1. Dear Lord, please watch over me
and fill me with your courage and grace.
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2. Please watch over my son, John, and
fill his heart with his Daddy's love.
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3. So, you're a man of God now?
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4. Please take away
all his nightmares...
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5. You think because you've repented,
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6. you get to choose
where you're going after you die?
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7. Give his mother
the strength to look over him.
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8. You know where you're going.
And you're afraid.
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9. I just want my boy to be safe.
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10. - Why are you showing me this?
- I'm not showing you anything.
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11. - This is all in your head, Barry.
- Why can't I feel my arms and legs?
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12. I cut them off.
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13. I wanna watch you experience seeing
the people you love for the last time.
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14. Oh my God!
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15. BARRY
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16. The world needs to know what the
studio is doing by making this movie.
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17. They are sensationalizing a tragedy
and elevating a murderer.
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18. I will not let that happen.
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19. And there's all these comments.
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20. - Look at that. They're all positive.
- See, it's working.
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21. It's like a really interesting
way to go.
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22. Really. I didn't think of it before.
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23. It's like you decided to take
the more honorable path, you know?
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24. All I'm trying to do
is protect her memory.
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25. I'll tell you what
you're doing with this.
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26. You are showing them to be
the whores that they are.
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27. Yeah.
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28. - They are waiting for you.
- Who?
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29. The men that we're going
to send to kill Fuches.
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30. - The Four Ultimate Badass Killers?
- FUBAKS. Yes.
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31. Wait, those guys are real?
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32. - Francisco Boya.
- Wow.
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33. Weapons expert, used to run missions
for the Clateen Cartel.
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34. Prefers to use a knife because
he likes to be close to his victims.
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35. - Yes. Sold. Add to cart.
- Konstantine Persky, explosions.
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36. Feel free to blow up cars, Fuches,
obviously. Right, that'd be hilarious.
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37. - Fuches with dynamite tied to him.
- Like the Wile E. Coyote.
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38. Exactly.
Next.
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39. Todd Geer. Ex special forces,
responsible for leading six coups.
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40. More like four and a half.
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41. Don't downplay your accomplishments.
That's still a shitload of coups, Todd.
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42. - Yes, please.
- Isiah Ransone.
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43. - Oh, he can get it.
- Sharpshooter.
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44. - Five hundred confirmed kills.
- Make that five hundred and one.
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45. So when can we expect
this job to be done?
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46. EOD.
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47. - And what does that mean?
- End of the day.
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48. Then just say end of day, all right?
You're not special forces,
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49. like Isiah Ransone over here.
Now go.
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50. Wipe them out.
Leave no witnesses.
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51. And before you kill Fuches,
tell him Noho Hank did this.
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52. Oh, God. John.
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53. John, I don't want this
to be the last time I see you.
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54. John...
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55. I love you so much.
Please say something to me.
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56. John, please say something.
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57. John, please say something to me.
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58. Daddy loves you so much.
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59. Mr. Cousineau.
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60. Mr. Cousineau.
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61. Mr. Cousineau!
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62. Mr. Cousineau! I'm so sorry!
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63. I'm so sorry that happened.
I tried to fix things.
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64. I should've tried to fix things.
I should've given you that money.
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65. - $250,000.
- $250,000?
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66. I was trying to fix things.
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67. - $250,000?
- I'm sorry! I'm sorry!
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68. - For who, Barry?
- Mr. Cousineau.
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69. I'm so sorry. I'm so sorry.
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70. Please turn this off!
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71. "Barry gave C $250,000"
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72. Turn it off!
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73. I'm sorry! I'm sorry!
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74. Gene Cousineau.
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75. Mr. Cousineau,
I'm so happy I got ahold of you.
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76. My name is Matt Iserson.
I'm an agent at UTA.
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77. You are the guy that's gonna help me
take out an ad in the Hollywood Reporter
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78. about Warner Brothers
being such a dickhead
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79. 'cause they're trying to profit
off the murder of my girlfriend.
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80. No. Actually, I'm calling
on behalf of a client.
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81. - He wants to play you in that movie.
- Hey, not interested.
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82. My client is Daniel Day-Lewis.
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83. - From "My Left Foot"?
- Wow, that's a deep cut.
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84. But yes, Oscar winner,
Daniel Day-Lewis.
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85. He'd like to come out
of retirement to play you.
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86. This is not Tony Danza tryin'
to fuck with me, is it?
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87. I am not Tony Danza.
My name is Matt Iserson.
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88. I'm an agent at UTA and
I'd love to fill you in on the details.
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89. Are you open to that?
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90. - I guess I'm free today.
- Great.
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91. - How about Toscana in an hour?
- Toscana, no.
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92. I'll text you the location.
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93. - Yes?
- Mr. Cousineau?
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94. - Mr. Cousineau, are you there?
- Sally?
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95. - You're alive?
- Yeah.
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96. - Thank God!
- So are you.
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97. - I need your help.
- Anything, sweetheart.
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98. - But where are you?
- I'm in Los Angeles, with my son.
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99. John! Stay close to me!
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100. Listen, we're at the airport.
