, Chespirito, one of
the most famous protagonists
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142. of Mexican television
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143. will release
his first album very soon.
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144. It will surely be
a resounding success in sales,
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145. because both children and adults
seek to have
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146. Roberto Gómez Bolaños'
new album in their hands.
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147. 1974 Mexico City.
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148. You have visitors.
Come on in.
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149. - I'm so happy that you're back.
- (CHUCKLES)
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150. - Hello, how are you?
- Toni! You're back!
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151. Hello, Toni!
- Oh! Hi, how are you?
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152. It's so nice to have
you back, Toni!
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153. Hello, my love, how are you?
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154. - Toni, so happy to see you.
- Likewise, Carmen!
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155. Oh, it's so great
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156. that you came back!
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157. We missed you
like you have no idea...
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158. I need wardrobe! Hey, wardrobe!
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159. What happened, Maggie?
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160. I don't know if you put this
in the dryer or what,
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161. but it doesn't fit anymore.
It's like a miniature!
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162. That wardrobe is Toni's.
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163. What do you mean it's Toni's?
It clearly says "nurse" here.
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164. Yeah, they told us
she was coming back today
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165. and she would be the nurse.
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166. Forgive me, that's her costume.
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167. Check the focus, please.
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168. You know what?
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169. Tell Yepez we're putting
the skeleton to work.
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170. Really? Is Dr. Chapatin gonna
dance with bony woman?
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171. (CHUCKLES)
Yes, that's exactly right.
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172. Well, now it turns out
that this woman
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173. - wants to take my place.
- That's just ridiculous.
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174. No, it's not ridiculous,
it's unfair.
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175. And I'm gonna tell you
something else,
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176. I'm not gonna sit back
and do nothing.
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177. No, and wait a sec.
Be careful with the credits,
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178. they might wanna take those
away from you too.
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179. (SCOFFS) Of course not!
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180. Just go,
and talk to Roberto right now.
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181. So we're gonna bring that all...
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182. There he is, look. Go.
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183. - And then I'll come in after.
Sorry.
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184. Roberto,
can I talk to you for a minute?
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185. Yes, of course.
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186. - What's going on?
- Can you explain to me
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187. how it's possible
for Toni to leave us
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188. and then wanna take my place
when she comes back?
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189. Nobody is gonna take your place.
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190. You gave her the role
of the nurse, right?
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191. Well, yes,
but because she used to do it.
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192. Used to!
But now it's my role.
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193. She's the one who left us!
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194. I have been working hard
day and night,
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195. and I won't allow this woman
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196. to come and act
like she's above me.
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197. I think I have shown you
my abilities as an actress
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198. and I have earned my place
here with hard work.
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199. All right. Come on.
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200. (CHUCKLES) Thank you.
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201. Thank you. Take care, hon.
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202. Isn't she just grand?
Ah. Love her.
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203. - Toni.
What is it?
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204. Come here,
I want to talk to you.
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205. Hmm.
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206. I know you've been here with me
from the very beginning.
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207. Yeah, yeah, I know.
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208. And I'm never gonna forget that.
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209. It's really important to me.
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210. It was really uncomfortable.
Margarita was very angry.
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211. And I bet Toni
didn't like it very much either.
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212. But, honey, give it time.
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213. Things have to start
to settle out.
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214. I don't know, I didn't want
these kinds of problems.
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215. Everyone earns their place
through hard work.
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216. Look, being part of that family
is not easy.
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217. That's exactly why,
because we're a family,
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218. I don't want it
to get destroyed.
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219. Then you're gonna have
to take care of them.
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220. And while you're at it,
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221. don't forget about this family
that also really needs you.
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222. Take care of us.
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223. - (LAUGHS)
Everyone ready?
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224. In five, four, three, two...
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225. What happened, darling?
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226. They took the ball
away from me, Mommy.
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227. No, no. The thing is,
the ball belonged to my daughter
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228. and then he...
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229. Come on, honey! Don't hang out
with these low lives!
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230. Yes, mommy!
Low lives, low lives!
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231. That's much better.
