1. This is from BoJack H.
BoJack is nine years old.
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2. "When I grow up, I want to be like you.
I'm on the right track.
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3. Get it? Track? Because horses
run on tracks and you are a horse.
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4. And I am a horse. Do you get it?
Do you get my joke about the track?"
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5. - There's a whole page of this.
- Should I write him, tell him I get it?
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6. He goes on. "My question for you is:
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7. I am a good kid and I like to play,
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8. and I like to go to school,
but sometimes I get sad.
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9. What do you do when you get sad?
How do you not be sad?"
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10. Oh, big stud, running off
to gallivant with your fillies.
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11. Is that to impress me?
I can smash a dinner plate, too.
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12. That's a salad plate.
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13. I thought these were salad plates.
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14. - Those are saucers.
- Why do we even have saucers?
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15. We don't drink tea.
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16. Those saucers are for entertaining!
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17. Oh, yeah? Well, I'm exit-taining.
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18. Do you get it?
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19. But, uh, seriously, folks.
Right?
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20. Don't sit so close to the TV,
it'll make you cruel.
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21. You know, I was beautiful
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22. - before I got pregnant.
- I know.
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23. - You ruined me, BoJack.
- I know.
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24. You better grow up to be something great
to make up for all the damage you've done.
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25. I will.
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26. and I just kept running. BoJack...
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27. Okay, enough me being a great mom.
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28. I'm gonna go hide
your father's heart medication.
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29. Enjoy your dumb little TV show.
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30. The first thing is,
you gotta believe that change is possible.
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31. You have to tell yourself every day:
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32. "I can change and I will change."
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33. - I can change and I will change.
- Louder.
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34. I can change and I will change.
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35. - Still can't hear you.
- You're an audiobook.
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36. "I've got a new attitude."
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37. That's what your face should be saying
to everyone you pass on the street.
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38. We call that the PANTS approach.
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39. P-A-N-T-S.
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40. People all need to see.
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41. People all need to see.
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42. Yeah, a little to the right.
No, house right.
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43. That's an acting term.
It means left. I'm an actor.
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44. No.
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45. - BoJack, why did I wake up in an alley?
- I had to get rid of the old couch, Todd.
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46. While I was sleeping on it?
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47. The couch was a metaphor
for my old attitude.
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48. My audiobook told me I had to let go
of the burdens of my life sofa.
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49. Oh, you know what?
Maybe it was "my life so far."
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50. I feel like
you could've woken me up first.
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51. Todd, no one can wake anybody else up.
You need to wake yourself up.
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52. I don't know if I trust this new guy.
I'm just gonna go sleep in your car.
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53. - Uh-oh. I think someone needs a FAB.
- A FAB?
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54. FAB, stands for fresh active BNA.
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55. - BNA?
- Brand-new attitude. Try to keep up.
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56. ATTITUDE stands for attention to...
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57. Did you also get rid of my stuff?
Where's my duffel bag?
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58. I value you.
Hashtag "thank you for being a friend."
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59. Hashtag "PANTS."
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60. You got to conquer that hill.
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61. The hill is a metaphor.
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62. Everything is a metaphor.
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63. - You are literally a metaphor.
- Oh, my God.
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64. Oh, my God, this is the worst.
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65. This feels awful.
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66. Why does anybody run?
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67. On your right.
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68. And she had no idea
that her boyfriend was the strangler.
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69. I guess some people just see what
they wanna see, right, Vincent?
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70. Um...
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71. - Yeah.
- Hey, Princess Carolyn.
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72. I gotta go.
One of my dumb-ass clients is here.
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73. Just out for a jog, thought I'd say hello.
I jog now.
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74. You jogged here from Laurel Canyon?
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75. I drove, but I moved my arm a bunch,
so the Fitbit counted the miles.
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76. Uh, someone named BoJark Hoseman
is here?
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77. - Thank you, Stuart.
- Also, your coffee is coming late.
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78. - Just like you ordered.
- I said "latte."
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79. Ah. Well, I wrote down "late,"
so that's what it's gonna be.
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80. - What happened to Laura?
- Assistants are like Belushi brothers.
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81. Good ones leave too soon,
bad ones never go away.
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82. It's a beautiful day, though, right?
Every morning is a miracle.