Could you come pick us up?
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101. - Now?
- Yeah. It would be a huge help.
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102. No, I have to go Toscana.
I have a meeting. I just can't miss it.
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103. - Can't you reschedule?
- I'll tell you what.
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104. Go to my house and
we'll meet there later.
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105. - Yeah. Okay.
- Do you remember the address?
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106. - Yeah, I remember.
- Okay.
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107. Okay, I'll see you soon.
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108. Look, we need to find a way
to get to Cousineau's.
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109. He's an old friend of mine.
We're gonna meet your daddy there.
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110. And once we find him,
everything's gonna be okay.
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111. Come on. John, come on!
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112. I got your text.
What's the word on the FUBAKs?
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113. They landed about an hour ago.
We lost communication with them.
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114. Okay.
Can you find communication?
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115. We just got a delivery from Fuches.
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116. - These are heads.
- We don't know that yet.
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117. - It's a head.
- I can find a couple more FUBAKs.
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118. FUBAKs don't just grow
out of the ground like mint, okay?
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119. It's another head.
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120. I will go alone and
avenge the FUBAKs...
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121. You're gonna go on a suicide mission.
I need you. You're my support system.
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122. - Why am I still opening these?
- Thank God.
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123. Oh, Isiah! Fuck!
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124. Even in death,
just an absolute fox.
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125. Can I make a suggestion?
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126. I think getting the monsters out of the
house is more important than the house.
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127. You know what?
You're absolutely fucking right.
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128. Fuck that house. It is dead to us.
Let's take care of this shit ourselves.
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129. Let's ride.
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130. I understand what you guys witnessed
earlier today was upsetting. That true?
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131. What about it upset you?
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132. - You cutting off their heads.
- I see.
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133. The Raven's flock are blood artists.
We are modern-day barbarians.
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134. Our clay are the beating hearts
of our enemies.
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135. You've told us this
a number of times.
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136. Hear me saying it and
you saying it two different things?
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137. That's right.
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138. Shit! Okay.
I should've thought this out more.
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139. May I make a suggestion?
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140. Next time we capture enemies,
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141. I or one of the guys take
the ladies out for a meal,
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142. so they're not here when shit
goes down.
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143. Nice. Delightful meal, and when
you come back, it's all cleaned up.
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144. Yo, that was a sneak attack, though.
I'm not tryin' to be all whatever,
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145. but can't really, like, plan for those.
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146. Right. I get it.
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147. Yo, what about noise
cancelling headphones?
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148. You could put on a movie.
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149. Those guys
were screaming really loud.
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150. You could just put the volume up.
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151. If it's a Fast and Furious,
you won't hear shit.
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152. That's not gonna drown out dudes
getting their heads cut off.
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153. The one with the planes
on the runway.
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154. I saw it in the theaters and
my ears were ringing for days.
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155. Well, was that Tokyo Drift?
Was that the one with Lil Bow Wow?
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156. No, it's Furious Six.
It came out, like, 2013.
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157. That's the one where Taredo
comes out the front of a plane.
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158. It doesn't matter.
They are all loud.
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159. You gotta have a legit soundbar
if you want that to work, dude.
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160. Soundbar or no soundbar,
the movie is louder.
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161. Okay guys, look, stop talking
about this shitty movie.
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162. The Fast and Furious, what does it
have to do with what's happening here?
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163. This is serious stuff.
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164. The love between the boss and his wife,
that's the most important thing here.
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165. I still think I can time it where
we get them out of the house
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166. for a nice meal before
shit goes down.
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167. Gene Cousineau?
Matt Iserson.
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168. Pretend you don't know me.
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169. Daniel hasn't been this excited
about a role in ages.
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170. Act like you're talking on your phone.
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171. Daniel really loved
the complexity of your character.
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172. The pathos, the courage,
the huge personality.
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173. It's the total package.
But in today's landscape,
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174. unfortunately, Daniel's not enough.
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175. It's why we need to attach another
big name for the role of Berkman.
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176. Are you telling me that
Daniel can't get a movie made?
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177. Not a theater movie.
Maybe a phone movie.
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178. But I think this story is big.
It's not small.
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179. Yeah, right.
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180. And I have a client who
wants to play Barry. Mark Wahlberg.
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181. Mark Wahlberg?
Are you shitting me?
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182. We ran this through our marketing
division, and if we brought Mark on,
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183. the studios would be
in a bidding war tomorrow.
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184. This would be a great way
to get Janice's story out there.
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185. It would, and that's what we hope.
But we do have one problem with Mark.
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186. He doesn't wanna play a cop killer.
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187. And seeing as this Berkman guy
killed your girlfriend, that's a no-go.
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188. Barry is a very complicated guy.
But a sympathetic soul.
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189. He loves my character so much,
it made him do stupid things.
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190. - Like killing my girlfriend.
- Really?
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191. Because Mark is concerned
he's kind of a villain.
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192. But he was so desperate
to have a father figure.
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193. Mark will relate to that.
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194. And Daniel will know exactly
what to do with my character.
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195. He'll kill it.