- Take your filthy ball!
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232. Are you all right? Huh?
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233. - Did it hurt a lot?
- Oh, sweet daddy! Are you okay?
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234. Cut!
Nice!
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235. We're gonna take a break!
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236. Very nice.
- (ACTORS CHUCKLING)
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237. It turned out excellent.
Congratulations.
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238. Great job, folks. Thanks.
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239. Now I have some news
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240. that's gonna be
concerning everyone.
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241. (CLEARS THROAT) Let's see.
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242. Since the very first album
continues to be a success,
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243. Musicana Records wants to do
a second one.
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244. But this time,
with the collaboration
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245. of the entire neighborhood
of El Chavo.
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246. - (ACTORS GASP)
- That's great!
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247. - The album features all of us?
Yes!
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248. That's what they asked me for.
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249. I'm preparing all
the material for the recording.
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250. Ah, so this means
I'm gonna get to show off
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251. my singing skills. How cool!
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252. I'm not sure
I'd call that skills.
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253. I'm not bad myself, so
don't leave me out, Chespirito!
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254. I'll accompany you
with the castanets.
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255. - You can't count on me, bro.
- (RAMÓN LAUGHS)
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256. I already have a contract
with another record label
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257. to record another album.
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258. And I signed an exclusivity deal
with them.
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259. - Wait, are you being serious?
- Do I look like a joker?
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260. Do you really want me
to answer that?
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261. Why didn't you check
with us first?
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262. You didn't check with us
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263. when you made
your first album either, champ.
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264. And are you gonna
use the Quico character?
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265. I don't have another character.
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266. This puts the negotiations
with Musicana at risk.
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267. I'm very sorry.
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268. Well, I'll have to talk
to Jacobo and...
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269. For now, I'm gonna
start composing I guess.
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270. Thank you, everyone,
have a good night.
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271. But...
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272. We already have a recording date
for the second album.
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273. If I can't negotiate
with another record label
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274. because of Marcos,
I really don't know
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275. - what's gonna happen.
- (EXHALES)
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276. Since when do you care so much
about making another album?
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277. Honey bun,
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278. we can't keep depriving
the world of my beautiful voice.
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279. So now you want to pursue
a career as a singer?
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280. Well, we've reached this point.
A commitment has been made.
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281. We have everything ready
to record the last week of July.
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282. But we won't be here in Mexico
the last week of July.
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283. Hmm?
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284. It's the vacation
in Puerto Vallarta
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285. - with the whole family.
- When though?
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286. The last week of July, Roberto.
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287. - (SIGHS) No, but I can't go.
- You're not understanding.
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288. Everything's already reserved.
Everything's paid for.
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289. That's why
I told you ahead of time!
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290. Can't you try to move
that week of recording
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291. to another time, Roberto?
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292. We're not making enchiladas,
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293. recording date
can't be changed like that.
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294. Well, sorry but family vacations
can't be cancelled either.
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295. There's too many people
involved, sweetheart.
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296. Changing it would be
practically impossible.
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297. And you couldn't tell them
that you couldn't that week
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298. because you had a commitment
to your family?
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299. I forgot, honey bun.
God, I'm sorry.
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300. It wasn't my intention.
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301. I know that family vacations
are the most important thing!
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302. But there's too many things
happening to me at once.
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303. I think work
is overwhelming you, Roberto.
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304. I'm really worried.
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305. I just hope that all of this
is worth it.
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306. Roberto has already solved
the problem with Musicana.
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307. The record company doesn't care
if Marcos isn't on the album.
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308. But we have the recording dates
upon us
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309. and Roberto is still finishing
some of the songs.
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310. They're called tracks.
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311. When we are talking
about the songs
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312. included on an album,
we call them "tracks."
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313. Hey, hey, hey, tone it down
a little, Marcos, all right?
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314. Yeah, as if you were an expert
in record label matters!
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315. Okay, that's fine. Uh...
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316. I have another piece
of good news.
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317. Will you do the honors?
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318. The comics
are going to be published again,
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319. and we're going to be
selling some of the products.