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83. Hashtag "miracle."
Hashtag "every morning."
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84. Hashtag "every morning is a miracle."
Hashtag "BoJack thoughts."
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85. I'm glad you found your bliss, but are you
ready for your first day on set tomorrow?
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86. You mean, am I amped?
Because I am so pumped.
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87. This Secretariat movie is a big deal.
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88. Please do not blow it.
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89. Why would I blow it?
I have a brand-new attitude.
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90. You know, when I won that Golden Globe
last month, I went to a very dark place.
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91. I was in a hole.
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92. And I realized, "I can wallow
in this hole or I can change."
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93. While I was tempted to go with the former,
sometimes the only way out of a hole
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94. is a latter.
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95. - No pun intended.
- You clearly intended that pun.
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96. Princess Carolyn,
you gotta believe in the AHP of TPE.
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97. Huh.
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98. - Uh-uh. I'm not asking.
- The awesome healing power...
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99. - I am not asking.
- Of total positive energy.
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100. You should leave because
I'm about to pretend to get a phone call.
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101. Hello?
No, he's still here.
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102. - No, he's not taking the hint somehow.
- Mm-hm.
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103. Honey, where's my bandana?
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104. You chewed it up,
we had to throw it away, remember?
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105. No, not that one.
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106. The one with the bones on it.
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107. With the meat juice stains?
The one I wore to the Emmys.
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108. I don't know. I gotta go.
BoJack's gonna be here any minute.
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109. Did you check the hall closet?
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110. I can't see anything in this stupid thing.
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111. I know, Mr. Peanutbutter.
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112. But you gotta keep it on
for one more week.
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113. I look like an idiot.
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114. You look very responsible.
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115. Is the bandana doing anything?
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116. Hey, work buddy,
first day on the job, huh?
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117. Hashtag "great day to start fresh
at a new job, sincerely, BoJack."
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118. - @Diane.
- Can't believe you wanted to carpool.
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119. - Gotta save the planet, Diane.
- Hey, is that BoJack Horseman?
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120. I don't know because I have no peripheral
vision. Going off of smell here.
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121. Mr. Peanutbutter, how the hell are you?
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122. - Loving it, buddy. Loving life.
- Brother, I am right there with you.
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123. I got a brand-new attitude
and I am also loving life.
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124. Uh...
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125. Diane, look at us.
A couple life-lovers over here.
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126. - Uh...
- Is that a new cone? Looking sharp, PB.
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127. It is a new cone.
Is it obvious I'm wearing a cone?
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128. Didn't notice.
You've got the smile of a winner.
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129. - What's going on?
- I have to wear the cone
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130. so I don't gnaw on the stitches I had
to get when I punched a mirror last week.
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131. I got drunk and thought my reflection
was another dog.
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132. I was so mad at that other dog.
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133. He was wearing my clothes.
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134. - We've all been there.
- I don't understand what's happening.
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135. Did someone say something to the left?
Diane, is that you?
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136. Hey, why don't we just us two schedj
a hang for this 'kend?
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137. "'Kend" is how I say weekend now.
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138. Uh, I love that. And I got a pair of tix
to the 'Stones show this 'kend.
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139. - Wanna go?
- The Rolling Stones?
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140. What? Oh, no, no, no.
The Mighty Mighty Bosstones.
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141. I'm not really familiar with that outfit,
but I do love trying new things.
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142. - Who are you?
- Anyway, we gotta get to work.
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143. It was really great talking to you,
Mr. Peanutbutter.
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144. All right, break a leg, good buddy.
Diane, BoJack's ready to go.
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145. Where are you, sweetheart?
Are you ready?
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146. The house is a metaphor for a home.
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147. Happiness is a metaphor for change.
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148. Happiness is a metaphor...
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149. - Where are we going?
- Oh, my God.
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150. BoJack, this is Corduroy
Jackson-Jackson, your costar.
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151. - Hey, man.
- Corduroy Jackson-Jackson.
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152. Oh, right, the underwear guy.
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153. Underwear model/actor/dancer/dreamer.
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154. Also, you know, I'm a huge fan.
I'm so excited/amped/pumped
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155. to be working with you.
Yeah.
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156. Hey, man, that's
fantastic/great/I-ran-out-of-things.
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157. - Hi. Kelsey Jannings?
