Carol & the End of the World 1x10

Laurie Metcalf as HR Lady (voice)

Strange new behaviors have begun to threaten the day-to-day operations of The Distraction — and one agent is determined to find out who's responsible.

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Subtitle languages: English • Spanish • Brazilian Portuguese

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1. Oh.

2. What the hell?

3. Somebody's getting fired over this shit.

4. HR case number 7-dash-3.

5. Or maybe it's 4.

6. In the interest of providing my summary of today's event

7. as swiftly and as detailed as possible,

8. I have not, as of yet, double-checked with my previous case file numbers.

9. At approximately 1100 hours today,

10. an incident occurred that can only be described

11. as a spontaneous fit of hysteria.

12. This convulsive wave of emotions

13. seized the office for exactly three and a half minutes

14. before finally subsiding.

15. I'm sorry, guys. I'm done.

16. It's hard to pinpoint what spurred today's events.

17. Suffice it to say it is but one of many erratic behaviors

18. that have arisen here in the office over the past few months.

19. These include, but are not limited to, chatter around the water cooler,

20. spells of boisterous laughter,

21. high-fives, low-fives,

22. and, in one instance, a shoulder pat.

23. Three weeks ago, I was witness to a non-platonic hug.

24. Dear listener, I believe these events

25. are all somehow related to the emotional display that occurred here today.

26. Not only that, but their timeline seems inextricably linked

27. to the hiring of one employee.

28. A Carol Daphne Kohl.

29. Single. Childless.

30. Emergency contact, Bernard and Pauline Kohl.

31. I believe lurking behind Carol…

32. Hi, I'm Carol.

33. Spiffy tie you got there, Bill.

34. Oh, no! Shit. Shit. Shoot.

35. She could destroy us.

36. On the surface, Ms. Kohl seems to be the perfect employee.

37. Her docile demeanor emanates a certain je ne sais quoi of dependability,

38. and one would think her shyness would keep her in line with the others.

39. But beneath her benign presentation lies a dangerous rebellious streak,

40. one I fear has already begun to infect the office.

41. I first noticed Miss Kohl's behavior on the Tuesday of April 7th.

42. Sarah.

43. Vanessa.

44. Francine.

45. Names are designations of who we are.

46. When recalled, they create a measure of familiarity.

47. When your name is spoken, a type of intimacy is created.

48. You are no longer just a stranger or coworker,

49. you are now an acquaintance with the possibility of more.

50. - Tim.

51. Joe.

52. Alyssa. James. Cathy.

53. This was ultimately followed by an incident

54. where Miss Kohl led eight other members of the office onto the roof

55. for an unsolicited wake for a one David Douglas Seaver.

56. The incident resulted in the time theft of

57. eight minutes and 43 seconds.

58. Since then, the antics of Miss Kohl have only become more brazen.

59. On April 15th, Miss Kohl set about decorating her workspace,

60. using treasured possessions to inject personality

61. in and around her desk.

62. Personally, I do not believe the office is an appropriate place

63. to display your financial dependents,

64. but I understand the general sentiment.

65. I, on the other hand, have no tolerance for such kitsch,

66. particularly Miss Kohl's collection of ceramic mice.

67. Slowly but surely, the contagion spread among the rank and file.

68. A rash of tchotchkes, photographs,

69. constellations of personal artifacts all on display.

70. The faint flickering of private lives

71. here… in our office.

72. Just like that,

73. the professionalism this office had come to so embody was gone.

74. Miss Kohl had altered it, perhaps irrevocably.

75. Brief aside, Miss Kohl requisitioned a tier-one company vehicle

76. in the commission of a work-related matter several weeks ago.

77. Since then, she has used said vehicle almost daily for personal matters.

78. Unacceptable.

79. Fortunately for the office, I managed to get the drop on her next move.

80. An unauthorized lunch swap.

81. Social lunches,

82. particularly those involving swapping, trading, or pot-lucking

83. are a gateway to camaraderie.

84. When one finds out another also likes tomatoes in their pesto pasta,

85. it forges an understanding,

86. an understanding that forms a bridge

87. that invariably leads to friendship.

88. Now, because of tomatoes,

89. you have someone to spend coffee breaks with

90. and tell your secrets to.

91. Even a simple potato frittata

92. could make someone feel more loyal to their new coworker

93. than to their duties.

94. But, gentle listener, this is only the beginning.

95. Miss Kohl's friendship offensive found its first victims

96. in two previously-reliable employees,

97. beginning with one Donna Shaw.

98. African-American, divorced, five children,

99. astigmatism in both eyes,

100. Miss Shaw is what we call in Human Resources "an ideal employee."

101. Dependable, task-oriented,

102. thrives on the sense of purpose work provides,

103. or at least she did.

