1. I had a lovely evening. Good night.
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2. Maybe I could just write a check.
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3. For what?
We're here to talk about a missing woman,
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4. - not a speeding ticket.
- Yes, and I'm trying to be helpful.
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5. But I'd also like to keep my family name
out of the papers, if possible.
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6. I thought a donation to the department
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7. might ensure my involvement here
was kept private.
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8. Or I could make a check out to you.
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9. Miss Montoya?
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10. It's Detective Montoya, Mr. Wayne.
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11. And not everything
is for sale in this city.
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12. I'm not interested
in dragging you through the mud.
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13. I just want to find Yvonne Francis.
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14. You were the last person to see her.
That's the only reason you're here.
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15. Well, now I'm embarrassed.
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16. Are you? Good.
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17. So let's get back
to the night in question.
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18. Your butler says you dropped
Miss Francis off at 11.
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19. 10:52.
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20. Hm. Most people can't do that.
Remember an exact time like that?
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21. Yvonne was starting
a new movie the next morning.
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22. She had an early call time,
so I was watching the clock.
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23. - Don't say anything else.
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24. Ah. There you are.
This is Lucius Fox, my lawyer.
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25. Mr. Wayne is assisting
in a missing persons case, Mr. Fox.
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26. Not anymore, he isn't.
Get your things, Bruce.
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27. Mr. Wayne isn't a suspect.
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28. And yet you dragged him down here
instead of interviewing him at his estate.
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29. I wasn't aware having an estate
got you preferential treatment.
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30. You're funny.
Any further questions will go through me.
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31. Nice meeting you, Detective.
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32. Yeah, I'll bet.
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33. It seems to me, sir,
that you might be better served
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34. pursuing your own investigation.
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35. Detective Montoya's police work is sharp.
She got angry when I offered her a bribe.
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36. Your point, sir?
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37. If she's honest, intelligent,
and incorruptible, she could be an asset.
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38. And, of course, this will help us locate
Miss Francis that much sooner.
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39. Yes, that too.
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40. frustrating.
I really thought I was getting somewhere
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41. before the attorney got here.
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42. But the butler alibis him, and honestly,
I don't see Wayne as a suspect.
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43. Need a crime to have a suspect.
We have a missing person.
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44. A very famous missing person, but still.
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45. That's my point.
Not a sign of Frances. Not a word.
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46. Nothing for two days now.
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47. Something's wrong here, boss.
I can feel it.
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48. So what's your next move?
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49. I'm going to the movies.
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50. Detective Montoya.
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51. I'm wondering if you could answer a few
questions about Yvonne Francis, Mr. Karlo.
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52. Yvonne? I'd be happy to.
Please come in.
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53. - Is there any news?
- I'm afraid not.
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54. - How well do you know her?
- Well enough, I suppose.
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55. We've been in half a dozen
features together.
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56. Normally, I play the heavy who comes
leering after her damsel in distress.
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57. I may have caught a few of those.
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58. We all have our parts to play.
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59. This new film would have been
the first time I'd seen her in months.
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60. Mr. Karlo, if there's something
you think will help me find her?
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61. Just rumors that she was running
with the wrong crowd,
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62. that she was becoming, well, troubled.
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63. When you say the wrong crowd?
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64. They were rumors. I didn't heed them.
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65. Perhaps I should have.
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66. In any case, I'm afraid I have a meeting
with Edmund Haynes.
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67. He's my director on the new film.
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68. I can't keep him waiting.
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69. Sure. I appreciate your time.
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70. And this one was last Tuesday.
There's Miss Frances.
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71. - The dress is an Edith Head.
- It's very nice. Who...?
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72. - You said this was Tuesday?
- That's right.
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73. "I haven't seen her in months," huh?
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74. Would you be a doll and tell me
where Basil Karlo's meeting your boss?
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75. Let me see. Huh!
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76. Mr. Haynes doesn't have anything scheduled
with Mr. Karlo today.
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77. I'm looking for Basil Karlo.
Is he still on the lot?
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78. No, Mr. Karlo left about an hour ago.
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79. I need his home address.
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80. Operator? Police. Badge 742.
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81. Central Dispatch, I need a radio car
and an ambulance.
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82. 2462 Slade Terrace, apartment 3G.
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83. Uh... where?
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84. Relax, Miss Frances.
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85. Mustn't ruin your makeup.
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86. What is this? What are you doing?
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87. Try to stay calm. You're going to need
that energy for your big scene.
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88. Wait, wait! Come back here!
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89. Help! Oh, someone, help me!
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90. I screwed up.
I was so sure Karlo was a suspect.
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91. - Turns out he was a victim.
- Karlo lied.