- That depends.
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158. - Are you my ex-wife's lawyer?
- I'm Diane.
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159. I'm here to be a character consultant.
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160. - What?
- I got a call from the studio.
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161. Okay. Why don't you stand over there and
make sure no one trips over that cable?
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162. - This cable?
- Do you have a thousand dollars?
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163. - What?
- Because each minute
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164. I spend talking to you,
that's how much money I'm wasting.
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165. - Oh. Sorry.
- Hey, who's this guy?
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166. - Who let this guy in?
- I just...
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167. He's got a funny face. I like your face.
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168. - Thank you.
- What a cute funny face. Cookie?
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169. Can someone get this guy a cookie?
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170. He's got a soothing face
and I like looking at it.
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171. - Like a Matisse painting.
- Whoa.
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172. Guys, could I get
everyone's attention, please?
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173. Oh, watch out for the cable.
Don't trip over the cable.
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174. I just want everyone to know
what an honor it is to be here.
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175. Secretariat has always been
a personal hero of mine.
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176. A complex role that requires
a precise touch and a deft hand
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177. and I just can't wait to tackle it
head-on.
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178. It's truly an honor.
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179. Namaste.
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180. Neat. So, in this scene,
Secretariat's at his lowest.
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181. He just lost his first race,
his father was sent to the glue factory.
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182. It's a dark moment.
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183. - You got it.
- Scene 22 alpha, take one.
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184. - Action!
- Hey, Secretariat.
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185. What are you doing here?
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186. - Hello?
- Diane!
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187. I can't tell you how disappointed I am
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188. you're not here with me
in Northern Cordovia.
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189. I'm incredibly disappointed. Boo!
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190. I didn't think I could do it,
but I did it.
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191. I'm amazing.
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192. Sebastian,
I know you're doing important work.
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193. I couldn't just drop everything
and fly to the Third World.
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194. - I just got married, and...
- Diane.
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195. People are dying, and I'm witnessing it.
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196. And I need people
to witness me witnessing it.
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197. I know, and I'll be there in three months,
as soon as I'm done on the movie.
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198. This is also important.
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199. In a way.
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200. Well, lucky for you,
there'll still be just as much famine
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201. and war and devastation
in three months.
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202. I'm not dead yet.
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203. - Yep. Lucky me.
- We're still rolling, people.
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204. So, BoJack, in this scene,
Secretariat is sad, right?
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205. Afraid he's gonna lose his scholarship.
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206. Oh, sure. Yeah, sad. Of course. Duh.
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207. Okay, here we go. Action.
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208. Hey, Secretariat.
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209. What are you doing here?
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210. That was bad. I know that was bad.
Let's keep it rolling.
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211. - I'll say when to keep rolling.
- Okay.
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212. What are you doing here? Did we get it?
I can tell by your face that we didn't.
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213. All right, let me try again.
What are you doing...?
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214. I am having trouble with the words.
Is it okay if I play around with it a bit?
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215. When did you get here?
Sorry, no. Got it. Got it. Got it.
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216. Man, these lights are bright, huh?
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217. Can we kill these lights at all?
Is that a...?
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218. - No.
- Okay, I'm sad.
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219. I'm sad. Acting sad.
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220. Secretariat is sad.
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221. Okay, here we go.
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222. I'm sad!
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223. Sorry, what was the line?
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224. I don't know if this helps or not,
but when Secretariat was a kid
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225. - he actually...
- Aah!
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226. - My face!
- Hey, hey.
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227. - Whoa, whoa!
- Oh, my God.
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228. - Watch out!
- Hey.
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229. Whoa, whoa!
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230. Oh, my God. My face.
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231. My beautiful face.
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232. Why didn't someone tell me
not to trip over that cable?
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233. It was such an important job,
but no one was there to do it
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234. and now my face is in ruins.
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235. We're gonna need a couple of days
to rebuild this set.
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236. So, let's all just use this time
to regroup
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237. and really figure out what we're doing
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238. and why we're here.
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239. So, let me get this straight.
Bad means good?
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240. Maybe you should leave the teen-talk
to me. Jeezy Kableezy.
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241. Well, it wasn't Ibsen.
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242. That's your takeaway?
That your son's TV show wasn't Ibsen?
