1. Ladies and gentlemen,
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2. Dave Chappelle!
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3. Thank you all.
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4. Thank you, folks.
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5. Tonight you tuned in
on a very special night.
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6. You know, now that the show
is becoming successful,
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7. people are writing
about it in the papers,
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8. the only thing more spectacular
than our success
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9. is our failures.
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10. Tonight I will show you
some of the craziest things
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11. we have tried to get away with
and didn't succeed.
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12. These are all sketches
we actually went out,
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13. we shot the sketches—
I didn't make this idea up.
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14. This is a crazy, uh...
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15. Well, you'll see
as we go along.
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16. But this is the good thing
about black people.
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17. We are just the best at taking
lemons and making lemonade.
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18. This is a skill that
black people have been endowed.
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19. They gave us
the worst part of pigs,
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20. we said we're gonna
call 'em chitlins,
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21. put some hot sauce
on the nigga,
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22. and we will like 'em,
we will like them!
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23. We'll eat the snout,
if we have to.
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24. If we have to,
I will eat the snout.
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25. Tonight we are gonna
eat all snout.
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26. This whole episode
is just straight up snout.
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27. Now this first sketch
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28. had our first celebrity cameo
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29. The Chappelle Show ever had
that nobody ever saw.
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30. It was a
very good cameo.
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31. Why don't you show 'em
the beginning.
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32. Welcome back.
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33. Today, of course,
we are dealing with kids
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34. who are b-a-d, bad.
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35. Do you see, Sally?
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36. This is what
I have to deal with.
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37. Ronald is just out of control.
So trifling.
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38. Aw, ma, shut up.
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39. Alright, it's time
to straighten you up.
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40. Guess where you are going.
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41. Boot camp.
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42. Yeah, boot camp.
That's right.
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43. With the hardest
CO you have ever met.
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44. This is where the sketch
goes completely wrong.
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45. That's right,
Nelson Mandela.
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46. Alright, children,
shut your mouth.
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47. All of you kids disgust me.
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48. Notice how shitty
the wig is.
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49. Not only do I not look
anything like Nelson Mandela,
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50. but the sketch just gets
progressively crazier.
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51. Mandela proceeds to just
beat the hell out of these kids
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52. for the next, like, eight
to nine minutes, alright?
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53. He's just berating 'em
and beating 'em.
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54. Here, just show them some
of the beat-downs.
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55. This is the full Nelson.
Bitch, it's a pun.
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56. You.
Cry "Freedom."
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57. Cry "The Beloved Country."
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58. If I wanted to be mean,
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59. I would tell this kid
how fat he is, huh?
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60. I would tell him that I would
squeeze his breasts together
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61. and make love to his bosom,
if I wanted to.
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62. Pretty bad, huh?
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63. Well, it gets
weirder than that.
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64. Do you think Mandela
doesn't know what this is?
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65. Do you think
Mandela doesn't know
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66. what's popping on the streets?
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67. Yo, I'm not sure,
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68. but I think Mr. Mandela
smoked my drugs.
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69. Pretty bad, huh?
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70. Alright, now here's
another stinker.
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71. This one
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72. was supposed to be
like The Def Poetry Jam.
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73. It was called—
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74. It was a funny premise—
It was called
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75. The Def Comedy Poetry Jam,
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76. where we basically have people
I knew from Def Comedy Jam
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77. come and do, like,
the corniest joke premises
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78. in poetry style.
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79. It's kind of hard to explain,
but it was funny.
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80. Like, Mos Def came out,
act a fool.
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81. Go ahead and show them
the beginning.
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82. Are you ready for some
poetry, motherfuckers?
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83. Uh!
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84. Mm, mm, uh!
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85. Alright, so then
Shucky Ducky comes out
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86. and Hamburg and all
these guys come out
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87. and do Hacky black poems.
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88. And I even did one myself,
which is pretty hilarious,
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89. I'll show it to you
in its entirety.
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90. Here's the one I did.
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91. White people do this.
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92. Black people—
black people do that.
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93. When White people's
power goes off they panic.
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94. When black people's
power goes off they plan it.
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95. We'll take a quick
commercial break,
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96. but don't go anywhere.
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97. We have more of our greatest
misses coming up.
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98. Whoo.
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99. Hey, gang, welcome back.
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100. Now, let's see,
how can I describe this sketch?
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101. It was a Frontline piece,
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102. much like we did
the Clayton Bigsby piece,
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103. we wrote this one when they had
opened the first public school
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104. for all-gay students,
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105. and we were like, okay,
America's freaking out now,
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106. like, about the gay thing, like,
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107. so we thought
what if it was, like,
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108. so segregated that there
became two Americas.
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109. It was a Gay America
and a Straight America.
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110. And that was the premise
of the sketch.
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111. Cities like San Francisco
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112. even offer special
municipal services,
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113. like this gay department
of motor vehicles.
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114. Honey, with those
cheekbones, you're a natural!
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115. Now, just stand there.
That's right.
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116. Put your head back
a little bit.
