1. OK. Closing time. Everybody out.
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2. Harry, how did you get in here?
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3. I came in the back door.
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4. I don't have a back door.
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5. Well, then, it's my secret.
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6. I've been serving him all night.
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7. Diane, you know I don't like
this flimflam man in my bar.
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8. Sam, that's a bit unfair, isn't it?
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9. Anyone with half a brain can see
through his petty scams and tricks.
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10. You're too kind. Thanks.
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11. I hope he doesn't try
to pull anything on you.
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12. Me? It is to laugh.
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13. Diane, I like you, you're smart.
Let me help you clean up.
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14. You gotta keep the cover
on this table,
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15. because the heat from the lights
will crack the felt.
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16. Take care of it.
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17. Harry, I'll take care of it.
You can leave.
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18. Let me save you a couple of steps
with the check. I'll pay Sam.
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19. Thanks.
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20. Take care of that table.
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21. Men can't make beds, either.
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22. OK, Sam. Thanks a lot. Goodnight.
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23. Harry, the bill.
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24. - It's OK, I paid Diane.
- I don't trust you.
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25. Diane,
will you tell Sam it's covered?
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26. It's covered.
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27. Sorry I'm late,
but wait till you hear what I did.
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28. This afternoon,
I spent five entire hours
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29. in a sensory deprivation tank.
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30. Your room?
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31. I'm telling you, it was incredible.
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32. Never have I felt more aware
of what's going on around me.
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33. - Excuse me.
- Excuse me.
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34. The whole idea is that there's
a total lack of sensory input.
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35. What the hell's going on here?
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36. A book promotion party.
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37. How can that be
in a place where no one can read?
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38. My old roommate, Tom Kenderson,
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39. wrote his autobiography,
and I'm in it.
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40. So, it's a press conference for
yet another thick-headed jock epic?
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41. There must be confetti
all over the Library of Congress.
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42. For your information,
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43. this one's different.
It's got a lot of good stuff in it.
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44. - Like what?
- Well, I haven't read it, actually.
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45. - No, no.
- Didn't want to wear out your lips?
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46. I meant to read it last night,
but an emergency came up.
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47. - And what was her name?
- Sherry. That's not the point.
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48. Tom's book should be really exciting
due to the times we had together.
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49. It's about how we handled
the pressures of baseball.
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50. Guys handle it differently.
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51. Some guys turn to the bottle,
some guys chase chicks.
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52. Tom and I couldn't make up our minds.
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53. - So you did both?
- Yeah.
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54. OK, well,
let me speed-read this sucker.
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55. And then we can talk.
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56. - How long is that gonna take?
- I'm on chapter four.
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57. I always loved that kid Tommy.
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58. Just a riot.
He was always pulling something.
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59. Is that right?
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60. He put my toothbrush
in his sweaty socks,
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61. left dead animals in my locker.
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62. One time, him and some guys held me
down and shaved my whole body.
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63. You just let him do that to you?
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64. No, Cliff. He was trying
to cram me into a clothes dryer.
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65. I pulled his socks
right over his spikes.
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66. Good one, Coach.
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67. What a laugh the guys got. I could
see them through that little window.
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68. They were laughing.
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69. Mayday.
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70. - What a to-do.
- How about this?
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71. Sam.
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72. Yeah, I'm sorry.
Carla Tortelli, Tom Kenderson.
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73. Carla, nice to meet you.
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74. I love you, Tom Kenderson.
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75. Look, here's my number and
a couple of quotes from past lovers.
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76. - Thank you.
- Come here, sweetheart.
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77. Sam, he breathed on me.
I'm a whole woman.
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78. Coach, get her a seltzer.
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79. - Sam, did you read my book?
- No, I didn't. I'm sorry.
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80. I really wish you had.
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81. Did you put in that flight
to Kansas City
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82. when we jumped in the garment bag
with two stewardesses?
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83. - Yeah, but...
- Then I'll die happy.
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84. - Listen, let's get you famous.
- You don't understand...
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85. Tommy, good to see you.
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86. - How you doing?
- Great.
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87. Remember the time you put
the analgesic balm in my jockstrap?
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88. Yeah.