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320. Aw!
- Hey!
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321. And will they pay us
what's fair this time or what?
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322. And what would be fair for you?
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323. Well, an even split,
because I get this feeling
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324. that you guys
are becoming millionaires.
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325. Marcos, enough
with the attitude.
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326. Roberto has been more
than generous with everyone.
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327. You're the only one
being ungrateful!
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328. Oh, insult me to top it off.
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329. No, bro, I'm telling you
that you're the only one...
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330. What is this?
What's going on here?
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331. Nothing,
that we've been informed
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332. that you've gone
and done business
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333. with our characters yet again.
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334. Any deals that my brothers make
with my characters...
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335. Ah.
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336. are for the benefit
of the entire team.
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337. - We all win in the end.
- Yeah, that's BS.
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338. No, it's actually true,
chubby cheeks.
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339. Ugh. You know what?
Let's get outta here, babe.
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340. Fuck these stupid assholes.
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341. Marcos's attitude
is a joke all on its own.
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342. Listen, guys,
if he wants to leave,
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343. - then let him leave.
- You too?
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344. What do you mean
"let should leave" Rubén?
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345. The audience really likes him,
Chespirito
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346. He just gets really negative!
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347. - Nobody will be leaving, guys!
No, but he's...
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348. Take it easy.
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349. Marcos, wait for me!
- (MARCOS SIGHS)
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350. - (INDISTINCT CHATTER)
- Don't you get it?
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351. He needs us way more
than we need him,
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352. why don't you see it?
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353. (SIGHS) Don't be ridiculous.
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354. You seriously don't realize it?
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355. I think your little head just
isn't able to comprehend it!
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356. Do you really think that?
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357. Actually, the only one here
who can't think properly is you!
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358. - Ah.
- You can't handle success,
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359. you can't understand what it is!
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360. Because success is much harder
for men, mamacita. Mm-hmm.
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361. We can't handle everything
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362. with a skirt and a low-cut top,
hmm?
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363. - You know what?
Yeah?
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364. - You can go fuck yourself.
- Yeah, go ahead.
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365. I don't know what the hell
I'm doing with a jerk like you!
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366. Yeah, go cry to your grandma,
yeah, go on. Yeah, you idiot!
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367. - Asshole!
Yeah, go ahead.
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368. We've been working
together for like ten years now,
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369. - haven't we, Chespi?
- (MUNCHES)
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370. I think less, right?
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371. Well. Since The Super
Geniuses of the Table,
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372. but I'll remind you that we made
the movie before all that,
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373. we made The Body of Crime
with Angelica María.
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374. Mm.
- A beautiful thing,
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375. a well-made thing,
an amazing thing.
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376. That Maria.
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377. Well, the point is, I've never
seen you like this, champ.
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378. - (EXHALES)
Look, man.
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379. I've seen you bite
even your toenails
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380. over money troubles, Roberto.
Copy !req
381. And still, you were calmer then
than you are now.
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382. What's really going on, Chespi,
tell me.
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383. I think it's just age.
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384. With age, you have
more conscience...
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385. and with conscience
comes more pressure.
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386. Yeah. And on top of that
with a bunch of jerks
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387. who've got egos
through the roof.
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388. - On top of that!
- Look, Chespi.
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389. Just don't pay attention
to Marcos,
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390. - and enjoy yourself!
- (TELEPHONE RINGING)
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391. Why do we come
to this life, Chespirito?
Copy !req
392. - To enjoy ourselves!
- And to work, right?
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393. I enjoy life most
when I'm working!
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394. How may I help you?
- Well, to each his own vices.
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395. - Cheers, my Chespirito.
Yes, just a second,
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396. - he'll be right with you.
All right,
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397. got your little notebook there
and let's get to work, hmm?
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398. So you can enjoy yourself!
Let's...
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399. There's a call for Mr. Roberto.
It's your wife, sir.
Copy !req
400. Put some juice here.
I want it too.
Copy !req
401. I want it too.
- Sweetheart.
Copy !req
402. - Could you pass me one, please?
Thank you.