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117. Let's get that
great big smile.
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118. Let's see those
pearly whites.
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119. Hold it, hold it.
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120. Congratulations.
Your license plate is so ready.
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121. It was funny.
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122. I mean, we were just
messing around.
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123. You know,
just having fun.
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124. Right.
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125. But it gets worse, like,
we keep going on like this.
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126. Okay, so there's a gay DMV,
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127. what else can we just make,
like, a gay version of?
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128. And then we just went
to town with, like,
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129. the gay versions of things.
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130. For instance...
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131. Every aspect of American life
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132. is being affected
by the culture.
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133. There are gay butchers.
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134. Gay landscapers.
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135. Just for fun,
can we see that guy again?
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136. That shit was very funny to me.
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137. Here's where we start
spinning out of control.
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138. Alright, this next one
was offensive,
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139. not only to gay people
but black people.
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140. And if you're
a gay black person
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141. then you'll get doubly mad,
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142. but it was all
in the spirit of fun.
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143. I thought—
I still think it's funny.
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144. Alright, go ahead
and show the clip.
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145. Here in Hartsfield, Alabama,
amazingly,
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146. they have started a gay chapter
of the Ku Klux Klan.
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147. Oh, it's hot
like the dickens.
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148. As I was saying at brunch,
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149. and we hate, too, okay?
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150. But we do it a special way.
We do it with compassion.
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151. Good morning,
I'm with the K.K.K.
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152. We had a meeting
and we were talking
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153. and we'd be more comfortable
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154. if you guys
left the neighborhood.
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155. Have you considered
going back to Africa?
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156. Alright.
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157. Now, this next piece
was the piece that started
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158. the whole she-bang-a-bang.
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159. This was the first premise
that led
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160. to this Gay America sketch.
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161. This actually
was Charlie Murphy's idea.
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162. He called and was like
"I got this funny idea
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163. for a sketch, man."
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164. And he told me, he told Neal,
and we just ran with it.
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165. This is the most
splendiferous,
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166. spectacious monumental event
in the history of the world.
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167. Professional boxing
with all-gay fighters.
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168. I call it
"Friday Night Sissy Fights"
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169. and it's on
none other than HBO.
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170. On my right,
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171. "The Bathhouse Brawler",
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172. none other than
sweet puss Rogers.
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173. Look at that footwork.
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174. His dad was a schoolgirl.
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175. Man, he's gay.
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176. And to my left,
"The Tyrannical Tea-Bagger"
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177. none other than Reggie Blazer.
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178. He's weighing himself in
as we speak.
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179. Uh-uh, uh-uh,
this scale is broke.
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180. Cheetah, didn't I tell you
to fix this scale.
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181. And what you looking at
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182. with your ashy-ass lips?
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183. Whatever, fat-ass.
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184. I love it!
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185. On that note, we're actually
gonna take a commercial break,
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186. but don't go nowhere.
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187. We'll be right back with more
of our greatest misses.
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188. Man, I'm bored
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189. I got to go to
The Chappelle Show.
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190. Alright,
welcome back, welcome back.
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191. Alright.
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192. This next one might be
my favorite failure of all time.
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193. Now, last season
we did this sketch called
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194. "The player hater's ball."
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195. Wasn't our
most popular sketch,
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196. but it was just
one of my favorites.
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197. It was just very silly.
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198. So we said let's bring 'em back,
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199. but let's try
to do something different.
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200. Up the ante a little bit.
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201. So it starts out
that the player haters
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202. are having a science fair.
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203. Alright,
go ahead, go ahead.
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204. Furthermore, my wave machine
can create enough energy
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205. to power most
medium-sized homes with ease.
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206. Thank you, bitches.
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207. When you said wave machine,
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208. I thought you was talking
about something that could
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209. repair that catastrophe
you call a hairstyle.
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210. Buck Nasty, you are so dark
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211. when you touch yourself,
it's like black-on-black crime.
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212. Ah.
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213. Right,
so, so far so good.
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214. It has all the elements
of the old sketch that we loved.
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215. There's Jheri Curl juice
snapping, going back and forth.
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216. Alright, here's where it
starts getting a little weird.
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217. - Attention.
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218. I brought to you, bitches,
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219. my great invention yet.
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220. The time machine.
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221. - So now the premise
is that they travel through time
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222. and hate on people.
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223. Now, that's—
that's not a bad premise,
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224. but somehow
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225. it just didn't come
together right.
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226. Let's see what happens.
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227. First, they go back
and I think they fuck up Hitler.
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228. Hitler momma got one
big titty and one little titty,
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229. and they call the bitch
Biggie Smalls.
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230. Alright, so the crowd's
still kind of with us.
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231. And now we take
'em to the 1840s.
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232. Let's see how that hate
works out.
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233. Good God!
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234. Incarcerated
African-Americans.
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235. Slavery, if you will.
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236. These men here
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237. work for the minimumest
of wages,
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238. grits and tattered clothes.
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239. Lookey here, man.