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196. Look, there is so much
more than people know.
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197. I mean, what you think you've seen,
what you think you've heard,
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198. is only the tip of the iceberg.
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199. This is not a good guy,
bad guy story.
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200. It goes way deeper than that.
So much deeper.
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201. Mark wants this role before
it goes on the market,
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202. so he's willing to come on as a
producer, anything to lock it down.
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203. - Would you meet with him?
- Would he come here?
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204. In the woods? No He's very
frightened of the woods.
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205. He'd like to meet you at
the Four Seasons in Beverly Hills.
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206. Come on, come on.
Here you go.
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207. Eat your food.
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208. - All right, load up the next one.
- This was it. Only one.
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209. You thought we were gonna
get it on the first fucking try?
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210. These are very expensive.
I'm thinking budget.
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211. - Hey, assholes!
- Shit. Let's go!
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212. That didn't work.
Let's go.
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213. No. Let's go. Thank you.
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214. Call them off!
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215. Why are you shootin' rockets
at my house?
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216. Fucking call them off.
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217. You think you can get rid of me
that easy?
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218. - You killed my fucking driver.
- No shit!
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219. Well, you're next, asshole.
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220. Oh, God! Fuck!
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221. Shit!
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222. Their starting right quarterback
could present some holes in that.
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223. Fuck.
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224. Fuck!
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225. Hello.
I believe my friend is here.
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226. Yeah. Got him right here.
He's here!
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227. Okay. Thank you, Miss Phoebe,
for letting me use your phone.
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228. - No problem.
- Here, I don't want this.
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229. - Hey. You only gave us one rocket.
- You told us to watch the budget.
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230. - I was talking about office supplies.
- I see.
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231. This war on Fuches
has entered a new phase.
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232. And what do we call this phase?
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233. The Give Fuches Whatever
He Fucking Wants Phase.
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234. But Barry can be
anywhere in the world.
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235. The acting teacher knows
where he is. Go to his house.
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236. Put him in a sack and bring him
to me.
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237. Mr. Cousineau!
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238. Mr. Cousineau, hello!
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239. Fuck!
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240. You fucking said you
would fucking be here! Shit!
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241. - When's Dad getting here?
- I don't know. Okay?
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242. Can you try calling again?
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243. Mr. Cousineau's gonna be here soon.
And then your dad will arrive.
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244. And then after they talk, then we'll
all be together again, as a family.
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245. And then, what are we gonna do?
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246. Well, then we're just gonna keep
doing what we're doing.
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247. Mom, you look like
you're gonna cry.
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248. You stay here, okay?
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249. Hey.
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250. Hey!
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251. Sir. Hi.
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252. My my son and I
wanna turn myself in.
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253. - My name is Sally Reed.
- What are you talking about, ma'am?
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254. Is there something
you want to say to me?
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255. - No.
- All right, well, have a good day.
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256. Mom! Mom! Mom!
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257. It's okay. It's okay.
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258. Mark is so excited
about this meeting.
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259. Oh, which way? It's this way.
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260. - Are you nervous? You look nervous.
- A little bit.
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261. Don't be nervous. Seriously.
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262. - He doesn't like nervous.
- Okay.
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263. Mark? It's Matt.
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264. Hey, Mark? I have Gene
here with me.
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265. Do you want to tell us why Barry
Berkman gave you $250,000, Gene?
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266. - I never asked for that money.
- Why you neglect to mention it to us?
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267. Because no one
was paying attention to me.
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268. When you finally did, well,
I had already spent, like, some of it.
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269. You have no idea the tension that
I was in, the stress I was feeling.
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270. He threw me in a trunk...
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271. Did you shoot your son
because he found out
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272. his house was paid for
with Chechen drug money?
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273. Now, that is crazy. Leo, come on.
You can't believe that.
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274. You never could give me
a straight answer about the cash.
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275. You changed your story.
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276. Why are you telling everyone that
Barry is a sympathetic soul?
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277. - I would never say something like that.
- That's not what you told me.
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278. - Who the fuck are you?
- Sorry, I'm Brad. I'm an actor.
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279. I was actually in your
Shakespeare class in 2004.
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280. I did a scene from the
"Merry Wives of Windsor".
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281. Detective Moss killed a
Chechen gangster at your theater
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282. where they found drug money.
She was on to you.
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283. So, you invited her up to your cabin,
where you had Barry,
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284. a guy you claim would do
whatever you say, murder her.
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285. That's disgusting.
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286. And when we found her body,
you were there
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287. with Barry and a Chechen criminal
assassin known as The Raven.
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288. - He's not even a real person.
- We know he's real.
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289. This is insane. You know me...
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290. Gene, you are a great actor.
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291. Sally Reed.
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292. Great.
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293. Sally, I'm okay.
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294. I'm sorry
I haven't gotten back to you.
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295. Hey, man. I've got two people here
who want to say hi to you.
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296. Say hello. Say it!
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297. - Dad! Please come get us!
- Barry, help us.
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298. I'll text you the address.
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299. Come quick if you want
to see your family again.
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300. Subtitling
FAST TITLES MEDIA
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