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89. I think of you when I get the itch.
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90. - It's good to be remembered, Coach.
- My God.
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91. Mr Kenderson, can we begin?
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92. Yeah, let's start. Let's do it.
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93. Before we start,
Sam Malone, come up here.
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94. You all remember Sam, and if you
don't, chapters seven through nine.
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95. No, I'm a businessman now. I keep
my clothes on, most of the time.
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96. So, you two were real close?
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97. For three years we did everything
together. We were never apart.
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98. It must've been a shock when Tom
wrote about coming out of the closet.
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99. You mean in Detroit?
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100. I was with the waitress, and he
came out of the closet wearing a...
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101. That's not it, is it?
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102. Yikes.
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103. Is this some kind of joke?
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104. I wanted you to read the book, Sam.
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105. It's still hard for me
to tell people from the old days.
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106. Sam, you said you two
used to do everything together?
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107. No, you misunderstood that.
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108. No. As a matter of fact,
people used to come up to me and say,
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109. "You two are best friends,
yet you're completely different."
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110. Sam, there's an emergency
in the back room.
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111. - What?
- I found holes in the pool table.
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112. Yeah.
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113. Will you excuse me?
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114. Some chick wants to see me.
I can't get rid of 'em.
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115. You guys know how it is.
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116. So, honey, you can't go
in the back room without me?
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117. Shut up.
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118. Say it ain't so, Tom.
Say it ain't so.
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119. Thanks for getting me out
before I made an ass of myself.
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120. I was fast but you were faster.
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121. It wasn't my fault.
He should've told me.
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122. Sam, he told you to read the book.
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123. Yeah, but...
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124. He should've known that
you'd have been with a woman
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125. who thinks Candide
is a toenail polish.
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126. I just can't believe it.
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127. The guy was a hound.
He had women everywhere.
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128. We'd go into hotel lobbies,
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129. there'd be three or four women
holding up kids.
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130. He covers that.
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131. - Where?
- Here, in this paragraph.
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132. - Want me to read it?
- No, I'll read it.
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133. - Right there?
- Yes.
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134. "From the outside, my days
in baseball seemed glorious,
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135. but the greater my fear
became of my true sexuality,
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136. the more I compensated
with typical Don Juan promiscuity."
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137. - Does that explain it?
- I don't know.
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138. I've only read it once.
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139. He was denying who he was.
He's no longer doing that.
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140. I should've known.
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141. I remember sitting in a piano bar
and he requested a show tune.
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142. Sam, I do understand
why you're upset.
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143. You're afraid that now,
people will think you're...
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144. No, I'm not upset.
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145. It's just that guys should be guys,
Diane. That's all.
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146. Sam, look.
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147. Your friend Tom's out there.
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148. He needs your support now
more than ever before.
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149. He really hasn't changed.
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150. He's still the same guy you used to
tinkle off balconies with.
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151. Boy, the world
was a lot simpler then.
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152. Sam, I'm sorry about all this.
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153. I thought you'd read the book
and it was cool.
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154. I don't wanna cause you any more
problems, so I'm gonna take off.
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155. Damn it.
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156. Thanks a lot, everybody.
It was nice talking to you all again.
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157. So long, Tommy.
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158. Tom?
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159. You still a gin-and-tonic man?
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160. Way to go, Mayday.
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161. I make 'em the way you like 'em.
On the house. Coach.
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162. - Thanks a lot, Sam.
- Can we get more shots of you guys?
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163. Yeah, sure. You bet.
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164. I appreciate this, Sam. I really do.
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165. You didn't dump me
when I had a drinking problem.
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166. I sure did.
You were passed out at the time.
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167. Where are these photos gonna run?
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168. I don't know. Mostly local papers.
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169. What's the matter?
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170. Same thing will happen at Cheers
that happened at Vito's Pub.
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171. Sam looks as terrific in
black and white as he does in colour.
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172. Looking at Tom breaks my heart.
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173. - Hey, everybody.
- Hi, Sam.
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174. We were looking at your kisser
in the morning rag here, Sam.
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175. Yeah, I saw that.
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176. Every time I look at this,
I feel so proud of you.
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177. I'm kinda glad I did that now.
