1. Let's start the show.
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2. Ladies and gentlemen,
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3. Dave Chappelle!
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4. Oh!
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5. Hey, everybody.
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6. Hey!
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7. Alright!
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8. Alright!
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9. Welcome to Chappelle's Show.
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10. Man, welcome, guys.
Thanks for coming out tonight.
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11. You at home,
thanks for tuning in.
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12. You know, folks, it's been
an interesting couple of weeks
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13. here at Chappelle's Show—
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14. Lot of flak I've been getting
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15. for the racially-charged
sketches.
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16. It happens.
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17. But I think I'm being
misunderstood,
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18. so I just want to take a moment
to explain myself, okay?
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19. I'm not advocating
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20. in any way, shape or form
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21. any type of racial hatred.
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22. I'm just making fun
of each other's cultures.
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23. It's fun.
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24. Problem is, when you do
stereotypical kind of jokes,
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25. there's no room for subtleties.
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26. People always say things,
for instance,
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27. that white people can't dance.
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28. It's not that white people
can't dance.
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29. Is that, is that really
how it goes?
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30. I don't think so.
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31. Let's explore this further,
okay?
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32. I'd like to introduce
a piece now
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33. called "White people dancing."
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34. Hey, gang.
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35. You know, all my life I've heard
that white people can't dance.
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36. I don't believe that.
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37. I don't think it's so much
that white people can't dance,
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38. it's just that they like
certain musical instruments.
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39. That instrument, my friends,
is electric guitar.
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40. It speaks directly to the soul
of the white person.
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41. They find it irresistible.
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42. Now with me, as you can see,
is my good friend, John Mayer.
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43. How are ya?
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44. And we are going to test
this theory this afternoon.
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45. You ready?
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46. - I'm ready.
- Let's do it.
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47. Let's go.
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48. It's my personal theory
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49. that when white people
hear electric guitar,
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50. they cannot resist
the urge to dance,
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51. no matter where they are.
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52. Well, me and John went to
different locations
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53. and put this theory to the test.
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54. Okay, folks, here we are
in a corporate board room.
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55. You can see people behind us
working in the bullpens.
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56. And right now,
a meeting is in progress.
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57. We want to see what happens
when you play electric guitar
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58. in the most professional
of settings.
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59. - Ready, John?
Yeah, I'm ready.
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60. Okay, cool, go, go.
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61. I knew it, I knew it.
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62. Come on, let's get out of here.
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63. Okay, we've seen
how white people
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64. respond to guitar music at work.
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65. Now we're in
a chic Manhattan restaurant.
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66. It's lunchtime,
the business crowd is here.
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67. A lot of bush votes
in the room.
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68. Let's see how
the conservative crowd acts
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69. when they hear guitar music
while they're eating.
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70. John, play—
Play The Fight Riff, play I!
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71. These people— look it here!
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72. Oh, my God, look at this!
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73. Oh!
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74. Oh, my gosh.
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75. I've never seen anything
like this, folks.
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76. Enjoy your lunch, everybody.
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77. Alright.
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78. Every experiment needs
a control.
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79. Now, right now, me and John
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80. are in a barber shop in Harlem.
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81. Everyone here
is either Black or Latino.
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82. Let's see how electric guitar
works on them.
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83. - Ready, John?
- Yeah.
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84. Okay, okay, go, go.
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85. Hey, yo!
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86. Shut the fuck up!
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87. Okay, okay.
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88. That went pretty much
how I expected.
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89. Now, let's see how
the blacks respond to drums.
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90. Questlove, go.
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91. Ahh... yeah!
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92. Yeah!
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93. Yeah!
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94. Uh!
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95. Play somethin', play
somethin', play somethin'.
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96. Oh!
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97. Yeah!
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98. Whoo!
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99. Whoo, that worked
like gangbusters!
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100. But I still happened to notice,
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101. some of the Latin people
were nodding their heads,
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102. but they weren't really
feeling it
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103. As much as
I thought they would.
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104. But I think I got the remedy.
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105. What would happen if
I incorporated within that
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106. an electric piano?
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107. Sanchez, go!
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108. Alright, this is going great.
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109. Now I'm gonna kick it up
a notch, watch this.
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110. Ay, caramba!
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111. Ole!
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112. Hey, guys, have a good day.
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113. Sorry for interrupting.
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114. So what did we learn, gang?
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115. We learned that white people
can dance
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116. If you play what
they like, electric guitar.
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117. Of course, we, the blacks,
can't resist drums.
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118. And Latino's love
congas and electric piano
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119. with Spanish gibberish
over it, I guess.
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120. So next time someone says
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121. that someone from another
race can't dance—
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122. Alright, alright.
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123. We're gonna need
to see a permit.
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124. Excuse me?
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125. You have to have a permit
to shoot out here.
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126. And we will fine you.
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127. John, do something quick.
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128. Eh...
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129. That's right, sing it!
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130. Hey, my man,
how you know that song?