Copy !req
403. - (DOOR OPENS)
- Dad's home, guys!
Copy !req
404. Is it dad?
I think so.
Copy !req
405. Won't he say hi to us?
Copy !req
406. - Is he angry?
I don't know!
Copy !req
407. Aren't you even
gonna come say hi?
Copy !req
408. What did that phone call mean?
Copy !req
409. Finish having dinner.
Copy !req
410. I wanted to know
if you were coming.
Copy !req
411. Your children wanted
to have dinner with you.
Copy !req
412. I already told you no.
Because I'm working.
Copy !req
413. Well, I just wanted you
to spend more time at home.
Copy !req
414. Lately,
everything with you is work.
Copy !req
415. These are very difficult weeks.
Copy !req
416. Weeks have turned
into months.
Copy !req
417. I miss the way
things used to be.
Copy !req
418. Ah. What were they like before?
Copy !req
419. Your place at the table
wasn't always empty, y'know?
Copy !req
420. One of these days
you'll get home
Copy !req
421. and your children
won't recognize you.
Copy !req
422. It's normal
for things to change.
Copy !req
423. It's the consequences
of doing what moves you in life.
Copy !req
424. Well, I'm not sure
that what moves you
Copy !req
425. is the same anymore.
Copy !req
426. That hasn't changed at all.
Copy !req
427. Making people laugh,
Copy !req
428. reaching the hearts
of audiences.
Copy !req
429. That's a good answer
to give a journalist maybe,
Copy !req
430. but not for me.
Copy !req
431. Do you know who you don't
make laugh anymore?
Copy !req
432. Your own family
Copy !req
433. because you are never here
anymore.
Copy !req
434. I married Roberto Gómez,
Copy !req
435. the Aracuan of Del Valle.
Remember him?
Copy !req
436. Not an unreachable person
Copy !req
437. I can't even talk to
on the phone
Copy !req
438. - because he gets angry.
- No, I'm still very reachable.
Copy !req
439. You're the one who keeps
stepping off to one side.
Copy !req
440. 1976, Mexico City.
Copy !req
441. Hey, Chavo,
I'd like to know
Copy !req
442. what you had
for breakfast today.
Copy !req
443. Well, the usual, nothing.
Copy !req
444. Hey, hey, Chavo,
pay attention.
Copy !req
445. Tomorrow, without fail,
I'm gonna treat you
Copy !req
446. to a ham sandwich for breakfast.
Copy !req
447. I didn't hear
what you said, Rister Namon.
Copy !req
448. - Are you inviting me to eat?
That's what I just said!
Copy !req
449. Are you really inviting me?
Copy !req
450. I'm telling you that I am!
Copy !req
451. They're not gonna believe it.
Copy !req
452. Oh!
Copy !req
453. - You scared me, Daddy!
- Oh!
Copy !req
454. And are you ready
for your dance performance,
Copy !req
455. - little one?
- Yeah?
Copy !req
456. (SINGS A TUNE)
Yeah? Who's going?
Copy !req
457. - My mommy and my friend Jacinta.
- (GASPS)
Copy !req
458. - That many people?
- It's not many!
Copy !req
459. - It's not? Are you sure?
- Are you gonna come?
Copy !req
460. I wouldn't miss it for anything!
(GASPS) Huh?
Copy !req
461. But they ask you
for too many autographs!
Copy !req
462. No, no, it's your autographs
they're gonna want, not me.
Copy !req
463. And you're gonna give me...
Copy !req
464. - Here, sir.
- Thank you.
Copy !req
465. You're welcome.
- Pilar, do you know why
Copy !req
466. Mr. Figueras wants to see me?
Copy !req
467. I couldn't tell you that, sir.
Do you know anything, Nancy?
Copy !req
468. No, but he asked me
to please not let you leave
Copy !req
469. because he does need
to talk to you.
Copy !req
470. He's just finishing up
a phone call
Copy !req
471. - in his office right now.
- That's fine. Thank you.
Copy !req
472. Is it true that your dad
is El Chavo del Ocho?
Copy !req
473. - Mm-hmm.