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178. You're taking real strides
in your development as a human being.
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179. A couple of other chicks
said so, too.
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180. This human-being image will get me
more action than cheap wine.
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181. Always the high road.
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182. Norm?
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183. What was that you said yesterday,
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184. when they were taking pictures,
about Vito's Pub?
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185. - It's nothing. Don't worry about it.
- Talk to me, Norm.
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186. Norm, it's best he hears it from us.
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187. Well, go ahead, tell him the story.
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188. - You heard of Vito's Pub?
- It's a gay bar, right?
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189. Didn't used to be. It used to be
a great bar. I hung out there myself.
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190. What a story, Norm.
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191. - I'm not finished.
- There's more?
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192. One night Vito lets a gay group
hold a meeting in the back room.
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193. Gays For The Metric System,
or something.
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194. Story got in the newspaper.
Gets a lot of attention.
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195. Next thing you know,
Vito's Pub turns into Vito's Pub.
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196. All the regulars left, Sammy.
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197. Out went the oars and the moose
heads, in came plants and ferns.
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198. Ferns.
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199. I just don't want that to happen
at Cheers.
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200. I don't believe it.
Bars don't turn gay overnight.
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201. You don't have to believe me.
I have scientific proof. Cliff?
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202. - It happened.
- See?
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203. Excuse me.
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204. You're talking about them
like they're ogres.
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205. The fact is, there are gay people
in this bar all the time.
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206. No way. I haven't seen
a gay guy in here in ages.
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207. - So you can spot a gay person?
- A mile away.
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208. And there are none
in here right now?
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209. Nope. Looks like
a straight crowd to me.
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210. Too ugly to be gay.
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211. Too ugly to be out.
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212. I wasn't going to say anything,
but you've proved you're open-minded.
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213. There are two homosexual gentlemen
in this bar at this moment.
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214. Come on. Get outta here.
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215. They told me they were gay,
and they appreciated what Sam did.
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216. That's right. They're here right now
and you don't even know who they are.
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217. Nah, she's kidding.
Everybody here checks out alright.
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218. Well, I don't know.
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219. It occurs to me that... Cliff
hasn't had a date in quite some time.
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220. He's right.
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221. Yeah? How come we've never seen this
Vera you're allegedly married to?
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222. Could we have a couple of beers,
please?
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223. You bet.
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224. Patty-cake alert.
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225. - You're Sam Malone.
- Right.
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226. - I saw your picture in the paper.
- That's good.
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227. Can't wait to read that book.
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228. I'm not much of a baseball fan,
but it sounds interesting.
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229. - It should be pretty good.
- Could we have light beers?
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230. Light beer.
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231. - There you go.
- Thanks.
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232. Sam, those guys look OK to me.
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233. They are OK, Coach.
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234. Maybe we are a little off base, Norm.
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235. Let's test them out.
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236. I got an idea.
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237. Look at the bagonzas on that babe.
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238. This is medieval.
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239. I never knew
Lorne Greene had bagonzas.
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240. Say, Jack, change channel.
It's time for the Benito-Venito bout.
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241. Should be a blood match.
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242. They're not watching.
Let's string 'em up.
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243. What are we gonna do
about these guys?
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244. Carla, you're not
prejudiced against gays, are you?
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245. I'm not exactly crazy about them.
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246. I mean,
I get enough competition from women.
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247. If guys keep
coming out of the closet,
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248. there won't be anybody left to date,
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249. and I'll have to start
going out with girls.
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250. Don't worry about me. I like
my dates more masculine than you.
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251. Not much, but a little.
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252. I can't believe you're making
such a fuss over two guys in a bar.
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253. - Patty-cake.
- It's an orgy.
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254. Ferns, Sammy. We're talking ferns.
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255. Come on. I've seen you guys hug.
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256. - Yeah, but we hate it.
- Right.
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257. Cliff, I haven't been to Clancy's
in ages. Is it still a nice place?
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258. I don't know.
I haven't been there for a while.
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259. - Let's go on over there.
- Good idea.
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260. Clancy's? Give me a break.
You're kidding?
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261. We'll check in in a few weeks and see
if Cheers is still the kind of bar
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262. where a single woman
can be assured of being harassed.