104. Precisely what led this paragon of diligence

105. - to ally with Miss Kohl cannot be known.

106. But it is a great loss to our cause.

107. C'est la vie.

108. The third member of this insurrectionary triumvirate is something of an enigma.

109. On the surface, Luis Felipe Jacinto seemed like any adequate employee.

110. Habitually on-time, hard-working, by all accounts entirely unremarkable.

111. But as I looked closer,

112. I began to observe in him an inexplicable and frankly unsettling joie de vivre,

113. an effervescent lust for life that the routine and rigor of the office

114. had perhaps suppressed,

115. only for Miss Kohl to draw it out.

116. I can't really sing along, so sometimes I just accompany her with my recorder.

117. You can play Whitney Houston on a recorder?

118. I brought it to a concert once but was too afraid to play it.

119. Over time,

120. these three have managed to foment a sense of unity among the workforce

121. through a variety of disruptive activities.

122. The creation of a lunchtime Spanish club.

123. Buenos días. Me llamo Donna.

124. Hola, Donna.

125. Weekly tanning sessions.

126. Multiple instances in which Miss Kohl played matchmaker,

127. resulting in several couplings and at least one polyamorous quad.

128. - The arrival of a stray dog.

129. Check it out! This little guy followed us in!

130. Anybody want to name him?

131. Amaya?

132. Leonard? Suzanne?

133. And the gradual individualization of the Terrys.

134. - Terry B. - Thank you, Carol.

135. - Terry I. - I appreciate it, Carol.

136. - Terry P. - Thanks, Carol.

137. - Terry F. - Danke schoen, Carol.

138. - Terry C. - Much obliged, Carol.

139. All of which leads me to Miss Kohl's latest and most consequential disruption,

140. which I believe accounts for the other day's upsetting disturbance.

141. I am of course speaking of—

142. - Sorry to bother. - What's going on?

143. - We were wondering about your report. - Why isn't it ready?

144. It should be done. You've had two days.

145. These investigations take time.

146. - I'm going as fast as I can. Very well.

147. Don't forget to keep us in the loop, okay?

148. I want an email summarizing everything.

149. This is really a shame.

150. Rather disappointing.

151. I'm thinking about finally getting some new insoles.

152. Something with arch support.

153. Probably with some heel protection for walking on concrete.

154. Something in the gel family, but not too soft.

155. - Something on the firmer— - Bernard.

156. Oh.

157. Pauline. - Okay.

158. You've both been by my side over the years and—

159. Oh my God! How wonderful!

160. Of course, Michael! Of course!

161. And with Keppler's gravitational pull

162. slowing Earth's rotation,

163. get ready for 19-hour days and 19-hour nights.

164. I'm gonna eat you up!

165. Yes, I am. Eat you right up. Ay!

166. No scratchies, Pablo.

167. No scratchies.

168. As I was saying,

169. the previously-outlined events

170. have led me to Miss Kohl's latest and most volatile disruption,

171. which I believe accounts for this week's upsetting disturbance…

172. Applebee's.

173. I am of course referring to Applebee's.

174. Come on, Luis. It's time to go.

175. Wait, just one more number.

176. Seven. Nine.

177. That's two numbers.

178. It's a big number, Donna.

179. - Four. Eight.

180. - Heading home? Trying to. Luis is stalling.

181. Yeah. I hate leaving too.

182. Shh. You're making me lose my place.

183. Four and zero.

184. $794,840.

185. Why is this part always so hard?

186. It's just how it is. Your work will be here tomorrow.

187. You know, we don't have to.

188. - What? - I mean, we can, like, hang out.

189. Remember that night with David?

190. Oh, that was so much fun.

191. We were dragging around a dead body and you had a nervous breakdown.

192. And not to mention, my trunk is still fucked.

193. But, like, without all that.

194. No dead body?

195. No dead body.

196. Hmm.

197. Drinks?

198. At a bar? Lord, no.

199. I'd rather be in bed.

200. Huh. Too many crazies letting it all hang every which way.

201. - Makes it impossible to do anything. - Yeah.

202. If only there was a place that was like the office.

203. Quiet, free of all that stuff out there.

204. Guys, guys, I know a place.

205. - A home away from home.

206. A casual spot, decorated with unique flair,

207. filled with comfortable seats and bottomless drinks.

208. And best of all—

209. Is it close? I'm only going if it's close.

210. Oh, it's in the neighborhood.

211. Well, then, lead the way.

212. How fun!

213. Hey! Can I come too?

214. That kind of sounds like fun.

215. Um… Sure.

216. Yeah.

217. Great. I'll pack my stuff.

218. I swear to God, he better not end up in my trunk.

219. Damn, Carol.

220. If I knew you could make an Appletini like this,

221. we would have been doing this from the start.