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92. Find out why, you'll know who killed him
and maybe locate Miss Francis, too.
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93. If it's not too late.
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94. Don't be so hard on yourself, Renee.
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95. You took a big risk making me a detective.
I've let you down.
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96. Not yet, you haven't.
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97. - So I offered him double or nothing.
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98. Detective Montoya, good morning.
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99. Mr. District Attorney.
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100. How's the Yvonne Frances case coming?
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101. Well, it's now part of the Basil Karlo
murder investigation,
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102. so at the moment I'd say not very well.
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103. Don't be so glum.
What this is now is high profile.
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104. You give me an arrest
and I can put on a hell of a trial.
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105. Make us both look good.
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106. Will anyone do, or should I focus
on finding the actual murderer?
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107. You're a pistol, Detective.
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108. Case like this could do wonders
for my mayoral campaign.
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109. Mr. Dent, I genuinely don't think I could
care less about your mayoral campaign.
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110. A bit of friendly advice: start caring.
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111. Because after Election Day,
you'll want to be on my good side, Renee.
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112. Good luck with the crime fighting,
Gotham's finest.
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113. - Oh, and you, too, Bullock.
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114. You know what I'm looking at
right now, Sidney?
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115. I'm looking at thousands of dollars'
worth of mad scientist gizmos
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116. that we rent from
that McFadden guy by the day,
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117. just sitting here getting all dusty.
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118. Now, if you don't want that overage
coming out of your pocket,
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119. you're going to find me another screamer
to replace the Frances girl!
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120. And you're gonna do it today!
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121. What?
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122. Mr. Haynes was hoping to speak to you.
I can fit him in at 11.
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123. We got a fright pic supposed to start,
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124. that, as of now, stars a missing girl
and a dead guy.
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125. What does he want?
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126. I suspect he wants to know
if he's still got a movie to direct.
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127. Okay, fair enough.
Just set it up.
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128. Hm.
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129. What? What do you want?
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130. No, don't!
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131. - Anything?
- While lovely to look at,
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132. Miss Frances is no Gloria Swanson.
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133. Anything useful?
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134. - Regrettably, sir, no.
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135. - Anything useful?
- Some sort of silicate.
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136. Peculiar.
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137. Get the mercury vapor lamp.
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138. - A monogram, perhaps.
- An abbreviation.
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139. Monoscope Pictures Wardrobe.
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140. Our killer has access to the studio.
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141. Detective Montoya, I'm expected.
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142. Basil Karlo was one of the finest actors
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143. it has been my privilege
to work with, Detective.
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144. I'd go so far as to call him one of
the finest actors of our generation.
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145. What a loss.
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146. Did others share your opinion?
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147. Everyone who worked with Basil
knew how good he was.
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148. He was magnificent, incomparable.
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149. But he didn't have the right look.
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150. He didn't have the right face.
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151. There was a story in the Gazette a couple
of months back about you and Miss Frances.
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152. I wouldn't believe everything you read.
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153. Yvonne's lovely, but...
well, let's just say she's not my type.
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154. Oh, Yvonne worked with Karlo
a half dozen times.
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155. - The last one was Tower of Fear.
- Did he enjoy working with Miss Frances?
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156. That's one way to put it.
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157. He had it bad for her.
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158. - All night long, lovey.
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159. - Did she feel the same way?
- I don't think so.
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160. But don't get me wrong,
she had enormous respect for Basil.
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161. She felt he'd been cheated.
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162. It's terribly unfair.
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163. With your talent, you should be
a leading man, Basil. If only...
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164. If only I didn't look like this.
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165. Yes. You'd have been a star.
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166. That must have meant a lot to him.
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167. Sure. But it also made him desperate
to do something about his looks.
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168. The camera is kind to some,
cruel to others.
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169. Its cruelty to Basil made him...
ideal for certain parts.
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170. - But not the parts he wanted.
- No.
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171. Which is undoubtedly what drove him
to that lunatic conman, Jack Ellman.
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172. Conman and lunatic?
That's quite a combination, Mr. Haynes.
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173. One or the other, then.
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174. He was a makeup artist at the studio.
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175. Worked with Basil a few times.
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176. Better than that, the treatment
will remake your career, Basil.
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177. I just need some time and some more money.
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178. Anything, Jack. I need a miracle.
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179. - What was this treatment?
- I doubt there ever was one, Detective.
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180. Last I saw,
Karlo lost his patience with Ellman.
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181. Either give me my money back
or give me results.
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182. You're as stupid as you are ugly!
You can't rush something like this!
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183. You're nothing but a fraud!
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184. That's it, Ellman! You're fired!
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185. Security had Ellman off the lot
within minutes.
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186. And when was this?