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243. I'm sorry. Did you need a compliment?
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244. Oh, I loved the part where you got
your head caught in the banister.
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245. - Yeah...
- And what's this letter I have?
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246. It's from the government saying,
"I'm proud of you."
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247. - Are you...?
- No, what I'm holding is nothing.
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248. Can you check on our drinks?
I would love some gin.
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249. I wouldn't drink anything out of an open
container. This town is full of AIDS.
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250. - That's not...
- You're a clown, you know that?
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251. You've always been a pillar of support.
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252. Gin, please? Is there gin coming?
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253. I'm here, aren't I?
I suffered through that ordeal.
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254. You know, the man sitting next to me
was wearing a T-shirt?
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255. A T-shirt, BoJack, in the theater.
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256. Yes, a T-shirt.
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257. Worst thing that's happened to anyone
in a theater.
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258. - The T-shirt told me to "just do it."
- Here we go.
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259. I don't know to what "it"
the T-shirt referred
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260. but I won't be spoken to in that tone
by an article of clothing.
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261. Vodka? Triple sec?
Looking for any alcohol.
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262. You don't know how lucky you are.
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263. I hope you die before I do so you never
know what it's like to lose a mother.
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264. As long as one of us dies,
that's good enough.
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265. Can we please get some alcohol
into my mouth?
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266. The past is past.
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267. That's why it's called the past.
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268. Tomorrow is an opportunity.
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269. You can be big and proud
and bang on your tom-tom drum
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270. or you can get in your boat and row.
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271. Tom or row.
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272. Tomorrow.
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273. - Hey, do you wanna talk?
- Talk? Why? Why would we do that?
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274. So you can put everything
in a book and sell a million copies?
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275. Wow. Uh...
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276. That's what the old me would have said.
The new me doesn't hold a grudge.
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277. - No.
- I gotta say,
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278. the new you seems a little on edge.
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279. What? Me?
I'm as cool as The Fonz in a meat locker.
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280. That's a metaphor, Diane.
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281. - It's a simile.
- Goddamn it.
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282. Oh, okay. Hello?
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283. Small talk, small talk, small talk.
Are you blowing it?
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284. - I heard you're blowing it.
- What? Who told you that? Was it Todd?
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285. You gotta turn this ship around, BoJ.
If you don't...
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286. Hey, can you hold on a second?
I'm getting another call.
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287. Well, if it isn't my friend, Rutabaga,
the boy prince of the 26th floor.
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288. Carolyn.
How are things all the way up on 27?
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289. Stomp once for good, twice for killing it.
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290. Killing...
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291. Give me some gossip.
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292. My wife is making me go
to the opera tonight.
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293. I need something to distract me
from the thought of D-bags
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294. singing songs in German
about their boners.
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295. Okay, you gotta
keep this close to the vest
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296. but I am inches
from getting Emily VanCamp
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297. the lead in Goose Van Sant's
new movie about Jackie O.
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298. My clients would f-l-ip
if I got them parts like that.
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299. You're killing it
in the department of kicking ass
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300. in regards to you being an agent
and being good at it, crushing it.
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301. You're not so bad yourself, Rutabaga,
for a 26er.
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302. You're the only one in this building
who isn't a total snooze-cooze.
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303. Yes, Natasha, I'm talking about you.
I know you're listening.
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304. Ugh. I gotta go. I made Natasha cry.
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305. I don't think she's coming back.
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306. Could we keep it down
in the front, please?
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307. - Thank you.
- What am I gonna do?
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308. Well, you were an actor for nine years
on Horsin' Around. How did you do that?
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309. Uh...
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310. - Hey, can I talk to you for a minute?
- Of course, buddy.
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311. I always have time for you,
my good friend BoJack
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312. in this, the year 1988.
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313. Have a seat.
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314. Hey, enough with the stomping already!
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315. - Am I... Am I a clown?
- Oh, brother.
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316. Didn't I tell you not to invite your mom
to the taping?
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317. As Max Headroom would say,
"Your m-m-mom is a b-b-bitch."
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318. But I am a good actor, right?
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319. BJ, I don't know. Look...
You know what you're good at?
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320. Hitting your mark, saying your lines,
loudly with good diction.
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321. Should I be doing more?
To capture the character
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322. - and make the audience connect?