- Seriously?
Copy !req
474. - Yeah.
- And is he coming?
Copy !req
475. - Yeah.
- How cool.
Copy !req
476. - El Chavo del Ocho is coming!
- (GIRL 1 GASPS, CHUCKLES)
Copy !req
477. Teacher!
Chavo del Ocho is coming!
Copy !req
478. Nancy.
Look, I'm gonna have to go.
Copy !req
479. Oh, no, please don't.
Copy !req
480. The boss gave the order
for you to wait for him.
Copy !req
481. Because he's not
gonna be here tomorrow.
Copy !req
482. Hello, Nancy!
The boss is waiting for me.
Copy !req
483. Yes, I'm leaving,
but I'll be back in...
Copy !req
484. - (DOOR SHUTS)
- I won't be long!
Copy !req
485. And besides,
I'm gonna be very close.
Copy !req
486. Thank you, Nancy!
Copy !req
487. (PANTS) Oh.
Copy !req
488. Yeah.
Copy !req
489. Whoo! Beautiful! Bravo!
Copy !req
490. Beautiful. Good job, sweetie.
Copy !req
491. Is that Chespirito.
Copy !req
492. Chespirito. Chespirito.
Copy !req
493. Okay, yeah. Nice to meet you.
Copy !req
494. Yeah. Here you go,
you're welcome.
Copy !req
495. - You take care, Lucia.
- You too, boss.
Copy !req
496. - Hello, Chespirito.
Lucy.
Copy !req
497. (KISSES) It's nice to see you.
Copy !req
498. Nancy, don't put any calls
through to me.
Copy !req
499. - You got it, sir.
Thank you, Nancy.
Copy !req
500. Well, goodbye.
Copy !req
501. Thank you. Come here, my love.
Copy !req
502. Hello, Mommy.
Copy !req
503. - Come here. Congratulations.
- Thank you.
Copy !req
504. You did a great job.
Copy !req
505. Your daddy said he was coming.
Copy !req
506. He must have had a lot of work
to do.
Copy !req
507. He almost always has
a lot of work to do.
Copy !req
508. Oh, well.
Copy !req
509. Who would like to go eat
a hamburger?
Copy !req
510. Me!
- Come on, let's go.
Copy !req
511. Your show's numbers are breaking
Copy !req
512. all expectations abroad,
Roberto.
Copy !req
513. Is that true?
Copy !req
514. Wanna know where they watch you?
Copy !req
515. They watch you
from all those places.
Copy !req
516. Every single person
who has a television.
Copy !req
517. That's 350 million
different people every week.
Copy !req
518. 350 million people is a lot,
Roberto.
Copy !req
519. No one can reach that figure,
even if they remove two zeros.
Copy !req
520. Oh, dang.
That sure is a lot of millions.
Copy !req
521. Do you realize
the responsibility
Copy !req
522. that represents?
Copy !req
523. No.
Copy !req
524. I don't even know if I have
the ability to imagine
Copy !req
525. that many people.
Copy !req
526. What more could I ask
for in life?
Copy !req
527. I'm throwing you
a tribute party.
Copy !req
528. - What?
- It was a surprise,
Copy !req
529. but you might decide to skip it,
Copy !req
530. so I guess
I'd rather let you know.
Copy !req
531. And bring your wife
because Polly wants to meet her.
Copy !req
532. I've invited all sorts
of celebrities, stars...
Copy !req
533. - For me?
- What else was I to do?
Copy !req
534. Well, I'd rather you tell me
there's not gonna be a party,
Copy !req
535. but if there's no going back...
Thank you so much.
Copy !req
536. - I sent a gift to your house.
- As well?
Copy !req
537. You're gonna love it.
Copy !req
538. And our program
Voices of the Night, was born.
Copy !req
539. Thank you for your company...
Copy !req
540. Thank you, Pachis.
Welcome, sir.
Copy !req
541. Have a good evening.
Copy !req
542. We'll be here again
tomorrow at the same time,
Copy !req
543. to continue sharing together.