Must have been two months back.
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187. No, no, no!
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188. Away from the camera!
Turn away from the camera!
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189. But I thought...
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190. No. You're not a thinker.
You're an actor.
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191. Your job is to act the way I direct!
Me, the director!
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192. We are on a break.
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193. I'll be in my office
reconsidering my career.
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194. - Run.
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195. - Pennyworth.
Sir?
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196. Give me two minutes, then call the police.
Monoscope Pictures beneath stage H.
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197. I've found two bodies.
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198. Lew Valentine
and the movie star Darryl Manning.
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199. I'd say they've been dead at least a day.
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200. Problem is, Detective Montoya
just interviewed Manning an hour ago.
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201. This is Montoya. I'm in the east end,
847 Lark Avenue,
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202. requesting additional backup
on suspect Ellman, Jack.
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203. This is Flass. We're on the way.
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204. Dispatch confirms, backup en route.
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205. - Nice night.
- Mm.
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206. - Do we got any of those pickles left?
- Nope.
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207. - Yes?
- Montoya. Police.
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208. - You Jack Ellman?
- Yes. Yes, that's me.
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209. I've got some questions for you
about Basil Karlo.
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210. Has something happened to Basil?
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211. Don't you read the papers?
Mr. Karlo was murdered last night.
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212. I had no idea. I'm sorry.
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213. Uh, please. We can talk inside.
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214. This isn't Karlo.
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215. It's a bit of a mess.
I don't get many visitors.
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216. After I was fired,
I needed a place to continue my work.
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217. The treatment you offered Karlo,
was that a part of your work?
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218. Oh, you... you heard about that?
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219. It was experimental.
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220. Sadly, Mr. Karlo wanted a miracle.
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221. I'm curious, how did you find me?
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222. I'm a detective, Mr. Ellman.
It's what I do.
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223. You didn't make it easy,
if that's any consolation.
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224. But some people like to
do things the hard way.
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225. What about you? Hard or easy?
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226. Karlo?
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227. Very good, Detective.
It is I, Basil Karlo.
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228. Your face...
What did you do to your face?
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229. Do you want the whole tale, Detective,
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230. of all the years, all the parts
lost because of my face?
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231. Of how Ellman promised he could fix it.
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232. How he gave me a miracle instead.
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233. They said I could have played
a thousand parts if not for my face.
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234. But now I have a face that actually
could play a thousand parts.
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235. I went to Yvonne to show her
that now things would be different.
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236. That I could finally be the star
she'd seen in me.
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237. Don't be alarmed, Yvonne.
It's me, Basil.
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238. I'm yours, darling,
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239. if you'll have me.
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240. No, no! Get away from me.
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241. But she... she rejected me.
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242. - She refused to play her part.
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243. Do you see now, Detective?
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244. I've been given a gift to match my talent.
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245. I can be anyone, fool everyone,
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246. including you.
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247. When I interviewed Manning, that was you.
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248. Oh, yes, it was. And you had no clue.
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249. Just as you had no clue
the Basil Karlo you found
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250. with a knife in his back was Jack Ellman.
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251. I used his own serum on him
before I killed him.
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252. So what is it? Everything you've done,
it's all about revenge?
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253. At first. It is a fine motivation
for any actor, you must admit.
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254. I find I am growing into the role.
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255. Meaning you've gotten a taste for murder?
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256. I have. And I'm not finished yet.
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257. One man in his time plays
many parts, the Bard said.
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258. I have finally found my last role.
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259. It's ironic that it took me losing
my career and my love to see it.
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260. But after a lifetime of playing the heavy,
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261. the thug, the brute, the scoundrel,
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262. I have realized
it was perfect casting all along.
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263. Villain is the part I was born to play.
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264. Oh, for the love of Pete.
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265. I don't believe you.
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266. What? I killed Ellman and Valentine.
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267. - I killed...
- I don't believe your performance.
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268. You're chewing on scenery,
relying on makeup effects
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269. to enhance weak characterization.
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270. It's insincere, Basil. It's not real.
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271. Not real?
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272. I'll show you real!
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273. Not to be a primadonna
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274. - but faster would be good.
- Working on it.
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275. Um, I really don't want to die here.
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276. Don't move.
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277. I don't want to shoot you,
but I absolutely will.
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278. Police! Everyone, freeze!
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279. - Oh, now you show up?
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280. Damn it!
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281. - You saw that?
- Boy, oh, boy, did I see that.
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282. Did the bat just solve
the case for you, girlie?
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283. No. You just let the bat escape.
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284. Allow me, Miss Frances.
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285. Thank you, but I've had enough horror
in the past few days.
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286. I know you're still listening.
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287. We're not done, you and me.
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