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131. I'm from the suburbs, man,
I can't help it.
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132. I can't help it!
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133. We're gonna take a quick
commercial break.
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134. Keep dancin',
we'll be right back.
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135. - How's this?
- Go!
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136. Hey, everybody, welcome back
to Chappelle's Show.
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137. Thanks for joining us.
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138. You know, folks, I hate to hit
this point so hard,
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139. But remember, whenever we do
these racial commentaries,
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140. it's always about
the subtleties.
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141. We're all part of the same
human family.
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142. Our differences
are just cultural, that's it.
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143. For instance,
when a white person is
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144. maybe having trouble sleeping,
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145. You might take some kind of,
uh, warm milk—
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146. I don't know what you drink.
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147. For the black people,
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148. we have a sleeping aid, too.
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149. And it's just coming out
on the market.
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150. It's available
for everyone's consumption.
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151. And we're proud to be
the first sponsor
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152. of the newest sleep aid
for Black America.
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153. Here it is.
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154. What is it, honey?
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155. I got a big meeting tomorrow,
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156. and I still can't sleep.
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157. I took sleeping pills
and everything.
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158. Relax, honey.
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159. I think I've got just the thing.
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160. From the makers
of Valtran and Simelox
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161. comes America's number one
sleeping aid.
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162. Ribs.
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163. Hickory!
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164. Oh, wow.
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165. Here's how it works.
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166. Once ingested, ribs go to work
on your stomach,
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167. spreading barbecue sauce
and greasy porkiness throughout,
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168. creating an age-old condition
called, the "ITIS."
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169. You'll feel sluggish, drowsy
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170. and should be asleep
in a matter of minutes.
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171. Got that ITIS.
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172. Thanks, ribs.
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173. Oh...
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174. Mud butt.
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175. What would be the inverse
of that joke?
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176. If I did that joke
for white people,
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177. what would it be, like,
turkey or something?
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178. I don't know— turkey, right?
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179. What's the food
that white people say,
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180. "Boy, that sure makes me
sleepy"?
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181. - Huh?
- Box of wine.
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182. - What is it?
- Box of wine.
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183. Box of wine?
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184. Wine comes in a box,
America, damn!
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185. He said that without hesitation,
"Box of wine."
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186. "Puts me right out."
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187. We're gonna take
a quick commercial break.
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188. Don't go nowhere,
we got more comedy for you
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189. on Chappelle's Show.
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190. That's right.
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191. Better not bring your kids!
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192. Welcome back.
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193. Welcome back
to Chappelle's Show, everybod.
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194. A lot— one thing I've been
hearing a lot recently is,
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195. they say, you know,
"Dave, you make fun of everybody
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196. and everything, but how come you
never make fun of yourself?"
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197. 'Cause it's
not easy, I'm sensitive.
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198. But since you guys have been
so good to me tonight,
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199. I feel like I owe you no less.
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200. This next piece is about
the real Dave Chappelle.
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201. It's personal,
it's actually very personal,
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202. but here it is.
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203. Hey, I'm Dave Chappelle,
host of Chappelle's Show.
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204. Many guys are familiar
with my on-screen persona,
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205. but the question keeps
popping up,
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206. Who is Dave Chappelle, really?
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207. Well, guys, the answer
isn't so simple.
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208. You see, in the last 12 years,
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209. I've been at least
three different people.
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210. Here's me at 18.
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211. Sincere, earnest,
relentlessly optimistic.
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212. Then there was me at 24.
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213. Budding movie star,
reefer addict
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214. and a man with a sexual appetite
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215. that would make Michael Douglas
seem gay.
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216. Then, of course, is the man
who stands in front of you now.
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217. Proud father, loyal husband
and prompt taxpayer.
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218. All three of these men
had different psyches
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219. and handled things
in very different ways.
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220. And with your permission,
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221. I'd like to explore
these three men tonight
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222. in a piece that I like to call,
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223. "Three Dave's."
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224. Alright, first scenario.
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225. Let's say I'm having
problems in a relationship.
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226. Why don't we take a look at how
I used to handle that at 18?
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227. Sharon, Sharon, look.
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228. I want to work this out,
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229. but you gotta talk to me.
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230. You gotta open up.
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231. Last week, when we were
at that Das EFX concert,
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232. I riggity realized...
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233. I liggity love you.
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234. Clickety clow!
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235. Come on, girl,
don't be like this.
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236. You act like all
I want to do
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237. is zooma-zoom-zoom
in your boom-boom.
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238. Why you gotta be like this?
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239. Clickety clow!
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240. What a biggity bitch!
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241. I'm talking about myself,
of course.
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242. Alright.
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243. Well, let's see how I handled
relationship difficulties
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244. at 24.
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245. I love her
but she don't trust me.
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246. I can't be with someone
who don't trust me.
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247. Oh, that sounds terrible.
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248. Do you want
another song, honey?
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249. Yes, I do.