Copy !req
544. This is Fernando, signing off.
Copy !req
545. You deserve it.
Copy !req
546. Congratulations
on so much success.
Copy !req
547. - Are you serious?
- What did you expect?
Copy !req
548. You've really outdone yourself
with everyone at home lately.
Copy !req
549. Are you seriously
locking me out?
Copy !req
550. You broke your daughter's heart
in half.
Copy !req
551. - I was there. I went to see her!
- (GRACIELA CHUCKLES)
Copy !req
552. How dare you lie
to me like this.
Copy !req
553. I went to see her!
Copy !req
554. I stood at the entrance
of the auditorium
Copy !req
555. until the performance was over!
Copy !req
556. And you left just before
she got to see you?
Copy !req
557. Paulina was waiting for you.
Copy !req
558. There were
a lot of people there.
Copy !req
559. I had to get back
to the station.
Copy !req
560. I was actually
gonna tell you tonight
Copy !req
561. how pretty she looked.
Copy !req
562. What's that?
- What?
Copy !req
563. What?
- So on top of lying to me
Copy !req
564. you tell me that you were
in a place
Copy !req
565. in which no one saw you
because no one saw you,
Copy !req
566. which I find extremely curious.
Copy !req
567. You come home
with a kiss mark on your cheek?
Copy !req
568. It's... I ran into Lucia Mendes
at Figueras' office!
Copy !req
569. - Oh yeah! Sophia Loren!
- Graciela, stop!
Copy !req
570. Spare me this nonsense
and let me in the house.
Copy !req
571. No, you're gonna go sleep
in that fabulous luxury car.
Copy !req
572. It looks pretty damn big!
Copy !req
573. Wake him up!
Copy !req
574. No, you wake him up.
Copy !req
575. - Oh, come on
- (KNOCK ON THE WINDOW)
Copy !req
576. Dad! Hey!
Hello. Morning, Dad.
Copy !req
577. Dad.
Copy !req
578. Dad was in the car,
he just woke up!
Copy !req
579. Wake up, Daddy.
Let's have breakfast.
Copy !req
580. Why didn't they
finish dressing you?
Copy !req
581. (PANTS)
Dad's asleep out there.
Copy !req
582. He seems
to really like his new car.
Copy !req
583. Yes, it seems that way.
Copy !req
584. Hey, good morning.
Copy !req
585. Why'd you go to sleep
in the car?
Copy !req
586. Pau, my little one! Listen...
Copy !req
587. I know you didn't see me
yesterday at your performance...
Copy !req
588. Dad, Mom already told me
that you did go to see me.
Copy !req
589. Come on, hurry up.
Copy !req
590. Yeah, and you looked
so beautiful.
Copy !req
591. Come on, let's go,
Copy !req
592. I don't plan
on being even a minute late.
Copy !req
593. Come if you're ready, if not,
you're staying home.
Copy !req
594. - Good morning.
- Good morning.
Copy !req
595. - You're wearing a lot of makeup.
- That's how I like it.
Copy !req
596. - Good morning, bye.
- Behave yourselves.
Copy !req
597. Dad, will you take me
in your new car?
Copy !req
598. I can't today, champion.
Copy !req
599. Whatever, I'll go on my bike.
Bye, Dad.
Copy !req
600. Careful, hon.
Bye!
Copy !req
601. Thank you. I mean it.
Copy !req
602. I didn't do it for you.
I did it for Paulina.
Copy !req
603. Mm.
Copy !req
604. We have an event today.
Copy !req
605. We have one?
Copy !req
606. Well, you don't have to go
if you don't want to.
Copy !req
607. However, I have a company event.
Copy !req
608. For what?
Copy !req
609. It's a tribute for nothing.
Copy !req
610. A place where they're
actually happy to see me.
Copy !req
611. Ah. 'Cause here we're not?
Copy !req
612. Well, not always.
Copy !req
613. Here I get locked out
Copy !req
614. and there they're paying me
a special tribute,
Copy !req
615. because they think
what I do is worth it.
Copy !req
616. (EXHALES) Oh, and we all don't?