- This is a situation comedy.
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323. No one watches this show to feel feelings.
Life is depressing enough already.
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324. You bring joy to millions of people.
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325. Maybe someday later,
you'll need to learn how to act for real.
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326. But for now,
don't worry about it.
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327. Oh, shit. I'm not an actor.
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328. All this time, I assumed there was more
to me than everyone thought
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329. but maybe there isn't.
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330. That's the part where you're supposed
to disagree with me.
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331. Oh, right.
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332. Well, you got the part, didn't you?
What did you do in the audition?
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333. Well, how should I know?
That was the old me.
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334. Now I've got a brand-new attitude.
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335. Oh, God. Okay. Okay.
What should I do?
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336. Make a break for it? Drive to Mexico?
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337. Start a new life there?
Meet a local girl? Fall in love?
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338. Talk my way into a job at a textile plant?
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339. Work my way up until I own the place?
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340. What am I talking about?
I can't run a textile plant.
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341. Too much responsibility. What am I
gonna do? The walls are closing in!
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342. BoJack, breathe. You can do this.
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343. You have two days.
Maybe you could hire an acting coach.
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344. - Yeah?
- Yeah.
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345. Plus, you can watch old
Secretariat videos.
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346. I've got a hard drive full of research.
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347. Yeah. Yeah, you're right.
You're right. I can do this.
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348. I've got two whole days.
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349. And when the pressure's on,
that's when I shine.
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350. Yeah. Two days.
I can do all those things.
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351. Oh, shit. I didn't do any of those things.
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352. - What are you doing here?
- Ah!
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353. That was it. Say that again.
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354. What are you doing here?
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355. - Okay.
- No?
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356. BoJack, before we get started
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357. - I wanted to show you this.
- What?
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358. This is the machine
that's gonna make you a good actor.
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359. - Really?
- No. We need to make a scan of your face
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360. so that if you die,
we can finish the movie.
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361. Standard procedure. When a star
is assessed to be of a certain liability,
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362. like if there was a whole book written
about what a reckless jackass he is,
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363. you make a digital replica so you're
not screwed if he goes all Belushi on you.
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364. - Wait, which Belushi?
- Hold still, please.
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365. - Terrific. We got it.
- One day, that's gonna be the job.
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366. Sit for five seconds
while a machine scans his face.
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367. Six months later,
plugging a movie on Kimmel.
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368. I gotta go on Kimmel now?
What if he makes me read a mean tweet?
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369. I'm not emotionally prepared.
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370. Don't worry so much.
If you can't do this part
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371. we'll just fire you and get someone else
who can. Either way, I'll be fine.
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372. What do you need, BoJack?
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373. I don't know. I thought I wanted this,
but now I'm feeling all this pressure.
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374. - Think you made a mistake, hiring me?
- I don't make mistakes, BoJack.
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375. I do the crossword in Sharpie,
I never learned the shortcut for undo.
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376. - Command-Z.
- Don't need it, won't use it.
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377. I'm trying to have this new attitude,
be this better, more positive guy.
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378. I keep thinking about how this movie
is my last shot at happiness.
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379. Well, BoJack, I hope this helps:
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380. I don't care if you are happy or not.
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381. You have a job to do.
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382. This guy again? I'm in love with this kid.
I wanna put you in my pocket.
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383. - You're adorable.
- Aw.
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384. - Hey, Diane, you're a writer, aren't you?
- Yes.
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385. Yes. I am a writer. What do you need?
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386. Can you write on a sign
"watch out for cable"?
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387. You were telling people,
but it's a really important job
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388. and a sign is less likely
to get distracted.
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389. Oh. Yeah. Okay.
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390. What are you doing here?
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391. What are you doing here?
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392. What are you doing here?
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393. - What are you doing here?
- So, I went a little overboard
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394. and I made you two mixes.
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395. The first CD is all Mighty Mighty.
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396. The second CD is all of the Bosstones'
side projects and solo singles.
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397. Listen to it and imagine the band
never took that hiatus
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398. in the mid-aughts
when America briefly lost interest in ska.
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399. I don't have time.
I don't wanna listen to your music.
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400. I don't wanna hang out.
Get out of here.
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401. All right. You don't wanna listen
to Bosstones together.