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240. Them lames ain't even
got no shoes on, Jack.
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241. I could never
go out like that.
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242. Buck Nasty,
have some respect.
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243. One of these men could be
your great-granddaddy.
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244. Alright, Charlie
was definitely funny,
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245. 'cause every time
we do Buck Nasty, right,
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246. like, he'll be sittin' in
the back of the time machine
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247. and as soon as they say,
"Okay, roll sound,"
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248. Charlie'd get
to shaking like this.
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249. He'd start...
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250. Alright, just
show 'em, like—
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251. Just give 'em an example of
what it's like to shoot this.
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252. From doctors?
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253. Yeah.
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254. Alright, ready?
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255. Roll sound.
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256. It was killing me.
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257. Alright, but I'm
getting off the point now.
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258. Let's keep going.
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259. Now, so the now time haters,
they're in slavery times, right?
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260. And stuff is still kind of going
good in the sketch.
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261. Okay, okay,
keep, just, keep—
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262. let it play out.
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263. Let's see
what's happening.
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264. Uh-oh, fellas,
looks as though we have company.
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265. And what the hell are you
niggras doin' out here?
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266. We are the time haters.
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267. We traveled all the way
back through time...
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268. To call you a cracker.
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269. You better
watch your mouth.
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270. Actually, you better
watch your mouth, White boy,
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271. before I put these gators
up your ass
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272. and show your insides
some style.
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273. That's enough!
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274. I can't be no slave, Silky.
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275. Oh, Good God.
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276. Look, Silky,
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277. he done pulled out a whip.
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278. Nice whip.
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279. This here is a pistol.
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280. Reach for the sky, honky.
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281. Honky?
Honky?
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282. Honky is a racial epithet
used for White people.
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283. Was made popular by
a man named George Jefferson
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284. in the 1970s.
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285. You see,
he and his wife, Weezy,
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286. had a dry cleaning business,
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287. so they moved on up
to the east side,
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288. to a deluxe apartment
in the sky.
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289. They finally got
a piece of the pie.
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290. Convoluted story, I'll admit,
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291. but the point is this,
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292. that in the future,
all black people will be free.
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293. In a second, alright,
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294. this is what stopped
the whole show.
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295. This stopped—
I mean, literally,
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296. the whole episode came
to a screeching halt right here.
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297. As a matter of fact,
I can predict this episode
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298. coming to a screeching halt
right now.
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299. But I'll show it.
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300. When's we gonna be free?
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301. That is a good question,
my man.
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302. How about now-ish?
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303. Apparently,
shooting a slave master
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304. isn't funny to anybody
but me and Neal.
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305. If I could,
I'd do it every episode.
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306. So that was that one.
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307. Now, this next one,
the premise, again,
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308. funny premise,
it's about a dating service
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309. where you tell 'em what
kind of girls you like,
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310. and they'll send dudes to just
go out to malls and stuff
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311. and holler at bitches for you.
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312. Now...
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313. not so bad, right?
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314. Go ahead,
just show 'em the set up.
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315. In a matter of seconds,
we'll beam your information
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316. to one of our skilled
field technicians.
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317. Hey, hey, hey.
Can I holler?
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318. Can I holler at you?
Can I holler at you?
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319. Can I holler, holler, holler,
holler, holler, holler
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320. holler, holler, holler, holler,
holler, holler at you?
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321. What's wrong with ya?
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322. That dude
is hilarious to us.
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323. His name's Anthony Barry,
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324. and, I mean,
everything he says is funny.
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325. And in the course
of shooting this sketch,
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326. we figured out
he could do this.
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327. So we were like,
"just do that."
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328. And we just filmed
him doing it.
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329. This is what he did that had us
cracking up in editing.
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330. Holler, holler, holler...
Holler, holler, holler...
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331. Holler, holler, holler...
Holler, holler, holler...
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332. Holler, holler, holler, holler,
holler, holler...
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333. Holler, holler, holler...
Holler, holler, holler...
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334. Let me holler at you.
Let me holler at you.
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335. Let me holler at you, let me
holler at you.
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336. Holler, holler, holler, holler,
holler, holler...
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337. Holler, holler, holler, holler,
holler, holler...
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338. Holler, holler, holler...
Holler, holler, holler...
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339. I'm hollerin' at you, bitch.
Don't you hear me?
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340. Bitch, let me holler.
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341. Holler, holler, holler...
Holler, holler, holler...
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342. I'd like to thank
each and every one of y'all
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343. for being here.
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344. I'd like to thank
you at home for watching.
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345. I'll see you next week.
Good night.
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346. I'm rich, bitch.
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347. Hi, thank you.
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348. Like BET, the network
will also air sitcoms
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349. such as "Gay Sanford and Son."
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350. I gave that money
back to the church.
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351. It was the right thing
to do.
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352. Lamont, you big,
gay dummy.
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353. Oh, gay pop.
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354. Come on, gay Julio.
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355. Adios, Mr. Sanford.
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356. This is the big, gay one.
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357. Why they dick so small?
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