Copy !req
617. In what way
do you appreciate me?
Copy !req
618. By locking me out?
Copy !req
619. While there are millions
of people
Copy !req
620. out there applauding me
and recognizing me,
Copy !req
621. and that's the whole reason
for the party.
Copy !req
622. Well, you'll have to forgive us
for only being seven.
Copy !req
623. But you matter to us more
than all those millions.
Copy !req
624. I care more about you guys
as well.
Copy !req
625. Well, it doesn't seem that way.
Copy !req
626. You seem completely dazzled
by fame and with the stars
Copy !req
627. and the glamour
and who knows what else.
Copy !req
628. Do you not even know me?
Copy !req
629. Sometimes I feel like
I don't know you anymore.
Copy !req
630. Where's the fun
and enthusiastic Graciela
Copy !req
631. that I once fell in love with?
Copy !req
632. (CHUCKLES SOFTLY)
I don't know.
Copy !req
633. I'm gonna have to ask the mother
of the six children
Copy !req
634. she had with a man
Copy !req
635. who lately seems to be living
on another planet.
Copy !req
636. Mr. Bolaños.
Copy !req
637. Mr. Bolaños?
Copy !req
638. Mr. Bolaños.
(CHUCKLES NERVOUSLY)
Copy !req
639. This is quite an honor.
Welcome, sir.
Copy !req
640. Thank you.
I'm gonna need to keep the keys.
Copy !req
641. Yes, of course, sir.
Copy !req
642. Just leave it out front
and you can keep the keys.
Copy !req
643. I'll take care of it.
Copy !req
644. Hello!
How are you? Good evening.
Copy !req
645. Good evening. Hello.
Hello, hello.
Copy !req
646. The guest of honor has arrived!
Copy !req
647. - Ernesto!
- (CHUCKLES)
Copy !req
648. - Congratulations.
- Polly.
Copy !req
649. (EXHALES) This is all little bit
much for me.
Copy !req
650. I should have guessed
you'd be showing up
Copy !req
651. without a tie.
Copy !req
652. Thing is, I can never
really breathe properly.
Copy !req
653. - (BOTH CHUCKLE)
Gentlemen.
Copy !req
654. May I offer you a drink?
Copy !req
655. - Hello.
- Hey, and what about your wife?
Copy !req
656. I told Polly
I was gonna introduce her.
Copy !req
657. Yeah, the thing is,
she couldn't come...
Copy !req
658. Congratulations.
Copy !req
659. What do you mean, man?
Call her up.
Copy !req
660. Tell her we'll send for her.
Copy !req
661. Look at how many people
you managed to gather tonight.
Copy !req
662. Thank you so much.
Copy !req
663. You sure know
how to throw a party.
Copy !req
664. - It's my pleasure.
- (CHUCKLES)
Copy !req
665. Toni.
Copy !req
666. Hello, Roberto.
Why did you come alone?
Copy !req
667. Be very careful
with what you're doing.
Copy !req
668. You don't wanna make a mistake.
Copy !req
669. - Hello?
Graciela?
Copy !req
670. Hello, Luzma, how are you?
Copy !req
671. Hey, aren't you coming?
Copy !req
672. What?
Copy !req
673. We're all
at the Magno Hotel now.
Copy !req
674. Why didn't you come
with Roberto?
Copy !req
675. Because I just couldn't find
anything decent to wear.
Copy !req
676. Hey, tell me, how is everyone
over there dressed?
Copy !req
677. Formal.
Copy !req
678. We're all wearing our
best rags, Chelita. (CHUCKLES)
Copy !req
679. I seriously can't believe
you're not here.
Copy !req
680. If anyone has amazing dresses,
it's you!
Copy !req
681. Well, look, I'll see if I can
get myself together
Copy !req
682. and I'll see you there.
Copy !req
683. - We'll be waiting for you.
Thank you, Luzma.
Copy !req
684. - Get over here!
Bye.
Copy !req
685. Well, I'll see you in a bit,
Toni.
Copy !req
686. Luzma. What happened?
Is she coming?