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402. That's the impression that I get.
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403. - Is it the impression that I get?
- Yes. That's the impression that you get.
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404. I see. Way to go, Mr. Peanutbutter.
What a stupid move. Why did you...?
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405. BoJack, listen, I know you're scared,
but it's gonna be okay.
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406. - You gotta be strong.
- Yeah, but...
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407. You gotta rise to the occasion, okay?
So what if the new couch is weird?
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408. - Or lumpy?
- Uh, what?
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409. What are you gonna do?
Just sleep in BoJack's car forever?
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410. - Are you talking to me, or you...?
- Damn it, time to stop being a coward.
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411. It's time to go home
and sleep on BoJack's couch. Hurray!
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412. Happy ending for Todd!
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413. Charley Witherspoon, 28th floor agent.
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414. Charley. Listen, I wanted to touch base
about Emily's start date on Jackie O.
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415. Oh, yeah. Uh...
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416. Well, we got some new screen tests
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417. and, uh, Goose decided to go
in a different direction.
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418. Are you saying the Van Sant camp
wants to recant on VanCamp?
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419. Because they can't.
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420. Uh...
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421. Charley, you better get your client
to change his mind
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422. - or I'll walk up to the 28th floor and...
- Just kidding.
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423. - I can't get to the phone right now.
- What?
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424. This is one of those answering machines
that sounds like it's Charley talking
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425. but it's actually
just an answering machine.
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426. - I know you're there, Charley.
- Leave a message.
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427. - I'm not gonna leave a message.
- Beep.
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428. Hey, Charley, Princess Carolyn again.
Listen...
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429. - Mailbox is full.
- What? Mailbox full?
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430. - Error. Message deleted.
- Wait... No...
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431. Gotta go. Bye.
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432. Carolyn.
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433. Rutabaga, this is not a good time.
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434. Okay. Can I please just tell you
about the opera, though?
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435. - How did you like the opera?
- I loved it.
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436. Loved Tristan, loved Isolde,
cried like a bunny.
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437. Listen, my brain has been a-buzzing
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438. for the past few days
thinking about that Jackie O movie.
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439. I know it's your baby,
but I did make a few calls
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440. and got my Rooney a screen test.
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441. I put that movie together for my client.
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442. No, no, no, don't freak out.
It's just a screen test.
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443. But, honestly,
how fantaj would my Rooney be
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444. as a young Jackie Bouv?
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445. Stomp once for so fantaj,
twice for stupid-fantaj.
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446. Carolyn? I only heard one stomp.
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447. Oh. Carolyn, I heart you.
You're beautiful.
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448. I wish I met you before I got married.
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449. You can do it.
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450. Only you hold the keys
to the house that is you.
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451. The house is at the top of a hill.
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452. The hill is also you.
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453. Five minutes, Mr. Horseman.
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454. When you get your new attitude,
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455. you're gonna wave goodbye to the old...
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456. What do you want, Mom?
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457. Look who finally decided
to pick up the phone.
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458. - Do you need more blood?
- I don't need blood.
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459. - I read your book, BoJack.
- Oh.
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460. It takes a real narcissist to think
anyone wants to buy a book about him.
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461. You know how I feel about Anne Frank.
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462. - That was a diary.
- I read the parts about me.
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463. The things I said to you.
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464. You must think I'm a real monster.
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465. - Mom...
- I don't wanna fight you, BoJack.
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466. I just wanted to tell you I know.
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467. I know you wanna be happy,
but you won't be, and...
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468. - I'm sorry.
- What?
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469. It's not just you, you know.
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470. Your father and I, we...
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471. Well, you come by it honestly,
the ugliness inside you.
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472. You were born broken,
that's your birthright.
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473. And now you can fill your life
with projects
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474. your books and your movies
and your little girlfriends
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475. but it won't make you whole.
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476. You're BoJack Horseman.
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477. There's no cure for that.
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478. Anyway, do you remember
who directed The Philadelphia Story?
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479. Five letters, second letter U?
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480. - Lubitsch?
- No, BoJack. Goodbye.
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481. You need to visualize it
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482. flying out the window, over the...
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483. What are you doing here?
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484. Great. We got it. Let's move on.
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485. Boxer versus Raptor.
Na-na-na-na-na-na-na-na.
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