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263. Get back here, all of you, right now.
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264. You mean to tell me
you guys are baling out on me?
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265. I'm telling you, within a month
there'll be wild music
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266. and guys dancing
and exchanging phone numbers.
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267. You know, Sam, you've got
some really great friends here.
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268. You've gone out of your way
to make a bar
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269. where customers can feel
like they belong, part of a family.
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270. - Now they're walking out on you.
- We don't want them.
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271. Quiet.
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272. Perhaps we should
step into the back room.
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273. Anyone having something
intelligent to say can follow me.
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274. Fine. Anyone with a two-bit opinion.
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275. Alright. I'll tell you.
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276. Sammy, I've got a simple solution
to this whole problem.
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277. You just go up to the guys
and politely ask them to leave,
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278. and everything is back to normal.
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279. Sam would never do that.
Would you, Sam?
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280. No.
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281. I'm not sure.
These guys are my regulars.
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282. If I lose them, I lose my bar.
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283. If single women stop coming in here,
I have no reason to live.
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284. No emotional appeal here, Sam. This
is a purely intellectual argument.
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285. You let this bar go gay, you are
gonna have to hire male waitresses.
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286. Right?
That means I'm out on the street,
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287. and I'm not gonna be able to feed
little Sammy Tortelli.
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288. He kicked.
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289. What?
What's that he's trying to say there?
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290. I'm hungry. I'm hungry.
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291. Please don't let Sammy do this to us.
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292. Thanks for
keeping emotions out of it.
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293. I think it's a trick, Sam.
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294. - Sit down.
- We're all agreed, then.
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295. Sammy tells these guys to leave,
we don't go to Clancy's.
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296. - Alright.
- Sam.
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297. Just leave me alone.
I'm running a business here.
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298. What do you think
I should say to them?
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299. It's very simple.
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300. You just say, "Hello,
we're a group of snivelling bigots
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301. and we don't care for your kind."
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302. That's good. I like that.
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303. Hi, fellas.
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304. Hi, Sam. What's going on?
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305. I've got a problem.
Maybe you can help me out.
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306. See, I'm the own of this bar.
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307. Yeah, we know. We read the article
in the newspaper.
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308. Right.
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309. - That took a lot of guts.
- It really did.
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310. Yeah.
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311. So what's your problem?
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312. As a matter of fact,
I don't have a problem.
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313. Coach, get these guys
a beer on the house.
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314. Right, Sam.
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315. Chickening out on us?
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316. Yeah, Sammy, I thought
you had more character.
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317. Those guys are staying.
Anyone else wants to leave, fine.
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318. You know what kind of bar
this could be?
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319. Not the kind
that I have to throw people out of.
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320. That was the noblest preposition
you ever dangled.
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321. Thank you.
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322. - Now, let me say this.
- No.
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323. Fine.
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324. Alright, gentlemen.
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325. Desperate times
call for desperate measures.
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326. What are you gonna do?
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327. Coach, last call.
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328. What are you talking about?
It's quarter to seven.
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329. No time. The glasses have to be
off the tables by seven.
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330. Excuse me. This bar closes at seven?
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331. Only on the first Thursday of every
month. Vive la Différence evening.
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332. We go home to our wives, girlfriends,
work benches, power tools...
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333. This is the weirdest bar
I've ever been in.
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334. Coach, what the hell are you doing?
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335. This is Vive la Différence night.
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336. - Where the hell did the month go?
- What?
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337. Your regulars
just tricked those guys out.
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338. How?
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339. Let's have a round here, Sammy.
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340. - What's going on here?
- We got rid of your friends.
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341. It was Norm's idea.
The man's a genius.
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342. Way to go.
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343. Norman, there's something
you should know about those guys.
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344. They're not gay.
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345. In fact,
one of them tried to hit on me.
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346. What? You said they were.
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347. I said there were two gay men here.
I didn't say who they were.
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348. They, along with myself,
have had a wonderful time
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349. watching you
make complete idiots of yourselves.
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350. Yeah, the guys
I was talking about are still here.
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351. - Right, guys?
- Right.
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352. Better than Vera.
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