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250. - $10.
- I know.
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251. And the other day,
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252. you know what she had the nerve
to say to me?
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253. That I smell like I been
at a titty bar.
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254. So the fuck what!
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255. Well, let's see how I handle
relationship problems today,
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256. Now that I'm a father
and a husband
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257. and all that good stuff.
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258. Baby...
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259. Baby, you up?
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260. Oh, ooh.
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261. Scenario two.
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262. Let's say I'm pulled over
by the police,
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263. and I'm being treated
less than fairly.
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264. These kinds of things happen.
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265. Why don't we see how 18-year-old
Dave used to handle that?
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266. Help!
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267. Okay.
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268. Now, let's take a look
at 24-year-old Dave.
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269. - I ain't do nothin'!
- Get on the ground!
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270. - Get on—on the ground!
- Alright!
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271. Hey-yeah!
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272. What about you?
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273. Why don't you get on the ground?
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274. That's right— give me
my license back.
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275. Now, spread your cheeks
and lift your sac.
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276. That's right,
and you know what?
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277. I am high...
I'm high!
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278. And now, let's take a look
at 30-year-old Dave.
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279. Hi, license, insurance
and registration, please.
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280. Sure.
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281. Sorry about that,
I was running late
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282. for a shoot for my show...
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283. Chappelle's Show,
I'm Dave Chappelle?
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284. Oh, yeah?
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285. I'm rich, bitch.
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286. You haven't seen it?
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287. Don't get it.
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288. Buckle up, baby!
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289. Yah!
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290. Over the last 12 years
of my career,
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291. I went through
a lot of ups and downs.
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292. A lot of people ask me,
"Dave, how do you handle it
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293. when you lose out
on a movie part
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294. that you really want?"
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295. It's a good question.
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296. I'll show you how I used to
handle it at 18 right now.
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297. Well, who got the part?
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298. The Wayans Brothers?
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299. There's, there's more?
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300. And here's how I handled
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301. the same type of situation
at 24.
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302. Chris Tucker... fuck!
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303. This is the second time
this happened.
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304. Who got the other part?
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305. Tell me man, just—
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306. Jackie Chan?
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307. That motherfucker
can't even speak English.
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308. Shit!
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309. And now, here's how sensible
Shoe Dave
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310. handles it at 30.
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311. Who?
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312. Who's Nick Cannon?
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313. Daddy, Nick Cannon is hilarious.
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314. Man, fuck you, son.
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315. You probably think
he's so goddamned hilarious
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316. Because he just walked off
with your school clothes money.
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317. It's funny, isn't it?
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318. I'm broke, nigga, I'm broke!
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319. Well, I guess that gives
you guys a pretty good idea
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320. of how I've changed
over the years.
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321. But before I go, I just want
to give each of me
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322. a chance to tell you their
overall philosophy in life.
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323. 18-year-old Dave, you're on.
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324. "When you lose...
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325. don't lose the lesson."
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326. His Holiness, the Dalai Lama.
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327. That was touching.
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328. Alright, how about you,
me at 24?
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329. "Hey, hey, hey, hey...
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330. smoke weed every day."
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331. Nate Dogg.
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332. Dave at 30, what you got for me?
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333. Fuck Nick Cannon.
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334. Dave Chappelle.
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335. He's hilarious.
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336. You know, you're acting like
a little bitch, alright?
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337. Stop saying that, you trying
to make your father feel bad?
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338. I gotta pay all the bills
around here.
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339. You're gonna
go tell your mother?
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340. You tell your mother I'm cussin'
in the house!
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341. That's right, shit!
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342. We're gonna take a quick
commercial break.
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343. But Dave at 30 will be right
back after these messages.
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344. Welcome back.
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345. Welcome back, everybody.
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346. It is time for another
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347. Chappelle's Show
musical performance.
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348. As you can see tonight,
we were lucky enough to have
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349. John Mayer and Questlove from
the roots appear in our sketch.
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350. And while we were shootin'
the sketch,
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351. we actually shot a musical
performance just for fun.
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352. This next one, folks,
is just for you.
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353. Please welcome yours truly
and The Dave Chappelle trio.
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354. You know, folks, right now,
the world is in trouble.
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355. And I know it seems like
the sketches we do are racey,
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356. but this is all just comedy.
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357. Really, it's all about love.
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358. So this song right now is not
only going out to you at home
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359. and everyone across America,
but everyone across the world.
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360. And it goes a little something
like this,
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361. Alright.
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362. Alright, alright.
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363. Turn around!
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364. That's right.
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365. Turns out that life
is all about you.
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366. Thanks for watching
the show this week.
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367. I'd like to thank my guests
John Mayer,
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368. Questlove.
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369. John on keyboards.
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370. I'm Dave Chappelle.
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371. I'll see you guys next week.
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372. I'll see you next week,
everybody, God bless.
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373. I'm out.
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374. I'm rich, bitch!
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375. Hi, thank you.
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