222. What can I say?

223. I don't know.

224. Girl's got a gift.

225. Carol's blasted.

226. We should do this more often.

227. Yeah! Like, every week.

228. I'm down.

229. I love you guys.

230. Yup.

231. Sounds like a plan.

232. It's called "Applebee's."

233. Applebee's? Wait, but aren't they…?

234. Terrys!

235. Have I met them?

236. Chloe!

237. Carol!

238. Oh, sorry. I was already here. I just stepped out to—

239. Patrick!

240. Andrew!

241. Heather! Take over.

242. My arms are getting tired.

243. Next question.

244. "What is a group of turkeys called?"

245. Ah, Nine-to-fivers. I see you trying to cheat.

246. Sit your ass back down.

247. Who likes tacos?

248. Cheers.

249. To happy hour.

250. To happy hour.

251. Dear listener, I must apologize for what you are about to hear.

252. You must believe me when I say I entered into this investigation

253. with the purest of intentions,

254. to identify an existential threat to our office and root it out.

255. In this, I have failed.

256. When I first learned of the quote-unquote "happy hour,"

257. I could scarcely believe it.

258. What time are you going? Right after work.

259. I can't wait.

260. So I was determined to see it with my own eyes.

261. Dear listener, it's difficult to describe what I found there.

262. On the surface,

263. just a group of coworkers enjoying themselves at a casual bar and grill,

264. but it was more than that.

265. That place had a feeling.

266. A strength.

267. If the office was to be saved, it had to be stopped.

268. HR!

269. But that's not what happened.

270. My initial plan was to blend in.

271. I quickly found that to be impossible.

272. In the office, I found it easy to remain anonymous,

273. another cog in the machine of The Distraction.

274. But here in this strange Elysium of Miss Kohl's creation,

275. everyone had a name.

276. Everyone was known.

277. Everyone was family.

278. In time, despite all my grand designs of sabotage,

279. I was too.

280. I told myself I was getting to know these people for the investigation.

281. Playing bingo for the investigation.

282. Bingo! Hot damn! I got bingo!

283. Singing karaoke for the investigation.

284. In truth, I'd succumbed to the very virus I'd set out to destroy,

285. the virus that now threatens to destroy our precious Distraction…

286. Attachment.

287. - I think we have a problem here. - Where is that goddamn report?

288. - We really need that report. - I'm almost done.

289. Do you even understand what's at stake here?

290. I want it on my desk now! - Of course.

291. This reflects poorly on everyone.

292. You are fucking up big-time.

293. Fuckin' up.

294. It had been two weeks since the last happy hour when the disturbance occurred.

295. Following my investigation,

296. I have determined that the spontaneous fit of hysteria

297. that gripped our office several days ago

298. was in fact not spontaneous but triggered.

299. Triggered by emotional attachments formed among the people of this office.

300. What began with Miss Kohl learning the names of her coworkers

301. has since evolved into a kind of community.

302. A community of people who care for each other,

303. who have chosen to care for each other,

304. in spite of the pain that might entail, given the current circumstances.

305. Now, in the middle of the day, when an employee looks at her coworker,

306. she doesn't see an Accounts Receivable clerk.

307. She sees Bruce.

308. Or Casey.

309. Or Amanda.

310. Not just coworkers, but friends.

311. Friends she knows she will one day very soon lose forever.

312. These fits of emotion will only get worse

313. as the months and weeks count down,

314. setting the stage for the complete implosion of The Distraction.

315. Our seal against the sentimental chaos of the outside world has shattered,

316. our vital routine arrested.

317. Keppler's song has breached these precious walls,

318. and now not even the wail of the copier can drown it out.

319. What follows is grief and madness,

320. and it is without question that the blame for this

321. lies at the very feet of one—

322. - Hi. - Hi.

323. Sorry.

324. I was just wondering if you're coming to happy hour tonight.

325. Um…

326. No. Not tonight.

327. Oh, okay. Well, we missed you the last couple weeks.

328. Okay. Good night, Kathleen.

329. What did you call me?

330. Kathleen.

331. That's your name, right?

332. Oh, no! Did I get it wrong?

333. No, you didn't.

334. Oh, okay.

335. Well, see you tomorrow.

336. This concludes HR case number 7-dash…

337. This concludes the investigation.

338. Note to listener,

339. my determination regarding employee Carol Daphne Kohl

340. is supplemented here in a written report.

341. So, what do you say, Carol?

342. This is nice.

343. But it is.

344. Really.

345. Is anyone missing keys for a Honda?

346. Thank you.

347. I feel like most people don't even notice I'm wearing earrings.

348. Good night, Kathleen.