Copy !req
687. Well, I think Roberto
didn't invite her
Copy !req
688. - or she didn't want to come.
- Oh, what a pity that is.
Copy !req
689. Yes, but something isn't right.
Copy !req
690. - I don't know.
- Strange, isn't it?
Copy !req
691. - No. I cannot accept it!
- But why not, man?
Copy !req
692. Because it's not my style!
Copy !req
693. I appreciate it,
it drives amazingly, but no!
Copy !req
694. Tell me which one you like
and I'll buy it for you.
Copy !req
695. (CHUCKLES) Ernesto made me come
so I could meet your wife.
Copy !req
696. She is coming, right?
Copy !req
697. Oh, I really want to meet her.
Copy !req
698. I can make one last attempt
to call her and see if she can.
Copy !req
699. Yes, do it.
Copy !req
700. - Where can I find a telephone?
- Hey.
Copy !req
701. - Take the gentleman to a phone.
My pleasure. Follow me.
Copy !req
702. Excuse me, folks.
Copy !req
703. - Right here.
- Right here? Thank you.
Copy !req
704. Cheers, family!
Copy !req
705. - Cheers!
- Roberto!
Copy !req
706. Cheers!
- Cheers.
Copy !req
707. Because I have been,
more than anyone else here
Copy !req
708. a witness of the road traveled,
and it hasn't been easy.
Copy !req
709. It's true
that it hasn't been easy...
Copy !req
710. but it's been a great success
for everyone.
Copy !req
711. And it was only possible
because you all trusted me.
Copy !req
712. People like you, like you,
like you, like you.
Copy !req
713. - Like all of you! To everyone!
- (ALL CHEER)
Copy !req
714. Well, my friends, the party,
the real party, is upstairs.
Copy !req
715. Yep. Yeah.
Copy !req
716. (CHUCKLES) Thank you.
Copy !req
717. Margarita,
can I talk to you for a moment?
Copy !req
718. Yeah.
- I, uh... Nothing.
Copy !req
719. I just wanted to take advantage
of this lovely setting,
Copy !req
720. which is completely
at your level, to...
Copy !req
721. formally ask you finally,
Copy !req
722. if you wanna go
out to dinner with me.
Copy !req
723. I knew you were up to something.
Copy !req
724. - Is that a yes?
- Yeah!
Copy !req
725. Congratulations, my brother.
Copy !req
726. It's true, yeah,
that's absolutely true.
Copy !req
727. I don't know, something
that has to do with brunettes,
Copy !req
728. - dark blondes, redheads...
- What's happening?
Copy !req
729. You seem a bit nervous.
Copy !req
730. No. No, no, no, not at all.
Because the boss here
Copy !req
731. just got himself
a brand new car.
Copy !req
732. Hi there.
Copy !req
733. How are you, Memo?
Copy !req
734. A Ferrari is waiting for you.
Copy !req
735. Wait, a Ferrari?
Are you serious? Really?
Copy !req
736. - Yeah, I'll keep that one!
All right.
Copy !req
737. Yeah, maybe I'll keep that...
Copy !req
738. I'll definitely
give that a chance.
Copy !req
739. Roberto, what's your deal?
Copy !req
740. With what?
Copy !req
741. Sir, could you call me a taxi,
if you would?
Copy !req
742. Don't you become a person
you are not, okay?
Copy !req
743. Take a look at your family.
A look at your two families.
Copy !req
744. But you can still fix it.
Graciela just left.
Copy !req
745. If you really hurry,
you'll catch her.
Copy !req
746. Is she here?
Outta the way, outta the way!
Copy !req
747. - Graciela!
- (CAR ENGINE WHIRRS)
Copy !req
748. (SIGHS) No!
Copy !req
749. Roberto,
you know you can't leave.
Copy !req
750. This is your party.
Copy !req
751. And this is not just for you,
it's for everyone.
Copy !req
752. You have to try
and enjoy your present.
Copy !req
753. If you cling to your past,
Copy !req
754. you're also gonna be
missing out on your future.
Copy !req
755. - (SIGHS)
Let's go.
Copy !req